Tag: Ashutosh Mordekar

  • Indian content to ‘Glow’ in South Africa

    Indian content to ‘Glow’ in South Africa

    MUMBAI: If you were ever in doubt about the cross-border reach of Indian television content, here’s some solid proof.

    A recently launched South African TV channel – Glow TV, in the business of syndicating and displaying content from across the globe, will give SA audiences a taste of our home-grown television shows such as Bade Achhe Lagte Hain, Kya Huaa Tera Vaada and Sanjeev Kapoor’s Kitchen (Sony), No Big Deal (NDTV) and Koffee with Karan (Star India).

    An FTA channel, Glow TV, will also telecast UK-based Indian shows like The Kumars at No 42 and Life Isn’t All Ha Ha Hee Hee.

    The first television channel from Kagiso Media, Glow TV, is a partnership between Kagiso Media and Nolava Television, and calls itself ‘Eastern inspired’. This is its first television offering as it has a significant holding in the radio business.

    With the Census 2011 pegging the Indian population in South Africa at 1.3 million, a majority of which lives in and around the city of Durban, Glow TV will mainly cater to this segment.

    Yusuf Nabee says that the channel will give what people have been asking for- universal story lines and great production quality

    “We believe that there is no channel which caters to this market in the free-to-air arena. Whilst our primary target market is the South African Indian audience between the ages of 20 – 45 years, we do believe that our content has great crossover appeal and will attract audiences across the South African market,” says Glow TV head Yusuf Nabee.

    Apart from India, content is also being sourced from various distributors in countries like Brazil and the US. As of now, Glow TV has no original content but that will be part of phase two and will be produced by its subsidiary, Urban Brew Studios. “We will look at content in all languages – our main criteria are compelling entertainment and high production values,” says Nabee.

    People today are looking at great content, high production values and universal story lines, all of which Glow TV can provide, according to Nabee. “Glow is a cleverly tailored offering that brings comedy, drama, movies, reality, food and game shows, in one easy-to-access, free-to-air offering,” he exults.

    Currently, Glow TV is only looking at adding English sub-titles though there are plans to dub shows in future.

     
    Nilesh Kriplani says that this deal will give their shows great value

    But why would Indian television channels like Sony, NDTV and Star India want to be a part of this new channel?

    For Sony, it is about supporting an upcoming channel of a parent they have known for the last two to three years. “Although our channel is already known in Africa, this deal adds value to our library content and also increases awareness,” says Sony Entertainment Network Exec VP Syndication Nitesh Kriplani.

    For Star India, it is about expanding into Africa with its linear channels as well as syndication. “Kagiso was looking for top-quality Indian content to populate Glow TV programming and Star being the biggest content creator of India, was a natural destination for Kagiso. So, we found great synergies in working together to further our expansion plans in Africa,” says Star India senior VP commercial Ashutosh Mordekar, adding, “For now, just the first two seasons of Koffee with Karan are being shared, but more shows are in discussion.”

    Star India is expanding its reach to Africa says Ashutosh Mordekar

    With Glow TV yet to pick up in the market, all deals are only for a period of two to three years. Also, with all syndicated shows, the channel is presently relying on advertisers for revenue. A package called ‘Glow Watt Bundles’ has been designed for Indian advertisers with a presence in South Africa. Kagiso Media has entitled its ad sales rights exclusively to H2O Media for all advertisers based in India. H2O is a media marketing company that markets Indian content that caters to the NRI community to Indian advertisers.

    Currently, Glow TV is only available on the Open View HD satellite bouquet along with 14 other channels. An initial amount of ZAR 1600 has to be paid for acquiring the set top box, satellite dish and for installation that is paid to Open View HD whose USP is ‘pay once-enjoy forever’.

    However, plans are afoot to bring in more channels under the Glow TV umbrella in future when South Africa shifts from analogue to digital TV. With the way things are shaping, more Indian shows are set to be aired on Glow TV as well.

  • Buyers treated to Koffee with Karan

    Buyers treated to Koffee with Karan

    CANNES: Barely has Mipcom 2013 taken off and Star India seems to have sprung a huge surprise on buyers gathered at Cannes.

    It’s Koffee with Karan, being served hot and fresh at the world’s largest content fest before it returns to screens back home.

    That’s not all. The network is equipped with a host of other series and thousands of films from its library, and is particularly betting big on the epic saga – Mahabharat – which is already on air on Star Plus since 16 September.

    Star India’s ammo includes the thriller series Savdhan India and Humne Li Hai…Shapath from sister channel Life OK’s portfolio as well as Arjun which is currently being telecast on the network.

    Star India vice president Ashutosh Mordekar exults: “While we are looking at selling the Mahabharat format to countries which look at it as mythology, there is also a huge chunk of countries which think of it as a costume drama coming from India and are interested.”

    So Star India also plans to position Mahabharat, a la Korean costume dramas that are very popular with global audiences.

    “We are looking at tapping central and eastern Europe, Russia and the CIS region. We are hoping for a good Mipcom this year,” says Mordekar.

    Having succeeded in selling Life OK’s Devo Ke Dev… Mahadev to Mauritius and Eastern Europe, the network is looking at expanding the market base of the hit series.

    Nach Baliye, India’s Dancing Super Star and Channel V’s teenage crime series Gumrah are among the other show formats the network is looking to license this year. Star India will also hunt for new formats for Life OK as well as its new channel Star World Premier HD.

    About the propensity for Video on Demand (VoD), Mordekar says: “In India too, there is a huge shift from linear TV to non-linear and to VOD and we are also looking at creating content to occupy that space. We are coming up with branches to fulfill the VOD need of our viewers.”

    So while it’s early days at Mipcom, indiantelevision.com will keep a watch out for deals cracked in markets the channel plans to tap.

  • Star gears up for MIPCOM

    Star gears up for MIPCOM

    MIPCOM is where the ‘stars’ align for business. And so it is that Star India will be participating for the eighth consecutive time at MIPCOM this year, armed to its teeth with content including Hindi and regional programs.

    There’s no undermining how important MIPCOM is, even for an established entity such as Star India, whose programs have takers not only in India but all over the world. Star India vice president Ashutosh Mordekar puts it well saying: “MIPCOM is the biggest aggregation of content buyers and sellers across the globe. It provides a platform to showcase our content to buyers across the world.”

    Ashutosh Mordekar believes the market provides an opportunity to meet and transact with new as well as existing clients

    Mordekar also believes the market provides an opportunity to meet and transact with new as well as existing clients.

    Star will be focussing on markets like Central and Eastern Europe, Russia and CIS region and Central Asia.

    Coming to what’s new from the Star stable, Mordekar says: “Star is showcasing the epic Mahabharat which is the most expensive show coming from India. The show is already garnering interest across Asia and Europe, and buyers have already indicated their interest.”

    Explaining why Indian content is very well accepted in global markets, he reasons: “The world is currently opening up to Indian content in a big way. Indian content is at present just breaking out. We are at the end of stage one, where the content has been sampled in various countries through initial foothold deals and the success of these shows has created a huge interest in fresh content coming from India.”

    While it is generally felt that the production value of Indian content has gone up in recent times, is it really up-to-speed with international standards? “Yes! The last couple of years have seen a huge leap in the production value of our shows. Be it HD, Dolby 5.1 Sound etc. – the production values today are comparable to the best in the world,” quips Mordekar.

    About the platforms the network plans to target at MIPCOM, he says: “We are going to be in discussions for exploiting our content on IPTV, mobile, VOD (Voice on demand) or free-to-air platforms.”

    Optimistic about the results of participation, Mordekar is looking forward to this year’s fest.