Tag: Apu Trilogy

  • Warner Music Group scores with ‘Avijatrik – The Wanderlust Of Apu’

    Warner Music Group scores with ‘Avijatrik – The Wanderlust Of Apu’

    Mumbai: Warner Music Group India has made its first Bengali acquisition by acquiring worldwide sales and distribution rights of the much-awaited film, “Avijatrik – The Wanderlust Of Apu.” The film is produced by Gaurang Films & Bhandarkar Entertainment and co-presented by NCKS Explorations.

    “Avijatrik” is a unique film with a rich legacy & soulful music, with the enduring and endearing character of ‘Apu’ is all set to return after 60 years to the big screens on 3 December. It is a sequel to the classic “Apu Trilogy,” directed by Satyajit Ray & BG score by Pt Ravi Shankar.

    The plot takes off from where “The Apu Trilogy” had ended in 1959 with “Apur Sansar.” The story revolves around a sublime bond between a father (Apu) and his six-year-old son (Kajol). The film has explored a beautiful tapestry of pure interpersonal relationships to recreate the magic of Apu– sharing adventures with his beloved son, Kajol and is directed by Subhrajit Mitra. “Avijatrik” has been shot in B&W with an ensemble of experienced cast and crew at 68 locations to retain the rich aesthetic flavour that compliments its backdrop of 1940’s India. It stars Arjun Chakrabarty (as Apu), Ditipriya Roy, Arpita Chatterjee, and Sabyasachi Chakrabarty in key roles.

    The music of this film is by the internationally acclaimed exponent of the Indian classical genre Pt Bickram Ghosh and the title track is a variation by Anoushka Shankar, of her father Pt Ravi Shankar’s iconic “Pather Panchali” theme. “I am happy to be a part of Avijatrik as a small tribute to my father,” commented Anoushka.

    The film has traveled to 32 film festivals worldwide, garnering multiple accolades. Pt Bickram Ghosh has already received two awards for Best Music for his beautiful compositions & BG score at the Montreal Independent Film Festival, Canada, and Caleidoscope Indian Film Festival of Boston USA. “The music of Avijatrik is very special for me, as is the validation of it by Chinamma (Smt Sukaya Shankar Ji). The plan was to bring back traditional instruments, the soundscape of the ’40s, the best of the raga culture, and folk music. I am honoured that I got this project and feel grateful for the awards,” said Pt Bickram Ghosh.

    The trailer of Avijatrik is also creating waves and has already had nearly 800,000 views so far.

    Speaking about this alliance with WMI, producer Gaurang Jalan stated, “Team Avijatrik is delighted with this association and hopes that music of this film will travel far and wide with their global experience& leadership.”

    Co-presenter Madhur Bhandarkar added, “We are delighted with the association with WMI &there would be no better reward than the music of this film reigniting the love for Indian classical music, globally!”

  • Satyajit Ray’s ‘Apu’ trilogy among top films in Asia: Busan Filmfest

    Satyajit Ray’s ‘Apu’ trilogy among top films in Asia: Busan Filmfest

    NEW DELHI: Indian cine craftsman Satyajit Ray’s Apu trilogy stands at the fifth place in the top ten films in Asia drawn up during the 20th Busan International Film Festival.

    In a separate list of the top ten directors, Ray again figures at the fifth place.

    Ray is the only Indian filmmaker to have won an Oscar for Lifetime Achievement, and the Oscar Committee had come to Kolkata to give him his honour as he was ill at the time. He passed away in April 1992 at the age of 71.

    The top film is Tokyo Story from Japan whose director Ozu Yasujiro features at the top in the director’s list.

    The ‘Asian Cinema 100’ for the Special Programme in Focus this year at the Festival aims to celebrate its history and is a collaboration project with the Festival and the Busan Cinema Centre to shed light on the values of Asian film. 

    The list will be updated every five years to act as a guide for the aesthetic value and history of Asian cinema and to discover hidden masterpieces and talented directors of Asia.

    For the project, 73 prominent film professionals included film critics such as Jonathan Rosenbaum, Tony Rayns, Hasumi Shigehiko, and festival executives, programmers, and directors Mohsen Makhmalbaf, Bong Joon-ho, and Apichatpong Weerasethakul. 

    They recommended their top 10 films, resulting in 113 selections and 106 directors (including joint rankings) for the final 100 list.

    Akira Kurosawa had two films in the top 10 list that included Rashomon (1950) in second place and Seven Samurai (1954) at sixth place. 

    The top 10 (a total of 11 films) will screen under Asian Cinema 100. A special book containing the details and reviews of the films on the list by 29 film professionals will be published during the Festival.

    Interestingly, Close Up from Iran is listed at the eleventh number, while its popular director Abbas Kiarostami figures at number three in the Directors List. 

    There are three Japanese films and two films each from China and Taiwan in the list of eleven films.

    The Apu Trilogy (Satyajit Ray, 1955) depicts the life of Apu in Pather Panchali (1955), Aparajito; (1956), and Apur Sansar (1959). A masterpiece that realistically and placidly portrays Indian society. Ray is called a master of Asian film as well as the father of Indian cinema.

    [Special Program in Focus: Asian Cinema 100 – Top 10 Screening List (11 total, including joint ranking]

     [Special Program in Focus: Asian Cinema 100 – Top 10 Directors (including joint ranking]