Tag: Apple Music

  • Tata Play strikes the right chord with Apple Music offer for users

    Tata Play strikes the right chord with Apple Music offer for users

    MUMBAI: Tata Play is turning up the volume on value. The content distribution giant has teamed up with Apple Music to make subscribers’ playlists longer, livelier and best of all free for the first few months. The special promotional offer extends across Tata Play Binge, Tata Play Mobile app, and Tata Play Fiber, ensuring that no matter how subscribers tune in, they can do it to the sound of Apple’s iconic beats.

    The deal gives new Apple Music users a complimentary four-month subscription, while qualifying returning users can enjoy three months free before the regular plan of Rs 119 per month kicks in. The offer, available to all Tata Play customers across DTH, OTT, and broadband services, adds another note to the company’s mission of delivering “value beyond entertainment.”

    “At Tata Play, we’re constantly innovating to enrich our subscribers’ entertainment experience,” said Tata Play chief commercial and content officer Pallavi Puri. “This promotional offer gives our customers easy access to over 100 million songs, curated playlists, and live radio through Apple Music all integrated seamlessly with Tata Play platforms.”

    For Apple India, this partnership hits all the right notes. “Expanding our collaboration with Tata Play marks an important step forward in our growing partnership,” said Apple India director of content and services Shalini Poddar. “With the integration of Apple Music, we’re delivering a more immersive and personalised audio experience to Tata Play’s audience, bringing Apple Music to even more customers.”

    Subscribers can redeem the offer through a promo code, after which it transitions into a regular Apple Music plan. For Tata Play, the move amplifies its growing effort to blend entertainment ecosystems combining video, broadband, and now, music into a unified experience for Indian households.

    By adding Apple Music’s signature soundscape to its content mix, Tata Play isn’t just streaming shows anymore, it’s orchestrating an experience where every user can, quite literally, play it their way.

     

  • India’s music royalties hit the high notes with Rs 700 crore windfall

    India’s music royalties hit the high notes with Rs 700 crore windfall

    MUMBAI: India’s  music scene is singing a very different tune these days—one that sounds suspiciously like cash registers ringing. Music royalty collections in India have struck a crescendo at Rs 700 crore in 2024, surging 42 per cent year-on-year and quadrupling over five years in a performance that would make even Indian cinema proud.

    The star of this financial symphony? Streaming platforms, which have transformed from industry pariahs into the golden goose laying digital eggs. India’s global ranking for creators’ collections has leapt from a modest thirty seventh position in 2019 to twenty third in 2023, according to the International Confederation of Societies of Authors and Composers (CISAC) in its latest annual report.
    Royalty collectionsBut before the champagne corks start popping in recording studios across the subcontinent, there’s a sobering reality check. Despite the impressive crescendo, India’s royalty collections remain woefully below potential for a market of this magnitude—a case of having the orchestra but missing half the instruments.

    The culprit? Indians’ stubborn reluctance to pay for premium music streaming services. While platforms like Spotify, JioSaavn and Gaana are desperately trying to wean users off their freebie addiction with subscription models—backed by music labels like Saregama—the conversion rate remains sluggish.

    Adding to creators’ woes is the dismal performance of non-digital revenue streams, which continue to hit bum notes. CISAC has been working overtime with the Indian Performing Rights Society (IPRS) to bring global standards to governance, licensing and royalty distribution—essentially teaching old dogs new digital tricks.

    The organisations have crafted a fresh action plan for FY25, designed to explore untapped market potential and identify business opportunities. The blueprint targets improved collections from local digital services whilst diversifying revenue streams beyond the usual suspects.

    With India’s creative economy finally finding its rhythm, the question isn’t whether the music will stop—it’s how loud the next movement will be.

  • Music industry to hit $184.69 billion by 2029, riding the digital wave

    Music industry to hit $184.69 billion by 2029, riding the digital wave

    MUMBAI: The music industry is tuning up for a record-breaking encore, with projections forecasting a $184.69 billion leap in market value between 2025 and 2029. According to Technavio, the industry’s setlist for success includes digital music adoption, AI-driven innovation, and the ever-growing streaming revolution. With a CAGR of 18.1 per cent, the industry is not just keeping up with the beat—it’s rewriting the entire score for how we consume music in the digital age.

    Streaming services and AI

    Gone are the days of cassette tapes and MP3 downloads. The streaming era is in full swing, with platforms like Spotify, Apple Music, Tencent Music, and YouTube Music leading the charge. In 2024, streaming contributed to a significant chunk of the industry’s revenue, with consumers increasingly opting for on-demand access to their favourite artists rather than owning physical copies or digital files.

    AI is also playing maestro, transforming music discovery, personalisation, and even composition. From playlist curation to predictive analytics for record labels, AI-driven models are rewriting the rules of engagement between artists and audiences. As businesses fine-tune algorithms to keep listeners hooked, the industry continues its transition towards a more data-driven, user-centric model. AI is even entering the creative process, with some companies experimenting with AI-generated music compositions, raising both excitement and concerns about the future of human artistry in the industry.

    Where is the music industry humming the loudest? North America leads the symphony, contributing 40 per cent of the global market share, thanks to a massive subscriber base and an appetite for premium content. Europe, APAC, south America, and the middle east & Africa follow suit, each playing a crucial role in the global expansion of streaming services.

    Key markets driving growth include the United States, Germany, Canada, the United Kingdom, China, France, Japan, South Korea, Italy, and the Netherlands. These regions are witnessing a spike in digital music consumption, boosted by faster broadband speeds, affordable smartphones, and a younger, tech-savvy audience. The rise of smart speakers and voice-assisted technologies like Amazon Alexa and Google Home has also contributed to the seamless integration of music into daily life.

    Music Market Scope
    Report Coverage Details
    Base year 2024
    Historic period 2019 – 2023
    Forecast period 2025-2029
    Growth momentum & CAGR Accelerate at a CAGR of 18.1 per cent
    Market growth 2025-2029 $ 184692.4 million
    Market structure Fragmented
    YoY growth 2022-2023 ( per cent) 15.6
    Regional analysis North America, Europe, APAC, South America, and Middle East and Africa
    Performing market contribution North America at 40 per cent
    Key countries US, Germany, Canada, UK, China, France, Japan, South Korea, Italy, and The Netherlands
    Key companies profiled Amazon.com Inc., Apple Inc., Bertelsmann SE and Co. KGaA, Curb Records Inc., Deezer SA, Kobalt Music Group Ltd., NORTHERN MUSIC Co. Ltd., Pioneer Music Co., Sirius XM Holdings Inc., Sony Group Corp., Spotify Technology SA, Tencent Music Entertainment Group, THEME MUSIC Co. Pvt. Ltd., TIDAL, Universal Music Group N.V., Vivendi SE, Warner Music Group Corp., Yamaha Corp., YouTube, and Zee Entertainment Enterprises Ltd.

    Industry heavyweights? The music industry is no longer just about record labels. Today, it’s a battlefield where tech giants and traditional players are battling for dominance. Key industry movers include Amazon, Apple, Warner Music, Universal Music Group, Spotify, Tencent Music Entertainment, and YouTube, among others.

    Strategic alliances, mergers, and acquisitions have become the name of the game, with companies aggressively expanding their footprint. Whether it’s Amazon Music integrating voice-activated streaming with Alexa or Spotify’s push into podcasting, innovation is at the heart of market competition. Additionally, artists are increasingly taking control of their own music distribution, bypassing traditional labels in favor of independent digital distribution platforms, enabling them to retain a larger share of their revenue.

    Now despite the roaring success of digital music, challenges persist. Piracy remains a major headache, especially in regions where copyright enforcement is weak. Countries like Portugal, Spain, and the Netherlands are grappling with rampant illegal downloads, impacting revenue streams for artists and labels alike. Efforts to combat this include advanced watermarking technologies and blockchain-based rights management systems, which help trace music usage and ensure fair compensation.

    Another hurdle is the intensifying battle between traditional record companies and digital platforms. While streaming services provide unparalleled reach for artists, they also disrupt conventional revenue models, raising concerns over fair compensation and artist royalties. Some artists have voiced frustrations over the paltry earnings from streaming platforms, prompting new discussions around fairer pay structures and potential regulatory intervention.

    Future trajectory? 

    Looking ahead, the music industry is expected to lean further into AI, metaverse concerts, and blockchain-powered rights management. Live performances and immersive digital experiences are set to be the next frontier, allowing fans to engage with their favourite artists in new and exciting ways. Some companies are already developing virtual concert venues in the metaverse, enabling artists to perform for global audiences without the need for physical tours.

    Additionally, NFTs (non-fungible tokens) are emerging as a revolutionary way for artists to monetise their music, offering exclusive digital collectibles, album releases, and even fractional ownership of song royalties. These blockchain-based assets provide a new revenue stream, reducing reliance on traditional streaming platforms and giving fans unique ways to engage with their favorite musicians.

    As the industry dances to the rhythm of digital transformation, one thing is certain: music consumption will never be the same again. Whether through AI-generated beats, VR-powered gigs, or hyper-personalised playlists, the future of music is as thrilling as its past. With constant innovation, the industry is ensuring that music remains an integral part of people’s lives, adapting to changing consumer behaviors and technological advancements at an unprecedented pace.

  • Warner Music India artists dominate major streaming platforms’ 2023 year-end roundup

    Warner Music India artists dominate major streaming platforms’ 2023 year-end roundup

    Mumbai: Warner Music India’s artists have risen to the top on India’s major streaming platforms, showcasing unbeatable dominance across charts and playlists with their musical excellence. The year 2023 bore witness to an unparalleled surge in the popularity of these artists, marking their presence across Spotify, Wynk, and Apple Music.

    The highly anticipated ‘Spotify Wrapped 2023’ recently unveiled its results, with Warner Music India taking the crown as King’s “Maan Meri Jaan” claimed the prestigious Top Spot as the Most Streamed Track of 2023 in India. Jasleen Royal’s “Heeriye,” King’s “Tu Aake Dekh Le,” and Darshan Raval’s “Mahiye Jinna Sohna” commanded their positions in the Top 50 Most Streamed Tracks and Top Hindi Tracks of 2023.

    Internationally acclaimed, Ed Sheeran’s “Perfect” stood tall as one of the three English tracks in the Top 50 Most Streamed Tracks of 2023 in India. Darshan Raval, Karan Aujla, and King made a lasting impact on India’s music scene, securing their positions on the Top 50 Artists List of 2023.

    This wave of success reverberated across other streaming platforms within the country. “Heeriye” continued its victorious journey on Wynk, reigning supreme in categories like Best Hindi Songs. Karan Aujla emerged as the undeniable leader in the Punjabi music scene, with a remarkable five songs in the Top 50 and claiming the title of Top Punjabi Artist of 2023.

    King’s unstoppable momentum swept the nation and all streaming platforms, with “Maan Meri Jaan” securing the second spot as the most streamed song on Apple Music in 2023, further solidifying Warner Music India’s influence across platforms.

    Warner Music India’s dedication to fostering great talent and creating music for all is clear. Their success on Spotify, Wynk, and Apple Music shows how popular and talented their artists are across the country!

  • Shemaroo Entertainment revives 90s Bollywood music with new-age singers

    Shemaroo Entertainment revives 90s Bollywood music with new-age singers

    Mumbai: The 90s era of Bollywood music holds a special place in the hearts of millions, evoking cherished memories and a warm sense of nostalgia. These unforgettable songs became anthems for a whole generation, resonating with listeners of all ages. Now, Shemaroo Entertainment has taken these timeless melodies and given them a new lease of life with a modern twist.

    Unlike simply repackaging classics, Shemaroo Entertainment has breathed fresh energy into these evergreen tracks by collaborating with talented new-age singers. The aim is to create a seamless blend of nostalgia and modernity, preserving the essence of the original melodies while appealing to today’s discerning youth. While some songs have already been released, new ones will be unveiled every week, allowing music enthusiasts to immerse themselves in the golden era of Bollywood.

    To kickstart this extraordinary project, Shemaroo Entertainment has meticulously chosen these iconic songs from Bollywood’s rich repertoire, ensuring a comprehensive representation of the era’s musical brilliance. These tracks have been beautifully recreated by aspiring singer Arunati Roy from Durgapur (Paschim Bardhaman), West Bengal, supported by Hiranmoy Mandal, R3ZR and Sunny Karmakar who has helped in the execution of the project.

    The recreated masterpieces will be showcased to a global audience through Shemaroo’s extensive distribution across platforms like YouTube channels – Filmi Gaane, Indipop, Romantic Hindi Songs, 90s Hindi Songs, and across more than 150 global online music streaming platforms like Resso, Spotify, Apple Music, Wynk Music, Amazon Music, JioSaavn, etc along with Telco-CRBT and radio.

    Expressing her excitement of recreating songs for Shemaroo Entertainment, Arunati Roy said, “I am thrilled and honoured to be a part of this extraordinary musical journey with Shemaroo Entertainment in Association with Hindi Unplugged World. Recreating these iconic Bollywood songs is a dream come true for me as a budding artist. It’s an incredible opportunity to infuse these timeless melodies with a fresh new-age touch and bring joy to the hearts of the younger audience. This project is a true celebration of music. It is a great opportunity created by Shemaroo to promote young artists, providing them with a platform to showcase their exceptional talent.”

    This initiative marks the beginning of Shemaroo’s efforts to discover and nurture fresh voices, offering a chance for aspiring artists to join hands with Shemaroo and reach a wider audience. Through this Shemaroo is creating opportunities for emerging talents to make their mark in the music industry and contribute to the vibrant musical landscape. In line with their commitment to enhance the listening experience for GenZ and Gen Alpha audiences who have a fondness for 90s songs, the company is actively seeking similar budding artists to recreate and sing these timeless melodies.

    This unique initiative promises to be a grand celebration of Bollywood’s rich musical heritage, infused with the fresh energy of contemporary talent. Get ready to relive the magic of 90s Bollywood music like never before!

  • Pritam and Ranveer Singh unveil ICC men’s cricket World Cup anthem

    Pritam and Ranveer Singh unveil ICC men’s cricket World Cup anthem

    Mumbai: With two weeks left until the ICC Men’s Cricket World Cup 2023 kicks off, the event’s official anthem, ‘Dil Jashn Bole’ has been released. This anthem is the result of a fantastic collaboration, starring the internationally acclaimed superstar Ranveer Singh in the lead role with sensational music created by Pritam, one of Bollywood’s most coveted composers.

    The anthem takes fans on an epic journey through India on board the One Day Express, witnessing a never-seen-before celebration ahead of the biggest Cricket World Cup ever.  

    ‘Dil Jashn Bole’ is available on streaming platforms Spotify, Apple Music, Gaana, Hungama, Resso, Wynk, Amazon Facebook, Instagram and YouTube. Fans can soon enjoy listening to the Anthem on radio stations Big FM and Red FM.

    Speaking about the Anthem launch, superstar Ranveer Singh said “As a part of the Star Sports family and a die-hard cricket fan, being part of this anthem launch for the ICC Men’s Cricket World Cup 2023 is truly an honour. It’s a celebration of the sport we all love.”

    Pritam said, “Cricket is India’s greatest passion and composing ‘Dil Jashn Bole’ for the biggest World Cup ever, has been a tremendous honour for me. This song is not just for 1.4 billion Indian fans but for the whole world to come to India and be a part of the biggest celebration ever.”

    The music video encapsulates the emotions of the global fan community, uniting nations and fans across different cultures. The fan-centric anthem represents an epic celebration, designed to resonate with hearts and ignite spirits. The anthem embodies the World Cup combining the unique Indian passion for cricket with the national pride of all competing nations to create an unrivalled global sporting occasion.

    Fans worldwide are also invited to take part by showcasing their creative interpretations of the hook-step in diverse global locations. Whether it’s cricket stadiums, educational institutions, iconic landmarks, or historical monuments, the stage is theirs. Fans need to simply team up with a friend, capture their unique hook-step performance, and share it on Facebook or Instagram with the hashtag #CWC23. The most captivating videos will be curated to craft a collective Fan Anthem, showcasing the world’s enthusiasm for all to witness.

    ICC general manager of marketing and communications Claire Furlong said: “The ICC Men’s Cricket World Cup 2023 is set to be the biggest Cricket World Cup ever with hundreds of millions of fans around the world ready to be a part of it. The anthem brilliantly captures the passion and energy of India and the fans that will make this event so special, and we can’t wait for the world to hear it.  This World Cup will put place fans at the centre of the action and the anthem will help bring them closer to the game than ever before, so go listen now and create your own hook-step.”

    Star Sports spokesperson said, “We are delighted to collaborate with the ICC for the official anthem of the World Cup. The anthem is an expression of the cornucopia of emotions and waves of energy, which each and every day of the tournament promises to deliver to more than a billion viewers around the world.”

    Cricket fans are invited to be part of this celebration as the ICC Men’s Cricket World Cup 2023 gets underway from 5 October – 19 November. 

  • Turn up the volume! Podcast marketing becomes brands’ new favorite

    Turn up the volume! Podcast marketing becomes brands’ new favorite

    Mumbai: Covid-19 disruptions and months-long lockdowns hampered the marketing industry for the last two years. While some mediums became irrelevant during the pandemic, others witnessed enormous growth. One leading example of the latter is podcast! Experts feel that with the restriction on movement during the pandemic, podcast emerged as a screen-free comfortable medium to deliver content to the listeners and consumers are increasingly inclining toward passive entertainment leading marketers to invest more in audio advertising.

    According to a KPMG study, podcast consumption increased by 29.3 per cent in the first year of the pandemic. A survey by Spotify and YouGov says that as of 2021, 50 percent of Indians prefer listening to at least one episode of a podcast every week. In 2018, PWC estimated that among 500 million internet users in India, only 40 million ever listened to a podcast. But the number changed dramatically during the pandemic as the listener base increased to 57.6 million monthly listeners, revealed another PWC report of 2020. The PWC Global Entertainment & Media Outlook 2020 study also predicted that India’s podcast listening market, the third-largest globally, is expected to reach Rs 17.61 crore by 2023, growing at a CAGR of 34.5 per cent.

    By offering advertising opportunities, the podcast is emerging as an influential platform. The key reason behind brands’ interest and increasing spending on podcast advertising is that it works, and it works more effectively compared to the traditional advertising mediums that have become increasingly less effective. It is a popular medium especially among millennials and gen-Z as the medium lets them learn more about self-love, discover something new, cope with anxiety, or simply entertain themselves.

    Surge in ad sales 

    Spotify, which is believed to be the largest music streaming app in India, recorded a surge in ad sales from a big investment in newer services such as podcasts while recording a 16 per cent increase in paid subscribers in the fourth quarter of last fiscal year. According to reports, Spotify has recorded major growth in the regional market, leading them to launch 30 new podcasts with local creators.

    Local creators tapped into the trend by understanding the need of the time. While the pandemic brought unavoidable challenges to life, podcasts made content consumption easier.

    As digital players are moving back to the traditional way of storytelling, open mics and sharing content through audio, audio platforms expect even bigger growth numbers in the upcoming years. Gaana.com, another leading music streaming app, is also eying to improve its marketing efficiency by 50 per cent by the end of 2022, tells Gaana head of marketing Shashwat Goswami. 

    Goswami says that their efforts are dedicated to diversification and personalisation. Revealing the marketing strategy for the year, he states, “Our major focus is non-music content for the year because the growth trajectory in the future will be led by podcasts.” 

    On being asked why is so hopeful about the growth of podcasts, he explains that podcasts are highly personalised and getting hyper-local. “Podcasts are becoming increasingly popular among local communities, if it goes at the same pace, we can expect growth in tier 2 and 3 cities,” he asserts. 

    Brands are all up to leverage the medium 

    This change in numbers attracted many brands to invest in the medium. If we see the trends, brands like Oppo, Netflix, HDFC Life, Unacademy, Cadbury’s, and many more started investing in the medium a long time ago. 

    The Man Company, an ultimate solution to becoming a gentleman, is soon launching a very exciting show with a significant modern gentleman as the host and an amazing lineup of guests, reveals The Man Company director-brand marketing Rumi Ambastha. 

    Ambastha feels that this becomes a platform that’s worth exploring both from an education and entertainment perspective. 

    QuackQuack founder and CEO Ravi Mittal says, “The usage of podcasts is going up in India. Our observation shows people who were listening to music are now also switching to podcasts for entertainment, knowledge and inspiration. We are finding this concept interesting for marketing our products.” 

    “Podcasts should see continuous growth in India for now as people opt to get more productive with their free time and consume more audio-based content. Audio-based marketing has a tremendous scope from a sponsorship point of view if done in the right manner leading to a win-win for the podcast and the brands,” he adds, while evaluating the future of podcast marketing. 

    The popular dating app Bumble also collaborated with JioSaavn during the pandemic to spread the message of being together among young adults. With a highly-engaged and young user base, JioSaavn was the perfect destination for Bumble to build a community to foster safe, meaningful, and true connections. 

    Dairy Milk Silk also launched a campaign with Spotify to bring lovestruck couples together. The campaign was targeted toward the couples who couldn’t meet during the lockdown. According to Spotify official data, the campaign reached five million+ listeners and eight thousand Spotify users opted to gift a Dairy Milk Silk to their loved ones. 

    Supertails, an online vet consultation platform, also invests in podcast marketing. Supertails co-founder Varun Sadana says, “We definitely see podcasts as an interesting brand building tool and are working in this direction. Our initiatives for the medium are still in the works and we’re excited to see how our community takes it when we launch.”

    Well! Not just the mainstream brands but other industry players are also investing in the medium. Scenic Communication, a leading communication agency, has invested in the medium by collaborating with leading podcasters. 

    Scenic Communication co-founder Anindita Gupta says, “We invest in the medium by collaborating with leading podcasters.” She added, “as a communication agency we are aware of how significant this platform is going to be in the future of brand engagement and we are working towards a strategy to involve most of our clients to create a presence on this platform.” 

    The relevance of podcast: Explained by experts 

    Gupta feels podcast as a medium has rapidly evolved over the last five years, mainly as an alternative to video, as it allows people to reduce screen time, multi-task, and still consume content of their choice. 

    “Over a period of time, podcasts also became a source of knowledge, entertainment and news, helping both podcasters and brands to engage with a fast-evolving audience willing to ‘Listen’ instead of being attached to an ‘immersive viewing’ experience all the time. This is how podcasts started as a marketing medium and are now used as a tool for brands to showcase their products and services,” affirms Gupta. 

    Adding to it, The Man Company’s Ambastha says, “podcast emerged as an interesting respite from all other video streaming platforms. So one can say podcasts literally and figuratively found their space and voice during the pandemic.”

    “Podcast is a welcome change from the erstwhile omnipresent mobile phones. Gives you the liberty to watch and do other household chores or workout all while listening to your favorite personalised podcasts,” she explains.

    Pulp Strategy founder and MD Ambika Sharma shares that podcasts are a great way to reach hyper-targeted audiences. “Podcasts can be information, and engagement on-demand while audiences are on the go, they are easy to tune into and offer the advantage of repetitive engagement if the content is great. It is a very useful medium for new-age brands that are majorly targeted to millennials and gen-Z and if we deep dive into the demographics of the users of audio platforms, we realise that 75 per cent of their consumers are from these age groups. Hence, audio streaming platforms become relevant for dating applications,” she further says. 

    4AM Worldwide chief creative officer Anand Nair thinks that audio-based content has certain transparency and intimacy to it. “The beauty of listening to a well-conducted podcast as it transports the listener to the room where the host and the guest are conversing makes it feel like a personal experience. Whether from entertainment or from a learning perspective, this kind of engagement is remarkable in the times we live in where distractions abound,” asserts Nair. 

    “Podcasts make more sense for a certain type of brand targeting a certain type of audience thanks to the level of intimate and extensive engagement it offers. It makes the speaker appear as an authority thus inducing trust which is the precursor to most purchase decisions,” he further says, adding that, “If used strategically as part of a larger media plan, it can help build recall and become a channel to build more evangelists for the brand since the audience listening are likely to be among the influencers of their social circles.” 

    Moreover, podcasts appeal to the mass audience as it has the added advantage of less attention span which does not require any extra screen time making them an ideal option for consuming productive content even in a busy schedule. 

    Grapes Digital CEO and co-founder Shradha Agarwal thinks that podcasts as a platform show a great affinity for story-telling. Explaining further, she said, “The sector has always shown significant growth, which in the past two years got the desired mileage with the onset of a pandemic that necessitated a reduction in the screen time which worked in favour of podcasts.”

    “However, the listenership for podcasts is growing, but on a small base because in the end, it’s difficult to define how many listeners have actually tuned in for how many minutes but there is an immense scope in the industry to grow.”

    “In recent times, various categories of brands have started advertising audio marketing. The brands usually tap the millennials or people in the age bracket of 20-40 years. With the rising popularity of podcasts and the wide reach it exercises, diverse brands are foraying in this platform where e-commerce, fintech, education, food delivery apps etc are highly active on the platform,” Agarwal attests.

  • YouTube to launch music streaming app in India

    YouTube to launch music streaming app in India

    MUMBAI: Google-owned YouTube has announced the launch of its new music streaming app YouTube Music in the country, in a bid to grab a pie of the growing Indian audio streaming industry.

    According to reports, the ad-supported version of YouTube Music is free and to get access to ad-free YouTube Music Premium, consumers will have to pay Rs 99 a month, the company said in a statement.

    YouTube global head of music Lyor Cohen said, "With YouTube Music, we are hoping to bring the best in global and Indian music to millions of fans across India, and give them an immersive music experience."

    The company also announced to bring "YouTube Premium" to India which would be available for Rs 129 a month that included membership to YouTube Music Premium, offline downloads and access to all YouTube originals.

    "Samsung Galaxy S10 users can enjoy four months of free, ad-free access to YouTube Premium," said the company.

    YouTube Music would throw a big competition to services like Gaana, Saavn, Apple Music and Amazon Music. This is the second big debut of global music streaming giant in India after Swedish platform Spotify made its way into the country late last month and garnered over one million users.

  • Apple posts strong Q3 earnings

    Apple posts strong Q3 earnings

    MUMBAI: Apple has posted a strong result for the third quarter in contrast to other tech giants like Facebook, Twitter, Netflix etc. which disappointed investors in this quarter’s result. The company reported a higher-than-expected revenue for its third fiscal quarter beating analysts’ projection.

    The California-based company posted quarterly revenue of $53.3 billion, an increase of 17 per cent from the year-ago quarter. Moreover, due to its brand reputation across the globe, international sales accounted for 60 per cent of the quarter’s revenue. Earnings per share grew by 40 per cent year-over-year while revenue grew by 17 per cent year-over-year.

    “We’re thrilled to report Apple’s best June quarter ever, and our fourth consecutive quarter of double-digit revenue growth,” Apple CEO Tim Cook said. “Our Q3 results were driven by continued strong sales of iPhone, services and wearables, and we are very excited about the products and services in our pipeline,” he added.

    However, 41.3 million iPhones shipped during the third quarter is basically flat from the year-ago period and slightly below the projection of 41.8 million. The higher sale of premium phones made up the shortcoming. It ended up with an iPhone average selling price of $724 in the June quarter, while analysts were projecting $693.

    Interestingly, Cook in the earnings call said Apple is seeing growth in video-streaming subscription services at about 100 per cent on a year-over-year basis. Oprah Winfrey’s ability to connect with audiences could beat thing for Apple’s own video content.

    Apple Music now has upward of 50 million users who either pay for the service or are using a free trial. The music streaming service has become an increasingly important part of the company’s business. Cook also mentioned Apple’s service segment, which includes music streaming, boosted the Q3 result.

    Now standing with a total market value of more than $ 900 billion, Apple is on the verge of becoming the world’s first trillion-dollar company. If the stock continues to rise aboveseven per cent, it could touch the record soon. Apple stock rose about four per cent in after-hours trading. The company forecast revenue between $60 billion and $62 billion for its fiscal 2018 fourth quarter.

  • Now, stream Saavn’s Unlimited Music in Canada sans data use

    MUMBAI: Saavn, south Asia’s leading digital music streaming service, is being added to the list of music streaming apps included in Videotron’s Unlimited Music service, bringing the total number of supported apps to 19. Saavn, an audio entertainment streaming platform featuring Bollywood, Hindi and Indian regional music, is currently accessed in 196 countries and offers 30 million tracks in 13 languages. 

    Unlimited Music lets Videotron customers stream music using popular music apps such as Apple Music, Spotify, Google Play Music, SoundCloud, Deezer and Stingray Music without using up any of their data plan. Videotron, a wholly owned subsidiary of Quebecor Media Inc., is an integrated communications company engaged in cable television, interactive multimedia development, Internet access, cable telephone and mobile telephone services. 

    “Saavn enriches Unlimited Music’s offerings, opening up a whole new world of music,” said Videotron VP marketing Bertrand Hébert. “We are constantly innovating for our consumers and this partnership with Videotron allows us to reach out to their wide network with our content offerings and large music library,” said Saavn VP – carrier partnerships Gairik Bhattacharya. “We hope listening to Saavn will enhance and elevate the experience for users in Canada.” he added.

    Unlimited Music is available across Videotron’s LTE network, which covers nearly 90% of Québec’s population and supports speeds of up to 150 Mbps. It is a free service for all subscribers to a Premium mobile plan.

    Also Read:

    One Digital launches ‘Hip Hop Highway’ on Saavn

    Airtel launches hybrid DTH STB, to have 500+ channels, Netflix & YouTube preloaded

    British Council’s ‘Mix the City’ makes Mumbai comes alive

    Arre appoints Viacom18’s Jaideep Singh as director