Tag: Applause Entertainment

  • Streaming strikes gold as India’s entertainment industry hits new highs

    Streaming strikes gold as India’s entertainment industry hits new highs

    MUMBAI: If content is king, India’s entertainment industry is the kingdom where multiple rulers are emerging. At Content India 2025, industry stalwarts dissected the evolving media landscape in The State of the Indian Entertainment Nation panel discussion. From the meteoric rise of streaming to the power of regional narratives, the session brought to light the shifting dynamics of how Indians consume entertainment today.

    India’s over-the-top (OTT) landscape is on an unstoppable growth trajectory, with over 500 million digital viewers making it one of the largest streaming markets globally. The paid subscription ecosystem grew 10 per cent in 2023, bringing in Rs 9,900 crore (1.2 billion dollars) in revenue, while the advertising-based video-on-demand (AVOD) model jumped 40 per cent to Rs 6,800 crore (850 million dollars).

    Prime Video India director & head of SVOD business Shilangi Mukherji captured the moment by saying, “Streaming has democratised content. It’s no longer about big cities versus small towns. Today, the same audience that enjoys an international thriller can also binge-watch a hyperlocal drama from a remote region. The lines have blurred.”

    Streambox Media founder and CEO Anuj Gandhi agreed, noting that AI-driven hyper-personalisation is further shaping the streaming experience. “The biggest challenge for any OTT platform is making sure that users find what they want before they get frustrated. AI is now solving that problem, ensuring people spend less time searching and more time watching.”

    Despite streaming’s dominance, the theatrical experience refuses to fade into the background. While the OTT boom has led to a dip in mid-budget theatrical releases, big-ticket films continue to dominate. “Theatres aren’t dying, they’re just evolving,” said Applause Entertainment MD Sameer Nair. “The magic of a collective viewing experience is irreplaceable. Streaming has changed consumption habits, but cinema will always be a cultural event in India.”

    The merger of PVR and INOX has strengthened multiplex chains, making them more resilient against digital competition. However, the industry has become more cautious with high-budget originals. Many OTT platforms are now focusing on regional acquisitions and dubbing successful content instead of creating big-budget originals from scratch.

     If there’s one undeniable trend, it’s the explosion of regional content. Data shows that 48 per cent of all content produced in India in 2024 was in regional languages. Streaming platforms are doubling down on dubbed and subtitled content to bridge linguistic barriers and tap into non-Hindi-speaking markets. The industry is no longer bound by language, hyperlocal content is travelling far beyond its native state.  

    Hungama Digital Media CEO Siddhartha Roy noted, “We are witnessing a content explosion beyond Hindi. Regional is the new national. A Telugu film dubbed in Hindi or a Malayalam film finding audiences in Tamil Nadu, this cross-pollination of audiences is proof that language is no longer a barrier.”

    Phantom Films CEOSrishti Behl added, “The best content is not necessarily being created in Mumbai. It’s coming from smaller production hubs in Chennai, Hyderabad, and even remote pockets of India. The industry is decentralising, and that’s exciting.”

    Artificial intelligence (AI) is emerging as a game-changer for both content creation and consumption. AI-driven personalisation ensures that platforms serve users exactly what they want, while interactive content formats are gaining traction from AI-powered interactive storytelling to immersive live-streaming experiences.

    Aniruddha Roy Chowdhury, an acclaimed director, shared his perspective on AI’s role in the creative process. “AI is not here to replace filmmakers, but to assist them. Whether it’s de-aging actors, enhancing visual effects, or even predicting audience preferences, AI is making storytelling smarter.”

    The future of Indian entertainment is a melting pot of theatrical spectacles, streaming supremacy, regional dominance, and AI-driven innovations. As India’s internet penetration deepens and smartphone usage skyrockets, the next chapter in the industry’s evolution is being written in real-time.

    “We’re in the business of storytelling,” said Shilangi Mukherji. “And in India, stories never run out. They only get better.”

  • Applause Entertainment and Kabir Khan Films announce two-film collaboration

    Applause Entertainment and Kabir Khan Films announce two-film collaboration

    MUMBAI: Sameer Nair is known for telling stories that are well told either for the big screen or for the streaming platforms. Applause Entertainment – the studio he heads – has been the force behind several  intense series and films which have broken the mould- the Scam series, City of Dreams, Swigato, Tanaav, and Rudra. Kabir Khan, on the other hand, is known for films that are replete with thrills, chases, action, and are larger than life – and  for sports biopics, two of which have got critical acclaim but have not done as well at the box office. 

    When the two get together wonder what we will end up getting?

    Well they have!  

    Applause Entertainment and Kabir Khan Films have announced a creative partnership for a two-film collaboration, bringing together two powerhouse storytellers from India’s entertainment industry.
    This collaboration marks a significant milestone, blending Applause Entertainment’s reputation for innovative storytelling with Kabir Khan Films’ expertise in crafting cinematic blockbusters. Known for acclaimed projects, both companies are set to deliver compelling narratives that promise to captivate audiences.

    Sameer Nair, CEO of Applause Entertainment, expressed enthusiasm about the partnership, stating: “We are thrilled to collaborate with Kabir Khan, a master storyteller, to create two distinctive films that reflect our shared vision for impactful cinema.”

    Kabir Khan, known for films like Chandu Champion, Ek Tha Tiger, Bajrangi Bhaijaan and 83, added: “This partnership with Applause is an exciting opportunity to explore fresh narratives and deliver cinematic experiences that resonate with audiences.”

    Further details about the films, including cast and release timelines, are expected to be announced soon. The partnership signals a dynamic phase for both production houses, promising engaging content for the evolving Indian film landscape.

  • Zee5 announces Mithya season two

    Zee5 announces Mithya season two

    Mumbai: Zee5 has announced the return of the psychological drama Mithya for the second season after the success of the first season. The series revolves around the tumultuous relationship between two half-sisters, marked by ambition, betrayal, and revenge.

    Directed by Kapil Sharma and produced by Applause Entertainment in association with Rose Audio Visual Production, the second season of Mithya features a stellar cast, including Huma Qureshi and Avantika Dasani as the half-sisters, alongside Rajit Kapur and Indraneil Sengupta in prominent roles. They are joined by Naveen Kasturia in the new season who will be seen as a mysterious character adding more spice to the lives of the two sisters.

    The second season delves deeper into the complex and dysfunctional interpersonal relationships of all the significant characters in the series. With tensions escalating and the stakes higher than ever, Mithya season two premieres soon on Zee5.

    Zee5 CBO Manish Kalra said, “After seeing the love the audience had for a successful first season, we are thrilled to bring back Mithya with a more thrilling narrative. With their powerful performances, the cast has brought the complex and layered plot to life, ensuring the series further exemplifies our focus on creative storytelling. Mithya season 2 is also a result of our longstanding and creatively fulfilling partnership with Applause Entertainment and Rose Audio Visuals. We’re looking forward to audience response to Mithya S2 while strengthening our commitment to deliver exceptional stories.”

    Applause Entertainment MD Sameer Nair, ” We’re thrilled to return with Mithya for a gripping second season that delves even deeper into its complex narrative. This is far from a conventional thriller — the set-up, location, and intricate relationships push the boundaries of storytelling. At its heart, Mithya is a tale of betrayal and revenge, with the tension between the half-sisters and their fathers reaching new heights. Grounded in a distinctive and immersive narrative, this season draws viewers deeper into a psychological drama of sisters, traumas, and secrets.”

    Rose Audio Visuals producer Goldie Bhel said, “We’re thrilled to bring Mithya back for Season 2. This series has always been about exploring the grey areas of truth, deception, and the human psyche, and with this new season, we’re diving even deeper. The response to Season 1 was incredible, and it’s pushed us to take bigger creative risks this time around. We’ve crafted a story that’s darker, more intense, and full of surprises, and we can’t wait for the audience to experience what’s next.”

    Director Kapil Sharma expressed, “We are absolutely thrilled to bring our audiences the new season, that is not only rich in story arcs but also visually stunning. Set in breathtaking Darjeeling, we have captured some wonderful performances by the talented cast with high-octane visuals and thrills that enhance the intensity of the narrative. The buzz surrounding the return of Mithya is immense, and we aim to lift our audience’s expectations a notch higher.”

  • Applause Entertainment and Zindagi’s ‘Farar’ takes center stage at DC South Asian Film Festival

    Applause Entertainment and Zindagi’s ‘Farar’ takes center stage at DC South Asian Film Festival

    Mumbai: Following its stellar success at the Chicago South Asian Film Festival, Applause Entertainment and Zindagi’s drama series, “Farar,” directed by the talented Mehreen Jabbar and featuring stellar cast including Sarwat Gilani, Mariam Saleem & Maha Hasan is poised to extend its international journey by gracing the US East Coast at the upcoming DC South Asian Film Festival. Slated for a screening on 3 December, this series, renowned for its compelling narrative and outstanding performances, continues to enthrall audiences on a global scale. To coincide with its release, Director Mehreen Jabbar and actor Maha Hasan will be present at the Festival on Sunday, 3 December, at 2:30 PM, hosted at the American University School of Communication Doyle-Forman Theater.

    Presented by Applause Entertainment, a Zindagi original Farar, a 6-part series, tells the story of three independent women who are navigating the complexities of modern life. The series highlights the universal human experiences of friendship, love, and personal growth, while simultaneously tackling issues such as societal pressures, identity, taboos, and body shaming.

    Mehreen Jabbar, acknowledged as one of Pakistan’s foremost directors, expresses her excitement about the series premiering at the DC Film Festival, a city known for its vibrant South Asian community and a festival championing diverse storytelling. She notes, “The anticipation of our series premiering at the DC Film Festival is truly exciting. This dynamic city not only embraces a vibrant South Asian community but also hosts a festival known for championing diverse storytelling. In a time where divisions persist, it’s uplifting to witness the union of two major South Asian nations in the spirit of storytelling at the DC festival.”

    The DC South Asian Festival stands out as a highly acclaimed cinematic celebration, held annually in the heart of the United States, Washington D.C. This festival, now in its 12th year, takes pride in showcasing and honoring the finest in alternative cinema from India, Pakistan, Afghanistan, Bangladesh, Nepal, Bhutan, Tibet, and Sri Lanka. Faraar,’ takes center stage as the only web series to be screened in the drama category, that delves into tangled relationships and individual evolution, promising to be a standout moment at the festival.

    Talking about this noteworthy milestone, Zee Entertainment Enterprises Ltd. CCO (special projects) Shailja Kejriwal said, “From Farar’s successful Chicago debut to its significant move to DCSAFF, it’s indeed been a remarkable journey. The Zindagi and Applause Entertainment partnership reflects our shared dedication to diverse narratives. We’re excited to witness how the audiences embrace our storytelling heritage.”

  • ‘Farar’ by Applause Entertainment and Zindagi shines at DC South Asian Film Festival

    ‘Farar’ by Applause Entertainment and Zindagi shines at DC South Asian Film Festival

    Mumbai: Following its stellar success at the Chicago South Asian Film Festival, Applause Entertainment and Zindagi’s drama series, “Farar,” directed by Mehreen Jabbar and featuring a stellar cast including Sarwat Gilani, Mariam Saleem & Maha Hasan is poised to extend its international journey by gracing the US East Coast at the upcoming DC South Asian Film Festival. Slated for a screening on 3 December, this series, renowned for its compelling narrative and outstanding performances, continues to enthrall audiences on a global scale. To coincide with it’s release, director Mehreen Jabbar and actor Maha Hasan will be present at the festival on Sunday, 3 December, at 2:30 PM, hosted at the American University School of Communication Doyle-Forman Theater.

    Presented by Applause Entertainment, a Zindagi original Farar, a six-part series, tells the story of three independent women who are navigating the complexities of modern life. The series highlights the universal human experiences of friendship, love, and personal growth, while simultaneously tackling issues such as societal pressures, identity, taboos, and body shaming.

    Mehreen Jabbar, acknowledged as one of Pakistan’s foremost directors, expresses her excitement about the series premiering at the DC Film Festival, a city known for its vibrant South Asian community and a festival championing diverse storytelling. She notes, “The anticipation of our series premiering at the DC Film Festival is truly exciting. This dynamic city not only embraces a vibrant South Asian community but also hosts a festival known for championing diverse storytelling. In a time where divisions persist, it’s uplifting to witness the union of two major South Asian nations in the spirit of storytelling at the DC festival.”

    The DC South Asian Festival stands out as a highly acclaimed cinematic celebration, held annually in the heart of the United States, Washington D.C. This festival, now in its 12 years, takes pride in showcasing and honoring the finest in alternative cinema from India, Pakistan, Afghanistan, Bangladesh, Nepal, Bhutan, Tibet, and Sri Lanka. Faraar,’ takes center stage as the only web series to be screened in the drama category, that delves into tangled relationships and individual evolution, promising to be a standout moment at the festival.

    Zee Entertainment Enterprises Ltd chief creative officer Shailja Kejriwal said, “From Farar’s successful Chicago debut to its significant move to DCSAFF, it’s indeed been a remarkable journey. The Zindagi and Applause Entertainment partnership reflects our shared dedication to diverse narratives. We’re excited to witness how the audiences embrace our storytelling heritage.”
     

  • Zindagi and Applause Entertainment premiere ‘The Pink Shirt’ at SXSW Sydney

    Zindagi and Applause Entertainment premiere ‘The Pink Shirt’ at SXSW Sydney

    Mumbai: Yesterday at SXSW Sydney, renowned South Asian content studios Applause Entertainment and Zee’s Zindagi premiered their latest collaboration, The Pink Shirt. The 8-episode web series, starring Pakistani superstars Sajal Aly and Wahaj Ali, marked Applause Entertainment and Zindagi’s second project together and was received extremely well by Australian audiences! The series had its world premiere at Sydney’s Palace Central Cinema as part of the festival’s screen lineup and was the only South Asian Web Series selected this year. The iconic film and culture festival left its home in Austin, United States for the first time for Sydney, bringing global stars and music legends to Sydney this week.

    A collection of Sydney’s media and social influencers gathered to view the first two episodes of the series, which was followed by a robust Q&A with director Kashif Nisar, writer Bee Gul, and producer Shailja Kejriwal – where great ideas were exchanged about this groundbreaking collaboration between India and Pakistan and hopes for the future.

    Chief Creative Officer (Special Projects) Zee Entertainment Enterprises Ltd., Shailja Kejriwal said, “We’re bringing lots of exciting content from Pakistan and bringing them into Indian homes, which I think has made a lot of difference in terms of how our neighbours are perceived by people in my country. Now we are meeting up with directors and writers, and the fact that we’re sitting here is a testament to that. Going forward we really hope for a day when we can shoot in each other’s countries. When we did Zeefinity there were six top directors from India and some of the top directors from Pakistan as well and the wish that they wanted to project, was that the borders should open and let the art flow seamlessly.”

    Pakistani screenwriter BeeGul said, “Television is a very important medium in my part of the world at least we do not have very established cinemas all we can watch in the world of entertainment is television. Almost 60 per cent of the world has television sets and we always knew that television was a very powerful medium in Pakistan. That was the only medium through which we could communicate with our audience and people. As a child when I was growing up, I watched a lot of television series and they definitely influenced my work and actually inspired me to write for the screen I would say!”

    The recently announced strategic partnership between the two renowned content studios Applause Entertainment and Zee’s Zindagi, promises to be a remarkable addition to the world of global entertainment as they prepare to head off to more film festivals around the globe in the coming year.

    The Pink Shirt is a riveting take on modern-day relationships, their love, challenges, and struggles in a raw & real way. The drama revolves around the journey of Sophia cast as Sajal Aly and Umer as Wahaj Ali being stuck in a toxic relationship with their respective partners Sameer and Sara and how they then discover an alluring intensity and embark on a transformative journey towards love that mends them as people.

    When talking about the leading actor Sajal Aly, Director Kashif Nisar said, ” Sajal owned this project like anything she does. The ownership of Sajal in this role was amazing – and believe you, me I directed her readiness… she was so much into the skin of this character. “

    Presented by Applause Entertainment, a Zindagi original ‘The Pink Shirt’ an 8-part web series, is a South Asian collaboration between India and Pakistan. Directed by Kashif Nisar & written by Bee Gul, starring Sajal Aly and Wahaj Ali, the series highlights a riveting take on modern-day relationships, their love, challenges, and struggles. Narrated in a raw & real way The Pink Shirt is a simple & confusing, tragic yet funny tale of broken and complex relationships.
     

  • Zindagi and Applause Entertainment present ‘The Pink Shirt’

    Zindagi and Applause Entertainment present ‘The Pink Shirt’

    Mumbai: In a recently announced strategic partnership between the two renowned content studios Applause Entertainment and Zee’s Zindagi, for creating South Asian content; Sameer Nair and Shailja Kejriwal have announced yet another project- The Pink Shirt. The eight-episode web series, starring Pakistani superstars Sajal Aly and Wahaj Ali, marks Applause Entertainment and Zindagi’s second project together. The content studios together promise to be a remarkable addition to the world of entertainment as the drama gears up for its world premiere at the South by Southwest Film Festival 2023 Sydney (SXSW) at Palace Central Cinema on 16th October. Moreover, The Pink Shirt is the only South Asian web series selected at the SXSW, Sydney this year.

    Following the announcement of Farar’s world premiere at the Chicago South Asian Film Festival earlier this month, The Pink Shirt adds a new feather to Zindagi and Applause Entertainment’s hat of achievements. To witness this global recognition at one of the largest annual festivals celebrating conglomeration of parallel cinema, interactive media, music, and much more; Pakistani superstars and lead actor Sajal Aly along with director Kashif Nisar, writer Bee Gul, and producer Shailja Kejriwal will be attending the grand festival in Australia.

    The Pink Shirt is a riveting take on modern-day relationships, their love, challenges, and struggles in a raw & real way. The drama revolves around the journey of Sophia cast as Sajal Aly and Umer as Wahaj Ali being stuck in their respective toxic relationships with their partners Sameer and Sara and how they then discover an alluring intensity and embark on a transformative journey towards love that mends them as people.

    The renowned SXSW festival marks its debut in Sydney this year, making its first foray outside Austin, Texas. The festival will have a diverse array of content, with an emphasis on the Asia-Pacific region.

    Expressing her excitement, lead actor Sajal Aly said, “The Pink Shirt challenged me in ways I never imagined, delving deep into the complexities of human connections. It’s a journey I’ve embraced with open arms, and as we prepare for its world premiere in Sydney, I can’t contain my excitement to share this emotional voyage with the world.’

    Sajal Aly’s co-actor and Pakistani heartthrob Wahaj Ali added, “Portraying the complexities of human relationships in The Pink Shirt has been a remarkable challenge and the script demanded an exploration of emotions and vulnerabilities that pushed me as an actor. My experience working with Sajal and Kashif has been an absolute delight. I can’t wait for the audiences to embark on this emotional rollercoaster with us.”

    Director Kashif Nisar said, “As the director of The Pink Shirt, I am humbled and thrilled by the opportunity to showcase our work at the prestigious SXSW Sydney as the only representative of the South Asian web series, hoping it will resonate with audiences worldwide and contribute to the rich tapestry of storytelling from our region. It was an absolute pleasure working with Shailja and Bee Gul on this project, and we couldn’t be happier for Zindagi and Applause Entertainment’s collaboration as this merger provides us with the ultimate platform this special project really needs.”

    Reflecting on this significant milestone, Zee Entertainment Enterprises Ltd chief creative officer (special projects) Shailja Kejriwal added, “I couldn’t be happier to announce our yet another collaboration with Applause Entertainment. It’s truly thrilling to see ‘The Pink Shirt’ selected as the only South Asian web series at the prestigious SXSW Film Festival Sydney. This achievement underscores our commitment to bringing diverse narratives to a global stage. I’m immensely proud of our team and excited to witness The Pink Shirt captivate audiences at SXSW Film Festival, Sydney”

    Writer Bee Gul added, “As the writer of ‘The Pink Shirt,’ my intention has consistently been to weave a tale of love, loss, and unwavering strength that deeply connects with audiences around the globe. The exhilarating debut of our show at the SXSW Film Festival in Sydney is the realization of a long-held dream, affording us a worldwide stage to share this emotionally resonant narrative. I’m profoundly grateful to Shailja for recognizing the same potential we envisioned in ‘Pink Shirt’ and selecting it as the second collaborative endeavor between Zindagi and Applause Entertainment.”

    Presented by Applause Entertainment, a Zindagi original ‘The Pink Shirt’ an eight-part web series, is a South Asian collaboration between India and Pakistan. Directed by Kashif Nisar & written by Bee Gul, starring Sajal Aly and Wahaj Ali, the series highlights a riveting take on modern-day relationships, their love, challenges, and struggles. Narrated in a raw & real way The Pink Shirt is a simple & confusing, tragic yet funny tale of broken and complex relationships.

  • Applause Entertainment and yes Studios partner for Tanaav season two

    Applause Entertainment and yes Studios partner for Tanaav season two

    Mumbai: yes Studios and Applause Entertainment extend partnership for the second season of Fauda adaptation in India, Tanaav. The first season of Fauda was adapted by Applause Entertainment as Tanaav and premiered to much acclaim on Sony LIV in November 2022. Set against the idyllic backdrop of Kashmir, Tanaav tells the story of a Special Task Group and weaves tightly knit action with the emotional stories of compelling characters caught up in the fight against terrorism in the region.

    Season one of Tanaav featured a stellar Indian cast, including Manav Vij, Sumit Kaul, Rajat Kapoor and Shashank Arora, and was directed by Sudhir Mishra (Serious Men) and co-directed by Sachin Mamta Krishn (Hostages). Details about season two will be made available in due course.

    Sharon Levi, managing director of yes Studios said: “We are thrilled that our relationship with Applause Entertainment will continue and are excited that this extension to the format deal will ensure a return for Tanaav. Fauda was our first big global hit and Tanaav its first local adaptation. It was very important for us to work with the right partner, one that could deftly cover differing perspectives in a highly complex situation and create interesting and relevant characters anchored in its own unique local setting and circumstances. The Applause Entertainment team did all this brilliantly, and we can’t wait to see what they have planned for season two.”

    Applause Entertainment managing director Sameer Nair added: “We’re honoured to extend our partnership with yes Studios after the resounding success of Tanaav Season One. The teams at Applause and Sony LIV are pumped as we set out to craft an even more gripping tale for our audience with a season two. Stay tuned for an extraordinary tale of courage, conflict, and camaraderie as we embark on this exciting new adventure.”

    Fauda, which follows the work of a team of elite Israeli undercover agents, was created by Avi Issacharoff and Lior Raz. It has won numerous awards, including Best Series at the Israeli Academy TV Awards, and has been critically acclaimed in the press across the world. Fauda is produced by L. Benasuly Productions and yes TV, with yes Studios distributing the series and format.

  • “Yuvaa was envisioned as a safe space for all genders and young people from all backgrounds” Yuvaa’s Nikhil Taneja

    “Yuvaa was envisioned as a safe space for all genders and young people from all backgrounds” Yuvaa’s Nikhil Taneja

    Mumbai: Yuvaa is India’s leading Gen Z-driven youth media, research and impact organisation. With the mission of empowering the youth by ‘making important things interesting’ for them by talking about urgent issues like youth empowerment, mental health, gender, sexuality, internet safety, misinformation, climate change and many more and have found great success in creating impact-driven content and entertainment.

    This year Yuvaa celebrated its fifth year anniversary by hosting its first business of Gen Z event, The Collab, that brought  together industry experts, change makers, influencers and key opinion leaders like Guneet Monga, Rohini Nilekani, Sameer Nair (Applause Entertainment), Divya Reddy Shah (L’Oreal India), Chandrasekhar Samiappan (YouTube India), S Venkatesh (RPG), Navya Naveli Nanda, Niharika NM, among others, to participate in conversations around Gen-Z issues. At the event, Yuvaa also gave its audience a sneak peek into their upcoming properties like India’s first chat series on masculinity ‘Be A Man, Yaar’ (feat. Vicky Kaushal, Nakuul Mehta, Naseeruddin Shah, Zakir Khan, among others); The ‘You Grow Girl’ Yuvaa Roadshow with Navya Nanda and L’Oreal Paris India, and Yuvaa’s flagship LGBTQ+ event, The Pride Class 2023.

    The organisation envisions facilitating meaningful conversations and impactful initiatives through their work in digital content and campus spaces. For the same, prominent youth icon and entrepreneur Navya Naveli Nanda and L’Oréal Paris have collaborated for an exciting pan India roadshow – You Grow, Girl. The roadshow, which aims at empowering and engaging the youth, will traverse 25 prestigious colleges across 8 cities, leaving an indelible impact on the lives of thousands of young individuals.

    They also released a first-of-its kind Gen Z insights report- ‘Not All Gen Z’, that provides insights based on responses from over 900 Gen Z participants, spanning over 20+ cities across T1, T2 and T3 India. This #NotAllGenZ report is an attempt to comprehend this misunderstood but distinctive group of individuals and to understand the Gen Z trends brands, organisations and parents need to pay more attention to.

    Indiantelevision.com caught up with Yuvaa co-founder & chief Nikhil Taneja, where he discusses some key issues which Gen Z faces and also some trending topics like internet safety, depression, mental health etc…

    Edited excerpts

    On what is Yuvaa all about and its main USP

    We like to call Yuvaa India’s first (and arguably most loved) Gen Z-driven youth media organisation. We work at the intersection of what is ‘important’ and what is ‘interesting’ to create impact in the lives of young people. In India, where over 65% of the population is under 35, which forms the world’s largest youth workforce, and where 1 in every 5 young people is affected by mental health issues, there was hardly any meaningful youth representation in politics, in policy-making or decision-making, or even in content and entertainment around urgent youth issues. Yuvaa has today become the rare organisation uses the power of mass and social media to work on social good, social justice and social impact.Today, it gives me great pride to say that we are a unique company that’s managed to do that through our work in content, campuses, events, research and social impact, and count among our partners, some of India’s biggest brands and non profits including Amazon Prime, Instagram, YouTube, Spotify, Tinder, IBM, L’oreal Paris, Rohini Nilekani Foundation, UNICEF India, The Bill & Melinda Gates Foundation, Save the Children and many more.

    As for our USP, in a world where every young person has something to say, Yuvaa was founded to be a platform that listens. Over the last five years, Yuvaa has visited over 150 campuses across India offline, and made over 10,000 pieces of content online, to create safe spaces where Young Indians could express without judgement. India has the largest youth workforce in the world, so it was a natural progression of our mission to also create safe, inclusive, empathetic and happy spaces at the workplace.

    On Yuvaa managing to resonate with Gen Z and effectively connect with them on various important subjects like mental health

    It again comes back to the idea of ‘listening’  to young people. We don’t talk down to young people, we don’t look down on them, we don’t treat them as a ‘demographic’ or an ‘audience’, but we treat them as equals, and as our partners in everything we are doing. We create content and communication through community engagement. The Gen Z are active participants in our decision making process, and the listening – and sharing – loop that we create with them is the reason they think they have a stake in Yuvaa too.

    We also ensure that everything we do is in a language accessible to young people – we are not trying to preach to them, we are talking as friends to them in a relatable vocabulary they speak as well. Young people, who do not get safe spaces in their homes or communities, find that in us, and that’s why we have managed to resonate with them. And we are so grateful about this.

    On sharing insights on the significance of Yuvaa’s fifth-year anniversary celebration

    When you are building your first ever startup, every day you have not failed feels like a milestone :). So I’ve been proud of each and every single day the team worked together to create impact with what we do at Yuvaa. From our first viral video to our first chat show to our first Spotify Original Podcast (Dear Teenage Me) to our first two Yuvaa Original Short Films with Amazon Mini TV (Gray and Tasalli Se) to our multiple roadshows, open mics, offline events, researches, content pieces, dev sector and brand partnerships, to reaching half a million followers on Instagram to giving students free therapy through The Yuvaa Therapy Project, it’s been such a gratifying journey. But if I had to pick two key moments that were personally significant I’d say:

    The Yuvaa Volunteers Programme: During the devastating second wave in India, we started a volunteer programme called Yuvaa Volunteers, where he led a rotating team of over 500 volunteers in over 40 Indian cities. Over 3 months, the team worked 24/7 to help connect people to available hospitals, oxygen cylinders, medical support, mental health counseling, and ended by helping over 2500 families in 8 regions of India. During the time, Yuvaa also partnered with Inner Hour to hold Twitter spaces to talk about grief and mental health, with Dharma Productions to scale our reach, and also held sharing circles for young Indians to express themselves. Yuvaa Volunteers led to the formation of the UNICEF-Yuwaah Content Creator Coalition, through which 110 content creators created 1650 pieces of content on COVID misinformation awareness and vaccine awareness, to a cumulative reach of 150 million+. To be able to actually help people during a tough time as a country, was one of the reasons Yuvaa was founded, and I feel so proud that we could step up when it mattered.

    The Leadership Transition: In June, I officially transitioned out of the CEO role to take on a ‘Chief’ role, moving from captain to coach, to appoint a young team to lead the company into the future. When I started Yuvaa, I had always believed that if 5 years down the line, Yuvaa was successful in what it did, a ‘Yuvaa’ should be leading it. So it was one of my life’s proudest moments that I could hand over the reigns of the company to our new CEO, Yuvaa, who has helped make Yuvaa what it is over the last 4 years in an Editor-in-Chief capacity. The other two members of the leadership team include Anusha Shetty and Yash Pise, both of whom, like Kevin, have shown up every day to build Yuvaa as their own company. I truly believe, in the hands of these young leaders, Yuvaa will be able to be one of the most significant youth media companies in the country over the next 5 years.

    On ‘The Pride Class 2023’, organised by Yuvaa, its objectives and outcomes

    Yuvaa was envisioned as a safe space for all genders and young people from all backgrounds. I have always noticed that content or conversations that cater to progressive audiences, or that talks about progressive issues, has a sassiness to it that comes in the way of including people who are ignorant bout these conversations. There have also been some very popular channels or content pieces that choose to ‘clap back’ or ‘shut down’ people who aren’t progressive enough. But at Yuvaa, we’ve felt that the only way we can make a real difference is by bringing in people, versus shutting them out. By being empathetic and ‘wholesome’, we have a much greater chance of getting folks who may be a bit more conservative, to be a part of the conversation.

    We have been a LGBTQIA+ positive company and space online and offline from the very beginning, and have been creating content around it since we started in 2018. In fact, our first chat show was called Edugaytion, and its intent was to have conversations with well known folks from the LGBTQIA+ community to ‘edu-gay-te’ people who were interested in knowing more about queer issues. We also did a 26 part reel series called the A to Z of LGBTQIA+, where we explained every term associated with queer inclusivity. In 2022, we first launched The Pride Class, as a way of carrying the empathetic and wholesome vibe of our queer conversations into an offline space and event, with the intent being not just felicitation but celebration.

    YouTube Shorts has partnered with us on Pride Class in both 2022 and 2023, and the event has now become a flagship for Yuvaa every year, in which we identify queer young folks who use their voices for expression, advocacy or awareness. We do a ‘graduation ceremony’ for these creators, where they get masterclasses from queer icons, certificates and gifts from Yuvaa and its partners, and an evening of joy, along with queer comedians and musicians. It’s one of the happiest days of the year for everyone at Yuvaa, and we hope that in supporting young queer voices, we are making them feel seen, so that they may feel empowered to continue using them to normalize queer conversations.

    On the “Not All Gen Z” report seeking to address the common misunderstandings surrounding Gen Z

    At Yuvaa, we’ve championed Gen Z for 5 years now, and it’s great to see more brands and industries taking note of this generation as they enter the workforce and become more significant spenders and consumers. One thing that we’ve noticed, however, is that in the attempt to understand Gen Z better, society at large tends to try to put them in boxes or assign labels to them based on a few interactions or experiences. Our #NotAllGenZ Report is an attempt to correct some of these misconceptions, or at least explain where certain misconceptions come from.

    The report looks at Gen Z’s relationships with five themes – parenting, gender, sex, brands and content consumption – to try to help brands and organisations better understand Gen Z. While it is often assumed that women tend to prefer watching romcoms and ‘soft’ content, we actually found that Gen Z women are 10 per cent more interested in thrillers rather than romcoms. While Gen Z is seen as a ‘woke’ generation and women are accused of having a ‘feminist agenda’, out study shows that 74 per cent of Gen Z women think that men actually have it harder than they do – and by the way, nearly 70 per cent of Gen Z men believe that women have it harder than they do. While influencer marketing is all the rage and the creator economy is booming, our study shows that Gen Z consumers are 50 per cent more likely to buy something on the recommendation of a friend, rather than the recommendation of an influencer or content creator.

    Hence, the report lays out some surprising findings on Gen Z’s behaviour, consumption patterns and thinking – we at Yuvaa have always strived to make young people feel less alone, and we feel like helping brands and organisations better understand Gen Z is a big step to making them feel more heard, seen and represented.

    On Yuvaa’s role in promoting internet safety and combating misinformation among the youth

    Yuvaa has always been committed to creating safe spaces for young people, and since the internet is a space that so many young people spend so much time in, that commitment is as much to online spaces as it is to offline ones.

    Over the last three years, we’ve worked on multiple campaigns to do with online safety and combating misinformation – during the peak of the first wave of Covid, we tied up with UNICEF YuWaah and trained 110 creators to create over 1500 pieces of content around Covid misinformation, reaching 200 million people across Instagram and Takatak (now Moj). We also worked on the UN Verified campaign and created a music video talking about Covid misinformation featuring celebrities like Nakuul Mehta, Saba Azad, Akash Bannerjee and journalists like Raghu Karnad, Shereen Bhan and Meghnad S. We consulted with Dharma Productions to fact check and create content around awareness of misinformation at this time as well.

    We have a long-term association with Meta wherein we’ve spoken about the different facets of internet safety over the last 4 years – including content pieces that have amassed millions of views, conversations with prominent content creators and actors like Prajakta Koli, Rohit Saraf, Ahsaas Channa, Navya Nanda, Dolly Singh, Sejal Kumar and more, and workshops and trainings for cohorts of young creators under the #366DaysOfKindness and #YuvaaKindnessChampions campaigns aimed at making the internet a kinder place.

    Yuvaa is also a founding member of the Misinformation Combat Alliance, India’s first collection of media organisations and independent experts founded specifically to fight misinformation. We’re currently working with the US Consulate on a campaign to train a cohort of young aspiring misinformation warriors from Western India in the run-up to the elections.

    On plans to continue researching and releasing more insights about Gen Z or other important youth-related topics in the future

    Yes, absolutely. Listening to, caring about and deeply, and authentically understanding what the Gen Z think, feel, hope for, aspire to, need, want, is all at the very core of what makes Yuvaa what it is today. As an election year approaches, we are excited about putting together a plan about voting awareness, and hope to be fundamental in helping young people be more aware about their rights in our thriving democracy. We will also certainly keep publishing our flagship #NotAllGenZ report at The Collab each year, and hope to put out specific reports on binge-ing habits of young people, on gender, on mental health and more, periodically too.

  • Applause Entertainment and Zindagi’s ‘Farar’ set for Chicago South Asian Film Festival 2023 premiere

    Applause Entertainment and Zindagi’s ‘Farar’ set for Chicago South Asian Film Festival 2023 premiere

    Mumbai: A riveting story of human emotions, Farar is set for its grand world premiere at the prestigious 14 Annual Chicago South Asian Film Festival 2023 as the Marquee web series of the festival. The first collaboration under the landmark partnership of Applause Entertainment and Zindagi, Farar’s global premiere is a strong reinforcement of bridging cross-border gaps and creating universally relatable South Asian content.

    The show based on the themes of friendship, freedom and hope is directed by Mehreen Jabbar & will be screened on Saturday, 23 September as part of the four-day festival program. The premiere will be attended by producers Shailja Kejriwal and Umnia Iftikhar, director Mehreen Jabbar and lead actress Sarwat Gilani. The series also features Mariam Saleem & Maha Hasan and is set in the sprawling city of Karachi, Pakistan.

    Expressing her excitement, lead actor Sarwat Gilani says, “As an actor, being part of Farar has been an incredible journey of exploration and dedication. This show is not just a story for us; it’s a piece of our souls, a representation of the rich emotions that connect us as humans. As ‘Farar’ gets ready for its premiere at CSAFF’23, my heart is brimming with happiness. This compelling storyline, delicately weaving the tapestry of female friendships and triumphing over obstacles, is now set to captivate and resonate with audiences worldwide.’’

    Recognised as one of the most prolific directors from Pakistan, director Mehreen Jabbar adds, “I am thrilled to have our series premiere in Chicago. This vibrant city not only has a thriving South Asian diaspora but also houses a festival that has consistently championed diverse genres and formats. In a time marked by divisions and jingoism, it is truly heartwarming to see the convergence of two of the world’s largest South Asian nations, uniting in celebration of the art of storytelling.”

    Reflecting on this significant milestone,  Zee Entertainment Enterprises Ltd.’s chief creative officer (special projects), Shailja Kejriwal said, “Personally, nothing gives me greater joy than seeing content from our subcontinent reach a world stage. Farar’s premiere at CSAFF is extra special as it is our first collaboration with Applause Entertainment.  The potential for South Asian content is unmatched, and we are so thrilled to have such an amazing partner and such brilliant teams on board this journey with us”.

    Producer Umnia Iftikhar added “Bringing Farar to Chicago South Asian Film Festival is a moment of immense pride and gratitude for our entire team. This show is a labour of love, a convergence of passion and storytelling. As we premiere here amidst the world, we hope Farar resonates with the universal emotions that bind us all. The power of storytelling lies in its ability to bridge cultures and ignite conversations, and we are thrilled to share our narrative with this wonderful audience.”

    Presented by Applause Entertainment, a Zindagi original Farar, a six-part series, tells the story of three independent women who are navigating the complexities of modern life. The series highlights the universal human experiences of friendship, love, and personal growth, while simultaneously tackling issues such as societal pressures, identity, taboos, and body shaming.

    Earlier this week, in a groundbreaking move, Applause Entertainment and Zindagi announced their strategic partnership to energise investment in South Asian content creation that connects with today’s diverse global audience.