Tag: applause

  • Embracing 2025: Navigating marketing & communication challenges in family-run businesses

    Embracing 2025: Navigating marketing & communication challenges in family-run businesses

    MUMBAI: India’s evolution as a global business destination is both dynamic and inspiring. Driven by robust economic growth, transformative policies, and increasing global integration, initiatives like Make in India, Digital India, and Startup India have bolstered the nation’s reputation as a business-friendly destination. Moreover, simplifications such as the Goods & Services Tax (GST) and the Insolvency and Bankruptcy Code have further enhanced India’s ease of doing business ranking, signalling a promising landscape for enterprises.

    Amid this, family-run businesses form the backbone of India’s economy. They contribute over 75 per cent of the GDP, a figure projected to rise to 80-85 per cent by 2047. Not only are they vital drivers of economic growth, but they also present unique opportunities for marketing and communication (marcom) professionals navigating these organisations’ intricate blend of tradition and modernity.

    Most of India’s TV and film production sector and smaller broadcasters are run by families. Dharma Productions, YRF Films, Balaji Telefilms, Sagar Productions,  Directors Kut, Contiloe Films, Dangal TV, Governance Now – and scores of others are either first generation or second generation run by the son, or a mother-daughter, or husband-wife or mother-son combination. Firms like Applause Entertainment and Abundantia Entertainment which are run by professionals are a handful.  It’s quite possible that this article will prove handy while dealing with the family run production houses and channels. 

    The role of branding in business success
    A strong brand goes beyond selling products; it attracts the right talent, secures funding, and builds trust. In large corporations, specialized roles like marketing heads, brand strategists or corporate communication teams typically drive these efforts separately. Conversely, in family-owned businesses, marcom generalists juggle a variety of responsibilities, offering a rare opportunity to influence all facets of branding and communication.

    The allure of family-run businesses & why family businesses are a unique opportunity?

    While new-generation companies may allure professionals with their innovation and glamour, family businesses offer equally compelling prospects, particularly for those ready to navigate their complexities. These organizations provide the chance to modernize deeply rooted structures, foster long-term stability, and gain invaluable experience in managing multifaceted stakeholder dynamics.
    At a time when many startups and new-generation companies are facing retrenchments, family-run businesses often offer job security and a solid foundation—making them an attractive option for forward-thinking professionals.
    A 2018 survey reveals that 56 per cent of Indian family businesses are first-generation owned, while 44 per cent are run by subsequent generations. From 2017 to 2022, these businesses outpaced their non-family counterparts in revenue growth by approximately 2.3 per cent. For marcom professionals who champion their modernization, this presents professional growth and a chance to shape India’s economic trajectory.

    Chandrika Rodrigues

    Challenges & strategies for marcom professionals

    Navigating the traditional tide
    For marcom professionals, family-run businesses may initially feel like a time capsule. Strategies often rely on word of mouth, local fairs, inferior  content and outdated digital presence. To make an impact, start by earning trust:
    * Listen first: Invest time in understanding the business’s history, nuances, and legacy.
    * Start small: Introduce incremental changes that respect the established foundation.
    * Build rapport: Cultivate relationships with family members and long-time employees to foster collaboration.
    By respecting the company’s traditions while gently advocating for modernization, you can lay the groundwork for sustainable transformation.

    Understanding the unseen hierarchy
    Decision-making in family-run businesses doesn’t always align with organizational charts. Informal power structures often influence key decisions, with founders or long-serving employees playing pivotal roles.
    Strategies for Success:
    * Map key decision-makers: Early on, identify who holds formal and informal influence.
    * Foster inclusion: Organize workshops or brainstorming sessions to involve all stakeholders in shaping marcom strategies.
    * Position yourself as neutral: Act as a mediator to ensure all voices are heard while guiding the team toward a unified direction.
    By aligning stakeholders through clear communication and structured processes, you can mitigate conflicting opinions and drive initiatives forward.

    Balancing tradition with innovation

    Family businesses often resist change, clinging to their legacy. Modernizing their marketing efforts requires a careful balance:
    * Advocate incremental changes: Propose strategies that modernize while staying true to the company’s values.
    * Leverage success stories: Use examples of similar businesses that benefited from digital transformation.
    * Pilot projects: Introduce small-scale initiatives to demonstrate measurable results, building trust without risking the entire business.

     

    Famil run biz

    Addressing emotional decision-making
    Family dynamics often overshadow data-driven decision-making. While this reflects personal investment, it can hinder effective marketing strategies.

    What you can do:

    * Present data-driven insights: Tie your ideas to tangible goals such as revenue growth or enhanced brand equity.
    * Emphasise legacy protection: Position your strategies as tools to safeguard and enhance the family’s legacy.
    * Foster open dialogue: Address differing viewpoints respectfully to build credibility and collaboration.

    Overcoming resource constraints
    Conservative budgets and reliance on traditional methods can be challenging. However, these constraints also offer opportunities for creative problem-solving.

    Strategies:
    * Focus on high-impact, low-Cost initiatives: Leverage social media campaigns, content marketing, and influencer partnerships.
    * Prioritise quick wins: Demonstrate the value of modern approaches before advocating for larger budgets.
    * Introduce scalable solutions: Emphasize cost-effective tools like CRM systems or targeted digital ads to support long-term growth.

    Professionalizing the marketing function

    Family businesses often lack formalized structures, leading to inefficiencies. Modernizing these processes is critical to achieving sustainable success.

    Your approach:

    * Standardise workflows: Implement documentation practices and performance metrics to professionalize the department.
    * Set clear objectives: Establish goals and KPIs to ensure accountability and focus.
    * Showcase long-term benefits: Demonstrate how professionalism and structure contribute to profitability and growth.

    Adapting to 2025 workplace trends
    The evolving professional landscape—shaped by remote work, sustainability, and AI—offers an opportunity for family-run businesses to modernize.

     Marcom professionals can:
    * Introduce remote collaboration tools to enhance efficiency.
    * Advocate for sustainable practices to align with global trends.
    * Leverage AI-driven analytics to optimize marketing strategies.

    Attracting and retaining talent
    Family businesses often struggle to attract top talent due to perceptions of favoritism or limited growth opportunities.

    Your Strategy:
    * Foster positive workplace culture: Celebrate achievements and promote transparency.
    * Leverage networking skills: Attract professionals who align with the company’s values.
    * Offer clear growth paths: Highlight opportunities for career development to retain talent, particularly among Gen Z employees.

    Leveraging India’s growing family business economy
    Family businesses are integral to India’s economy. According to a McKinsey report, top-performing family businesses achieve higher revenue growth and shareholder returns compared to their peers.

    2025 Strategy:
    * Highlight success metrics: Use industry data to support growth-oriented marketing plans.
    * Adopt digital tools: Enhance agility and adaptability to respond to market changes.

    New year roadmap

    2025 is a pivotal year for marcom professionals in family-run businesses. By respecting traditions while championing innovation, you can turn challenges into opportunities in disguise. Focus on building trust, fostering collaboration, and delivering measurable results. As a bridge between tradition and modernity, your role is to ensure the organization’s long-term success.

    By embracing these strategies, you can not only achieve your professional goals, but also contribute to India’s economic transformation—making 2025 a milestone year for both your career and the family business you represent.

    (The writer of this article is Tropical Agrosystem (India) Pvt Ltd general manager- branding & communications Chandrika Rodrigues. The views expressed are her own and need  not reflect Indiantelevision.com’s views on the same.. The pictures for this comment piece were generated using Microsoft Designer. No copyright infringement is intended)

  • Applause & SonyLiv show among finalists of The International Format Awards

    Applause & SonyLiv show among finalists of The International Format Awards

    MUMBAI: There’s good news for Applause Entertainment, Madiba Entertainment and SonyLiv. The trio’s production Kafas, Dark Money India has been shortlisted amongst the finalists in the best scripted format category of The International Format Awards 2024. The awards are a coproduction between C21Media, FRAPA, the Entertainment Masterclass and Mipcom.

    Kafas is a 2023 Indian Hindi-language drama series helmed by Sahil Sangha, starring Sharman Joshi, Mona Singh, Mikhail Gandhi, Tejasvi Singh Ahlawat, and Vivan Bathena. The show was produced by Applause along with Madiba Entertainment and is an official adaptation of the 2019  British mini-series Dark Money.  

    The finalists were arrived at through an online voting process by a panel of the world’s leading format commissioners, buyers and producers.

    The Applause and SonyLiv show has fierce competition in this category with the finalists being as follows:

    Lunch Box
    Produced by: S Productions
    For: BEIN Drama, TOD, Al Nahar, SBC, Fujairah TV
    Distributed by: NBCUniversal Formats

    Kafas, Dark Money India
    Produced by: Applause Entertainment in association with Madiba Entertainment. Original format by The Forge.
    For: Sony LIV
    Distributed by: All3Media International

    NCIS: Sydney
    Produced by: Endemol Shine Australia
    For: CBS Studios, Paramount Australia
    Distributed by: Paramount Global Content Distribution
     

    Riviere Perdue
    Produced by: Terence Films, Gétévé Productions
    For: TF1
    Distributed by: Banijay Entertainment
     

    Second Chance, Thailand
    Produced by: One 31
    For: One 31 HD
    Distributed by: NBCUniversal Formats
     

    Suits Mongolia
    Produced by: Mongol TV
    For: Mongol TV
    Distributed by: NBCUniversal Format

    Kafas, Dark Money recently won the best TV adaptation (Scripted) Asia award at the Content Asia Awards.

    Sadly, apart from this one show there are no other Indian programmes in the final lists in the various award categories like best brand driven format, best competition reality format, best comedy format, best factual entertainment format, best multi-platform format, best studio -based game show format, best returning format, best reality format, and best host of a format. Most of these categories have shows from Europe, the US, Australia, dominating the finalists’ lists.

    The finalists, according to C21 Media, are as follows:

    BEST BRAND-DRIVEN FORMAT

    Big Brother – Knossi Edition
    Produced by: Endemol Shine Germany, Banijay Media Germany
    For: TheRealKnossi Twitch channel
    Distributed by: Banijay Entertainment

    Le grand chantier Rona (Rona’s Build It to Win It)
    Produced by: Zone3
    For: Noovo
    Distributed by: Zone3 International

    HairStyle
    Produced by: Shine Iberia (Banijay Group)
    For: Discovery-Rakuten
    Distributed by: Shine Iberia (Banijay Group)

    Poker Society
    Produced by: Dreamspark
    For: Winamax YouTube channel
    Distributed by: Dreamspark

    Scarman
    Produced by: Heroes Formats
    For: Megogo
    Distributed by: Megogo

    BEST COMPETITION REALITY FORMAT

    Deal or No Deal Island
    Produced by: Endemol Shine North America
    For: NBC
    Distributed by: Banijay Entertainment

    Double the Money
    Produced by: South Shore Productions
    For: Channel 4
    Distributed by: ITV Studios

    Squid Game: The Challenge
    Produced by: Studio Lambert, The Garden
    For: Netflix
    Distributed by: Netflix

    The Fortune Hotel
    Produced by: Tuesday’s Child
    For: ITV1
    Distributed by: Banijay Entertainment

    The GOAT
    Produced by: Propagate Content, The Year of Elan Production, Piece of Work, Amazon MGM Studios
    For: Amazon Freevee
    Distributed by: MGM, Propagate Content

    The Power
    Produced by: Studio 89 and Dreamspark
    For: W9
    Distributed by: M6 Formats

    BEST COMEDY FORMAT

    After Midnight
    Produced by: CBS Studios with Stephen Colbert’s Spartina Industries, Funny Or Die
    For: CBS
    Distributed by: Paramount Global Content Distribution

    Comedy Match
    Produced by: Banijay Italia
    For: Discovery+ (VoD),Nove (linear)
    Distributed by: Banijay Entertainment

    Freeze: Portugal
    Produced by: Fremantle
    For: TVI
    Distributed by: Fremantle

    Last One Laughing: Colombia
    Produced by: Banijay Mexico and US Hispanic
    For: Amazon Prime Video
    Distributed by: Amazon Prime Video

    No Strings Attached
    Produced by: Cuarzo Producciones
    For: Atres Premium Player
    Distributed by: Banijay Entertainment

    Roast on the Coast
    Produced by: Metronome Denmark
    For: Amazon Prime Video
    Distributed by: Banijay Entertainment

    BEST FACTUAL ENTERTAINMENT FORMAT

    Banged Up
    Produced by: Shine TV
    For: Channel 4
    Distributed by: Banijay Entertainment

    How to Be Old
    Produced by: Woestijnvis
    For: Play 4, GoPlay
    Distributed by: Primitives

    I Was Actually There
    Produced by: Docker Media
    For: ABC (Australia)
    Distributed by: ABC Commercial

    Living Library
    Produced by: Mediawan Skyhigh
    For: NPO Zapp
    Distributed by: Mediawan Rights

    Maggie Beer’s Big Mission
    Produced by: Artemis Media
    For: ABC (Australia)
    Distributed by: ABC Commercial

    The Jury: Murder Trial
    Produced by: ScreenDog Productions
    For: Channel 4
    Distributed by: Blue Ant Media

    BEST MULTI-PLATFORM FORMAT

    Big Brother – Knossi Edition
    Produced by: Endemol Shine Germany, Banijay Media Germany, Rainer Laux Productions
    For: TheRealKnossi Twitch channel
    Distributed by: Banijay Entertainment

    Itsatsita
    Produced by: Pausoka
    For: Instagram/TikTok
    Distributed by: EITB Media

    Meta Love
    Produced by: TV Asahi corporation
    For: TV Asahi corporation
    Distributed by: TV Asahi corporation

    Tu Cumpleaños Vale (Your Birthday Matters)
    Produced by: Infiniito. Created by Degoas
    For: Latina Televisión (Perú)
    Distributed by: Murga

    BEST STUDIO-BASED GAMESHOW FORMAT

    Gone Producer
    Produced by: Munhwa Broadcasting Corporation
    For: Munhwa Broadcasting Corporation
    Distributed by: Munhwa Broadcasting Corporation

    Lovers or Liars?
    Produced by: TBS Japan, North One Television
    For: TBS Japan
    Distributed by: All3Media International

    Mental Masters
    Produced by: Warner Bros. International Television Production Spain
    For: Telecinco (Mediaset España)
    Distributed by: Warner Bros. International Television Production

    Raid the Cage, US
    Produced by: Sony Pictures Television, United Studios, Two Shakes Entertainment
    For: CBS
    Distributed by: Sony Pictures Television

    Drei gegen Einen: Die Show der Champions (Three are the Champions)
    Produced by: Endemol Shine Germany
    For: RTL
    Distributed by: Banijay Entertainment

    Upside Down
    Produced by: Endemol Shine Nederland
    For: Videoland
    Distributed by: Banijay Entertainment

    BEST RETURNING FORMAT

    Married at First Sight, Australia
    Produced by: Endemol Shine Australia
    For: Nine Network
    Distributed by: Seven.One Studios International

    The 1% Club
    Produced by: Magnum Media
    For: ITV1
    Distributed by: BBC Studios

    The Great Bake Off
    Produced by: Love Productions
    For: Channel 4
    Distributed by: BBC Studios

    The Mole
    Produced by: Eureka Productions
    For: Netflix
    Distributed by: Primitives

    The Summit
    Produced by: Endemol Shine Australia
    For: Nine Network
    Distributed by: Banijay Entertainment

    The Traitors (UK)
    Produced by: Studio Lambert. Original format by IDTV and RTL
    For: BBC One
    Distributed by: All3Media International

    BEST REALITY FORMAT

    I Kissed a Girl
    Produced by: Twofour
    For: BBC Three
    Distributed by: ITV Studios

    Amore Alla Prova – La Crisi Del Settimo Anno (Seven Year Switch, Italy)
    Produced by: Banijay Italia
    For: Discovery+/Realtime
    Distributed by: A+E Media Group

    Temptation Island México
    Produced by: Banijay Mexico and US Hispanic
    For: Amazon Prime Video
    Distributed by: Amazon Prime Video

    The Assembly
    Produced by: Bargoens
    For: VTM
    Distributed by: Be-Entertainment

    The Expedition: Greenland
    Produced by: Roses are Blue
    For: Play4
    Distributed by: Primitives

    The Underdog: Josh Must Win
    Produced by: Primal Media, part of STV Studios
    For: E4
    Distributed by: All3Media International

    BEST HOST OF A FORMAT

    Alan Cumming (The Traitors US)
    Produced by: Studio Lambert. Original format by IDTV and RTL
    For: Peacock
    Distributed by: All3Media International

    Big Zuu (Big Zuu’s 12 Dishes in 12 Hours)
    Produced by: Twofour, Big Productions
    For: ITV1
    Distributed by: ITV Studios

    Jimmy Kimmel (Who Wants to be a Millionaire? US)
    Produced by: Sony Pictures Television’s Embassy Row, Kimmelot
    For: ABC (US)
    Distributed by: Sony Pictures Television

    Maggie Beer (Maggie Beer’s Big Mission)
    Produced by: Artemis Media
    For: ABC (Australia)
    Distributed by: ABC Commercial

    Stephen Fry (Jeopardy UK)
    Produced by: Whisper North
    For: ITV
    Distributed by: Paramount Global Content Distribution

    Valerio Lundini (The Fixer)
    Produced by: Rai, Stand By Me
    For: RaiPlay
    Distributed by: Stand By Me

    The awards are to be presented between 17.00 and 19.00 on Sunday 20 October  at ClubC21 on the beach in Cannes.

    Banijay Rights CEO Cathy Payne is to be presented with the 2024 International Formats business gold award during the ceremony.
     

  • Fifth edition of Content Hub 2021 all set to get underway on 28 July

    Fifth edition of Content Hub 2021 all set to get underway on 28 July

    New Delhi: Change is the force of nature. More so, when it’s catalysed by digital technology, that not only transforms the way we live, but alters the way we envision the world. The last few years have done exactly that, disrupting the world of media and entertainment and heralding a new era where content is the king.

    Streaming has taken its rightful place as the go-to option for the new-age audiences worldwide. The voracious appetite for visual content has led to a fierce competition among media businesses – both traditional and digital to look for ways to deliver the best quality content in the least possible time.

    This content revolution will take centre-stage at the much-awaited fifth edition of The Content Hub 2021- ‘TV, Film, Digital Video, and Beyond’ being organised by Indiantelevision.com from 28-30 July, 2021. The mega annual event which brings together some of the biggest names from the world of media and entertainment industry together will go virtual this year.

    The three-day summit is co-presented by IN10 Media Network and ZEE5, and co-powered by Applause Entertainment and Tipping Point, the digital content unit of Viacom18 Studios. PTC Network is the supporting partner.

    Centred on the theme – ‘The New Dynamic’, The Content Hub 20201 will witness insightful sessions with industry stakeholders deliberating on how the new forces are transforming the way content is created and stories are told. It will also delve upon the impact of these changes on the business models for the world of films, TV and OTT.

    The three-day event will provide an opportunity to people from across the media industry to know and understand the new trends. So, whether they are content creators, broadcast/OTT professionals, advertising and marketing professionals, technology content providers, writers, directors, producers, content studios, and production houses, the event line-up promises engaging sessions for all.

    There will be over 25 virtual sessions, key notes, fire-side chats, and master classes from the best in the content ecosystem spread over three days, starting Wednesday. It will also give an opportunity to the participants to listen to successful content stories in both TV and digital format from the makers themselves!

    There will be a master-class with director Amit Masurkar and writer Aastha Tiku on ‘What went into the making of Sherni’. The movie featuring Vidya Balan in the lead role debuted on Amazon Prime in June. The event will also host a special masterclass with creators of the popular web-series Scam, with director, writer, producer Hansal Mehta, co-director Jai Mehta,  filmmaker Sumit Purohit, writers Karan Vyas, Saurav Dey and Vaibhav Vishal.

     

     

    Day One will begin with invigorating discussions on the challenges and opportunities before India’s content creators, the growth of OTT, the growing relevance of language personalisation in OTT advertising and the surge of real-life programming. There will also be a session on Factual Entertainment- The rising surge with Discovery Inc, South Asia, managing director, Megha Tata.

    Day Two will begin with presentations on content and consumption trends. There will be an interesting session on building a writer’s room, and creating engaging audio content. It will also witness conversations between industry stakeholders on the new creative regime, and how remote working has altered the way production takes place now.

    Some of the key speakers include : 

    Join us on 28 July for one of the biggest annual get-togethers of content creators from across the industry.

    To register visit: https://thecontenthub.in/index.html

  • Will major studios go T-Vod in Bollywood?

    Will major studios go T-Vod in Bollywood?

    MUMBAI: Is this the shape of things to come? That’s a question most in the Indian film exhibition, production, distribution and streaming sectors are asking.

    The reference is to the deal that the world’s largest theatre chain AMC struck yesterday with Universal. It allows a crushing of the window of digital release of new films to at least three weekends (or 17 days) from the current 75-90 days following its rollout on cinema screens. 

    In March 2020, Universal pocketed $100 million from consumers who watched its film Trolls: World Tour when it released it on its premium video on demand (P-Vod) platform when theatres were shut in the US on account of the lockdowns courtesy the raging pandemic.

    That move had irked AMC to the extent that it had said it would not release any of Universal’s forthcoming releases in its 1000 theatres when they would reopen fully.  And the duo had been duelling ever since then.

    The agreement between the two now allows AMC to get a piece of the PVOD revenues that Universal will stand to earn from its releases on digital.  But the duo has agreed that films should first be released at a premium price point of around $20, and could be dropped to $3 to $5 only 90 days after their cinema debut.  

    For sure, going D2C on premium video on demand is better cash earning proposition for the studios as they get to keep 80 per cent of the collections as compared to theatres where the exhibitors retain 50 per cent.  But as everyone says going to the movies is an experience that cannot be replicated at home; hence the exhibition sector does have a long-term future.

    The breaking down of the 90-day bastion raises many questions:

    *Will other studios like Lionsgate, Warner Bros, Sony Pictures follow suit?
    * Will other theatrical chains and independent theatres too toe the line?

    * Will this change the business model that is prevalent in India as well as far cinema exhibition is concerned, way beyond the pandemic?

    So far, Indian film producers and distributors who don’t have the holding capacity have been taking to release their films on OTT platforms like Disney+ Hotstar, Netflix, Amazon or ZEE5 by selling them streaming rights as theatres have been shut for more than four months.  None of them has attempted to take the premium video on demand route. In fact, Disney+ Hotstar actually kept the premiere of the Sushant Singh Rajput-starrer Dil Bechara free for all in a bid to lure non-paying subscribers to sample the service.

    Theatre owners such as PVR and Carnival have been protesting these moves by producers and distributors and have been lobbying to get the governmental go-ahead to open the box office by August as four months of closure has weighed heavily on their financial viability. Of course, there will be severe restrictions – if and when the green flag is raised – in how many seats can be sold for every show.  Considering costs attached to every screening, opening might prove even more financially unviable for exhibitors as the movie-going audience may be loathe to go out, considering how the pandemic is spreading nationwide. Or maybe audiences might flock to the theatres only to have them shut down in case some of the screenings give rise to fresh infections.

    Ticketing company BookMyShow has launched its T-Vod platform and has already got a buy in from Shemaroo to release some of its unreleased film slate on it. None of them is an A-lister movie. Shemaroo says it will take the films onto SVOD later. At the time of writing, no other major had done so.

    However, Viacom18 Studios C0O Ajit Andhare's comments today about the Universal-AMC deal on Twitter gives a sense of the mood prevalent among producers and studios. “Important developments that will have implications for the future. T-VOD as I have been saying always is making the moves.”

    Applause Entertainment CEO Sameer Nair responded to Ajit with his view: “True that! But as long as we, as an industry, strive to keep multiple revenue streams alive, we will adapt and change with these shifting sands. The death knell will be monopolistic gatekeepers that dictate price and access to audiences.”

    The questions that the industry will have to find answers to are:

    * Will the big producers, studios and distributors take a leap of faith and release the big banner films which have been gathering dust?

    * Will they manage to get the streamers to agree to a premium transactional window independent of AVOD and SVOD?

    * Will they be able to market smartly and get enough consumers to watch the movies online to recover their investment  (if at least partly) to make the T-Vod effort – in terms of the lower price the streamers will give them for being a second window – worth it?

    * Will a mainline theatre chain like PVR, Inox or Carnival agree to partner with a major studio in the new windowing that the pandemic disruption has imposed on age-old business models?

    Movie watchers have shown they have the appetite to go digital: 95 million or so of them watched Dil Bechara within 24 hours of its release. An actor, whose untimely death the nation has been mourning, starred in the poignant tale. He was not even ranked in the same grade by the industry as other actors like Ranbir Kapoor, Ranveer Singh, Akshay Kumar, Shah Rukh Khan, Salman Khan and  Aamir Khan though he was supremely talented.

    Numerous big banner and big budget films have been awaiting a theatrical release. The pandemic looks un-stoppable currently with nearly 50,000 fresh Covid2019 cases being reported daily. There is no endgame in sight.

    Maybe it’s time some of the majors took the T-Vod plunge.  It’s over to the industry.

  • MX Player announces 20 new originals by March 2020

    MX Player announces 20 new originals by March 2020

    MUMBAI: Bringing viewers stories that matter, stories that are authentic and powerful narratives that evoke emotion – the brand has now announced 20 new originals by March 2020, making it a colossal 35 originals by the end of the business year.

    Hosting one of the largest collections of premium content available for video on demand in India, the platform has 1,50,000 hrs of “Everytainment” including content from their partners like SonyLIV, Applause, HoiChoi, SunNxt, TVF, Radio Mirchi, Dice Media and Arre amongst others.

    Elaborating on the same, MX Player  CEO Karan Bedi said, “To bring alive our next slate of amazing originals, we have collaborated with writers and directors par excellence, a stellar talent pool of superlative performers and stories which are a class apart! With our scale and penetration that is unparalleled in India, we truly have succeeded in building an entertainment ecosystem with widespread appeal.”

    Here’s a look at some of its marquee properties for the year.

    This November, fans will be treated to a musical extravaganza like none other with the launch of Times of Music which features the who’s who of the music world as a part of the show – including Vishal-Shekhar, Bappi Lahiri, Salim-Sulaiman, Pyarelal-ji, Amit Trivedi, Rajesh Roshan, Agnee, Euphoria, Indian Ocean, Shantanu Moitra and Amaal Malik just to name a few. This series heroes a never-seen-before concept where each episode features two legends – veteran composers and new age artistes – performing their renditions of each other’s most celebrated songs.

    An ode to Indian weddings and the shaadi season is an MX Original Series ‘Shaadi Fit’ that traces the journey of 4 young couples who are put through an intensive journey to turn into the best shape of their lives physically, mentally and emotionally for their wedding day.

    Investing in regional content across genres and languages, MX Player adds ‘Ek Thi Begum’ and ‘Samantar’ to its Marathi slate. The former is a thrilling revenge drama where a woman, pushed to the brink emerges as a dominant force to avenge her lost husband while ‘Samantar’ is another ambitious regional project featuring the superstar of Marathi cinema – Swapnil Joshi in the lead. The brand is also dabbling with 2 Bhojpuri shows – ‘Madhuri Talkies’ and ‘Runaway Lugaai’, while the Tamil slate brings you the most awaited series by National Award-Winning Director – Gautham Vasudev Menon – ‘Queen’.

     ‘Call it Magic’ is a crime thriller which stars acclaimed performers like Ranvir Shorey, Akshay Oberoi, Shweta Basu Prasad and Mrinmayee Godbole as the leads and its next is a relationship drama about love in your 20s, 40s and 60s – ‘Pawan and Pooja’ which features an ensemble cast including Mahesh Manjrekar, Deepti Naval, Gul Panag and Sharman Joshi amongst others.

  • Hotstar and Applause partner for the first slate of Hotstar Specials

    Hotstar and Applause partner for the first slate of Hotstar Specials

    MUMBAI: India's leading OTT, Hotstar recently announced its foray into digital content for a billion screens with Hotstar Specials. For its initial slate of soon to be launched Specials, it has partnered with Applause Entertainment, the content studio from the Aditya Birla Group. The four shows in the initial slate are – Criminal Justice, The Office, Hostages and City Of Dreams. 

    With over 15 crore monthly active users and growing, Hotstar is the country's biggest OTT by a distance. Earlier this year, it announced its next big leap in content with Hotstar Specials helmed by India's leading creative talent. The four shows that will be rolled out as Hotstar Specials mark the coming together of some of India’s most talented entertainment professionals.

    Tigmanshu Dhulia and Vishal Furia’s Criminal Justice, the Indian adaptation of the hit British series, will feature Vikrant Massey, Pankaj Tripathi, Mita Vashisht, Anupriya Goenka and Jackie Shroff in leading roles. Rohan Sippy & Debbie Rao and Vivek Bhushan have helmed the Indian adaptation of the international cult comedy The Office, which features an exciting ensemble cast. City Of Dreams has Nagesh Kukunoor directing Atul Kulkarni, Sachin Pilgaonkar, Eijaz Khan, Priya Bapat and Siddharth Chandekar in a political drama, set in Mumbai. The widely acclaimed international thriller, Hostages is directed by Sudhir Mishra with Ronit Roy, Tisca Chopra and Parvin Dabas playing pivotal parts.

    Hotstar Specials will be available in 7 major Indian languages leveraging the platform's unmatched reach across the country and will also be accessible to Hotstar's global audiences.

    Speaking about the partnership Sanjay Gupta, MD Star India said "With Hotstar Specials we hope to create the biggest Indian stories delivered to a billion screens. To bring this vision alive we are proud to partner with Applause Entertainment on our first set of Specials."

    Added Sameer Nair, CEO, Applause Entertainment, “Hotstar is the leader of the streaming services in India and a perfect partner for us. We hope to entertain their audiences, to contribute in a small way to help achieve their business objectives and to ink a deeper, longer-term creative relationship with them.”

    Over the past year, Applause Entertainment has developed a robust and varied pipeline of shows, and is constantly improving on processes and systems to be able to deliver high quality creative output at scale.

    Hotstar Specials are slated to launch starting March 2019, on the back of VIVO IPL which will stream exclusively on Hotstar.

  • Applause Entertainment appoints Ashok Cherian as head of marketing and revenue

    Applause Entertainment appoints Ashok Cherian as head of marketing and revenue

    MUMBAI:  Applause Entertainment, the Sameer Nair-led content studio from the Aditya Birla Group, has announced the appointment of Ashok A Cherian as their head of marketing and revenue. At Applause Entertainment, Ashok will lead integrated marketing and brand building and drive revenue for the brand. 

    Cherian joins Applause to help tap into the enormous opportunity of a potentially 500 million strong mobile-internet-smartphone consumer base that is looking for binge worthy, local, premium populist content.

    He has over 19 years of rich and varied experience across print, television, consulting and retail. Prior to Applause, Cherian was the CMO at SMAAASH Entertainment for four years, where he was part of the core team that helped expand the company and its revenues, by rapidly multiplying to 27 units across India and one at the Mall Of America, the largest mall in the USA. He also helped grow the brand swiftly via effective digital marketing and leveraging of brand ambassadors Sachin Tendulkar and Virat Kohli.

    Cherian’s repertoire of work comprises of: a seven year stint at MTV India, which also included three seasons of marketing, monetizing and “picking” Roadies as a judge/casting-director on the hit show MTV Roadies; followed by the launches of UTV Broadcasting’s Bindass channels (now Disney); award winning integrated marketing of the first Coke Studio India while at Naked Communications; as well as an insightful domain widening entrepreneurial consulting venture, where he provided strategic and digital solutions for clients ranging from real estate to music bands. 

    It all started in 1999, when after completing engineering from Mumbai University, he responded to his creativity’s call and started off as a writer at JAM – India’s most loved campus magazine.

    Nair said, “The world of entertainment in India is in the midst of a perfect storm. We want to channelize all our energies and experiences into building and creating a strong ecosystem of talent, concepts and execution; we want to create excellence at scale. Ashok has a deep understanding of the entertainment business and is known and respected in the industry. With his experience in marketing, digital and retail, he will be a great addition to Team Applause.”

    Speaking on his appointment, Cherian shared “OTT video content is one of the most exciting spaces to be in. Sameer Nair is the man who changed the face of Indian television, and with Applause Entertainment, Sameer’s vision of a premium content studio is set to change the game in the digital space as well.”

    Also Read:

    ITV Network readies Punjabi music channel

    Enterr10 to launch two Bengali channels

    Industry optimistic about RPD technology for viewership