Tag: Anuja Trivedi

  • Anuja Trivedi named chief strategy and marketing officer as Shemaroo eyes next phase

    Anuja Trivedi named chief strategy and marketing officer as Shemaroo eyes next phase

    MUMBAI: Shemaroo Entertainment has expanded the remit of Anuja Trivedi, elevating her to chief strategy and marketing officer (CSMO). In addition to leading marketing, she will now head the central strategy team, cementing the company’s sharper focus on long-term growth, integrated brand positioning and closer consumer alignment.

    Since joining as chief marketing officer in 2023, Trivedi has driven brand growth and boosted visibility for Shemaroo’s TV, OTT and digital platforms. In her expanded role, she will spearhead strategic initiatives and work with cross-functional leaders to unlock synergies across the group’s diverse business verticals.

    She brings broad experience spanning strategy, revenue and content, with stints at Disney Star, World Gold Council (WGC), McKinsey & Company, Morgan Stanley and PwC. At Disney Star, she shaped content strategy for TV and digital, driving Disney+ Hotstar subscriptions and improving TV market share in key genres.

    “Anuja’s role expansion comes at a time when we are sharpening our strategic priorities to stay ahead in an evolving media and entertainment ecosystem,” said chief executive of Shemaroo, Hiren Gada. “Her deep understanding of consumer behavior, market dynamics, and business transformation will be instrumental as we move into our next phase of growth.”

    Chief operating officer of Shemaroo, Arghya Chakravarty added, “Over the last two years, Anuja has been instrumental in shaping Shemaroo’s brand story. Her expanded role reflects our belief in her ability to bridge strategy with execution, drive cross-functional alignment, and keep the consumer at the center of all decisions.”

    With Trivedi’s new mandate, the brand is amplifying its bet on strategy-led brand building and future-ready planning as it caters to the changing tastes of Indian and global audiences.

  • Shemaroo’s Father’s Day film tugs heartstrings with a downpour of silent sacrifices

    Shemaroo’s Father’s Day film tugs heartstrings with a downpour of silent sacrifices

    MUMBAI: Some superpowers don’t make noise.

    They just hold the umbrella and quietly step into the storm.

    This Father’s Day, Shemaroo Entertainment handed the spotlight to dad—the family’s emotional backbone—with a poignant short film under its new campaign #UnderHisUmbrella.

    The film, crafted around a rainy-day metaphor, captures a father leaving shelter so his wife and daughter remain dry. He says nothing, demands nothing. But the gesture hits home. The moment becomes a symbol for a father’s enduring role in Indian households—stoic, quiet, and unyieldingly protective.

    Shemaroo Entertainment launched the film on 13 June, drawing attention to the small sacrifices that often go unnoticed but shape every Indian family. Unlike the usual parade of Father’s Day commercials filled with overt gestures, Shemaroo went with subtlety.

    The result?

    A powerful tug at the heart.

    “For over 60 years, Shemaroo Entertainment has been telling stories that reflect the heart of Indian families. With #UnderHisUmbrella campaign, we continue that legacy, celebrating the fathers who often remain in the background yet form the backbone of the family. Their strength lies in their silence and their love in small acts of care. This campaign is a tribute to that unspoken emotional bedrock”, said Shemaroo Entertainment Ltd COO Arghya Chakravarty.

    The campaign wasn’t just a tearjerker. It worked as a brand strategy.

    “From a strategic perspective, this initiative allows us to connect deeply with our audience on an emotional level. We recognize the profound yet often understated role that fathers play in every household. The #UnderHisUmbrella campaign is our way of celebrating that universal truth. The visual metaphor of an umbrella represents security, warmth, and selflessness. By bringing this to life in a relatable context, we hope to spark recognition and appreciation for the unsaid ways fathers protect and nurture”, said Shemaroo Entertainment Ltd CMO Anuja Trivedi.

    Backed by Shemaroo’s social media platforms like YouTube and LinkedIn along with their long-standing brand ethos ‘India Khush Hua’, the film strengthens the company’s legacy of heartfelt storytelling. The message is simple-sometimes, love doesn’t roar; it quietly shelters.

    Watch the campaign film here: 

  • Shemaroo rewrites the script on gender bias with ‘HarRoleIsHerRole’

    Shemaroo rewrites the script on gender bias with ‘HarRoleIsHerRole’

    MUMBAI: We talk about equality, but do we really see it? This Women’s Day, Shemaroo Entertainment is holding up a mirror to the invisible biases shaping our world with its powerful campaign, ‘HarRoleIsHerRole’. More than just a conversation starter, the initiative challenges deeply ingrained stereotypes, proving that representation is the first step toward real change.

    As part of the campaign, Shemaroo conducted a social experiment with 10 artists, asking them to paint professionals across various fields a chef, cricketer, scientist, army officer, and more. The outcome? Every single portrait depicted a man. A stark reminder that gender bias is so ingrained, we don’t even notice it.

    Shemaroo Entertainment Ltd chief operating officer Arghya Chakravarty reinforced the need for action beyond rhetoric. “We recognise the power of media in shaping perspectives. With ‘HarRoleIsHerRole’, we are not just starting a conversation—we are taking action. Equality is about visibility. When we challenge outdated norms and promote balanced representation, we ensure that talent and ambition, not gender define success.”

    Shemaroo isn’t stopping at awareness, it’s pushing for change at the very roots of learning. School occupation charts, which traditionally depict men in leadership roles and women in caregiving professions, are getting a gender-equal makeover. Shemaroo is redesigning and distributing these charts across schools and NGOs, ensuring that children see equality, believe in it, and grow up living it.

    “Stories inspire change,” added Shemaroo chief marketing officer Anuja Trivedi. “HarRoleIsHerRole is more than a campaign, it’s a shift in mindset. We want a generation to grow up without the biases that have held us back. True change begins with how we see the world, and we are committed to making that vision more inclusive and powerful.”

    Shemaroo’s initiative is a call to rethink, reimagine, and rewrite the narrative because when every role truly belongs to everyone, India smiles. And standing by its ethos, India Khush Hua, Shemaroo continues to craft stories that inspire change.

  • Shemaroo Entertainment unveils futuristic and consumer-friendly website

    Shemaroo Entertainment unveils futuristic and consumer-friendly website

    Mumbai: Shemaroo Entertainment Ltd, a pioneering name in the entertainment industry, is delighted to announce the launch of its newly refreshed corporate website, www.shemarooent.com. This revitalised digital platform embodies Shemaroo Entertainment’s commitment to innovation and future readiness, offering a modern and engaging user experience.    

    Shemaroo’s new website is designed to provide an immersive and intuitive browsing experience. With its contemporary design, sleek interface, streamlined navigation, and rich content, visitors can effortlessly explore and discover the company’s diverse offerings and strategic initiatives. Key highlights include user-friendly categorization and seamless access to Shemaroo’s various businesses such as Broadcast, OTT, Digital and Syndication. These enhancements ensure that both new and returning visitors can easily discover valuable insights about the company.

    This significant digital enhancement underscores Shemaroo’s dedication to staying at the forefront of the media and entertainment industry. By integrating modern design trends, high-quality visuals, and subtle animations, the revamped website not only captures the essence of Shemaroo’s rich legacy but also exemplifies its progressive vision. By embracing cutting-edge technology and user-centric design principles, Shemaroo aims to foster deeper connections with audiences.

    Talking about this new development, Shemaroo Entertainment chief marketing officer Anuja Trivedi said, “At Shemaroo, innovation has always been at the core of our DNA. We are excited to unveil our revamped website, which reflects our commitment to excellence. This platform not only enhances our user experience but also introduces a more dynamic digital engagement. We believe this revamp marks a significant milestone in our journey, reinforcing our dedication to creating an interactive experience for our ever-expanding audiences.”

    This launch marks a significant advancement for Shemaroo Entertainment, reinforcing its position as a leader in the entertainment industry and its dedication to creating magic for audiences worldwide.

  • Shemaroo’s digital evolution: OTT, telecom, and marketing insights

    Shemaroo’s digital evolution: OTT, telecom, and marketing insights

    Mumbai: Shemaroo Entertainment has emerged as a trailblazer, seamlessly navigating the realms of broadcast, OTT and FTA platforms. With a rich legacy spanning decades, Shemaroo has continuously adapted to technological advancements and shifting consumer preferences, cementing its position as a leader in the industry.

    Last month, the conglomerate took a significant leap in its expansion in the global telco, ISP (Internet Service Provider), and OEM (Original Equipment Manufacturer) landscape by collaborating with four international telecom operators to extend its OTT platform, ShemarooMe.

    In this move, partnerships with Zain, STC, and Mobily in Saudi Arabia, along with Vodafone in Qatar, facilitated by DCB (Direct Carrier Billing) partners, 3A net and one97 communications, showcase Shemaroo’s commitment to delivering diverse entertainment experiences worldwide.

    Furthermore, effective marketing strategies are essential for capturing audience attention and driving user engagement. For broadcast platforms, Shemaroo adopts a multi-faceted approach, utilizing traditional advertising channels such as television, print, and outdoor media to create awareness and generate buzz around its content offerings. Strategic partnerships with broadcasters and syndication agreements further amplify the reach of Shemaroo’s content, ensuring maximum visibility among viewers.

    On the other hand, marketing strategies for OTT platforms focus on leveraging digital channels to target specific audience segments. Through targeted online advertising, social media engagement, and influencer partnerships, Shemaroo effectively promotes its OTT offerings, driving subscriptions and maximizing viewer retention.

    Indiantelevision.com caught up with Shemaroo Entertainment – Digital Business COO Saurabh Srivastava along with CMO Anuja Trivedi. Srivastava explained in depth about the plans for OTT app-ShemarooMe, telecom business expansion and YouTube channels milestones whereas Trivedi emphasised on Shemaroo’s marketing plans for broadcast & OTT platforms.

    Edited excerpts

    Shemaroo Entertainment Ltd COO- Digital Business Saurabh Srivastava

    We are focused on increasing regional content offerings on our OTT platform, ShemarooMe, considering cost rationalization and improved evaluation metrics to achieve sustainable growth. We are actively investing in content and marketing, exploring opportunities in both SVOD and AVOD subscription models. Looking ahead, we aim to enhance user experience through personalization.

    Expanding our telecom business, our goal is to provide entertainment across borders. By the year’s end, we aim to reach around 29 telecom providers across Southeast Asia, SAARC, and the MENA region, providing high-quality content to meet diverse viewer preferences.

    Through our YouTube channels, Shemaroo Entertainment engages millions of fans daily by offering diverse content. With the two YouTube channels surpassing 50million subscribers and a cumulative base of over 138 million subscribers across all channels, we see a substantial audience there. We’re optimistic about our digital platforms’ future and through our content strategy and offerings, we remain committed to providing high-quality entertainment to our audiences across the globe.”

    Shemaroo Entertainment Ltd. CMO Anuja Trivedi

    Our marketing strategy at Shemaroo Entertainment for both broadcast and OTT platform revolves around building awareness and fostering engagement while showcasing our unique offerings. With our OTT platform, ShemarooMe and broadcast channels- Shemaroo Umang, Shemaroo TV, Shemaroo MarathiBana and Chumbak TV, we aim to directly cater to our audience’s preferences.

    Recognizing the immense potential in the Gujarati market, we are proud to position ShemarooMe as the premiere Gujarati-first platform. This emphasis is a crucial aspect of our marketing efforts.

    Our past campaigns have focused on building our brand and establishing a strong presence in the industry. And with our recent collaborations like partnering with Balaji Telefilms for the new show ‘ChaahengeTumheItnaa’ on Shemaroo Umang and our extensive collection of Gujarati movies on ShemarooMe, we are poised for further growth.

    We understand the impact of influencers and AI in content marketing and have implemented the same in our campaigns. Recent initiatives like for the promotion of the movie ‘Shubh Yatra,’ an AI-generated news reporter was created who describes the protagonist’s journey and collaborations with relevant influencers for our other projects on ShemarooMe have been successful.

    Our marketing approach for all our brands emphasizes building awareness first, followed by consideration, to maximize our impact in the market.

  • Online video thrives: Local content vital for subscriber growth

    Online video thrives: Local content vital for subscriber growth

    Mumbai: The Asia Video Industry Association held its annual OTT Summit in Singapore on 5 December, where over 90 per cent of the speakers were senior female executives from across the video industry in Asia Pacific. This year’s summit was designed to try and redress the gender imbalance seen in many industry conferences.

    The Summit opened with Media Partners Asia lead analyst, head of content & platform insights Dhivya T presenting an overview of the state of streaming in Asia, a market where competition was very much driven by a battle for share of time, with premium video on demand (VOD) fighting with social media and user-generated content (UGC).

    Competition was also giving rise to new business models and strategies beyond the traditional AVOD and SVOD models, including mobile gaming, e-commerce and bundle subscriptions becoming more common. And with a higher focus on increasing ARPUs, price increases have also become prevalent.

    Ex-China, online video revenues in Asia Pacific were expected to hit US$46 billion in 2028, up from US$29 billion this year. While SVOD was expected to have a CAGR of 6.4 per cent, premium AVOD will see a growth rate of almost 18 per cent, led by Japan, India, and Korea. In Southeast Asia, Indonesia was emerging as the leading market for AVOD, with Thailand for SVOD.

    In terms of content trends and investment, although pay TV remained the largest vertical, online video was the growth engine of video content investment, with local and Asian content leading premium VOD viewership with the highest reach. Hence local content remained key to acquiring subscribers in the region, and constantly over-indexing with new users.

    In the world of streaming, Free Ad-Supported Streaming TV (FAST) was also much talked about at the summit as the new kid on the block, as it mimicked the experience of linear TV, delivering scheduled content, with advertising included. Driving the growth of FAST in Asia was the penetration of Smart  TVs in the region, with 80 per cent of OTT viewers in APAC using Connected TV (CTV), and with one-third of  OTT viewing on CTV, shared Samsung Ads APAC Head of Product Marketing Samantha Cooke, But  FAST channels were not always about making money, as FAST was also used for marketing, outreach and brand building, added Brightcove senior product marketing manager Roberta Cambio.

    Senior marketers from the major platforms too chimed in on the importance of brand building, as the mantra was no longer acquiring subscribers at all costs but focusing on keeping the ones you have. For Shemaroo Entertainment chief marketing officer Anuja Trivedi, marketing was now more aligned with the business, as consumers who saw campaigns engaged better as well. And partnerships which build more value can only build more excitement for the product and engagement for the platform, said Trivedi Akamai Technologies Senior Solutions Engineer Sarah Lim also added that people, platform and technology were what will help drive your strategy forward for the future. “Marketing is greater than the sum of its parts,” said Lim.

    With 71 per cent of viewers in APAC watching advertising-supported streaming on top of linear TV viewing, Chair for Media & Measurement, AAMS & CEO, OMG Singapore Chloe Neo was also seeing growth from regional clients with a greater inclination to look at branding, with the reallocation of budgets into OTT tending to be from the big brands, due to their expectations on quality content. While 20/F Leighton Centre, 77 Leighton Road, Causeway Bay, Hong Kong | 5008 Ang Mo Kio Avenue 5, #04-09 Techplace II Singapore 569874 avia.org investment was coming from the linear TV side, more clients were now embracing CTV and addressability for strategic benefit, and not just for incremental reach, added GroupM CIO Southeast & North Asia, Chair, APAC Investment Committee Anita Munro.

    A strong focus on content closed off the Summit, with panellists agreeing that Asian content could not be lumped together. There was a huge variety within what is labelled Chinese or Indian content. ZEE5 chief content officer Hindi originals Nimisha Pandey emphasised that storytelling trumped investment. “Audiences don’t care how much money has gone into content, if it connects, it connects,”  she said.  

    Viu chief of content acquisition and development Marianne Lee noted, “Each local market has their own strategy which complements the regional strategy. While it is important for the content to travel outside, the content must also do well locally,” said Lee. In agreement, ASTRO director of content Agnes Rozario added, “There will always be certain types of content that travel better than others. But it has to work in the home market first.”

    One market which saw things a little differently was Thailand where True Corporation deputy director of planning & business development strategic content group Kirana Cheewachuen saw huge potential in the overseas growth and popularity of Thai content, and international success was her primary goal.

    Sharing her strategy for the Pacific Rim in the closing session, Paramount ANZ, EVP chief content officer head of paramount + Beverly McGarvey said that Australia was a mature market at a pivotal point now as audiences were adjusting between more traditional legacy media and streaming. Hence accelerating growth in streaming while maintaining linear businesses and making content that can work across platforms was what was needed to remain viable.

    The OTT Summit is proudly sponsored by Gold Sponsors Brightcove, INVIDI, Nagra, Warner Bros  Discovery; Silver Sponsors Akamai, Broadpeak, CDNetworks, Irdeto, Moloco, Publica, PubMatic,  Shemaroo; Bronze Sponsor Dolby. 

  • IBS: Marketing in a VUCA world

    IBS: Marketing in a VUCA world

    Mumbai: The India Brand Summit held on 28 November 2023 at The Lalit Mumbai, convenes leaders, marketers, entrepreneurs, and experts to explore current trends, challenges, and opportunities in the dynamic brands and marketing arena.

    The session offered an in-depth exploration of the strategies and insights required to effectively navigate the challenges posed by a VUCA environment. VUCA stands for Volatility, Uncertainty, Complexity, and Ambiguity – characteristics that define the modern business landscape’s fast-paced & unpredictable nature.

    The panel was moderated by Ernst & Young LLP partner & head marketing advisor Amiya Swarup. Panellists for this session were Aditya Birla Fashion and Retail Ltd head- corporate marketing & strategy Apeksha Gupta, Bisleri International Pvt. Ltd. marketing head Tushar Malhotra, Fino Payments Bank CMO Anand Bhatia, Shemaroo Entertainment Ltd. CMO Anuja Trivedi.

    Key highlights of this session was to understand the VUCA dynamics & how it impacts marketing strategies and to learn about the tactics to respond to sudden market shifts, emerging trends, and unforeseen disruptions. Along with this, they will also speak on what role does data & decision making play in such dynamic structure, the role of digital platforms and technology in VUCA marketing and much more..

    The panel was started by Swarup asking Gupta on how marketing has evolved over the years, as it is at the forefront of generating data and the role it plays in the dynamic structure to which Gupta answered, “VUCA has always been around, because it’s always been an unstructured, volatile environment, because that’s the nature of how things move. It’s  just that the pace has increased right now and it’s multi fold in terms of what’s happening in the unpredictability of it. So I broadly kind of focus on three broad mantras to deal with this kind of uncertainty. My first one is, it’s perfectly okay to not know, I think we kind of get caught up in saying, okay, I’m supposed to be so and so. And I have to know all the answers, and I’m supposed to connect the dots. Actually, it’s perfectly okay to not know because that’s really where the starting point is. If you don’t know, you will work really hard to figure it out. So I’m always very open to saying, look, I don’t know how Gen Z is working, I don’t know how data works, I don’t know how digital is working. It’s a great starting point. The second for me really is  earlier, we were always told, go targeted, go really sharp, I think maybe that’s changing a little bit. Now, to the extent that anything that we do, actually try and figure out the larger implication or the ripple effect of it, because the ripple effect will actually help you be agile. Because when you shoot that stone, you can choose to jump off one ribbon to the other if you’re keeping your eye around that and not that Bullseye essentially. And of course, third, again, very spoken off in the past, but a lot more implication now is to celebrate failures. If we don’t have that cultural DNA to sort of help us celebrate our failures to take that much risk to constantly keep coming up with new and the new itself is so difficult because it’s like changing so rapidly. But those would be my three ways of dealing with uncertainty in terms of mindset and approach to how I deal with challenges.”

    Swarup was delighted by the answer as he shifted towards the content side by asking Trivedi on the evolution and strategies of marketing over the years to which she replied, “Marketing for the longest time been about, you know, you bring out the brand film and then you wait for the next brand track to know where things are going. Today with the data and you know the access we have, marketing has never been as close to business as it is today, like you said connecting the dots. So what I put out in 24 to 48 hours, I know whether it’s working or whether it’s not working, it allows me the agility to change those things. It allows me to, I mean, with digital, it allows us to experiment as AV testing, you can get those results. Marketing is a lot more two way process today. So you’re also listening to what your consumer is saying, and making those changes. So to my mind, actually, you know, we are as close to business today as we could be.”

    Marketing plays a fundamental role in terms of driving ROI, business goals etc. Bhatia shared his views by saying, “India is an incredibly homogeneous country. We are a country of ABCD. A as “Adda” when people get together to talk, you know, whether it’s politics or you know, whatever it is, B is “Bollywood”, hence any kind of old, you know Tolly calls you whatever comes with it, C “Cricket”, right? Everywhere. D is “Devotion” or only depends on which side of the spectrum you want. Marketing has just got very simplified over time. And I guess, the best thing that a CMO can do today is really bring it down to a few controllable variables. Good part is that technology today allows you that, right, so fundamentals don’t change. Technology just allows you to bring everything down to a few variables, few moving parts, and you can really leverage that in a big way and deliver ROI.

    At the end of the day, the name of the game is ROI. If the CMO is not getting in business, you really won’t be in business anymore, right? In fact, I think marketers need to start looking at the function as, as a profit center marketing is a profit center, it has always been a profit center, they, you know, they’ll always be disagreements on the way certain measurements happen, we counters will have the views, marketer will have his views, or her views, you know, that life goes on. But I think that fundamental shift is critical.”

    Swarup then asked Malhotra on the role of marketing and especially gave a lot of insights on the mindset of today’s Gen Z people. He said, “This is an everyday morning board conversation, right? The role of marketing. I would say four things stand out today, more than anything else. One is that marketing is a strategic and tactical function at the same time. Strategic from a perspective of brand building and tactical from sales delivery. So both go hand in hand together and the focus of marketing is on both parts, right. The second part is of course, the evolution of the consumer landscape today.

    Gen Z’s today are a very woke audience and conversations happen in a matter of minutes. So understanding Gen Z, understanding your product and understanding the relevance because truth be told, India is a very young country today. Its demographic dividend that we spoke about conditions are favourable. There are a lot of tailwinds towards business and how do businesses harness consumer trends? How do businesses prepare themselves when Gen Z’s really take over? Because this is an audience with a very different mindset. Very woke, looking for a brand for purpose? But also looking at getting away from a lot of stressors in life, right?

    The third bit I will speak about is that today, a marketer needs to be an integrated marketing specialist, there are so many channels, right? Traditional channels still exist as a mass brand, if you reach out for awareness, it has to be TV. So how do you make your campaigns tick across all channels, and get a proper ROI rather than just focus on one channel. And the last point is that whatever we speak about there is no one detail. You have to wait in different mini India’s with your messaging with your communication, because India is also filled with a lot of different cultural landmarks. If you go to South India, it behaves slightly differently from West or North India, and you have to appeal to those audiences to see what works for them as well.”

    The session concluded with many panellists agreeing on one thing that today Gen Z is where the conversations are happening and will also be the key to unlocking and staying relevant in the next 10 years as they are different drivers who talk about sustainability, brands with purpose, imagery, stresses, and by addressing all these things, their being ready for future of the consumers.