Tag: Anna Hazare

  • Do you want argumentative or sophisticated media, asks Arnab Goswami

    MUMBAI: India, with the help of advanced technology, editorial sophistication and big global channels is on threshold of becoming the media capital of the world before 2020, and will take on BBC, CNN and other global channels, dreams Republic TV news presenter and editor Arnab Goswami.

    “India is the only country where media can question anyone on any subject including religion, the kind of journalism that we practice, the way we go overboard, boldness being shown by journalists across the nation and bringing out the truth is helping media become an agent of social change. This will also help us become a global media platform before 2020. That is my dream,” Goswami said while speaking at an interactive session “News as an Agent of Change’ organised by FICCI Ladies Organisation (FLO) here.

    “Delhi city has helped me grow in my career as I have spent nine and a half years of my professional life here and I always felt that it was not a city that supported pure merit. “In 2000-2001, I was about to quit this profession. I was frustrated as a journalist since I felt I was a cog in the wheel. Shifting base to Mumbai helped me do my kind of journalism and what we do is possible for bringing in social change because I was physically separated from the centre of power. This city has taught me the value of merit, independence and professionalism. I owe everything that I am today and everything that I can be to Delhi and Mumbai,” he said.

    “The television media has made politicians accountable for their doings. We play a conscious role towards being a force-multiplier for social movements. Such was the case during the India Against Corruption movement, in which Anna Hazare, Kiran Bedi, Arvind Kejriwal and Prashant Bhushan came together. Today, when the media questions Kejriwal as a politician, people ask me, “Have you forgotten that you are the same people who put Kejriwal on a pedestal?” But, I never supported Arvind Kejriwal. I supported the fight against corruption. Our support was for the Lokpal movement and not for a group that wanted to become a political party,” said Goswami.

    “It’s always a tough decision to take the path less travelled. Rival channels have always accused me of being over the top and presenting a dumbed-down version of the news. However, I am a firm believer in my form of journalism — which does not believe in the ‘underhand delivery’. I look upon us as new-age journalists. It is my responsibility to throw a googly or bouncer to those in power once in a while,” he said.

    Goswami shared an anecdote which he termed “another mistake” in his career. This incident happened when actor Sanjay Dutt was being transported from Mumbai’s Arthur Road Jail to Pune’s Yerwada prison. “I sent my reporters and camerapersons to cover Dutt’s story. While I was having my lunch, I got a phone call from someone in Bengaluru, who had been following my career and Times Now since a long time. He vowed never to watch my channel again. I was surprised and asked him why. He said that his best friend, Colonel Vasanth Venugopal had died in a combat with terrorists. But, not a single news channel had bothered to cover the martyrdom of this man. I was shocked and apologised to him. Suddenly, the whole Dutt drama looked puerile to me. I invited the man to come on my programme, and he agreed.”

    But, Goswami was in for a surprise. Before he went live, he asked his producer if the guest was ready. His producer replied, “Yes, she is ready”. Goswami told him it was a man, who had called up but his producer interrupted and said, “Col. Venugopal’s wife, Subhashini, decided to come on your programme.”

    Goswami recalled, “Here was a lady, who had cremated her husband four hours ago. What do I ask her? I started off by asking some opening questions. She spoke for 10 minutes from her heart – about her husband, about how proud she was of him and about her children. I got a call from Col. J. J. Singh, who was the chief of army staff at that time. He asked me for the brave lady’s number. The incident changed my perspective of journalism forever.”

    Towards the end of his speech, Goswami posed a thought-provoking question: “What kind of media do you want? Do you want this media, irrespective of how noisy, argumentative and difficult it is? Or, would you like to have the tame, quiet and sophisticated media that bowls underhand deliveries?”

  • New films: The business of a few lakhs

    New films: The business of a few lakhs

    The dull pre-Diwali period has taken its toll. The films released recently as well as last Friday have fallen like nine pins. Some of these have been forced to commit hara-kiri as they would not be able to get playtime at the cinemas in peak period when the flow of star cast films is regular. The opening day collections of almost all new releases remained in lakhs, and far away from a crore mark.

    Saat Uchakkey from which the trade and people had some hope hardly earned money. Despite a number of known character artistes in the film and a comedy label, its crude and lewd language besides overacting by a few sunk it. The collections remained poor from day one and did not improve over the weekend. The film collected 90 lakh for its opening weekend.

    Beiimaan Love tried to play the Sunny Leone card to draw the audience. The makers seem to have hit on the idea rather late in the ‘skin specialist ‘star’s life who has lost her novelty value soon after she hit the screen. Whatever she had to offer does not seem to sell now. Sadly, the film had nothing else to offer. The film fell short of Rs 1-crore mark in its first weekend.

    Motu Patlu (3-D: Animation) could not draw kids, its target audience. The film is more likely to reach its viewers through home entertainment. The opening-day collections remained low, and the improvement hoped for over Saturday and Sunday was only marginal as the film managed Rs 1.4 crore for its opening weekend.

    Fuddu had a disastrous reception at the box office with the first day collections ranging between two to three lakh and managing to collect just about 10 lakh for first three days.

    Anna, a biopic on Anna Hazare, a celebrated activist, added to the long list of biopics that don’t work. The audience to the film remained that of total indifference as, despite a controlled budget, the film will be a total loser. The film could not cross Rs one lakh collection figure on its opening day and remained in the same range through its first weekend.

    Mirzya, after a poor opening weekend of Rs 5.2 crore, was faced with more miseries over next four day to show Rs 8.4 crore for its first week.

    Tutak Tutak Tutiya failed badly. The title as well as the bad casting affected the film’s opening, offering no chance to improve. The film collected Rs 2.75 crore in its first week.

    M S Dhoni: The Untold Story benefitted the most with a continuous flow of poor films in opposition and giving it a free run at the box office. The film collected Rs 24.8 crore in its second week to take its two week tally to Rs 107.4 crore.

    Pink collected Rs 1.6 crore in its fourth week to take its four week total to Rs 66.9 crore.

  • New films: The business of a few lakhs

    New films: The business of a few lakhs

    The dull pre-Diwali period has taken its toll. The films released recently as well as last Friday have fallen like nine pins. Some of these have been forced to commit hara-kiri as they would not be able to get playtime at the cinemas in peak period when the flow of star cast films is regular. The opening day collections of almost all new releases remained in lakhs, and far away from a crore mark.

    Saat Uchakkey from which the trade and people had some hope hardly earned money. Despite a number of known character artistes in the film and a comedy label, its crude and lewd language besides overacting by a few sunk it. The collections remained poor from day one and did not improve over the weekend. The film collected 90 lakh for its opening weekend.

    Beiimaan Love tried to play the Sunny Leone card to draw the audience. The makers seem to have hit on the idea rather late in the ‘skin specialist ‘star’s life who has lost her novelty value soon after she hit the screen. Whatever she had to offer does not seem to sell now. Sadly, the film had nothing else to offer. The film fell short of Rs 1-crore mark in its first weekend.

    Motu Patlu (3-D: Animation) could not draw kids, its target audience. The film is more likely to reach its viewers through home entertainment. The opening-day collections remained low, and the improvement hoped for over Saturday and Sunday was only marginal as the film managed Rs 1.4 crore for its opening weekend.

    Fuddu had a disastrous reception at the box office with the first day collections ranging between two to three lakh and managing to collect just about 10 lakh for first three days.

    Anna, a biopic on Anna Hazare, a celebrated activist, added to the long list of biopics that don’t work. The audience to the film remained that of total indifference as, despite a controlled budget, the film will be a total loser. The film could not cross Rs one lakh collection figure on its opening day and remained in the same range through its first weekend.

    Mirzya, after a poor opening weekend of Rs 5.2 crore, was faced with more miseries over next four day to show Rs 8.4 crore for its first week.

    Tutak Tutak Tutiya failed badly. The title as well as the bad casting affected the film’s opening, offering no chance to improve. The film collected Rs 2.75 crore in its first week.

    M S Dhoni: The Untold Story benefitted the most with a continuous flow of poor films in opposition and giving it a free run at the box office. The film collected Rs 24.8 crore in its second week to take its two week tally to Rs 107.4 crore.

    Pink collected Rs 1.6 crore in its fourth week to take its four week total to Rs 66.9 crore.

  • AAP hurricane demolishes BJP and Congress

    AAP hurricane demolishes BJP and Congress

    If general election was swept by the Modi wave, Delhi assembly election certainly witnessed a Kejriwal hurricane. The Modi juggernaut has been bamboozled as his Bharatiya Janata Party (BJP) was restricted to a mere three seats in Delhi. Indian National Congress’ decimating journey took one step forward; they failed to open their account, such was the story of National Capital on 10 February, 2015. Historians and political authors will have to mark this date as historical as any.

     

    A two year old party lead by an ex IIT-ian won 67 of 70 seats contesting against two of the largest national political parties in India. About a year ago on 14 February, 2014 Arvind Kejriwal resigned from the Chief Minister’s post and President’s rule was forced on the capital of world’s largest democracy. Many predicted it as the end of Aam Admi Party (AAP) and Arvind Kejriwal’s political career. Exactly a year later he is all set to take the oath again as the Chief Minister of Delhi, as Delhiites give him a historical mandate.

     

    Few note worthy points of the Delhi elections are:

     

    · The largest opposition party is BJP with three seats, which means Delhi will be legislation without opposition.

     

    · BJP’s Chief Ministerial candidate Kiran Bedi lost to advocate S K Bagga in her Krishna Nagar Constituency.

     

    · Three BJP candidates to win a seat were Om Prakash Sharma, Jagdish Pradhan and Vijender Kumar.

     

    · Congress failed to open its account and its Chief Ministerial candidate Ajay Maken was defeated by AAP’s Som Dutt in Sadar Bazar constituency.

     

    · BJP’s vote share almost remained the same. It was 34.12 per cent in 2013 and this time it is 33.80 per cent.

     

    · AAP’s vote share witnessed a substantial hike. During the 2013 assembly election it was 29.64 per cent, whereas the 2015 vote share increased to 53.30 per cent.

     

    · Congress suffered the worst decline in vote share. They were reduced to 8.60 per cent from 24.67 per cent in 2013.

     

    Indian media covered the ‘election day’ with esteemed sophistication. Every channel deployed huge number of reporters on field to cover each and every development. Media houses decorated their websites with innovative designs. NDTV uploaded ‘Sirf AAP,’ Arvind Kejriwal’s dream result right after the trends indicated a AAP sweep. Aaj Tak had an animation of Arvind Kejriwal ecstatically dancing. Times Now’s #Feb10withArnab was trending on Twitter.

     

    Prominent public figures used social media to share their reactions. Prime Minister Narendra Modi was one of the first to post a reaction. “Spoke to @ArvindKejriwal & congratulated him on the win. Assured him Centre’s complete support in the development of Delhi,” Modi tweeted. 

     

    Kiran Bedi also posted her reaction. “Full marks to Arvind. Congratulations. Now take Delhi to the heights it belongs to. Make it a world class city,” she tweeted.

     

    Journalists too used social media to share their opinion. NDTV’s Vikram Chandra tweeted, “I can’t recall seeing a 95% majority before. 3 lonely lotuses in a sea of jhaddus. #sirfAAP isn’t just a hashtag today. #NDTVResults.”

     

    Veteran journalist Rajdeep Sardesai posted, “67 of 70 Congress candidates lost their deposits. 60 per cent wins more than 10,000 votes. #AAPSweep.”

     

    Social activist Anna Hazare in an interview to CNN said, “Kiran Bedi not responsible for BJP’s defeat, Narendra Modi is.”

     

    The man of the hour Kejriwal dedicated his victory to party volunteers. He tweeted, “Volunteers. U did an amazing job. Relax for 2 days. Spend with your family. Sleep. Watch movies. Meditate. Chill. God bless u.”  

     

    The Aam Aadmi has won yet again!

  • “Thanks to fruitful elections, balance sheets look better in 2014”: Rajat Sharma

    “Thanks to fruitful elections, balance sheets look better in 2014”: Rajat Sharma

    The news industry has taken a full circle – from providing welfare information to entertainment to astrology to cricket to sensationalism and now almost pure news taking back the centre stage. In a recent phase, news channels were dominated by frivolous content and Hindi news channels stood as the main suspects. The industry has worked really hard get over it to regain its lost respect. I can now safely say that “NEWS IS BACK”.

    While the news channels have proved themselves as an effective platform for promoting culture, movies, sports and many other activities, at the same time they have played a pivotal and decisive role in tackling core issues like corruption, rape, terrorism and inflation. Relentless coverage of Delhi rape case, Anna Hazare’s Lokpal agitation, 26/11 etc. to name a few stand a testimony to that fact.

    Despite the fact that news channels comprise an enormously important element of the socio-economic and geo-political ecosystem of the country, most such channels are facing monetary issues – characterised by negative pressures on the revenue toplines and ever increasing costs. The current year though may prove to be an exception and the respective balance sheets may look better than explained, because the industry has seen a relatively long and fruitful election season.

    The carriage fees regime stemming out of the analogue pipeline (despite a couple of phases of digitisation already complete) still plagues the industry. However, with the recent developments over the last couple of years, we hope that the actual correction (from digitisation) will start happening in the near future.

    The increased bandwidth due to transition to the DAS regime, will not only push the carriage fee down, but also bring in the transparency that shall further help proper monetary compensation for the operators so that the pressure can further reduce on broadcasters. This will help boost the profitability and further the cause of more investments in developing quality content that will be dished out with better audio/video quality.

    What could have been another blow to the industry, which is already reeling under multiple pressures, a 12 min/hour advertising cap that was introduced by TRAI for all the channels. We are happy that after a series of discussions with TRAI and TDSAT, High Court has finally put a stay on the same.

    I think it’s time now that broadcasters should unite and work towards the growth of broadcasting industry that not only provides employment to thousands but is an important pillar of India’s democracy. In an example of this unity, IBF & NBA along with other industry stakeholders, have created BARC as an alternate to TAM which we are sure will be a transparent and incorruptible currency.

    (These are purely personal views of India TV chairman and editor in chief Rajat Sharma and indiantelevision.com does not necessarily subscribe to these views.)

  • RIP Jehangir Pocha: A journalist & a gentleman

    RIP Jehangir Pocha: A journalist & a gentleman

    To most viewers, he looked fit as a fiddle. Hence, when news broke that NewsX editor in chief Jehangir Pocha had breathed his last, it came as a shocker. Some had only spoken to him the previous evening, others last week, or very recently, or like us earlier this year when he attended the Indian Digital Television Honours in New Delhi as a representative of the ITV group.

     

    At first glance, Jehangir came across as a cool, calm, collected sort of a chap. A cultured Parsi gentleman used to speaking softly in measured tones when he encountered you in person. Beneath that mild-mannered exterior ran a probing journalistic mind, which posed many an incisive question that put those he interviewed on the 9X News channel on the spot.  

     

    But unlike other celebrity news anchors on other English news channels who indulge in histrionics and one-sided shrill shouting matches, he gave his guests a chance to speak. His questions begged an answer, and respond guests had to, because Jehangir would not let them get away without doing so. Whether it was the former chief minister of Delhi Sheila Dixit or Amitabh Bachchan or Anna Hazare.

     

    He was only a phone call away for us at the indiantelevision.com group and general manager Anoop Wanvari would oft reach out to him to partner with our various ground initiatives which he willingly did, even when he was finding it a struggle to keep NewsX going.  We are grateful to him for his support in our times of need.

     

    A former colleague, Indrajit Gupta, the founding editor of Forbes India, writes in an obituary piece in BusinessWorld, that he got a call early last week from him, saying he was frustrated with the Indian system and he was dying to go back abroad.

     

    “He sounded agitated. Venture capitalists had promised him they’d step in after the elections. But they hadn’t to back his plans. He wanted to bid for some distressed media assets in play,” writes Gupta in his obit. “The frustration was beginning to creep in.”

     

    His last tweet on the night before he passed away mentioned that he was “hurrying home” with a news clip (about a Bombay High Court judgment that stated that reaching home late consistently without informing your wife amounts to cruelty) attached to it.

     

    His demise prompted member of parliament Derek O’Brien to tweet: “The high pressure life of TV journalism?  Appan Menon at 49, SP Singh at 49 and today @JehangirPocha at 45 NewsX. Gone too soon.”

     

    And that’s a question which begs answering: is the high pressure life of TV news journalism getting to those in it?  They may not know it, but it probably is. When you are working in the business of television news, you are working in a pressure-cooker environment.  

     

    Deadlines because of the competitive nature of the business, irregular meals, pressure from affected vested interests while reporting, reporting from dangerous and conflict zones, keeping pace with the latest developments – the news journalist is on a treadmill that never seems to be stopping.

     

    For the managements of news organisations, they have to additionally deal with rising costs not accompanied by revenue increases; carping advertising partners disturbed by news reports; maintaining, nay, improving viewership ratings, innovating with changing technology and what have you.

     

    One can say that all these pressures are intrinsic – and have been so for long – to running a news channel. But they have been magnified in the recent past in India with increasing competition and the rapid commercialisation of news. It is quite likely that these will exacerbate further.

     

    Jehangir was under pressure. His channel was in keen competition with the English language news leader Times Now.  He wanted to expand his company’s business footprint, could not for want of capital and was thus frustrated, which added to his pressure.

     

    Therefore it’s about time TV news organisations introspected and even made those that are employed with them look deep within. Regular health checks, exercise, and leading a well-paced daily routine generally should be encouraged even more.

     

    It could go some way in preventing many more from going the Jehangir Pocha, Appan Menon, and SP Singh way.

  • NDTV announces Indian of the Year Awards

    NDTV announces Indian of the Year Awards

    MUMBAI: It’s that time of the year again when we salute the ambassadors of brand India. 2013 has been an important year in the history of India. From instances of individual brilliance to examples of nation building, this year has given rise to a set of Indians, who are not afraid to wear their Indian identity on their sleeve. To honour the contribution of these role models, NDTV is back with the seventh edition of the prestigious Indian of the Year award in association with LIC.

     

    One of the biggest and most credible awards in the country, the NDTV Indian of the Year 2013 will recognize the Indians whose contribution to the country have strengthened the foundation of our society and helped build Brand India. These iconic Indians will be honoured at a glittering ceremony in New Delhi on April 29, 2014 at the Taj Palace Hotel. They will be chosen from four categories: Sports, Entertainment, Business and Public Service.

     

    Announcing the 7th edition of the awards, Vikram Chandra, Group CEO, NDTV said, “We take immense pride in presenting the 7th edition of Indian of the Year awards. The awards recognize the contribution of individuals, who through their determination and fortitude continue to take the nation forward. We are privileged to honour this year’s winners with these awards.”

     

    Over the years, the recipients of these prestigious awards have included Ratan Tata, Sonia Gandhi, Justice J.S Verma, Anna Hazare, Late Pandit Ravi Shankar, N Chandrashekaran, Sachin Tendulkar, heroes of the Mumbai terrorist attacks and many more.

  • Actors Rishi Kapoor and Shivaji Satam to get Mangeshkar awards

    Actors Rishi Kapoor and Shivaji Satam to get Mangeshkar awards

    NEW DELHI: Ten personalities in the field of social awareness, music, literature and arts are to receive the annual Master Deenanath Mangeshkar Awards later this month.

     

    Bharat Ratna and legendary singer Lata Mangeshkar told during a press conference held at her residence in Prabhakunj in Mumbai that the 25th edition of the awards will be presented by her at a function on 24 April at Shanmukhananda Hall, Mumbai.

     

    While tabla player Zakir Hussain and classical vocalist Pandharinath Kolhapure (father of actress Padmini Kolhapure) will be given the Master Deenanath Paritoshik award for music, senior actor Rishi Kapoor and the versatile Marathi actor Shivaji Satam will get the Master Deenanath Mangeshkar (Vishesh Paritoshik) awards.

     

    The Master Dinanath Paritoshak will be given to two journalists Anant Dixit and Prakash Bal, while the Vagvilasini Paritoshik will go to litterateur Dr Anand Yadav.

     

    Dinesh Pedanekar and Mukta Barve will get the Mohan Wagh Puraskar for the Marathi drama ‘Chapa Kata.’

     

    Anna Hazare gets the Master Deenanath  Mangeshkar (Jeevan Gaurav) for social awareness and Miraj Vidyarthi Singh receives the Anadmayee Paritoshik foir social service.

     

    The awards will be organised by Master Deenanath Mangeshkar Smriti Prathishthan Trust, which celebrates the Memorial day of Master Deenanath Mangeshkar every year on 24 April where legendary actors, film makers, social activists, musicians, singers, dramatists, dramas and poets are felicitated for their respective outstanding contribution in their field by presenting them with the prestigious ‘Master Deenanath Award’ and a prize of Rs one lakh each. The founders of this trust are Pandit Hridaynath Mangeshkar, Bharati Hridyanath Mangeshkar and Shriram Narayan Gogate.

     

    This year the trust celebrates 25th anniversary of the awards, and so a two-day festival of award ceremony and concerts will be held as a tribute to the legendary theatre artiste of his times and father of the Mangeshkar’s Lata, Meena, Usha, Hridynath and Asha Bhosle.

     

     The award ceremony on 24 April, will be followed by a solo Tabla concert by legendary Tabla player-Ustad Zakir Hussain, while the next day will see Asha Bhosle in a live Concert with her musician brother Pandit Hridaynath Mangeshkar.

  • India TV launches marketing campaign to promote its new look

    India TV launches marketing campaign to promote its new look

    MUMBAI: Further to the successful refresh of the channel a fortnight ago and riding upon the excellent feedback from all quarters, nation’s leading Hindi News Channel, India TV launches the brand campaign to mark the change and to reinforce the new logo, packaging and refreshing content.

    India TV Editor-in-Chief & inarguably genre’s most credible news anchor Rajat Sharma is the face of the campaign. The objective behind the brand refresh and changeover has been effectively highlighted with him appealing the nation to collectively bring about a change. The same is being done via the core message ‘Aap, Main Aur India TV, Milkar Badle Bharat Ki Tasveer”. The exercise is in sync with the currently transforming nation that also coincides with India TV’s recent changeover.

    Illustrations of various revolutionary movements such as India’s fight back against terrorism during 26/11, protests against Rapes, Anti corruption Movements lead by Anna Hazare are mnemonic to such collective radical movements those have become the regular sights in contemporary India.

    The campaign will cover OOH, Outdoor, Print, Online platforms includes general online media and social networking sites. The campaign has been spread across all critical Hindi speaking markets such as Delhi, Mumbai, Maharashtra, Uttar Pradesh, Madhya Pradesh, Bihar, Jharkhand, Punjab, Chandigarh, Himachal Pradesh, Jammu, Haryana and Rajasthan.

    Speaking on the campaign launch, Ritu Dhawan, MD & CEO, India TV said, “As a leading Hindi News channel, India TV has always been on the forefront of genre leading initiatives. This time it is about bringing the global news watching experience for its viewers. The campaign subtly talks of transformation, which is also being marked across the nation in general”.

    Pushpinder Singh, Chairman, Saints & Warriors (the agency that has executed the campaign), observed “It has indeed been a pleasure working on this campaign. Rajat Sharma as a personification of India TV lends much credibility and character to the brand.”

  • 8th edition of CNN-IBN indian of the year announced

    8th edition of CNN-IBN indian of the year announced

    MUMBAI: CNN-IBN is back again with one of the biggest and the most credible awards in Indian media, CNN-IBN Indian of the Year 2013, in association with GMR, where the most inspirational faces of India in the present calendar year are recognized. Hindustan Times has been the Editorial partner of this initiative since the inception of this award in 2006.

    2013 has been a significant year in the history of India and has given rise to a set of role models who have been true ambassadors of brand India. These iconic achievers who have contributed in strenthening the foundation of our society in their own way are chosen from five different categories: Politics, Sports, Entertainment, Business and Public Service. The winners will be felicitated at a glittering ceremony to be held at Taj Palace, New Delhi on December 20, 2013.

    The winners of ‘CNN-IBN Indian of the Year, 2013’ will be decided by a highly distinguished Jury panel comprising of personalities bestowed with the most prestigious Padma honours; former Attorney General of India Padma Vibhushan Soli Sorabjee (Jury Chairman), Padma Vibhushan Danseuse Dr. Sonal Mansingh, Padma Bhushan author Ramachandra Guha, Padma Bhushan Deepak Parekh (Chairman, HDFC), Padma Sri & 4-time National Award winner Actor Mohanlal V Nair, Padma Shri & Billiards Champion Geet Sethi and Padma Shri Kiran Karnik, the President of NASSCOM.

    Instituted in 2006, CNN-IBN Indian of the Year has been the benchmark for credibility and excellence in media awards. The awards are held in high regard for precision, providing complete information about the process of nomination and selection of the final winners.

    Over the years, the recipients of this prestigious award have included Prime Minister Manmohan Singh (2006), E Sreedharan (2007), G Madhavan Nair (2008), A R Rahman(2009), Bihar CM Nitish Kumar (2010), Anna Hazare (2011) and Indian Chess Grandmaster Viswanathan Anand (2012).

    Rajdeep Sardesai, Editor-in-Chief, CNN-IBN, IBN7 & IBN-Lokmat, shares his views about the awards, saying, “Year after year ‘Indian of the Year’ is getting bigger and better. Today, it’s one of the most accredited awards in the industry. We are immensely proud to felicitate these role models of India for their contribution and achievements in their own respective fields.”
    Don’t forget to tune in to CNN-IBN as the Nominees in different categories will be unveiled 9th December onwards.

    Watch Nominee Specials – Dec 9-12 at 10 pm & Dec 13 at 10:30
    Log on to IndianoftheYear.com for more.