Tag: Anil Khera

  • Vertigo TV gets viewers giddy with global micro & vertical dramas

    Vertigo TV gets viewers giddy with global micro & vertical dramas

    MUMBAI: Vertigo TV, the newly launched vertical drama app from One Take Media, is off to a flying start—grabbing eyeballs with its snackable, binge-worthy content that’s tailor-made for the smartphone generation.

    In just three months, Vertigo TV has packed in over 100 shows, offering a dizzying mix of Chinese, Korean, Japanese, Spanish, English, and Hindi micro-dramas. Each series unfolds in ultra-short, one-to-two-minute episodes, with entire story arcs wrapped up in 40 to 60 instalments—perfect for on-the-go binge sessions.
    vertigo TV

    “The app of today,” as founder and CEO Anil Khera calls it, Vertigo TV mirrors a fast-twitch attention economy where Gen Z and millennials crave instant storytelling hits without the drag. Every drama is shot vertically, optimised for quick breaks, commutes, or those between-meeting scrolls.

    Built to hook viewers within 10 seconds, the app’s catalogue pairs high-octane plots with slick production values and a global-meets-local flavour. Subtitled international dramas sit alongside desi originals, giving Indian audiences a front-row seat to the world’s fastest-growing storytelling trend.

    Priced at Rs 499 a year, Vertigo TV is now live on Android and iOS, and ready to rattle India’s crowded streaming scene. With its bold micro-drama format and lightning pace, One Take Media isn’t just chasing attention—it’s rewriting how India watches stories, one vertical at a time.

    For partnerships, email info@onetakemedia.in or visit www.onetakemedia.in

  • Short and sweet, One Take Media launches Vertigo TV for micro-dramas

    Short and sweet, One Take Media launches Vertigo TV for micro-dramas

    MUMBAI: Two minutes to drama, sixty to closure storytelling just got a major speed boost. Mumbai-based One Take Media has taken a bold leap into India’s streaming wars with the launch of Vertigo TV App, a first-of-its-kind platform dedicated to vertical, short-form dramas. The app introduces Indian audiences to a global bingeing trend micro-dramas that wrap up entire story arcs in 40 to 60 episodes, with each instalment lasting barely two minutes.

    In an era where Gen Z and millennials live by the swipe, Vertigo TV is built for the thumb and not the remote. It’s mobile-first, snackable, and designed for those who want their narratives as fast-paced as their feeds.

    “Vertigo TV App isn’t just a platform; it’s a movement redefining storytelling,” said One Take Media Founder & CEO Anil Khera. “Today’s viewers want rich narratives—and they want them fast. We’re bringing gripping Korean, Chinese and international micro-dramas to India in a way that feels fresh, addictive and mobile-native.”

    Micro-dramas, sometimes called mini-dramas or vertical dramas have exploded in Asia. By 2024, short-form videos made up over 60 per cent of all video consumption among 18–34-year-olds in Asia-Pacific, according to industry reports. In China alone, the micro-drama market was worth 5.3 billion dollars in 2023, growing at an impressive 18 per cent CAGR.

    Vertigo TV aims to replicate that boom in India with its SVOD model priced at Rs 499 per year, available on both Android and iOS.
    Why it clicks

    ●    Hook in 10 seconds: Every drama is crafted to capture attention instantly.

    ●    Mobile-optimised vertical format: Designed for on-the-go, one-hand viewing.

    ●    Global stories, local touch: Content spans Korean, Chinese, Japanese, Spanish, Hindi, and English originals, complete with subtitles.

    ●    Binge without guilt: An entire show can be polished off during a commute, lunch break, or workout.

    ●    High replay value: Short arcs make rewatching and sharing irresistible.

    India’s OTT space has long been dominated by long-format web series and films. Vertigo TV flips the script by going short, vertical and international. With storytelling now tailored to India’s growing smartphone-first population, it offers a fresh alternative to the clutter of big-screen bingeing.

    For viewers tired of endless episodes, cliffhangers that drag for months, or padded narratives, Vertigo TV offers a micro-dose of high-stakes drama with cinematic quality. It may well spark India’s own micro-drama revolution.

    As Khera summed it up: “This is entertainment reimagined for the attention economy quick, powerful, and always within reach.

  • One Take Media dives into animation with ‘Lord Tirupati Balaji – The Film’ set for global release

    One Take Media dives into animation with ‘Lord Tirupati Balaji – The Film’ set for global release

    MUMBAI: In a cinematic leap of divine proportions, One Take Media Co has officially answered the call of the cosmos.

    The Mumbai-based content powerhouse has stepped into film production with its debut feature film Lord Tirupati Balaji – The Film, an animated epic poised to blend high-calibre 3D visuals with the might of mythology. And yes, Lord Balaji is going worldwide—in Telugu, Tamil, Hindi, and English. Jai cinema!

    The ambitious project marks One Take Media Co’s pivot from being purveyors of K-Dramas and cartoons to full-blown mythological moguls. The production is helmed by veteran director Jyotin Goel—of Zahreelay, Safari, and Bird Idol fame—whose flair for both live-action and animation makes him the ideal charioteer for this gods-meet-graphics spectacle.

    The company has teamed up with iRealities Technology Pvt Ltd, the animation wizards behind global hit Chaar Sahibzaade, for the tech muscle. And it’s not just pretty pixels: the film’s backbone rests on years of intense historical and mythological research, guided by a panel of scholars and PhDs. Input from the Tirupati Devasthanam Trust adds further authenticity to what promises to be a spiritually rich, visually glorious narrative.

    Lord Tirupati Balaji – The Film tells the powerful tale of Lord Balaji, Goddess Lakshmi, and Padmavati. But this isn’t your grandpa’s temple tale—this is legend, rendered in photorealistic 3D, destined for Dolby Atmos, and tuned for global ears.

    One Take Media Co CEO & founder Anil Khera confirmed that the studio is “actively onboarding prominent actors and actresses from South India and Mumbai to lend their voices to the film.” Which means, if you thought mythological films were all slow chants and glowing halos, get ready for booming baritones and star-studded Sanskrit.

    And the reach won’t stop at the box office. After its grand global theatrical launch, the film will make its digital darshan on leading OTT platforms, ensuring devotees and cinephiles alike can stream the gods from their couches. Because divine intervention is best enjoyed in HD.

    One Take Media Co clearly has its third eye wide open for what’s next. This production marks a massive step up—and a heavenly gamble to ride India’s ever-growing appetite for myth meets tech.

    With divine storytelling, scholarly credibility, and cutting-edge animation in its armoury, Lord Tirupati Balaji – The Film could just be the next devotional blockbuster to bless the multiplex and beyond. Om shanti… and roll camera.

  • VBS 2024: The OTT Aggregation game

    VBS 2024: The OTT Aggregation game

    Mumbai: India is in the grips of seisnic changes regarding video and broadband consumption. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. 

    Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it seeks to convert most pay TV customers to free streaming of video content by offering free access to consumers at no cost. The consumer continues to demand bandwidth higher than ever imagined even as prices drop. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    The video and broadband distribution landscape has not been as vibrant as it is now.. How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com has held the 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The session chair for this panel was media consultant Anuj Gandhi along with the panelists: Arha Media & Broadcasting CEO Ravikant Sabnavis, GTPL Hathway Ltd senior VP Yatin Gupta, Dangal Play head Akshat Singhal, Playbox TV founder & CEO Aamir Mulani and OTT-Chana Jor, VHunt Digital Media COO Archita Jasani

    To light up the atmosphere, Gandhi asked the audience how many hours on average people spend on their mobile phones. He also dropped another question while spending time looking at phones, how much time is spent on watching SVOD OTT? The response was quite positive as an overwhelming number of people in the audience watched content on their mobile phones for a longer duration.

    As there was a considerable amount of audience who watched other lots of content besides OTT, Gandhi asked a broader question to all the panelists, “There is a belief and everybody says that aggregation is what went above consecutive recession, people said people subscribed to two and a half entities, but individual OTS there is a belief that beyond the point from D to C perspective or direct to consumer, you cannot cross the customer acquisition costs. There is another cost that is there.

    Sabnavis said, “If I look at it from the consumer perspective, Most perspective, there’s a lot of entertainment. Right? Be it a YouTube video, or simply chatting with somebody on the phone. I’m probably oversimplifying to make the point. There are limits to my time when whether it be five hours or three hours and in that time, I’m trying to watch OTTs as well, besides doing whatever I am for entertainment. So therefore you’re possibly right that there comes a time when growth when you look at it from our perspective around the consumer’s approach slows down. They’re gonna find it increasingly difficult to a) reach out to consumers and b) convince them to subscribe to a platform.”

    Jasani said, “There is a stagnation which is happening especially in metro cities. When we see that people, there is a capacity on how many hours can be on the mobile phones. Beyond that, I feel a lot of growth that can happen in tier-two and tier-three cities. Because these are the consumers who are town-tasting in the OTT  and entertainment segments. So here we see that there is a glass ceiling, probably happening towards the metros, but there is a use of potentiality in tier two and tier three cities. So hence the aggregation makes sense in a way that there is a d2c and b2c as well, which helps us to get the hang of the consumers.

    Amir Mulani commented that 90% of the time, consumers know what they want to watch, they will come to search, click the movie, and just start watching it. So I think my responsibility as a platform or as an aggregator, is beyond me to give him something that he wants to, and trying to keep it so easy, that it’s not confusing for them to decide.”

    Singhal said, “Earlier, people used to go to OTT platforms and search for content because the OTT platforms were very messy. Now, with so many OTT platforms, we need to go to the users, and see what they have. So that’s why like it’s important.”

    Gupta opined, “ We already have a cable product, which is an aggregation of channels. We have broadband as a service to augment this along with OTT. Looking at the consumer and saying that from this household. He’s already got cable, he’s already got broadband, and we may be able to give him OTT services as an aggregation.

    Whether it makes economic sense or not, of course, is a big question mark, because the OTT players are expecting a certain amount of guarantees, which may or may not. So we’ve been looking at all of that while deciding whether to go ahead with it and what to do.”

  • One Take Media brings Appu & Friends to India

    One Take Media brings Appu & Friends to India

    Mumbai: In an announcement that’s sure to excite the millions of kids animation fans around India, One Take Media has announced the acquisition of the popular kids animation series, ‘Appu & Friends’.

    Appu & Friends has been a popular show amongst kids across the globe, also known as ‘Lil Wild’ and now it makes its debut in India, in Hindi.

    ‘Appu & Friends’ is an exciting journey in the middle of a beautiful forest, where various stunning as well as funny animals live together as one big happy family. We get to witness the cute elephant Appu, genius alligator Magu, timid white tiger Meep, sassy otter Coki and fearless pigeon Dil in their adventures around the zoo as they discover the joys and pains of growing up while getting a little wild.

    “‘Appu & Friends’ will be a coveted addition to our vast library of kids animation shows in Hindi,” said One Take Media founder & CEO Anil Khera. “Our aim with curating kids animation is keeping the young minds entertained while adding value to their developing years. With this show, we are positive the kids will discover the joys of growing up in a fun engaging way.”

    The audience for kids animation shows in India is steadily growing and One Take Media continues to bring premium shows for the Indian viewers. Besides kids series, One Take Media boasts a huge library in kids animation of 2000 plus hours and world-popular Korean dramas.

  • The rise of Playflix OTT app

    The rise of Playflix OTT app

    Mumbai: One Take Media, the global content producer, syndication and distribution company has entered the OTT space with its app Playflix. Playflix is a wholesome entertainment app – and a true one-stop destination for Korean dramas in Hindi and other regional languages. Besides, its library also boasts of Hollywood movies, kid’s animated shows and movies, and many more.

    Amid the rise of the OTT wave globally, Playflix has crossed millions of downloads in the past one year. One of the strongest content forces the app has is its popular Korean dramas. One Take Media founder & CEO Anil Khera said, “Our Korean dramas are carefully curated keeping the Indian audience in mind. The fact that they are dubbed in regional languages like Hindi, Tamil and Telugu make it an exciting offer for the diverse viewers of India.”

    Even before the SVOD trend started in India, OTMC strongly believed in the SVOD model and Playflix has always been a subscription-based app. The recently released FICCI-EY Media & Entertainment report 2023 says that the number of households paying for at least one subscription video-on-demand (SVOD) service will rise up to 52 million by 2025 from 45 million currently. Adding to its already rich library, Playflix boasts of popular K-dramas like ‘Cyborg Mom, ‘Shopping King Louie’, ‘20th century Boy and Girl’, ‘Lucky Romance’, ‘Money Flower’ and many more. Playflix has also started a content feature called ‘Korean Paathshala’ where avid Korean viewers can learn the Korean language as well as know more about Korean culture through Indian Korean teachers and presenters.

    Playflix is determined to curate popular Korean dramas and Korean movies for the diverse Indian diaspora. Besides Korean content, Hollywood movies, kids animated shows cooking content can also be accessed on Playflix. Playflix app can be also be subscribed as a bundled app with Tata Binge, Airtel Xtream, or downloaded via Amazon Firestick or from app stores.

  • One Take Media announces new OTT app Playflix

    One Take Media announces new OTT app Playflix

    Mumbai: The global production & distribution house, One Take Media, is all set to step into the OTT space with its new app, Playflix.

    Playflix is a content-streaming OTT app with a subscription model and is one of the first apps in India to offer international drama content in 11 Indian regional languages.

    Playflix boasts more than 2,000+ premium Korean shows as well as Turkish, Spanish, Russian, Bulgarian, and Chinese dramas—these are available with English subtitles and in the Hindi language, Tamil, Telugu, and Kannada.

    Playflix assures high quality HD and new content every week.

    One Take founder & CEO Anil Khera said, “Playflix arrives at a perfect time when the Hallyu wave has taken over the Indian subcontinent. These shows have a 40-episode format, have great production quality, award-winning actors, and the production is aesthetically pleasing to a wide audience.”

    Amongst other international dramas, Turkish, Spanish, Russian, Ukrainian, Bulgarian, and urban Chinese dramas are getting popular with the young audience, and Playflix is the go-to app for all this content.

    Aside from such handpicked international content, Playflix also has entertainment for children aged two to fourteen. These animation shows and animation movies are award-winning and hand-picked with more than 2500+ episodes available in English, Hindi, Tamil, Telugu, Marathi, Bengali, and Punjabi languages.

    It is also the only app to showcase Hollywood movies in English, Hindi + 9 regional languages like Tamil, Telugu, Kannada, Malayalam, Bengali, Marathi, Gujarati, Punjabi, and Bhojpuri.

    The introductory subscription offer for the launch is Rs 99 per year. Playflix is available for download on the Google Play Store for Android users and the Apple Store for iOS users. For those who wish to enjoy a full-screen experience, Playflix is also available on Amazon Fire TV.

  • Doordarshan brings Jungle Books during lock-down

    Doordarshan brings Jungle Books during lock-down

    Mumbai: Global content distribution hub One Take Media Co has agreed to offer the popular Jungle Book series for a free run on Doordarshan TV, to keep Indian kids occupied at home during lockdown.  This run is in solidarity with Ministry of Information & Broadcastingand Doordarshaninitiative of bringing popular series back to life for the current generation to watch in the days of lockdown.

    One Take Media Co founder-CEO Anil Khera said: “We are very happy to be a part of this national movement and contribute our bit to the national entertainment library in such delicate times. Mowgli & Jungle Book have always been a favorite among the audience. We are sure that it will make the older audience nostalgic and at the same time, will connect with the younger audience who will discover the innocence of Mowgli. We support MIB’s and Doordarshan visionary decision in reviving popular content in current times.”

    This decision came after Doordarshan announced bringing back historical epics like Mahabharat and Ramayan over the past two weeks for viewers across the country. In a circular, the Ministry of Information and Broadcasting has directed all direct-to-home platforms and cable operators to show all DD channels as well as Lok Sabha and Rajya Sabha channels as per the Cable Television Networks (Regulation) Act.

    Prasar Bharati CEO Shashi ShekharVempati said: “We are happy to bring back one more popular series along with our iconic tv series.  We are happy that One Take Media has shown its willingness to join us for the national cause to keep children engaged safe at home with their families during the lockdown.”

    Data from Broadcast Audience Research Council (BARC) for the week ended 13 March shows that consumption of television content rose by over 40 million minutes’ week-on-week, a number likely to increase further in the coming days. As people stay at home and television broadcasters run out of fresh content, reviving classic shows seems to be a common recourse.
     

  • “Bablu Dablu” Animation Series Wins InternationalAward !!

    “Bablu Dablu” Animation Series Wins InternationalAward !!

    MUMBAI: Bablu Dablu aka “Boonie Bears”series has bagged the Entertainment Property of the Year Award-Animated honours at the Licensing International Asian Awards 2019 (LIAA) recently held this year in 2020.

    Bablu Dablu is a popular franchise internationally. The property now has strategic partnerships in brand licensing involving online and offline innovation and collaboration with over 20 industries, 100 renowned brands and 3,000 stock-keeping units. Bablu Dablu animation series is running in 180 countries world over successfully and are top rated programmes.

    The Series was also nominated in three other categories: Asian Property of the Year , The Newcomer Award and Licensee of the Year .

    One Take Media Co. has the distribution rights for Bablu Dablu, Bablu Dablu or Bust, Bablu Dablu: Forest Frenzy, Bablu Dablu Spring into Action, Bablu Dablu Snow Daze , Bablu Dablu Adventurers 2 and Cubs series.

    All of the Bablu Dablu Series are a complete package of fun,entertainment and moral value based learning. The Bear Brothers always find themselves into a new trouble posed by Logger Vick but with their wit and exemplary bond of friendship, they always win and successfully resolve the underlying problems.

    One Take Media Co. is a content production and distribution hub. It is a one stop solution to all your VAS needs. They have a library of more than 10,000 hours of content ranging from Kids Animation Shows, Kids Movies, Hollywood Movies, Korean Dramas, K-Pop, International Web Series and Cooking Content.

    Mr Anil Khera, Founder & CEO of One Take Media Co. quoted “We are very happy to be associated with Award Winning Kids Series Bablu Dablu. This show has received lot of International acclamations and now will swoop the Kids in India with its entertaining series”

  • The Next station for One Take Media Co. is Marathi Kids

    The Next station for One Take Media Co. is Marathi Kids

    MUMBAI: India is a land of diversity. We are diverse in our cultures, traditions and languages and yet we believe in Unity in Diversity. We are perhaps the richest country in the world, in terms of spoken languages. Exhibiting a baffling range of linguistic diversity, India is a home to many. The languages and dialect spoken here is huge. However, 96.71 per cent of the population in the country have one of the 22 scheduled languages as their mother tongue.

    In a country of 1.2 billion people, Marathi became the third most spoken language. There are about 42 different dialects spoken in Marathi in the western part of the country, including Goa and Maharashtra. It is actually amazing to know that Marathi alone has more than 8.7 crores speakers in India.

    Media and Entertainment Industry was not late in recognizing the potential of the Marathi Market. And that is the reason we have plethora of content, shows and channels available for this region. Right from reality show to Marathi movies, from Marathi dubbed movies to entertainment shows, everything is already on the platter. But for some reason, the kids segment in the Marathi market is yet to be explored. We don’t find much players catering to the regional kids’ market.

    Realization of this gap brought One Take Media Co. to thinking and OTMC is finally here with its newest category to serve the market; Marathi Kids. One Take Media Co. has more 500 hours of kid’s content available in Marathi. It is regardless to say about the variety and the quality OTMC promises in the kids’ genre. All the big titles like Bablu Dablu, Bablu Dablu Cubs, Gattu The Power Champ, Beet Party, Jungle book and many more are already added to the Kids Marathi list.

    One Take Media Co. has more than 10,000+ hours of content and covers almost all the genres. It has a varied range of content involving Hollywood Movies, Kids content, Cooking Content, Korean series and many more.The wide range of contentare available in English and in all the Indian regional languages. These includes Hindi, Marathi, Tamil, Telugu, Malayalam, Kannada, Bengali, Gujarati and Bhojpuri.

    Mr. Anil Khera, Founder and CEO said, “The greatest relief, when you are in other country is to bump into someone who speaks your native language. It gives us a sense of belonging and a sense of home. Similarly, a person best enjoys the content when delivered in their own language. While everyone is enjoying Marathi then why not the innocent minds. We promise to delivers the best of animation content in Marathi to the kids.”