Tag: Android

  • Reliance to launch Jio On Demand with over 450 TV channels

    Reliance to launch Jio On Demand with over 450 TV channels

    MUMBAI: The employee launch of Reliance Jio has raised the bar of expectation and filled the atmosphere with promise. And there are no better companies in India than Reliance when it comes to meeting expectations. The disruptive march that started since the announcement of Reliance Jio is now getting more and more exciting. India’s richest man Mukesh Ambani and his company is now set to disrupt the content consumption ecosystem with the launch of an on-demand content consumption service, which will also have live TV.

    Christened Jio On Demand, the service will be unveiled by April 2016.

    “The service will be launched with over 450 channels on board. We are in constant talks with broadcasters in order to make sure that Jio On Demand has a versatile catalog,” a company official told Indiantelevision.com on condition of anonymity.

    Jio On Demand is already available for Reliance employees. A user of the service said, “I connect it with my TV, I see content on my smart-phone and being a Reliance 4G subscriber, I have yet to face a bandwidth issue. The app is very user friendly and the interface is least complicated. I can see the millennials going crazy about this.”

    The app is available for both iOS and Android platforms, but only for Reliance employees and privileged consumers as of now. The pricing of the service is yet to be determined.

    A associate working closely on the Jio On Demand service added, “I think the app will only be available for Reliance Infocom 4G subscribers and will be bundled with a data pack. So the consumer will have access to both data and the app. I am very sure that the pricing will be reasonable and may set a new benchmark for data pricing in India.”

    Reliance Jio Infocomm’s social networking service Jio Chat was last year and is accessible to all for free. Reliance has already teamed up with the State Bank of India (SBI) to launch the digital wallet service called Jio Money. The service is expected to launch in the next few months, and will help consumers to make cashless payments. Amongst other services are also Switch-and-Walk, Jio Drive and music streaming service Jio Beats.

    “All the apps will have special and unique offerings, they are already rolled out for Reliance employees and are tested thoroughly so that once they come out commercially, they are a thrill for the users,” concludes the senior official.

     

  • Reliance to launch Jio On Demand with over 450 TV channels

    Reliance to launch Jio On Demand with over 450 TV channels

    MUMBAI: The employee launch of Reliance Jio has raised the bar of expectation and filled the atmosphere with promise. And there are no better companies in India than Reliance when it comes to meeting expectations. The disruptive march that started since the announcement of Reliance Jio is now getting more and more exciting. India’s richest man Mukesh Ambani and his company is now set to disrupt the content consumption ecosystem with the launch of an on-demand content consumption service, which will also have live TV.

    Christened Jio On Demand, the service will be unveiled by April 2016.

    “The service will be launched with over 450 channels on board. We are in constant talks with broadcasters in order to make sure that Jio On Demand has a versatile catalog,” a company official told Indiantelevision.com on condition of anonymity.

    Jio On Demand is already available for Reliance employees. A user of the service said, “I connect it with my TV, I see content on my smart-phone and being a Reliance 4G subscriber, I have yet to face a bandwidth issue. The app is very user friendly and the interface is least complicated. I can see the millennials going crazy about this.”

    The app is available for both iOS and Android platforms, but only for Reliance employees and privileged consumers as of now. The pricing of the service is yet to be determined.

    A associate working closely on the Jio On Demand service added, “I think the app will only be available for Reliance Infocom 4G subscribers and will be bundled with a data pack. So the consumer will have access to both data and the app. I am very sure that the pricing will be reasonable and may set a new benchmark for data pricing in India.”

    Reliance Jio Infocomm’s social networking service Jio Chat was last year and is accessible to all for free. Reliance has already teamed up with the State Bank of India (SBI) to launch the digital wallet service called Jio Money. The service is expected to launch in the next few months, and will help consumers to make cashless payments. Amongst other services are also Switch-and-Walk, Jio Drive and music streaming service Jio Beats.

    “All the apps will have special and unique offerings, they are already rolled out for Reliance employees and are tested thoroughly so that once they come out commercially, they are a thrill for the users,” concludes the senior official.

     

  • NBCU’s Fandango acquires Warner’s Flixster & Rotten Tomatoes

    NBCU’s Fandango acquires Warner’s Flixster & Rotten Tomatoes

    MUMBAI: Once known simply as an online movie ticketer, NBCUniversal’s Fandango has made impressive strides over the last several years to evolve its business into an experience brand that super-serves consumers throughout a movie’s lifecycle.

    Now going a step further, Fandango has signed an agreement to acquire digital movie brands Flixster and Rotten Tomatoes, owned by Warner Bros Entertainment.

    The addition of Flixster and Rotten Tomatoes, along with Fandango’s recent acquisition of on-demand video service M-GO, will expand the company’s theatrical ticketing business and create the industry’s premier digital network for all things movies.  

    With this acquisition, Fandango’s combined audience reach will grow to over 63 million unique visitors per month and more than 100 million mobile app downloads, and offer consumers the most comprehensive resource for movie information, theatrical ticketing, movie trailers and original video content for movie discovery, and home entertainment.  

    Flixster and Rotten Tomatoes, including its world-famous Tomatometer rating tool (representing the percentage of positive professional reviews for a given film or television show) will continue as consumer-facing brands, as well as exciting new additions to Fandango’s digital network. As part of the deal, Warner Bros. Entertainment will take a minority ownership stake in Fandango and serve as an ongoing strategic partner. Fandango will remain a unit of NBCUniversal.

    “Flixster and Rotten Tomatoes are invaluable resources for movie fans, and we look forward to growing these successful properties, driving more theatrical ticketing and super-serving consumers with all their movie needs,” said Fandango president Paul Yanover. “Our new expanded network will also offer unparalleled capabilities for all of our exhibition, studio and promotional partners to reach a massive entertainment audience with innovative marketing and ticketing opportunities,” he added.

    In January, Fandango acquired M-GO, a leading digital distributor of new release and catalog movies to a wide variety of connected, over-the-top (OTT) and mobile devices including Android, iOS, Samsung, LG, Roku, and others. With M-GO (to be rebranded later this year), Fandango plans to work with exhibitors and studios to build streamlined solutions for “super tickets,” theatrical ticketing and home entertainment product bundles, gifts with purchase and other new promotional opportunities.

    Fandango’s vision for super-serving consumers throughout the movie lifecycle is also extending globally.  Just four months ago, Fandango made its first move internationally and acquired Brazil’s Ingresso.com, the top online ticketer in South America’s largest movie marketplace.
    The addition of Rotten Tomatoes will also strengthen Fandango’s presence overseas, as the Tomatometer is also used by international movie lovers.

    Fandango’s most recent acquisitions follow on the heels of the company’s record-breaking year in 2015, where it experienced 81 per cent growth in US ticketing, and for the first time in a single year, received more than one billion visits.

  • NBCU’s Fandango acquires Warner’s Flixster & Rotten Tomatoes

    NBCU’s Fandango acquires Warner’s Flixster & Rotten Tomatoes

    MUMBAI: Once known simply as an online movie ticketer, NBCUniversal’s Fandango has made impressive strides over the last several years to evolve its business into an experience brand that super-serves consumers throughout a movie’s lifecycle.

    Now going a step further, Fandango has signed an agreement to acquire digital movie brands Flixster and Rotten Tomatoes, owned by Warner Bros Entertainment.

    The addition of Flixster and Rotten Tomatoes, along with Fandango’s recent acquisition of on-demand video service M-GO, will expand the company’s theatrical ticketing business and create the industry’s premier digital network for all things movies.  

    With this acquisition, Fandango’s combined audience reach will grow to over 63 million unique visitors per month and more than 100 million mobile app downloads, and offer consumers the most comprehensive resource for movie information, theatrical ticketing, movie trailers and original video content for movie discovery, and home entertainment.  

    Flixster and Rotten Tomatoes, including its world-famous Tomatometer rating tool (representing the percentage of positive professional reviews for a given film or television show) will continue as consumer-facing brands, as well as exciting new additions to Fandango’s digital network. As part of the deal, Warner Bros. Entertainment will take a minority ownership stake in Fandango and serve as an ongoing strategic partner. Fandango will remain a unit of NBCUniversal.

    “Flixster and Rotten Tomatoes are invaluable resources for movie fans, and we look forward to growing these successful properties, driving more theatrical ticketing and super-serving consumers with all their movie needs,” said Fandango president Paul Yanover. “Our new expanded network will also offer unparalleled capabilities for all of our exhibition, studio and promotional partners to reach a massive entertainment audience with innovative marketing and ticketing opportunities,” he added.

    In January, Fandango acquired M-GO, a leading digital distributor of new release and catalog movies to a wide variety of connected, over-the-top (OTT) and mobile devices including Android, iOS, Samsung, LG, Roku, and others. With M-GO (to be rebranded later this year), Fandango plans to work with exhibitors and studios to build streamlined solutions for “super tickets,” theatrical ticketing and home entertainment product bundles, gifts with purchase and other new promotional opportunities.

    Fandango’s vision for super-serving consumers throughout the movie lifecycle is also extending globally.  Just four months ago, Fandango made its first move internationally and acquired Brazil’s Ingresso.com, the top online ticketer in South America’s largest movie marketplace.
    The addition of Rotten Tomatoes will also strengthen Fandango’s presence overseas, as the Tomatometer is also used by international movie lovers.

    Fandango’s most recent acquisitions follow on the heels of the company’s record-breaking year in 2015, where it experienced 81 per cent growth in US ticketing, and for the first time in a single year, received more than one billion visits.

  • NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    MUMBAI: NBCUniversal’s Fandango has acquired the movie streaming service M-Go, which is jointly owned by Technicolor and DreamWorks Animation.

     

    M-GO offers new release and catalog movies from studios and television programming to a wide variety of connected, over-the-top (OTT) and mobile devices including Android, iOS, Samsung, LG, Roku, and others.

     

    The acquisition comes on the heels of Fandango’s record-breaking 2015, when the company experienced 81 per cent growth in ticketing dollars year-over-year and added more than 1,600 new screens, bringing its total US screen count to more than 27,000. 

     

    “With the addition of M-GO, we’ll be able to accelerate the ticketing momentum achieved in a record-breaking 2015 by creating compelling new digital products that serve consumers throughout the movie lifecycle,” said Fandango president Paul Yanover. “We’re excited to start working with our studio and exhibition partners to bundle theatrical tickets and home entertainment products in the form of ‘super tickets,’ gifts with purchase, and other promotional offers.”

     

    By creating theatrical ticketing and home entertainment bundles, Fandango will offer compelling “super ticket” products such as special “movie catch-up” bundles with franchise movie instalments, home entertainment pre-sell opportunities, and bundles with bonus content, collectible memorabilia, fan experiences, and more. 

     

    Furthering its goal to super-serve moviegoers, in 2015 the company increased its investment in ticketing and launched FandangoLabs, a new research and development group that was formed in collaboration with movie and technology industry leaders to innovate and enhance the moviegoing experience. Moving forward, FandangoLabs will utilise the capabilities of the M-GO platform in the creation of new moviegoing products and services.

     

    Along with the acquisition, the Universal Filmed Entertainment Group and Technicolor will work together to explore opportunities to collaborate on next-generation video technologies, inclusive of augmented and virtual reality, to accelerate innovation in this immersive space.

  • NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    MUMBAI: NBCUniversal’s Fandango has acquired the movie streaming service M-Go, which is jointly owned by Technicolor and DreamWorks Animation.

     

    M-GO offers new release and catalog movies from studios and television programming to a wide variety of connected, over-the-top (OTT) and mobile devices including Android, iOS, Samsung, LG, Roku, and others.

     

    The acquisition comes on the heels of Fandango’s record-breaking 2015, when the company experienced 81 per cent growth in ticketing dollars year-over-year and added more than 1,600 new screens, bringing its total US screen count to more than 27,000. 

     

    “With the addition of M-GO, we’ll be able to accelerate the ticketing momentum achieved in a record-breaking 2015 by creating compelling new digital products that serve consumers throughout the movie lifecycle,” said Fandango president Paul Yanover. “We’re excited to start working with our studio and exhibition partners to bundle theatrical tickets and home entertainment products in the form of ‘super tickets,’ gifts with purchase, and other promotional offers.”

     

    By creating theatrical ticketing and home entertainment bundles, Fandango will offer compelling “super ticket” products such as special “movie catch-up” bundles with franchise movie instalments, home entertainment pre-sell opportunities, and bundles with bonus content, collectible memorabilia, fan experiences, and more. 

     

    Furthering its goal to super-serve moviegoers, in 2015 the company increased its investment in ticketing and launched FandangoLabs, a new research and development group that was formed in collaboration with movie and technology industry leaders to innovate and enhance the moviegoing experience. Moving forward, FandangoLabs will utilise the capabilities of the M-GO platform in the creation of new moviegoing products and services.

     

    Along with the acquisition, the Universal Filmed Entertainment Group and Technicolor will work together to explore opportunities to collaborate on next-generation video technologies, inclusive of augmented and virtual reality, to accelerate innovation in this immersive space.

  • 9XO launches dating app ‘Hook’; connects people over music

    9XO launches dating app ‘Hook’; connects people over music

    MUMBAI: 9XO, the international music channel to discover great music, announces the launch of Hook, the music based friendship/dating app.  Hook will be launched across Android (Google Playstore) on 18 January 2016 and soon on iOS (Apple iTunes).

     

    Along with the Hook app, 9XO will also launch a show starting 18 January 2016 at 5 pm. The 30 minute band will showcase the playlist of 10 hit songs which will also be display on the app. The show will feature a fresh playlist 7 days a week at 5 pm. Viewers will be able to hook their song and instantly get matched with someone who also ‘hooked’ the same song. They will see their matches on air (via name and image) and be able to chat with their matches on the app. This is a unique on air, mobile innovation on Indian television screens allowing viewers to connect with each other.

     

    Hook connects people over music. The user gets notified the instant a match is found with the same song choice. This selected playlist will be refreshed everyday to allow viewers to Hook with someone everyday and on new songs!

     

    Speaking about the latest innovation by the channel, 9XO Programming Head Clyde D’Souza said, “9XO and Hook would bridge the space between TV and Mobile. Our viewers are already discovering great music on their mobiles and building relationships via their mobile. Hook brings the power of connecting via music in your hands. The joy of finding music via Hook and connecting with someone instantly across India is something our viewers will find very exciting!”

     

    Hook gets synced with the Facebook account of the user enabling them to log on and start connecting with other users. Once the match is made the user gets notified of the Hook and can start chatting with the matched person.

     

    The Hook app will be promoted across Social media platforms like Facebook, Twitter and Instagram. The app will also be promoted on ground through College festivals across Mumbai and Delhi.

  • IndiaMart clocks 60% traction on mobile

    IndiaMart clocks 60% traction on mobile

    MUMBAI: Online marketplace IndiaMart has said that 60 per cent of its visitor traffic is coming from its mobile app and mobile website. In line with the company’s mobile first strategy, IndiaMart launched the mobile app in March, 2013 and have registered 25 lakh downloads till date.

     

    Apart from the top eight cities, IndiaMart’s mobile app has witnessed significant traffic from cities like Jaipur, Lucknow, Chandigarh, Indore and Surat. India is a mobile-first internet country for a large portion of the population. Tier 2 and Tier 3 cities along with other parts of rural India have been witnessing phenomenal growth in smartphone usage, helped in a major part by improvement in internet penetration and affordability.

     

    IndiaMart director Dinesh Gulati said, “The user base on IndiaMart’s marketplace comprises of over two crore buyers. B2B buying is following the B2C buying trend where mobile is becoming the dominant medium for accessing internet. As per the recent IAMAI report, year on year growth in Mobile Internet users has been 65 per cent in urban areas and 99 per cent in rural areas. Interestingly, now 90 per cent of users who access internet through mobile consider it as the primary device for accessing Internet. While the mobile internet brings a lot of opportunities to the SMB community, we will be present wherever our customers are, both online as well as on the app.”

     

    The average time spent on the app is measured to be seven – eight minutes per user everyday. Android followed by iOS and Windows have seen maximum number of mobile app usage.

  • ErosNow launches ‘Blazing Bajirao – The Game’

    ErosNow launches ‘Blazing Bajirao – The Game’

    MUMBAI: Eros International’s on-demand entertainment portal ErosNow launched the trailer of ‘Blazing Bajirao The Game’ for their upcoming film Bajirao Mastani. An extension of ErosNow’s digital marketing innovation, the web series, Blazing Bajirao, the game will be available on 10 December, 2015 for download on the Apple App and Google Play stores. The web version will be available exclusively on erosnow.com.

     

    The interactive game invites players to embark on a thrilling adventure as they battle as Peshwa Bajirao, the undefeated warrior of the Maratha empire. As players progress through the game, they must fight through hordes of enemy infantry and archers in search of Mastani roaring ‘Har Har Mahadev’!

    Eros Digital CEO Rishika Lulla Singh said, “ErosNow has been pushing boundaries with unique digital initiatives for the promotion of Bajirao Mastani. After the success of India’s first graphic web series, Blazing Bajirao, the game was a natural progression to take digital promotions to the next level. The game is of stellar quality and gamers can now become Peshwa Bajirao, the great warrior themselves and experience the exhilaration of battle victory using swords, bows and arrows.”

  • News Republic’s Shafi Saxena shares India plans

    News Republic’s Shafi Saxena shares India plans

    MUMBAI: In an age where the average time span that a reader spends on an article continues to decline, Indian readers, especially the youth, have emerged as voracious readers, with a knack for in-depth articles heavy on data.

     
    The perspective comes from news consumption surveys done by one of the leading global news syndicators, News Republic that launched in India six months ago.

    “We do regular news consumption surveys on our platform based on global trends. We have found that young Indian readers are very similar to the global readers in terms of topics and trends they follow. The number one reason they follow news is to be connected with the rest of the world,” says News Republic, chief brand officer  Shafi Saxena who recently visited Mumbai.  But when it comes to long form versus short form journalism, Indians, including the young readers who form the bulk of India’s readership, are inclined towards the former.

    “I think India is one of the robust long form markets in the world. Indians like to read and they love data. For instance, in India, right now, the user is reading about a hundred pages on our app every month. In France and Germany which are both well-established markets for us, they are reading two hundred pages a month, with the global average being 150 pages a month approximately. If we look at the fact that we just launched in May in this market, and are still in the process of bringing more partners and content on board, if India is already reading 100 pages on the app, that’s pretty significant,” asserts Saxena.

    In terms of subjects or beats, the Indian news reader is interested in political news, technological news and sports and entertainment. “I have seen huge traction for sites such as cricbuzz, cricinfo, etc.”

    Saxena informs that she is looking at a target group of young educated Indians making more use of the app which is mobile only, and has 40 editions worldwide and content partnerships with over 1,100 leading news organizations. Shafi breaks down News Republics’ syndication partnerships with publications across the board as ‘a simple revenue sharing business,’ while giving due credit to the publication and journalists involved. Available on Android, iPhone, iPad, Apple Watch and Samsung Watch (Gear S2), News Republic syndicated news articles from 1,500 licensed publishers.

    With 50,000 licensed articles made available on the platform daily, curating them for the readers becomes a crucial step. Shafi explains how they go about it while staying impartial to a topic or a publication. “If we find 700 articles written about say Bihar elections, and two of them are being clicked on the most, and readers are spending more time on them, we will prioritise quality and interest and boost those articles. Instead of sending all 700 articles, we will push those two. The algorithm running on the app takes the call based on several variables such as readership, level of interest, how long are people staying on the article as well as how many moods, shares and comments readers have shared on it. It sounds simple but it’s a complex analytical tool that powers our curation,” she ifnorms.

    Infact, the app locates a user with geotagging and pushes local articles relative to their current location if users enable the service. Moreover the service has also curated articles in eight regional Indian languages, from regional news producing partners such as Aaj Tak.

    With Digital India still in the making and most of the country not having uniform internet connection, would an app like News Republic be able cater to tier II and tier II users with same amount of coverage? “We are aware of the limited availability of high speed internet in India and have taken a few steps keeping that in mind,” Saxena clarifies, “For example, in the metros you can opt for the full-fledged robust interface of the app, with videos and photos and all the multimedia. But those in areas of weaker internet connection can access the app in just the HTML format, which is lighter and easily downloadable. You can opt to download rich media when you have Wifi access. Moreover one can access and save articles while in a 3G or 4G zone, and read them again offline as well.”

     

    Despite such a diverse range and coverage News Republic comes completely free for a user. “Our app is free. We do have a subscription based model, but its contribution is tiny when it comes to our total revenue. The rest is all ad based. We have not turned on ads in India yet. We cannot do advertisement in a market in the first year of our launch. Having said that, we are a revenue generating company in markets we have been in for a while such as Europe and the western market. We use the revenue we generate in such markets and the funding that we have to reinvest  in newer markets like India and Russia,” Shafi explains, while adding that the app just celebrated one year of its presence in Russia.

    The company plans to cash-in on advertisement revenue in India in about a year of being in operation after studying the market. “When you launch in a new market, there are so many variables that are out of your control. Anything from bandwidth to spectrum, to server, to usage, to the kind of phones people are using, affect us. It’s takes about a year to learn the market,” Shafi adds, saying she is highly optimistic about doing business in India, going by the rate at which mobile users are increasing.

    “Indians are spending more time on mobile. They are spending three to five hours per day online, and a bulk of that is on mobile. So an ad revenue generated model of the app will soon launch in this market,” she adds with optimism, while also revealing the kind of advertisers her company sees on-board in a year’s time. “As per our TG, I see automobiles, education and technology related advertisers spending on News Republic. And of course e-commerce players are also major potential advertisers for us.”

    Speaking about News Republic’s future plans for the Indian market she says, “The Indian market is growing very quickly. Strategic conception points can happen overnight in a country as technology savvy and aspirational as India. Mobile and social is the name of the game in the media business here. We have some big plans for the market which we will reveal in about three months’ time.”

    “While we are looking at virtual reality and 3D video and other exciting stuff in the west, we will bring them to India as well, after addressing the country’s bandwidth issues first. For now we will be looking to a multi-lingual, mobile optimised format with respect to the ecosystem. There’s lots in store for sure,” Saxena concludes.