Tag: Amrita Singh

  • Mamaearth brings Sara Ali Khan and Amrita Singh together for its first TVC

    New Delhi: Personal care brand Mamaearth has released its first national television commercial featuring Bollywood actresses Sara Ali Khan and Amrita Singh. The yesteryear’s actress will be seen in a TVC after a gap of 35 years.

    While Sara was recently announced as the Brand Ambassador for the Mamaearth haircare range, it is for the first time that she will feature alongside her mother and share screen space with her in the ad.

    The commercial highlights the benefit of Onion in reducing hair fall and presents Mamaearth Onion shampoo as a contemporary solution to the traditional DIY remedies.

    Conceptualised by Korra, the commercial is set on the premise of the mother-daughter duo’s daily life banter on the former’s life choices and a mother’s concern about it. The film starts with Sara Ali Khan and her friend in a conversation, when Singh intrudes to mock her unhealthy choices. It continues into Sara’s friends seeking her advice for hair fall control, when the mother dismisses that too, assuming it is a chemical-based solution. But when she takes a closer look at the Mamaearth Onion Shampoo, she is pleasantly surprised to learn that it is toxin free and made using natural ingredients, the ideal choice for hair fall control. The mother instantly approves.

    The film reiterates that the new and improved Mamaearth Onion Shampoo helps control hair fall and makes the hair eight times smoother.

    Talking about the TVC and her association, an ecstatic Sara Ali Khan said, “The thought of sharing the screen with her (Amrita), who was also my first acting teacher, is something I will cherish forever. My mother always used onion extract on my hair, and hence we chose to come together for this television commercial. Mamaearth is doing an incredible job of integrating technology with traditions, and that’s what sets the brand apart.”

    Amrita Singh, the leading lady of her era, appeared in a brand commercial after a break of 35 years. “When I was offered to work with Sara in the television commercial, I just had to agree as the premise of the television commercial is literally a scene out of Sara’s childhood when I used to insist on using onion extract on her hair to reduce hair fall. I really like Mamaearth’s approach towards their product line and their efforts to make a larger impact on society,” said the actress.

    Talking about the recent meteoric rise in the brand’s foothold, Mamaearth’s co-founder and chief innovation officer, Ghazal Alagh said, “Our journey from being a niche baby care brand to becoming a mainstream personal care name is a testimony that safe and effective quality body care products were long-awaited. We firmly believe that Sara and Amrita coming together to endorse our hair care products shows the credibility we generated as a brand. Sara is a youth icon, and this association would only strengthen our cause.”

  • SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    MUMBAI: Sony Pictures Networks Productions (SPNP), a division of Sony Pictures Networks India (SPN), has announced their next film titled Mubarakan. In a casting coup of sorts, SPNP has roped in the real life chacha- bhatija Anil Kapoor and Arjun Kapoor for this film. The duo will replicate the same camaraderie that they share in real life on screen too.

    The film also stars Ileana D’Cruz, Athiya Shetty, Amrita Singh amongst others.

    Mubarakan is a laugh riot with confusions galore, laughter, love, egos and emotions.

    “We are very excited to embark on our journey for Mubarakan. From drama to horror to slice of life cinema and now comedy, we aim to present content that engages, evokes and entertains our audiences. I am certain that Mubarakan will be one of the most anticipated movies of 2017 and we look forward to receiving the same overwhelming support like we have in our previous movies”, said SPNP Dy president and head Sneha Rajani.

    This family comedy will be directed by Anees Bazmee and is produced by SPNP and Ashwin Varde and Murad Khetani’s Cine1 Studios. The film has been written by Balli Januja and Rupinder Chahal and is all set to go on the floors by November 2016. It is slated for a 28 July 2017 release.

    Bazmee said, “Mubarakan is one of the best scripts I’ve come across in recent times. That’s what attracted me to it primarily. The highlight of the film will be Anil Kapoor and Arjun Kapoor coming together for the first time on screen. The madness of the script along with the fantastic ensemble cast, we are all set to create something that will be unparalleled.”

    Bazmee has to its credit an array of movies directed by him like last film Welcome Back, Ready, etc.

  • SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    MUMBAI: Sony Pictures Networks Productions (SPNP), a division of Sony Pictures Networks India (SPN), has announced their next film titled Mubarakan. In a casting coup of sorts, SPNP has roped in the real life chacha- bhatija Anil Kapoor and Arjun Kapoor for this film. The duo will replicate the same camaraderie that they share in real life on screen too.

    The film also stars Ileana D’Cruz, Athiya Shetty, Amrita Singh amongst others.

    Mubarakan is a laugh riot with confusions galore, laughter, love, egos and emotions.

    “We are very excited to embark on our journey for Mubarakan. From drama to horror to slice of life cinema and now comedy, we aim to present content that engages, evokes and entertains our audiences. I am certain that Mubarakan will be one of the most anticipated movies of 2017 and we look forward to receiving the same overwhelming support like we have in our previous movies”, said SPNP Dy president and head Sneha Rajani.

    This family comedy will be directed by Anees Bazmee and is produced by SPNP and Ashwin Varde and Murad Khetani’s Cine1 Studios. The film has been written by Balli Januja and Rupinder Chahal and is all set to go on the floors by November 2016. It is slated for a 28 July 2017 release.

    Bazmee said, “Mubarakan is one of the best scripts I’ve come across in recent times. That’s what attracted me to it primarily. The highlight of the film will be Anil Kapoor and Arjun Kapoor coming together for the first time on screen. The madness of the script along with the fantastic ensemble cast, we are all set to create something that will be unparalleled.”

    Bazmee has to its credit an array of movies directed by him like last film Welcome Back, Ready, etc.

  • ‘A Flying Jatt’ is passable kid stuff

    ‘A Flying Jatt’ is passable kid stuff

    The producers of A Flying Jatt,  Balaji Motion Pictures, takes a total diversion with this film. From their earlier blend of films with mainly adult themes, they have moved to a film that caters to children and the preteen lot. Complately inspired by foreign superhero films, A Flying Jatt keeps Indian sensibilities as its main theme instead.

    The film follows in the footsteps of earlier films of this genre: the incognito superhero kinds like Boney Kapoor’s Mr India (1987), Rakesh Roshan’s Krrish (2006) and Krrish3 (2013), Romu Sippy’s Shiva KaInsaaf (3D- 1985), Tinnu Anand’s Shahenshah(1988) and earlier ones like Kishore Kumar-starrer Mr X In Bombay (1964), which dealt with the villains of the mortal kind.

    A Flying Jatt is about a superhero who propagates Swachh Bharat or Clean India and sings paeans to the valour and glory of the Sikh community and fights a super villain.

    Tiger Shroff is a martial arts instructor at a local school in Punjab. Thanks to his blundering ways and shy nature, he is never taken seriously and even his mastery over the art is passable. His young students make fun of him. While he nurses a silent love for Jacqueline Fernandez, he can’t gather the courage to express it.

    Tiger is the son of Amrita Singh who always pushes him to take inspiration from his dead father who was considered a hero by the locals. Amrita’s troubles start when a drug mafia run by KK Menon decides to grab her land, which would help his drug factory save millions in money as well as time, due to easy access to the drug markets. But the piece of land holds deep memories for Amrita and it also has a 200 year old tree that is worshipped by the people.

    Menon fails to convince Amrita with money and tries the only other way he knows: by sending out his goons. While the average goons are dealt with by Amrita herself, the tougher ones are for Tiger to handle. To match the strength of Tiger, he sends out his ultimate weapon, the gigantic-looking Nathan Jones (an Australian actor, power-lifting champion and an ex-professional wrestler). Jones takes on Tiger who, in the process of their duel, gets blessed by the sacred tree with super powers and also gets the imprints of the religious symbol of Sikh faith on his back.

    Tiger can now do things a normal human can’t like flying and also packing a powerful punch. Jones, who was buried in the mud, returns to the scene more powerful now as his blood has turned black and he survives by whiffing on polluted air and other waste strewn around by the society. Thanks to the people’s apathy towards environment, Jones is unbeatable, at least on Planet Earth.

    Amrita wants Tiger to don the pagree his father wore, which he refuses because other kids made fun of him with Sikh jokes. While the film goes on to teach people the virtue of keeping the environs clean as well as planting more trees, Amrita, for her part, initiates Tiger into the virtues of Sikh way of life and tells him stories of their exploits.

    Meanwhile, Menon has mended his ways after he almost lost his daughter to pollution-related ailment. But, by this time, Jones is out of control. He has a personal grudge against Tiger now.

    A Flying Jatt does not have much of a story. It is about a simpleton who gains super powers and a lot of footage goes into showing his prowess as he saves people in distress, from calamities as well as goons.

    The length at 151 minutes makes things repetitive while trying for a film aimed mainly at children. In the first half, some comic scenes entertain its target audience. The direction is good in general with impressive use of special effects; the effects in the song ,which also has a nice melodious feel to it, are good. Beat pe booty… is already popular and both songs are appealing. Cinematography is competent. Tiger Shroff excels in dances and action, both being his forte. Jacqueline is okay. Amrita Singh makes her presence felt, while KK Menon has little to do. Nathan Jones can’t act and his drawls are incomprehensible. The film needed to be edited extensively.

    A Flying Jatt is a passable fare with appeal for kids besides audiences in Delhi and Punjab generally. Released on Thursday to cash in on the festive mood of Janmashtami, it gets three more days to rake in the moolah over the weekend at the box office. Sustenance thereafter will be tough.

    Producers: Shobha Kapoor, Ekta Kapoor.

    Director: Remo D’Souza.

    Cast: Tiger Shroff, Jacqueline Fernandez, Amrita Singh, KK Menon, Nathan Jones and Shraddha Kapoor in a cameo.

  • ‘A Flying Jatt’ is passable kid stuff

    ‘A Flying Jatt’ is passable kid stuff

    The producers of A Flying Jatt,  Balaji Motion Pictures, takes a total diversion with this film. From their earlier blend of films with mainly adult themes, they have moved to a film that caters to children and the preteen lot. Complately inspired by foreign superhero films, A Flying Jatt keeps Indian sensibilities as its main theme instead.

    The film follows in the footsteps of earlier films of this genre: the incognito superhero kinds like Boney Kapoor’s Mr India (1987), Rakesh Roshan’s Krrish (2006) and Krrish3 (2013), Romu Sippy’s Shiva KaInsaaf (3D- 1985), Tinnu Anand’s Shahenshah(1988) and earlier ones like Kishore Kumar-starrer Mr X In Bombay (1964), which dealt with the villains of the mortal kind.

    A Flying Jatt is about a superhero who propagates Swachh Bharat or Clean India and sings paeans to the valour and glory of the Sikh community and fights a super villain.

    Tiger Shroff is a martial arts instructor at a local school in Punjab. Thanks to his blundering ways and shy nature, he is never taken seriously and even his mastery over the art is passable. His young students make fun of him. While he nurses a silent love for Jacqueline Fernandez, he can’t gather the courage to express it.

    Tiger is the son of Amrita Singh who always pushes him to take inspiration from his dead father who was considered a hero by the locals. Amrita’s troubles start when a drug mafia run by KK Menon decides to grab her land, which would help his drug factory save millions in money as well as time, due to easy access to the drug markets. But the piece of land holds deep memories for Amrita and it also has a 200 year old tree that is worshipped by the people.

    Menon fails to convince Amrita with money and tries the only other way he knows: by sending out his goons. While the average goons are dealt with by Amrita herself, the tougher ones are for Tiger to handle. To match the strength of Tiger, he sends out his ultimate weapon, the gigantic-looking Nathan Jones (an Australian actor, power-lifting champion and an ex-professional wrestler). Jones takes on Tiger who, in the process of their duel, gets blessed by the sacred tree with super powers and also gets the imprints of the religious symbol of Sikh faith on his back.

    Tiger can now do things a normal human can’t like flying and also packing a powerful punch. Jones, who was buried in the mud, returns to the scene more powerful now as his blood has turned black and he survives by whiffing on polluted air and other waste strewn around by the society. Thanks to the people’s apathy towards environment, Jones is unbeatable, at least on Planet Earth.

    Amrita wants Tiger to don the pagree his father wore, which he refuses because other kids made fun of him with Sikh jokes. While the film goes on to teach people the virtue of keeping the environs clean as well as planting more trees, Amrita, for her part, initiates Tiger into the virtues of Sikh way of life and tells him stories of their exploits.

    Meanwhile, Menon has mended his ways after he almost lost his daughter to pollution-related ailment. But, by this time, Jones is out of control. He has a personal grudge against Tiger now.

    A Flying Jatt does not have much of a story. It is about a simpleton who gains super powers and a lot of footage goes into showing his prowess as he saves people in distress, from calamities as well as goons.

    The length at 151 minutes makes things repetitive while trying for a film aimed mainly at children. In the first half, some comic scenes entertain its target audience. The direction is good in general with impressive use of special effects; the effects in the song ,which also has a nice melodious feel to it, are good. Beat pe booty… is already popular and both songs are appealing. Cinematography is competent. Tiger Shroff excels in dances and action, both being his forte. Jacqueline is okay. Amrita Singh makes her presence felt, while KK Menon has little to do. Nathan Jones can’t act and his drawls are incomprehensible. The film needed to be edited extensively.

    A Flying Jatt is a passable fare with appeal for kids besides audiences in Delhi and Punjab generally. Released on Thursday to cash in on the festive mood of Janmashtami, it gets three more days to rake in the moolah over the weekend at the box office. Sustenance thereafter will be tough.

    Producers: Shobha Kapoor, Ekta Kapoor.

    Director: Remo D’Souza.

    Cast: Tiger Shroff, Jacqueline Fernandez, Amrita Singh, KK Menon, Nathan Jones and Shraddha Kapoor in a cameo.

  • Two States, Three Stages

    Two States, Three Stages

    MUMBAI: Romance is between two individuals but marriage is between two families. For many, this is the moment of realisation and the word ‘adjustment’ replaces ‘romance’. This is true even when just about everything matches in the form of caste, community and status but harder when these matters differ and hardest when a romance is between North and South for that chasm is too deep rooted going back to the Aryan-Dravidian era.

    In able hands, Chetan Bhagat stories provide good themes to work on to develop into a film script.  And Two States, based on Bhagat’s novel, Two States: The Story Of My Marriage, aspires to the same feat earlier achieved by the 3 Idiots team. To some degree, it succeeds.

    Arjun Kapoor is Krish Malhotra, a typical Punjabi young man from Delhi pursuing his management programme at IIM Ahmedabad where Alia Bhatt, playing one Ananya  Swaminathan, a fellow student, seeks his help with her studies. Romance is inevitable, and it gets more intense by the day. Arjun dreads the day Alia will call hers a sisterly love and offer to tie a rakhi, which is quite a norm in schools and colleges. He wastes no time in confessing his love for her.

    Arjun has a reason for his deep love; there is no love at home. The atmosphere there is negative with his father, Ronit Roy, being drunk and violent and easily raising his hand on his mother, Amrita Singh. Arjun avoids interacting with his father and makes sure he gives all his attention to Amrita which she does not get from Ronit. The romance of Arjun and Alia has survived the two years of IIM and grown only stronger but it is time to part as the course is over and they must find jobs. Alia finds one in her hometown, Chennai. Arjun too finds a Chennai posting but Amrita, his mother, wants him to be in Delhi with her. Her plans are to flaunt her IIM graduate son to the parents of all the suitable girls. She dreams of dowries better than all others. But, eventually she relents.

    Producers: Sajid Nadiadwala, Karan Johar.

    Director: Abhishek Varman.

    Cast: Arjun Kapoor, Alia Bhatt, Amrita Singh, Ronit Roy, Revathi, Shiv Subramaniam.

    Amrita and Alia’s parents, father Shiv Subramaniam and mother Revathi, are introduced at the convocation function and the chance was not worth taking looking at the outcome of that meeting. Now Two States has to go through three stages: Arjun has to win over Alia’s traditional Tamil Brahmin parents. Next, Alia has to come to Delhi and conquer the hearts of Arjun’s family. And, lastly, since marriages are between families, to work on bringing both the families together with positive vibes. Though Ronit is not a party to the events, the third stage, bringing Amrita to like Alia’s parents is the mission impossible because for Amrita there is no girl worthy of her son, least of all a ‘Madrasi’ girl.

    The film breezes through while Arjun and Alia romance stage. It is all light moments and humour. Winning over of respective families is fun as both treat it as their respective challenges. The last part has an element of surprise and rounds up the film aptly. While the aversion of North and South parents for each other is amplified and nearly comes to insulting communities, it is justified in the script as both live in their own small worlds. The script provides a sense of feel-good, music is in measured levels, emotions without melodrama, and intense romance that makes other aspects acceptable.

    The credit goes to director Abhishek  Varman, who has also worked on adapting the Bhagat novel. Varman has done a marvellous job. Music is in keeping with the mood of situations as well as the film’s youth appeal with lyrics contributing in equal measure. Cinematography is pleasing. However, what makes Two States an endearing watch is the chemistry between Arjun and Alia who come up with amazing performances. Alia is suitably apt in all the shades of her character. Arjun gets his first chance to perform in a solo, more serious role and he does full justice. He has finally arrived. While the credit goes for perfect casting, the artistes, Amrita, Ronit, Revathi and Shiv (he should be seen on screen more often) live up to expectations.

    Two States is a youth-oriented entertainer with all the necessary ingredients perfectly balanced to make it a success.