Tag: Amitabh Bachchan

  • Sony Max2 initiates Double Trouble film festival

    Sony Max2 initiates Double Trouble film festival

    MUMBAI: The Double role formula has wooed the Indian audience ever since and has been a major success in Bollywood. This September Sony Max2 attempts to ride high on this formula by doubling up the entertainment quotient for its viewers with Double Trouble film festival starting from 19 September until 23 at 8 pm.

    Max 2’s film festival, will bring some of the most iconic movies of the yesteryears that guarantee to offer double the action, comedy and drama. The movie festival will be showcasing films of some of Bollywood’s favorite superstars like Amitabh Bachchan, Rajesh Khanna, Dilip Kumar, etc.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/im_0.jpg?itok=aaRXHp6D

  • Pink: Old wine with a new treatment

    Pink: Old wine with a new treatment

    MUMBAI: Three independent young girls, night out, boys, molestation and Delhi as the location. The leader of the molesting boys is from a political family with whom the cops don’t wish to mess. Put these factors together and you have a story to tell and the result is Pink.

    There may be comparisons with No One Killed Jessica and many such stories from real life cases based TV programmes on Crime Patrol and Savdhaan India.

    So, what is new about Pink? Nothing much really except that it stars Amitabh Bachchan and that it has been vigorously promoted.

    TaapseePannu from Delhi, KIrtiKulhari from Lucknow and Andrea Tariang from Meghalaya share a rented apartment in a typical Delhi raw house colony. They are independence loving working women who, like all other such girls, like a night out on occasions. On one such night out, the girls are enjoying among themselves at a joint at Surajkund (near Delhi in Haryana) when they are invited to join a group of boys because one of them happens to be known to Taapsee since her school days.

    The group moneybag is AngadBedi, hailing from a family of a politician and used to getting away with his evil ways. The boys do what Delhi boys are known to do. They invite the girls to rooms where the boys make their move and expect the girls to be chalu and, hence, reciprocate. While Andrea breaks loose and runs away from the room, Angad tries to be more aggressive with Taapsee who breaks a bottle on his head. Angad who is almost blinded in one eye and ends up with stitches on his forehead is livid with one of his sidekicks adding fuel to fire.

    The boys have decided to make the girls’ life miserable. The girls start receiving threat calls and their landlord is asked to evict them from the premises.

    Amitabh Bachchan is a keen observer of these girls’ movements. A retired lawyer, he occupies a house right opposite theirs. He watches Taapsee on her morning jog in a park he also visits and, otherwise, places himself behind a curtain and watching on girls go about their lives!He notices the sudden change in the girls’ behavior. They look scared. That is when he witnesses a car full of boys come into the colony and kidnap Taapsee.

    Bachchan is a renowned lawyer even if retired and he does what he can: call up the police commissioner informing of the kidnap to no avail. Nobody seems interested in the plight of these girls except Bachchan. Next, a Surajkund lady police comes and arrests Taapsee on charges of attempted murder of Angad. That sums up the first half of the film.

    Time for retired lawyer Bachchan to step in. He is back to donning his lawyer’s garb and neck piece. The second half is about the court case as Bachchan fights for justice for Taapsee while PiyushMishra, who is a public prosecutor, seems to fight for the boys instead. He is more interested in proving that the girls are professional escorts and of loose character while the case is about establishing the case of attempted murder!

    It is a court case like no other as Piyushgoes berserk shouting, stripping the girls of all their dignity, resorts to name-calling and making them look like culprits by design. Bachchan asks equally shaming questions to the girls; his purpose is to prove just that whatever the girls may be doing in their personal life and may have had other boyfriends but, when a girl says NO to a man, it means NO and a man has no right to force himself on her. While Piyush indulges in histrionics, Bachchan is matter of fact.

    As for molestation and putting up a fight go, Pink would be compared to No One Killed Jessica (2011) while, as a court drama for a woman’s honour, it would be with Damini (1993), both of which had more powerful content.

    The script is simple, tell the story with references to things that appear in news like how girls dress, plight of North Eastern girls in Delhi, reluctant police, et al besides the girls’ safety. It turns out to be a court drama sans drama. Director lets viewer assume a lot of things; like who is the bedridden woman in Bachchan’s life. Why should a public prosecutor behave like a mad man in court? Why Bachhcan who does not react to the prosecutor’s provocation be shouting at his own client. If that is supposed to add excitement to the proceedings, it does not. The judgment delivered also goes beyond the scope of the case! The direction is passable;the incidentthat leads to the case, is finally shown in the end title! Cinematography is fair. Editing is weak. Background score is apt. As for the dialogue, only Bachchan gets some good lines.

    As for the performances, TaapseePannu shines with her restrained act. KirtiKulhari uses the dramatic moments given to her ably. Andrea Tarinag has little to do except represent aggrieved North East. Amitabh Bachchan plays the moody lawyer with ease. Piyush Mishra is over the top.AngadBedi suits the role.Dhritiman Chatterjee as the judge lands some credibility to the proceedings.

    Pink is a court room drama with which the female audience may identify more and help the film score at select multiplexes, especially during the weekend.However, the range at the box office remains limited as it happens with such films.

    Producers: Rashmi Sharma, ShoojitSircar.

    Director:Aniruddha Roy Chowdhury.

    Cast: Amitabh Bachchan, TaapseePannu, KirtiKulhari, Andrea Tariang, AngadBedi, Piyush Mishra, Dhritiman Chatterjee.

    Raaz: Reboot

    Raaz: Reboot is the fourth instalment in the Raaz series from Vishesh Films, the earlier ones being Raaz(2002), Raaz:The Mystery Continues (2009) and Raaz 3D (2012). Raaz: Reboot is directed by Vikram Bhatt, who also directed the first and third instalments (the second one was directed by MohitSuri). Raaz: Reboot, like its predecessors, is also a horror thriller.

    KritiKharbanda and Gaurav Arora are married and decide to move to Romania. Gaurav needs better prospects which he seeks in Romania of all places. However, the shift is despite Gaurav’s reluctance who has agreed only on the wishes of Kriti, who thinks his job here was not up to the mark and he deserved better.

    Things seem to take a turn for worse once they move to Romania. Kriti feels that the things are not the same between her and Gaurav and no explanation is forthcoming from him. Saddened and disillusioned Kriti has more troubles in store for her; she starts getting that eerie feeling about the house they occupy. Also, Gaurav is no help when she tries to tell him about her discomfiture.

    Kriti then comes across Emraan, her ex and a fashion photographer who is also in Romania. Having found an ear to unload her problems, Kriti tells her fears to Emraan who is quite forthcoming unlike Gaurav. He also has some secrets to share with her. What follows is the usual mumbo-jumbo for exorcism while what some of the public may have expected from Raaz franchise, sex, is missing. Of course, Emraan’s forte, kisses, are not compromised.

    It has been a long time since Raaz (almost 15 years) and the franchise has only deteriorated in content and treatment. What is more, a lot has been happening in this genre on various television channels and there is no novelty left. Sadly, the film offers nothing better than such television shows.

    The script being predictable and routine, director Vikram Bhatt too goes about dealing with it as just another chore. The music, which usually is the scoring point in Bhatt-T Series ventures is not up the mark here. Dialogue is routine, considering that the film aims to find its target audience in masses, the use of English dialogue is a deterrent. The length, at 127 minutes sans substance, needed to be curtailed. The cinematography is good with Romania backdrop coming as a bonus.

    Emraan Hashmi sails through in the role he has played often before but the negative trait in his character may not be appreciated. KritiKharbanda passes muster. Gaurav Arora is okay.

    Raaz: Reboot has little to expect from multiplexes but will find its audience at single screens, especially away from metros.

    Producers: Bhushan Kumar, Krishan Kumar, Vishesh Films.

    Director: Vikram Bhatt.

    Cast: Emraan Hashmi, KritiKharbanda, Gaurav Arora.

  • Pink: Old wine with a new treatment

    Pink: Old wine with a new treatment

    MUMBAI: Three independent young girls, night out, boys, molestation and Delhi as the location. The leader of the molesting boys is from a political family with whom the cops don’t wish to mess. Put these factors together and you have a story to tell and the result is Pink.

    There may be comparisons with No One Killed Jessica and many such stories from real life cases based TV programmes on Crime Patrol and Savdhaan India.

    So, what is new about Pink? Nothing much really except that it stars Amitabh Bachchan and that it has been vigorously promoted.

    TaapseePannu from Delhi, KIrtiKulhari from Lucknow and Andrea Tariang from Meghalaya share a rented apartment in a typical Delhi raw house colony. They are independence loving working women who, like all other such girls, like a night out on occasions. On one such night out, the girls are enjoying among themselves at a joint at Surajkund (near Delhi in Haryana) when they are invited to join a group of boys because one of them happens to be known to Taapsee since her school days.

    The group moneybag is AngadBedi, hailing from a family of a politician and used to getting away with his evil ways. The boys do what Delhi boys are known to do. They invite the girls to rooms where the boys make their move and expect the girls to be chalu and, hence, reciprocate. While Andrea breaks loose and runs away from the room, Angad tries to be more aggressive with Taapsee who breaks a bottle on his head. Angad who is almost blinded in one eye and ends up with stitches on his forehead is livid with one of his sidekicks adding fuel to fire.

    The boys have decided to make the girls’ life miserable. The girls start receiving threat calls and their landlord is asked to evict them from the premises.

    Amitabh Bachchan is a keen observer of these girls’ movements. A retired lawyer, he occupies a house right opposite theirs. He watches Taapsee on her morning jog in a park he also visits and, otherwise, places himself behind a curtain and watching on girls go about their lives!He notices the sudden change in the girls’ behavior. They look scared. That is when he witnesses a car full of boys come into the colony and kidnap Taapsee.

    Bachchan is a renowned lawyer even if retired and he does what he can: call up the police commissioner informing of the kidnap to no avail. Nobody seems interested in the plight of these girls except Bachchan. Next, a Surajkund lady police comes and arrests Taapsee on charges of attempted murder of Angad. That sums up the first half of the film.

    Time for retired lawyer Bachchan to step in. He is back to donning his lawyer’s garb and neck piece. The second half is about the court case as Bachchan fights for justice for Taapsee while PiyushMishra, who is a public prosecutor, seems to fight for the boys instead. He is more interested in proving that the girls are professional escorts and of loose character while the case is about establishing the case of attempted murder!

    It is a court case like no other as Piyushgoes berserk shouting, stripping the girls of all their dignity, resorts to name-calling and making them look like culprits by design. Bachchan asks equally shaming questions to the girls; his purpose is to prove just that whatever the girls may be doing in their personal life and may have had other boyfriends but, when a girl says NO to a man, it means NO and a man has no right to force himself on her. While Piyush indulges in histrionics, Bachchan is matter of fact.

    As for molestation and putting up a fight go, Pink would be compared to No One Killed Jessica (2011) while, as a court drama for a woman’s honour, it would be with Damini (1993), both of which had more powerful content.

    The script is simple, tell the story with references to things that appear in news like how girls dress, plight of North Eastern girls in Delhi, reluctant police, et al besides the girls’ safety. It turns out to be a court drama sans drama. Director lets viewer assume a lot of things; like who is the bedridden woman in Bachchan’s life. Why should a public prosecutor behave like a mad man in court? Why Bachhcan who does not react to the prosecutor’s provocation be shouting at his own client. If that is supposed to add excitement to the proceedings, it does not. The judgment delivered also goes beyond the scope of the case! The direction is passable;the incidentthat leads to the case, is finally shown in the end title! Cinematography is fair. Editing is weak. Background score is apt. As for the dialogue, only Bachchan gets some good lines.

    As for the performances, TaapseePannu shines with her restrained act. KirtiKulhari uses the dramatic moments given to her ably. Andrea Tarinag has little to do except represent aggrieved North East. Amitabh Bachchan plays the moody lawyer with ease. Piyush Mishra is over the top.AngadBedi suits the role.Dhritiman Chatterjee as the judge lands some credibility to the proceedings.

    Pink is a court room drama with which the female audience may identify more and help the film score at select multiplexes, especially during the weekend.However, the range at the box office remains limited as it happens with such films.

    Producers: Rashmi Sharma, ShoojitSircar.

    Director:Aniruddha Roy Chowdhury.

    Cast: Amitabh Bachchan, TaapseePannu, KirtiKulhari, Andrea Tariang, AngadBedi, Piyush Mishra, Dhritiman Chatterjee.

    Raaz: Reboot

    Raaz: Reboot is the fourth instalment in the Raaz series from Vishesh Films, the earlier ones being Raaz(2002), Raaz:The Mystery Continues (2009) and Raaz 3D (2012). Raaz: Reboot is directed by Vikram Bhatt, who also directed the first and third instalments (the second one was directed by MohitSuri). Raaz: Reboot, like its predecessors, is also a horror thriller.

    KritiKharbanda and Gaurav Arora are married and decide to move to Romania. Gaurav needs better prospects which he seeks in Romania of all places. However, the shift is despite Gaurav’s reluctance who has agreed only on the wishes of Kriti, who thinks his job here was not up to the mark and he deserved better.

    Things seem to take a turn for worse once they move to Romania. Kriti feels that the things are not the same between her and Gaurav and no explanation is forthcoming from him. Saddened and disillusioned Kriti has more troubles in store for her; she starts getting that eerie feeling about the house they occupy. Also, Gaurav is no help when she tries to tell him about her discomfiture.

    Kriti then comes across Emraan, her ex and a fashion photographer who is also in Romania. Having found an ear to unload her problems, Kriti tells her fears to Emraan who is quite forthcoming unlike Gaurav. He also has some secrets to share with her. What follows is the usual mumbo-jumbo for exorcism while what some of the public may have expected from Raaz franchise, sex, is missing. Of course, Emraan’s forte, kisses, are not compromised.

    It has been a long time since Raaz (almost 15 years) and the franchise has only deteriorated in content and treatment. What is more, a lot has been happening in this genre on various television channels and there is no novelty left. Sadly, the film offers nothing better than such television shows.

    The script being predictable and routine, director Vikram Bhatt too goes about dealing with it as just another chore. The music, which usually is the scoring point in Bhatt-T Series ventures is not up the mark here. Dialogue is routine, considering that the film aims to find its target audience in masses, the use of English dialogue is a deterrent. The length, at 127 minutes sans substance, needed to be curtailed. The cinematography is good with Romania backdrop coming as a bonus.

    Emraan Hashmi sails through in the role he has played often before but the negative trait in his character may not be appreciated. KritiKharbanda passes muster. Gaurav Arora is okay.

    Raaz: Reboot has little to expect from multiplexes but will find its audience at single screens, especially away from metros.

    Producers: Bhushan Kumar, Krishan Kumar, Vishesh Films.

    Director: Vikram Bhatt.

    Cast: Emraan Hashmi, KritiKharbanda, Gaurav Arora.

  • ‘Ab Samjhauta Nahin’: Big B tells women in Blush’s new video

    ‘Ab Samjhauta Nahin’: Big B tells women in Blush’s new video

    MUMBAI: After scoring gold with Dove’s ‘Change The Rhyme’ video, Culture Machine’s digital channel Blush has roped in Vivel as the sponsor for its latest video titled ‘Ab Samjhauta Nahin’ featuring Amitabh Bachchan. The video inspires women to say no to a life of compromise.

    In a narrative by Bachchan, the UnBlushed video shouts out to all women to challenge time-worn mindsets that stereotype and, at times, impede their lifestyle choices. The video encourages women to stop accepting any biases and empower them to live a life equal to their male counterparts. It features women from all walks of life who are facing an inner conflict with their real emotions.

    Vivel’s integrated brand campaign ‘Ab Samjhauta Nahin’ is a fresh, nuanced perspective of self-confidence that personifies the woman of today. The brand message goes beyond a beauty discourse to address attitudes and behaviour towards women. The campaign is designed to encourage discussion around age-old gender biases, inspire young women to question the limits that they have been conditioned into accepting and empower them to live fuller lives.

    In the video, Amitabh Bachchan says, “A right can never be silenced.”

    Culture Machine’s digital channel Blush released a statement, “It’s very important to voice your opinion and believe in yourself. This belief is lost somewhere; we aim to revive this trail of thought. Vivel was the best brand to partner with as the concept is a perfect blend with their brand ideology.

    Watch the video on:  https://www.youtube.com/watch?v=pd5PHICXi-8

  • ‘Ab Samjhauta Nahin’: Big B tells women in Blush’s new video

    ‘Ab Samjhauta Nahin’: Big B tells women in Blush’s new video

    MUMBAI: After scoring gold with Dove’s ‘Change The Rhyme’ video, Culture Machine’s digital channel Blush has roped in Vivel as the sponsor for its latest video titled ‘Ab Samjhauta Nahin’ featuring Amitabh Bachchan. The video inspires women to say no to a life of compromise.

    In a narrative by Bachchan, the UnBlushed video shouts out to all women to challenge time-worn mindsets that stereotype and, at times, impede their lifestyle choices. The video encourages women to stop accepting any biases and empower them to live a life equal to their male counterparts. It features women from all walks of life who are facing an inner conflict with their real emotions.

    Vivel’s integrated brand campaign ‘Ab Samjhauta Nahin’ is a fresh, nuanced perspective of self-confidence that personifies the woman of today. The brand message goes beyond a beauty discourse to address attitudes and behaviour towards women. The campaign is designed to encourage discussion around age-old gender biases, inspire young women to question the limits that they have been conditioned into accepting and empower them to live fuller lives.

    In the video, Amitabh Bachchan says, “A right can never be silenced.”

    Culture Machine’s digital channel Blush released a statement, “It’s very important to voice your opinion and believe in yourself. This belief is lost somewhere; we aim to revive this trail of thought. Vivel was the best brand to partner with as the concept is a perfect blend with their brand ideology.

    Watch the video on:  https://www.youtube.com/watch?v=pd5PHICXi-8

  • Shuruaat Hoon Main : Prasoon resonates Global Citizen’s cause

    Shuruaat Hoon Main : Prasoon resonates Global Citizen’s cause

    MUMBAI: “If you wanna make the world a better place, take a look at yourself and make the change.”

    King of Pop, Michael Jackson, sang these lines in his 1987 song ‘Man In The Mirror.’ Ironically, the lines still haven’t lost its relevance, as we continue to procrastinate from acting upon that much needed social change from within.

    Reinforcing the idea of ‘starting with oneself’, the celebrated lyricist and McCann Worldgroup South Asia chairman has penned the phrase ‘Shuruaat Hoon Main’ or ‘It starts with me’, which strikes the core sentiment behind the Indian chapter of Global Citizen, that the Global Education and Leadership Foundation (tGELF) launched recently.

    “We need to realise that the change has to start from us. We can keep blaming the government, keep blaming the society or organisations and corporations, but we forget we can be a start of a change as well. We should at least do what is within our control. The line ‘Shuruaat Hoon Main’ should be a pledge to ourselves to spearhead change,” Joshi elaborated on the thought behind the line.

    Global Citizen has launched an ambitious plan to eradicate extreme poverty in the world. The India chapter has initiated a 15-year long campaign that will  focus on creating a meaningful impact in three key areas: quality education, gender equality, and clean water and sanitation.

    Celebrities such as Amitabh Bachchan, Farhan Akhtar, Kareena Kapoor, AR Rahman, Aamir Khan and others have pledged their commitment to the social cause, each resonating Joshi’s line ‘Shuruaat Hoon Main’.

    Mobilising a generation from 1.2 billion population to act on social change is not a mean fete, and thus Global Citizen has aggressively made strategic partnerships leveraging its brand power, to reach far and wide. McCann Worldwide Group’s association with the movement is a fine example. “This isn’t a regular commercial deal. Of course, the cost of production of the campaign is being met, but it has been done in complete spirit of philanthropy. Wherever we could, we have tried to cut down the cost as a goodwill gesture,” Joshi frankly states about the nature of the collaboration.

    Apart from McCann Worldgroup, Global Citizen India has also roped in Wizcraft International Entertainment, Viacom18 and Times of India group as partners to aid in media management and coverage of the campaign across media.

    Infact, Wizcraft and tGELF chairman Shiv Khemka had approached Joshi to seek McCann’s association with the movement and lend his pen to the cause.

    Asked if McCann is committed to the campaign for 15 years, Joshi stated, “We would love to have a long-term association. I personally believe that a cause like this requires an extended commitment to see worthwhile change. Otherwise, it just remains as flash in the pan. It is important that there is consistency to what a brand like Global Citizen says. We would like to have a unceasing association depending on how other variables align.”

    The inaugural Global Citizen Festival India, scheduled in Mumbai on 19 November 2016, will be headlined by Coldplay, Jay Z,  Aamir Khan, Ranveer Singh, Katrina Kaif, AR Rahman, Farhan Akhtar, Shraddha Kapoor, Arjun Kapoor, Arijit Singh, Dia Mirza, Shankar Ehsaan Loy and Monali Thakur.

    While a video shot by actor Aamir Khan has been launched at the inaugural event of Global Citizen India, McCann’s team is in the process of making more creatives leading to the festival in November, based on the feedback of the first audio-visual. The upcoming parts may feature more celebrated faces from Bollywood.

    Association of several major artistes and international guests will be announced at different stages of the campaign.

  • Shuruaat Hoon Main : Prasoon resonates Global Citizen’s cause

    Shuruaat Hoon Main : Prasoon resonates Global Citizen’s cause

    MUMBAI: “If you wanna make the world a better place, take a look at yourself and make the change.”

    King of Pop, Michael Jackson, sang these lines in his 1987 song ‘Man In The Mirror.’ Ironically, the lines still haven’t lost its relevance, as we continue to procrastinate from acting upon that much needed social change from within.

    Reinforcing the idea of ‘starting with oneself’, the celebrated lyricist and McCann Worldgroup South Asia chairman has penned the phrase ‘Shuruaat Hoon Main’ or ‘It starts with me’, which strikes the core sentiment behind the Indian chapter of Global Citizen, that the Global Education and Leadership Foundation (tGELF) launched recently.

    “We need to realise that the change has to start from us. We can keep blaming the government, keep blaming the society or organisations and corporations, but we forget we can be a start of a change as well. We should at least do what is within our control. The line ‘Shuruaat Hoon Main’ should be a pledge to ourselves to spearhead change,” Joshi elaborated on the thought behind the line.

    Global Citizen has launched an ambitious plan to eradicate extreme poverty in the world. The India chapter has initiated a 15-year long campaign that will  focus on creating a meaningful impact in three key areas: quality education, gender equality, and clean water and sanitation.

    Celebrities such as Amitabh Bachchan, Farhan Akhtar, Kareena Kapoor, AR Rahman, Aamir Khan and others have pledged their commitment to the social cause, each resonating Joshi’s line ‘Shuruaat Hoon Main’.

    Mobilising a generation from 1.2 billion population to act on social change is not a mean fete, and thus Global Citizen has aggressively made strategic partnerships leveraging its brand power, to reach far and wide. McCann Worldwide Group’s association with the movement is a fine example. “This isn’t a regular commercial deal. Of course, the cost of production of the campaign is being met, but it has been done in complete spirit of philanthropy. Wherever we could, we have tried to cut down the cost as a goodwill gesture,” Joshi frankly states about the nature of the collaboration.

    Apart from McCann Worldgroup, Global Citizen India has also roped in Wizcraft International Entertainment, Viacom18 and Times of India group as partners to aid in media management and coverage of the campaign across media.

    Infact, Wizcraft and tGELF chairman Shiv Khemka had approached Joshi to seek McCann’s association with the movement and lend his pen to the cause.

    Asked if McCann is committed to the campaign for 15 years, Joshi stated, “We would love to have a long-term association. I personally believe that a cause like this requires an extended commitment to see worthwhile change. Otherwise, it just remains as flash in the pan. It is important that there is consistency to what a brand like Global Citizen says. We would like to have a unceasing association depending on how other variables align.”

    The inaugural Global Citizen Festival India, scheduled in Mumbai on 19 November 2016, will be headlined by Coldplay, Jay Z,  Aamir Khan, Ranveer Singh, Katrina Kaif, AR Rahman, Farhan Akhtar, Shraddha Kapoor, Arjun Kapoor, Arijit Singh, Dia Mirza, Shankar Ehsaan Loy and Monali Thakur.

    While a video shot by actor Aamir Khan has been launched at the inaugural event of Global Citizen India, McCann’s team is in the process of making more creatives leading to the festival in November, based on the feedback of the first audio-visual. The upcoming parts may feature more celebrated faces from Bollywood.

    Association of several major artistes and international guests will be announced at different stages of the campaign.

  • Amitabh lends voice to genre-defining MN+ ‘Pathbreakers’

    Amitabh lends voice to genre-defining MN+ ‘Pathbreakers’

    MUMBAI: Times Network’s gold class of Hollywood movies, MN+, has launched a special property which will compile the best of Hollywood movies. The property, Pathbreakers, is an attempt to reach out to the audience that appreciates movies that define cinema and genres. Promoted on radio campaign by the Pink movie star Amitabh Bachchan, it will be launched today, and will showcase 50 path-breaking movies from Monday to Friday at 9 pm.

    “With this line-up, we aim to stir strong emotions in our discerning movie buffs,” said Times Television Network senior VP and head English entertainment cluster Vivek Srivastava.

    Pathbreakers will air movie titles that are classics, award winning and genre-defining. MN+ will showcase movies such as 12 Years A Slave, The Shawshank Redemption, The Departed, Boyhood, The Perks of Being a Wallflower, The Inception, etc.

    Bachchan added, “I am glad to launch Pink with the channel’s biggest property Pathbreakers which promotes movies that have initiated change in society and individuals. Through Pink, our endeavor is to ensure women get their due respect in society.’’

    Pink is a thought-provoking movie produced by Shoojit Sircar. The movie reflects on the current situation of women in the country and raises voice against the dubious moral codes.

    Sircar said, “The tie-up with MN + Pathbreakers was important for us to ensure we reach out to the right audience in urban India.” Pink is aimed at the youth and hopefully shall be looked on as a film that set a new trend upon its release.”

  • Amitabh lends voice to genre-defining MN+ ‘Pathbreakers’

    Amitabh lends voice to genre-defining MN+ ‘Pathbreakers’

    MUMBAI: Times Network’s gold class of Hollywood movies, MN+, has launched a special property which will compile the best of Hollywood movies. The property, Pathbreakers, is an attempt to reach out to the audience that appreciates movies that define cinema and genres. Promoted on radio campaign by the Pink movie star Amitabh Bachchan, it will be launched today, and will showcase 50 path-breaking movies from Monday to Friday at 9 pm.

    “With this line-up, we aim to stir strong emotions in our discerning movie buffs,” said Times Television Network senior VP and head English entertainment cluster Vivek Srivastava.

    Pathbreakers will air movie titles that are classics, award winning and genre-defining. MN+ will showcase movies such as 12 Years A Slave, The Shawshank Redemption, The Departed, Boyhood, The Perks of Being a Wallflower, The Inception, etc.

    Bachchan added, “I am glad to launch Pink with the channel’s biggest property Pathbreakers which promotes movies that have initiated change in society and individuals. Through Pink, our endeavor is to ensure women get their due respect in society.’’

    Pink is a thought-provoking movie produced by Shoojit Sircar. The movie reflects on the current situation of women in the country and raises voice against the dubious moral codes.

    Sircar said, “The tie-up with MN + Pathbreakers was important for us to ensure we reach out to the right audience in urban India.” Pink is aimed at the youth and hopefully shall be looked on as a film that set a new trend upon its release.”

  • Expert-speak on implications of penalising celebs in misleading ads

    Expert-speak on implications of penalising celebs in misleading ads

    MUMBAI: In India, a general tendency is to shoot the messenger instead of going to the root of a problem and then finding a solution. A Parliamentary panel proposal — it’s still that only — to penalise celebrity endorsers for misleading advertisements could be one such instance, though industry experts differ on the merit of such a move.

    One thing the Indian advertising world has learnt from the Maggi fiasco in India is when a brand’s authenticity is questioned; fingers are quick to point at celebrities endorsing it instead of going into finer details. Some adverse government lab findings hit  Nestle, owners of Maggi brand of noodles and soups, so hard that it’s still recovering from the brand and revenue battering it took over few months earlier this year.

    While celeb endorsers of Maggi, including people like film stars Madhuri Dixit, Amitabh Bachchan and Preity Zinta, only felt the wrath of social media, if the Parliamentary panel suggestions are enacted into a law, going forward, celebrities may face legal action against them for featuring in misleading advertisements.

    In a recent meeting to discuss the Consumer Protection Bill 2015, a Parliamentary Standing Committee on Consumer Affairs mooted that a celebrity may be fined upwards of Rs 1 crore (Rs 10 million) as an exemplary penalty. A jail time up to five years was also brought up in a prior meeting but was later reconsidered.

    Though not yet a law, but it is easy to gauge the general direction the conversation on celebrity endorsement is headed in India, which, along with Japan, has in recent times shown an increased use of celebrities to push products and services.
    As things stand today, the obvious questions are: (i) should celebrity endorsers alone be held responsible for saving consumers from false advertisements and claims and not the company owning the product and the ad agency designing the creatives and (ii) what are the implications on the advertising  business in India if the Bill actually becomes a law?

    Indiantelevision.com reached out to stakeholders in the industry for their take on the issue and to understand how such a proposal would affect them.

    Celebrities are not godmen or god-women

    A Euromonitor study in 2014 on `Celebrity Power and Its Influence on Global Consumer Behaviour’ stated: “As long as the celebrity is authentic, he or she can help to lend credibility to a brand and influence the way it is perceived as many consumers believe that if a product is good enough for a star, it is good enough for them.”

    In spite of acknowledging the fact that celebrities are strong influencers, Advertising Club of India President Raj Nayak finds it silly to penalise celebrities over misleading advertisements.

    “It is unfair to put the onus on celebs unless they are endorsing brands like beedi (hand rolled tobacco leaves), cigarettes , alcohol, gutka (chewing tobacco), fairness cream or any such product that is injurious to health or has a negative  impact on society.  Even in such a case there should be an advisory cautioning them from endorsing such products,” Nayak opined, adding the onus of a misleading ad, however, must rest with the company that is advertising and selling the product.

    According to Nayak, the industry in India already has a self-regulatory body, Advertising Standards Council of India (ASCI),  and consumers have the option of complaining or raising an issue regarding an ad, but it’s “absolutely silly to penalise celebrities.”

    Though it has been seen that the global trend of using celebrities to push products does have a roller-coaster ride, Vizeum India MD Shripad Kulkarni does not totally agree that celebrities alone can change and shape opinions.

    “Holding the celebrity responsible is akin to shooting the messenger. A celebrity is an individual without any public authority. Assuming that a misleading ad is the sole responsibility of the celebrity, can somebody please explain to me how an individual can ever figure out if the claim in an ad on any product category is true or not?” Kulkarni asked, explaining that a celebrity who can check the veracity or authenticity of all the products or services (being endorsed by him or her),  ranging from a financial instrument rating, vest comfort or oils helping maintain long hair, etc, “might as well get into the most lucrative business in India — become a godman” or god-woman as the case may be.

    Echoing sentiments similar to Kulkarni was RK Swamy Hansa BBDO Chairman Srinivasan K Swamy. “Celebrities don’t have the means to clarify each and every claim made by a brand. They may have sort of a check, but that doesn’t make it a foolproof one. I think a brand communication is ultimately an advertiser’s responsibility,” he averred.

    Vague term or definition

    The 2014 Eurominitor study at another place stated that the level of celebrity influence is “difficult to gauge” but it is estimated that while as many as one in four advertisements feature celebrities in the US, the percentage is much lower in Europe. In Germany, for example, the rate is around 16 per cent. The  celebrity culture is widespread in Asia and though the  phenomenon is newer in China and India, it has gained momentum in a relatively short space of time.
    So, who is this celebrity that the government plans to penalise? An actor? A cricketer?  Someone plain famous? A Bharat Ratna, which is India’s highest civilian award? A scion of  an erstwhile royal family? A politician or a Member of Parliament (yes, in India even such people widely endorse products and services) ? A professional  model? Or the common man who oscillates between fame and  oblivion?

    The Advertising Agencies Association of India (AAAI) chairman Nakul Chopra expresses serious concerns over the ambiguity of the word ‘celebrity’, especially with regards to a would-be law.

    “You can’t enact a law with the term ‘celebrity’ in it without defining what it means precisely. Basically, any model lending his or her face, voice or image to a product can be charged with these penalties. Tomorrow, someone lending his or her face to a cause or a brand, may be not a known personality, will also be liable under this law. I don’t think you can apply one rule to all,” Chopra said.

    For Chopra, it’s not fair that an endorser of a product or a service, celebrity or not, is made liable for the product that they endorse because it is a “difficult liability to administer.”

    More caution need of the hour?

    There’s an age old saying that more things change, more they remain the same. And, this proposal, experts feel, is a case highlighting the adage.

    Madison Communications Mates CEO Darshana Bhalla, who deals with talent management and facilitates top notch endorsement deals, felt these proposals were just cosmetic changes wherein except for a more judicious verification process everything else will remain the same.

    “Advertising is a  like a wheel and every cog in the wheel is responsible for its movement, be it the celebrity, the brand, the media, the creative agencies or agencies like us. Therefore, I believe, we shouldn’t take away responsibilities from each other or over impose them either,” Bhalla said.  

    Pointing out that there is nothing wrong in doing the due diligences when it comes to celebrity endorsements, whosoever is the stakeholder, Bhalla did feel that if the proposal was actually enacted into a law, it would bring more caution in the processes, which is only fair.

    According to him, “Anyway most of the A-listers have been very cautious about what they endorse. Ultimately consumerism is not going to get affected by this, will it? When it comes to us talent management agencies, we get our celebrities to endorse brands that are cognizant of the guidelines of proper brand communication.”

    In line with the same thoughts Swamy added, “This Bill, if it comes in effect, will simply add a few more layers of self-regulation. I don’t think the advertising or endorsement market will feel any major impact from it.”

    Factoring in fines in contracts

    Several advertising gurus predicted that if the fine or penalty became an actuality, a fine-inclusive contract will become the norm in the endorsement world.

    “Celebrities are basically echoing a brand communication for a product or a service. If the fines (and other penalties) come into being, they will be simply included into a contract as a clause. From the beginning itself the celebrities will not face the burden of paying the fines because no celebrity will sign a contract that will expose him or her to a possible financial damage,” SK Swamy Hansa BBDO’s Srinivasan Swamy pointed out.

    Interestingly, Swamy also opined that if the law required to hauling up of celebrities on monetary grounds, they will have” no qualms to stand by brands”. Chopra too felt that a fine will lead to celebrities seeking indemnity from the advertisers for the liability placed on them.

    More teeth to ASCI

    Whether or not a law to penalize celebrity endorsers for misleading adverts becomes a reality, what is clearly emerging is that the industry would need more of self-regulation and for that to be more effective, ASCI’s role as a body gains importance.

    In its report on the Consumer Protection Bill, which was introduced in Parliament last year in August, the Parliamentary Standing Committee on Consumer Affairs said the penalties could be in the form of compelling the misleading advertiser to either issue corrective advertisement (an expensive proposition in itself), apart from proposing other stringent measures.

    This could be done by adding clauses to the Consumer Protection Bill to ensure that the advertising code being followed by ASCI got added legal teeth. Punitive measures need to be incorporated in the Advertising Code to cater to consumer interests, the panel opined. This was based on a suggestion by the Consumer Education and Research Centre of Ahmedabad.

    During the study of the Bill, the parliamentary committee had met several stakeholders as well as officials of government organizations and execs  from advertising companies.

    Welcoming suggestions by the Committee, ASCI secretary told the panel members , “ASCI had the chance to present our work from the last few years before the committee and the current self-regulatory system was backed by other industry stakeholders as well. We are very happy that the committee has recommended more teeth to ASCI, though we have yet to see how it is worded in the final legal document.”

    (With inputs from BB Nagpal in New Delhi)