Tag: Amazon

  • Amazon orders three original kids series

    Amazon orders three original kids series

    MUMBAI: Amazon has ordered three new original kids series namely Dino DanaThe Kicks and Lost in Oz. Additionally, the company has also ordered half-hour special Shaun the Sheep: The Farmer’s Llamas to debut on Prime Video.

     

    The new series come from creative talent including Aardman Animations, Bureau of Magic’s Mark Warshaw, Abram Makowka, Darin Mark and Jared Mark, novelist James Frey and J.J. Johnson.

     

    All three series will be available for Prime members in the US, UK, Germany and Austria and will debut next year. Shaun the Sheep: The Farmer’s Llamas will make its world debut for Prime members in the US on 13 November.

     

    “We’re excited to offer our Prime members a beautifully reimagined world in our first original kids 6-to-11 animated series and bring to the screen Alex Morgan’s successful book series with an inspirational role model at the core. Aardman and Sinking Ship are award-winning producers and we’re excited to debut Dino Dana and Shaun the Sheep on Prime Video,” said Amazon Studios head of kids programming Tara Sorensen.

     

    A follow up to the 2015 Emmy award-winning series Dino DanDino Dana is a preschool program that takes viewers on a whole new level of dinosaur encounters. The series will feature 16 new prehistoric creatures, an adopted baby dino and, for the first time, two sisters. Created and directed by J.J. Johnson, the series will be executive produced by Sinking Ship partners Johnson, Blair Powers and Matt Bishop, co-executive produced by Christin Simms and written by Johnson and Simms.

     

    In The Kicks, a live-action series for children ages six to 11, Devin Burke (played by newcomer Sixx Orange) was the star player on her soccer team back home until her family moved to California midway through the school year. Now, Devin has to rise to the challenge after discovering that her new school team has been on a losing streak over the last few months and is badly in need of a leader to rally the team together. Based on a book series by US Olympic Gold Medalist and current US Women’s National Team soccer player Alex Morgan, the project is executive produced by Full Fathom Five’s novelist James Frey and Todd Cohen, as well as Andrew Orenstein. The series also stars E’myri Crutchfield as Zoe Hanson, Gabe Eggerling as Bailey Burke, Sophia Mitri Schloss as Emma Gelbaum, Monica Lacy as Sharon Burke, and Tim Martin Gleason as Tom Burke.

     

    Lost in Oz is an animated, action-adventure comedy for children ages 6 to 11 set in a modern, metropolitan Emerald City. Stranded in this spectacular world, 12-year-old Dorothy Gale befriends West, a young, street-smart witch grappling with dark temptations, and Ojo, a giant munchkin. With Dorothy’s dog Toto, this unlikely crew embarks on an epic journey, seeking out the magic Dorothy needs to get back to Kansas. The challenge for Dorothy, and everyone else in this world, is that Oz is facing the greatest magic crisis in eons. Developed and produced by Bureau of Magic’s Mark Warshaw, Darin Mark, Jared Mark, and Abram Makowka, this contemporary re-imagining of L. Frank Baum’s extraordinary universe is designed by Flaunt Productions, music by Adam Berry with theme music by Mark Mothersbaugh.

     

    In Shaun the Sheep: The Farmer’s Llamas, the Farmer and Bitzer go to a Country Fair and Shaun accompanies them intent on causing mischief. The Aardman Animations special is written by Lee Pressman, Richard Starzak and Nick Vincent Murphy, directed by Jay Grace and produced by Paul Kewley & John Woolley.

  • Amazon beats others in mega pre-festive online sales: Ugam

    Amazon beats others in mega pre-festive online sales: Ugam

    MUMBAI: In an earlier feature done by Indiantelevision.com, we saw creative and ad gurus giving their opinion on the fiercely competitive campaigns that e-commerce brands launched, with Amazon, Flipkart and Snapdeal leading the pack.

    Be it their display ad wars, or their strategically placed jacket advertisements on newspapers, their digs at each other not only grabbed the consumers’ eyeballs, but have also created a stir within the ecosystem.

    The season was ushered in by two of the top e-commerce players conducting three mega sales in two weeks. Flipkart kick-started the celebrations with its second edition of the Big Billion Days sale, followed by Amazon’s Great Indian Festive sale, and most recently Amazon’s Great Indian Diwali Sale from 26 to 28 October.

    Now that we have Diwali is knocking at our doorsteps, an analysis by global analytics manager Ugam has put a perspective on the entire scenario.

    Ugam recorded Amazon’s pricing and assortment for likely bestsellers in three key product categories – Laptops, Home Appliances and Books – and compared it to Flipkart and Snapdeal to learn which retailer actually had the best offers for the likely best sellers.

    As per their survey, Amazon.in led the sale period, by offering lowers prices in two out of the three categories,  namely home appliances and books.

    While that puts Amazon in the lead, it failed to spoil its consumers for choices. The e-commerce brand didn’t have a larger assortment of products when it came to home appliances and books, though it still led the books inventory.

    Snapdeal dominated the laptop category with 2026 Stock Keeping Units (SKU), and missed the top position in the home appliances category by a small margin, putting Flipkart on the top with 5319 SKUs in their inventory.

    Amazon made up for its lack of variety, by staying better stocked throughout the sale.

    If one were to go by prices, Amazon had a better score as per the data shared by Ugam. While Flipkart had lower prices for their Big Billion Day sales for likely best sellers in the laptop category, Amazon kept their prices low for home appliances and books sections.

    While the survey is inconclusive in revealing the revenue each player made throughout the sale, by tallying the pricing behaviour of the ecommerce players with consumer behaviour one can form an idea on who scored the most in the season of sales.

  • E-commerce ad wars are the result of marketing myopia: experts

    E-commerce ad wars are the result of marketing myopia: experts

    MUMBAI: Come festival time and brands, backed by their army of creative sleuths, leave no stones unturned to make hay while the sun shines. Using the same peg to sell an item better than the other naturally spells competition, and sometimes this can even lead to ad wars, as was seen recently in the case of e-commerce brands Flipkart, Snapdeal and Amazon’s ad campaigns, where each campaign blatantly took digs at the other to grab eyeballs.

     

    It’s that time of the year again! With Navaratri, Durga Puja, Ayudha Puja and Diwali knocking on doors, e-commerce brands have gone full throttle to promote their festival offerings.

     

    Each e-commerce player is vying to outshine the other by their creative campaign and giving away aggressive discount offers to customers. Needless to say, the campaigns are quite aggressive as well, with the latest chapter of ad war unfurling upon the front pages of leading daily newspapers.

     

    The current buzz in the industry is about the Snapdeal print ad in The Times Of India that reads, “You don’t need a billion offers to amaze you. You just need to snap the best ones. For the best offers this Diwali, shop only on Snapdeal.”

     

    Reading the lines in isolation probably doesn’t ring a bell. And that’s where its strategic placement on the jacket advertisement page comes in. Placed between Flipkart and Amazon.com, it is very clear that Snapdeal is taking a dig at its rivals.

     

    While the word ‘billion” reflects on Flipkart’s Big Billion Sale, with the same font and colour, the word ‘amaze’ indicates at Amazon with the same font.

     

    It is clever use of copywriting skills to get one up on rivals, and at the same time entertain consumers with all the drama unfolding. However, one can’t help but wonder if in the mad race to outdo each other, is creativity being compromised?

     

    The Social Street founding partner and chairman Pratap Bose is of the opinion that in this game of tag between the major e-commerce ad campaigns, creativity does take a back seat. 

     

    “There is very little window to react to your competitors if you have to be ahead in this action – reaction war. Unless one is an absolute genius, it is very hard to come up with something new when you are so focused on what your competitors are doing,” he says. 

     

    Explaining further, he adds, “Festive seasons are an occasion to take advantage of, because purse strings are a bit loose and a lot of consumers do open up their wallets during this time. Having said that, it is the agency and the brand’s responsibility to woo the consumers with their products and offers instead of getting into unnecessary campaign wars against each other. I think that just cannibalises everyone in the ecosystem.”

     

    Taproot India co-founder and CEO Santhosh Padhi dismisses the on-going ad war between major e-commerce players as ‘short term thinking’ on part of the brands. “All these players have a short term vision. They lack long term vision to build a brand. I call this catalogue advertising and it can only serve the brands for a limited period. You can’t be going at it season after season,” says Padhi.

     

    The dearth of creativity too is evident from these so called ‘catalogue advertisements,’ he points out. “If you interchange the logos, I bet some can’t even tell which ad campaign belongs to which brand!” he jokes. “It is true that the consumers are interested in the deals, but the deals will stop someday or the brands will run out of them. Then the brand has to connect with its consumers with its USP. I haven’t seen these e-commerce players doing a brand campaign in recent times,” he says.

     

    On the other hand, R K Swamy Hansa CEO and IAA president Srinivasan K Swamy has no qualms with some clever copywriting war and feels its doesn’t take away from the creative aspect of ad making. “As long as it’s done tastefully, there is nothing wrong with some healthy competition reflected cleverly in their works,” says Swamy. “I don’t feel it reflects any lack of creativity,” he adds

     

    Swamy, interestingly observes that creators sometimes have fun through these cryptic ads, and it’s all in healthy competition. “Not just the agencies, but even the brands may have fun through these ads and it’s a nice way to grab the consumer’s eyeballs. They are also entertained through these exchanges, and this keeps them glued to the entire drama,” he shares, highlighting that these ad wars engage the consumers who anticipate how a major e-commerce player would respond to their competition. They may even take sides and promote loyalty to the brand through it.

     

    However, Bose begs to differ. “I don’t really think ad wars help these brands gain any loyal consumers for their products. Pepsi and Coke used to do this, and they continue to do so worldwide. If the digs are strategic like that, I have less issues with it, but I am not sure such is the case with these e-commerce brands. Taking digs at each other just for the sake of it, to say ‘I am better than you’ or ‘my offer is better than yours,’ doesn’t really cut too much ice with the end consumers,” he says, adding that if the agencies just want to have fun with each other at the expense of their client’s money, it is certainly not appropriate.

     

    “I think sometimes companies are quick to react to their competition, and miss the strategic outlook and their values. They sometimes fail to ask themselves if they have a USP in the market over their competitors. If you believe in your product and your USP, then I don’t think you need to be worried beyond a certain point,” Bose opines.

     

    Padhi too feels that consumers are much smarter than brands credit them to be. “By playing these pun game they think they have the consumers fooled, but today consumers are much smarter. They know what’s happening in the digital space is much more creative and exciting than these verbal backlash on newspaper front pages,” he says.

     

    So how should these brands approach the shopping season? “If they want to connect with the consumers long term, they have to connect at a brand level, and think beyond just the limited festive season. Festive promotions can be part of a larger brand campaign,” Padhi simply states.

     

    He further adds, “There are loyal consumers for brands like Nike and Adidas. They don’t switch brands if there’s a cheaper offer on the other because they have bought the philosophy of the brand. Ask any consumer of these e-commerce brands and they will not hesitate to switch if one site offers them a slightly better sale.”

     

    Citing the example of London based agency Adam & Eve DDB’s ‘Be Selfish’ Christmas campaign that won them the Grand Prix award at Cannes Lions International Festival of Creativity, Padhi says that festive campaigns can also be creative and trendsetting. “They ran a campaign urging consumers to spend on themselves derailing from the tried and tested, buy gifts for your family angle that most agencies take. It was also a holiday and festive campaign but so different. Why can’t we do something new like that for Diwali, instead of the same old offer formula?” he asks.

     

    Ogilvy and Mather creative director Sumonto Chattopadhyay is also of the opinion that brands tend to overplay the festive peg sometimes, and lose out on innovation. “The entire ‘capturing the favour of the festivity’ does become a bit repetitive at times. I suggest that we sometimes let go of a more overt way of promoting festive offers, and instead of pegging the campaign around festivities, focus on other things. Approaching campaigns as standalones and not part of the festive propaganda could be another way to stir clear of competition and cut above noise,” he suggests.

     

    Padhi also points out that a lack of funds sometimes compels a brand to think out of the box. “I feel that because these brands have a lot of money, they have the luxury of taking a dig at each other instead of building their brand value. I am sure if they have a limited funding they would be putting more thought into what’s working, what’s not, and what they should come to the market with,” he says.

     

    Whether or not these ad wars will lead to brand following by consumers or succumb to today’s ADHD (attention deficit- hyperactivity disorder) generation who are quick to forget and jump to the next bandwagon, only time will tell. But as Ogilvy and Mather chairman and creative director Piyush Pandey puts it, “If you and I sell something for five rupees, which one of us sells it better is decided by our unique ideas.”

  • Navin Shetty’s Nube Studios gets new Baselight facility

    Navin Shetty’s Nube Studios gets new Baselight facility

    NEW DELHI: Nube Studio, set up to provide uncompromised grading services for the Indian market, has opened with a Baselight Two grading workstation as its centrepiece.

     

    The colour-driven facility is providing services for commercials, music videos, television and film throughout the region. As a facility aimed at the top end of production, an important requirement is the potential to work natively with raw files from any camera on the same timeline.

     

    The Baselight system is renowned for its ability to accommodate all professional formats and also fully supports grading metadata of any complexity, including primaries, secondaries, keys, shapes, tracks, LUTs and Truelight Colour Spaces. This allows the colourist to explore all the details from the camera, and achieve the look the cinematographer intended.

     

    Open only since June 2015, Nube already boasts an impressive 100+ TVCs, with a client register including BMW, Philips, Godrej Air, Cadbury, Flip Kart, Maruti, Amazon, Dabur, Yardley, Myntra, Pepperfry, OLX, Sunsilk, Intex, KIT KAT, Kohler, Honda, Nescafe, Britannia, Nerolac, TATA, Airtel, Grofers, STAR TV, EPSON, Mahindra, Olay, Jaguar, Lava, Lifebuoy, Renault, Mentos and Solly Sport.

     

    “Baselight delivers on every feature without restricting the creative process. I am able to concentrate on grading and never compromise on quality or inspiration,” said senior colourist and Nube Studio co-founder Navin Shetty.

     

    “Even at HDR 4K, Baselight delivers real-time playback as soon as the content is in the system,” added Shetty. “Clients are not kept waiting, and with the help of the superior grading tools they can see the final result immediately. For clients, the faster system equals staying within budget.”

     

    FilmLight CEO Wolfgang Lempp said, “We are proud to be associated with India’s leading colourist, Navin Shetty. He is very particular about the quality and output of his films. What he and his business head, Ranjan Karkera, have recognised is that directors and producers want to come to a post house and see great pictures just the way they imagined them. At FilmLight we developed our core systems to provide real-time performance even when there is a multi-level grade on top of the raw image. Baselight takes away the technical constraints of transcoding, proxies and unpredictable performance and leaves the colourist to achieve the best look in the shortest time.”

     

    FilmLight will be demonstrating the capabilities of its real-time, render-free grading approach using FilmLight’s BLG interchange format at Broadcast India on the stand of their partners, RED and Avid at Broadcast India 2015 to be held at Bombay Exhibition Centre, Mumbai, 15 to 17 October. 

  • Amazon inks deal for three CBS series on Prime Video through 2018

    Amazon inks deal for three CBS series on Prime Video through 2018

    NEW DELHI: Amazon and CBS Corporation have inked a new multi-year, multi-series agreement to make Prime Video the exclusive subscription streaming home for three new CBS summer series.

     

    The first new CBS series included in this deal that last till 2018 will be next summer’s comic-thriller Brain Dead, which prime members in the United States will be able to stream just four days after broadcast at no additional charge to their membership.

     

    Amazon vice president of digital video content acquisition Brad Beale said, “Prime members have loved having access to series like Under the Dome and Extant just four days after broadcast, and we’re excited to continue to offer in-season availability of more great CBS summer series over the next three years. We are also always working to ensure our prime members have the best selection, and we know they will continue to enjoy unlimited access to a wide array of CBS titles to binge-watch anytime, anywhere.”

     

    “We’re thrilled to build on our relationship with Amazon with new original summer series and more programming from CBS and SHOWTIME. With a truly original, genre-bending concept from outstanding creative auspices, BrainDead will be one of the most talked-about shows next summer by CBS viewers and Prime members,” added CBS Corporation chief corporate licensing officer Scott Koondel.

     

    There will be no additional charge to membership for access to these new exclusives, and the agreement will look to build on the CBS and Amazon’s extant exclusive deals for Under the Dome and Extant.

     

    This deal will also extend and expand CBS and SHOWTIME titles available to Prime members. 

  • Indian brands eye 25% increase in mobile marketing spends

    Indian brands eye 25% increase in mobile marketing spends

    MUMBAI: In this ever changing and developing world, which is led by technological advancements, brands need to constantly re-examine their strategies and explore the full extent of the tools at their disposal. In a scenario like this, the key to the mobile marketing industry’s success is for brands to take a focused and consumer-centric approach.

     

    What’s more, according to a research called “State of the industry – mobile marketing in India” conducted by WARC in conjunction with Mobile Marketing Association (MMA), around 75 per cent of Indian marketers are looking to raise their mobile marketing spends to 25 per cent from this year from 10 per cent or less from the previous years. What’s more, the number might even hit 50 per cent in the next five years.

     

    According to WARC Asia Pacific MD Edward Pank, the study indicated that Hindustan Unilever was the most innovative mobile brand in the country followed closely by Flipkart, Samsung, Amazon and Paytm while Telecom and Retail ead the way in terms of innovation and location based marketing.

     

    The annual MMA Forum India 2015, which was held in Gurgaon recently, was themed ‘Acquiring, Reaching and Engaging the Right Consumers through Mobile.’ The forum saw speakers from brands, agencies and technology companies, dissecting successful and innovative brand campaigns over the previous year to highlight the importance and effectiveness of mobile within the marketing mix.

     

    “Capability-building and innovation are key to the success of the mobile marketing industry. In light of the rapid evolution of technology, it’s important for brands to take a focused and consumer-centric approach to mobile,” said MMA Asia Pacific managing director Rohit Dadwal.

     

    The MMA Forum India 2015 kicked off with a keynote session by Unilever regional vice president – media Rahul Weld, who discussed Unilever’s innovative approach to marketing and its success in reaching out to the targeted customer through effective strategies.

     

    Talking about the importance of “seizing the moment” when reaching out to the consumer, Google India industry director – e-commerce, retail, online classifieds and technology Nitin Bawankule said, “The most effective way to reach out to the consumer is to target them in time of their need. Every consumer looks for solutions on their mobile devices and strategic advertising are key to catching the consumer at this moment.”

     

    Media specialist and writer Vanita Kohli-Khandekar and Vserv co-founder & CEO Dippak Khurana brought to light the various aspects of mobile commerce, advertising and data that can help shrink the intent-purchase gap. 

     

    Talking about the need to share data to leverage its power to reach, engage and acquire the consumer, Khurana said that publishers with significant “consumer attention” will try to move to commerce and that while consumers in India have regularly demonstrated their appetite to pay through mobile, marketers have been shy of sharing data that could help them buy through mobile platforms, significantly limiting their success.

     

    Madhouse Inc founder & CEO Joshua Maa discussed the similarities and the difference between different Asian markets with a focus on India and China during his session – “No two markets are the same yet they are not different.” He covered aspects and opportunities where India could learn from China and vice versa.

     

    Group M CEO CVL Srinivas moderated a panel discussion with Pepsico India vice president – beverages category Vipul Prakash, ZEEL chief business officer Sunil Buch and OLX India CEO Amarjit Singh Batra, where they shared insights on becoming “mobile capable” and how media owners, brands and agencies can come together to build mobile insight and capability to achieve the desired level of maturity.

     

    Yahoo Asia Pacific senior director marketing Nitin Mathur unveiled the various aspects of Flurry, the mobile-analytics company acquired by Yahoo, and discussed its potential to influence the consumer by tracking their behaviour on apps and building personalised and relevant communication thereby highlighting the need for more such tools in the space.

     

    Opera Mediaworks Asia managing director Vikas Gulati illustrated the effectiveness of mobile devices in connecting brands and consumers by discussing the success of AskMeBazaar.com’s campaign with Askme India group CMO Manav Sethi and Findit Malaysia that was executed by Opera MediaWorks. Gulati discussed at length, the power that mobile empowers brands with, to control consumer behaviour as they are most intimate and used media device.

     

    As part of the MMA forum 2015, Madhouse – South Asia COO Milind Pathak introduced the winners of Madlabs, a platform introduced by Madhouse to showcase the innovative mobile communications and solutions in the startup ecosystem and espoused the effective use of mobile to reach out the targeted consumer.

     

    The MMA Forum was followed by the MMA’s mobile excellence awards program – SMARTIES India 2015 where the winners from 15 categories and five Industry awards were announced.

     

    Over 330 delegates and 34 industry leaders representing the mobile marketing ecosystem in the country came together for the day-long event to discuss and deliberate over the future of the industry.

  • Ogilvy acquires majority stake in Brazilian marketing agency Jüssi

    Ogilvy acquires majority stake in Brazilian marketing agency Jüssi

    MUMBAI: WPP’s wholly-owned operating company Ogilvy has acquired a majority stake of Jüssi Intention Marketing Ltd, an online performance, programmatic and conversion marketing agency in Brazil.
     

    Jüssi’s clients include Allianz Global Assistance & Corporate, Amazon, Decathlon, FNAC, Google, LinkedIn and Terra. Founded in 2010, the company employs 120 people and is based in S?o Paulo. Jüssi will be part of the Ogilvy Group in Brazil (Ogilvy & Mather, David Agency, Nine, Etco and Foster) and will continue to operate under the Jüssi name. 

     

     

    This investment continues WPP’s strategy of investing in fast growing sectors such as digital and its commitment to developing its strategic networks throughout Latin America, while bolstering the Group’s leadership position in Brazil.

     

    In Brazil, the Group (including associates and investments) generates revenues of around $600 million and employs over 7,000 people

  • Disney Movies Anywhere partners Amazon & Microsoft’s stores

    Disney Movies Anywhere partners Amazon & Microsoft’s stores

    MUMBAI: Just in time for the early digital release of one of the biggest movies of the year, Marvel’s Avengers: Age of Ultron, Disney has named significant partner and device additions to its cloud-based digital movie service, Disney Movies Anywhere (DMA).

     

    Continuing to expand upon its promise to provide more ways to buy and watch Disney, Pixar, Marvel and Star Wars movies at home or on the go, DMA has partnered with azon Video and Microsoft Movies & TV.

     

    Starting today in the US, Amazon Video and Microsoft Movies & TV customers can connect to Disney Movies Anywhere and access their digital collection across the Disney Movies Anywhere ecosystem, including via the new Disney Movies Anywhere app for the Microsoft Xbox 360 and for Amazon’s Fire tablets, Fire TV and Fire TV Stick.

     

    In addition to the Disney Movies Anywhere app, customers can access and watch titles in their Disney digital collection directly through the Amazon Video app for TVs, connected devices and mobile devices, or online at Amazon.com/amazonvideo, and via the Microsoft Movies and TV service on Windows and Microsoft Xbox devices or at microsoft.com/en-us/store/movies-and-tv.

     

    Launching on 15 September, with the release of Disney’s live action Cinderella, the Disney Movies Anywhere app will become available on the Roku platform and Android TV allowing consumers to access their DMA movie collections. Disney Movies Anywhere already works with iTunes, Google Play, and Walmart’s VUDU.

     

    “We’re thrilled to bring these new partners to Disney Movies Anywhere, expanding its reach into the living room and beyond with an unprecedented Disney experience that is both easy and fun. As consumers seek to build their digital libraries and protect their purchases for the long term, Disney Movies Anywhere makes it easier than ever to buy once and watch anywhere,” said Disney/ABC Home Entertainment & Television Distribution president Janice Marinelli.

     

    In celebration of this partner launch, for a limited time Disney Movies Anywhere is offering a free digital copy of Disney•Pixar’s Monsters, Inc. to new and existing members who connect an iTunes, Amazon Video, VUDU, Microsoft Movies & TV or Google Play account for the first time.

  • LG to offer Amazon titles in HDR on webOS Smart TV platform

    LG to offer Amazon titles in HDR on webOS Smart TV platform

    MUMBAI: LG Electronics has launched High Dynamic Range (HDR) streaming on 2015 LG OLED 4K TVs, allowing consumers to enjoy exceptional HDR picture quality streaming directly via the Amazon Video app, available on LG’s webOS Smart TV platform.

     

    Amazon Video is the first to deliver HDR titles on LG OLED 4K TVs, offering the highest picture quality and most comfortable HDR viewing experience on the market.

     

    Popular Amazon Original Series Transparent and Mozart in the Jungle as well as the pilot episode of the upcoming comedy series Red Oaks are now available to stream in HDR on LG’s latest OLED 4K Ultra HD TVs, including the just-announced EF9500 Flat OLED 4K TV series and the currently available EG9600 Curved OLED 4K TV series.

     

    The EF9500 series comes with full HDR capability built in, allowing consumers to play back HDR content from both streaming content partners and external source devices. LG’s EG9600 series received a firmware update so consumers can stream content from current and future providers.

     

    “LG is committed to delivering the best viewing experience, and it doesn’t get any better than HDR content on an OLED 4K display. Amazon has played an invaluable role in helping LG bring consumers the best way to enjoy streaming content and an incredible HDR experience,” said LG Electronics USA head of new product development Tim Alessi.

     

    LG’s webOS Smart TV platform is designed to make finding and switching between content options – including broadcast TV, streaming services and external devices – intuitive and fast.

  • Sports365.in launches U Mumba’s official merchandise

    Sports365.in launches U Mumba’s official merchandise

    MUMBAI: Sports365.in has launched the official merchandise of the Mumbai-based Kabaddi team, U Mumba, exclusively on its website. It has associated as the online channel partner for the team and its merchandising partner ‘Sports & Beyond’ in a bid to exclusively market their products online.

     

    Sports365.in founder and CEO G Chandra Sekhar Reddy, “U Mumba has won the hearts of many Indians, especially with its recent win over Puneri Paltan. It is one of the most popular and well-loved Kabaddi teams of the country and we are pleased to offer its official merchandise exclusively on our platform. The availability of the new product line will attract more Kabaddi fans to our online store and also further bolster the love for the sport in India.”

     

    As of now, U Mumba’s and its sports partner’s range of products is solely available on Sports365.in. The portal plans to facilitate the sale of the merchandise on other online marketplaces like Flipkart, Amazon, Snapdeal, Paytm and Shopclues in the coming days.