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Tag: Alejandro Gonzalez

  • Danny Boyle may direct biopic on Steve Jobs

    Danny Boyle may direct biopic on Steve Jobs

    MUMBAI: According to a report filed by The Hollywood Reporter (THR) negotiations are mid-way with Danny Boyle on the Steve Jobs biopic with Aaron Sorkin attached to write the screenplay, based on Walter Isaacson’s New York Times bestselling book. The deal is not yet sealed, but the studio is moving quickly to get this to the start line.

     

    A report in THR says Leonardo DiCaprio is the choice to star, and his name was in circulation at the very beginning when the book first was optioned by Sony with producers Mark Gordon and Guymon Casady, who were joined by Scott Rudin when Sorkin came aboard to adapt. However, DiCaprio has just committed to The Revenant with Alejandro Gonzalez Inarritu directing scheduled for the fall, so the timing might not work.

     

    Walter Isaacson’s bestseller is based on more than forty interviews with Jobs conducted over two years, as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues. The author has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.

     

    He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against.

     

    His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted. Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values.

  • Critically acclaimed ‘Babel’ to be simultaneously released in India

    Critically acclaimed ‘Babel’ to be simultaneously released in India

    MUMBAI: The Brad Pitt, Cate Blanchett film Babel, which premiered at the Cannes Film festival in France this year and won three awards there including one for the director will be simultaneously release in India along with the US in the mid-week of July.

    E-City films, which has distributed critically acclaimed films in the past like Million Dollar Baby and A History of Violence will release the film.Babel is the final chapter in the trilogy after the much-acclaimed Amores Perros and 21 Grams for Mexican director Alejandro Gonzalez Inarritu. The movie recently became a hot topic of discussion when imdb.com mentioned Shilpa Shetty and Mahima Chaudhry’s name in the film’s cast, even though they weren’t working on the movie.

    The title of the movie refers to the tower of Babel in the ancient town of Babylon, where humans thought they were gods and could reach the heaven without God. The film explores the subject of relationships and plays around the themes of love in adversity. It revolves around four interweaving stories set in Morocco, Tunisia, Mexico and Japan.

    At the press conference for the film at the Cannes Film Festival last month Iñárritu dwelt on the film’s title saying, “Babel, we think about man building this tower and trying to arrive to the sky and be gods. And then God got angry and he created these different languages. And that’s the reason we are talking so many languages all over the world. For me that’s not the problem, I think that language can be very easy to break.

    “For me, I think the problem is the ideas and preconceptions that we have that really keep us apart. That’s what the film’s about. And at the same time, I want this film to be basically about what separates us and what brings us together. I think that’s the key element: What makes us the same people living in the world and not what are our differences. Which ones are the similarities and I hope this film communicates that.”

    As far as the film’s message is concerned he says, “I don’t know if it’s an x-ray of the world because that’s too ambitious, but I tried to show what is going on with us at the moment. We see the “other” as always abstract, so that to be different means to be dangerous and not able to understand the other. This is happening not only country between country, but against fathers, against sons, against husband.

    “We are not able to listen anymore. I want to talk about that, the borders within our souls: our preconceptions of our fathers, the archetypes we have from religions, races, cultures. I tried to make a film that talks about prejudice without being prejudice.

    “Seeing a film is very a fragmented emotional experience. At this time, I didn’t want to play with that. I wanted to be more linear so that people wouldn’t feel distracted by the film’s structure and just let them flow with the emotion of the film.”

    Blanchett said, “This film is all about connections between parents and children, which I think so many of us understand. It felt very personal for me as well as for Alejandro. Being a parent, when you see a child in danger, particularly with an irresponsible nanny, it engages me, it’s like pulling the roots of my system out. It’s very distressing.”

    About the experience of working with Brad Pitt the Australian Oscar winner said, “It is like chocolate. He’s glorious and wonderful. We have been wanting to work with one another for a long time and to work together in quite an unexpected way and for Brad to be doing something for an audience, and Alejandro, it was intensely riveting.

    “The moment of him, which is so beautifully judged in terms of where it’s placed in the film but also so exquisitely performed, when he speaks with the children on the phone at the end, I think it’s one of the most moving moments in a film.”

    As far as America is concerned Iñárritu says, “In this film I don’t want good or bad guys. I think what is happening in the world is perpetuated. I try to be subtle in a way, to not be archetypal, and not prejudice. When I think about an Empire, it’s not about nations, human beings, others. It’s the way they normally try to pretend that everyone is a terrorist, anything can be held against you. I think there is now an obsessive idea, obsessive problem with the United States, showing its power. This is a very stressful moment in history.”