Tag: Akshaye Widhani

  • Netflix rolls the YRF reel worldwide

    Netflix rolls the YRF reel worldwide

    MUMBAI: Lights, camera, nostalgia! Netflix and Yash Raj Films (YRF) hit play on a golden reel of Hindi cinema memories, bringing five decades of cinematic gems to screens around the world. The streaming giant sealed a landmark partnership with India’s iconic studio, opening its vault of classics, blockbusters and heart-throbs for global audiences to binge on.  

    The celebration began with a star-studded line-up. Shah Rukh Khan fans were treated to nine of his biggest hits, including Dilwale Dulhania Le Jayenge, Veer-Zaara and Chak De! India, which dropped on November 1, marking the superstar’s birthday weekend. Salman Khan’s action-packed trio Ek Tha Tiger, Sultan and Tiger Zinda Hai will roar onto Netflix on December 27, his birthday.

    Romance buffs can look forward to November 14, when timeless Yash Chopra classics like Chandni, Lamhe and Silsila begin streaming. Ranveer Singh’s infectious energy arrives on December 5 with Band Baaja Baaraat and Gunday. The festive season gets even brighter with 34 YRF crowd-pleasers, including Hum Tum, Bunty Aur Babli and Mujhse Dosti Karoge, set to stream two at a time between December 12 and 28.

    The reel keeps rolling into 2026, with the Dhoom trilogy revving up from November 28 and the Mardaani series joining on January 22. Valentine’s week will see eight heart-fluttering romances like Saathiya and Bachna Ae Haseeno streaming from February 7.

    “For over 50 years, Yash Raj Films has shaped the heart of Indian cinema,” said YRF CEO Akshaye Widhani. “Bringing this legacy to Netflix lets the world experience the colour, the music and the magic of India.”

    Netflix India vice president of content Monika Shergill added, “This partnership celebrates Indian cinema in all its glory, allowing fans to relive the magic while new audiences discover its timeless charm.”

    Whether you’re chasing Dhoom-style thrills or humming Tujhe Dekha To in your living room, Netflix’s latest drop has turned every night into a Hindi cinema blockbuster.

     

  • Yash Raj Films to shoot three major films in UK from 2026, Starmer confirms

    Yash Raj Films to shoot three major films in UK from 2026, Starmer confirms

    MUMBAI: Bollywood is heading back to Britain. Yash Raj Films, India’s leading production and distribution house, has announced plans to shoot three major films across the UK from early 2026, creating over 3,000 jobs and injecting millions of pounds into the local economy, UK prime minister Keir Starmer revealed in Mumbai today.

    The announcement was made at Yash Raj Studios, which marks 20 years of operations in India on 12 October, where Starmer was joined by top UK film representatives, including the British Film Institute, British Film Commission, Pinewood Studios, Elstree Studios, and Civic Studios. The visit forms part of a two-day trade mission aimed at strengthening UK-India ties and boosting creative industry collaborations.

    The UK film sector contributes 12 billion pounds annually and supports 90,000 jobs, attracting international productions with its state-of-the-art studios and iconic landscapes. After an eight-year hiatus, Yash Raj’s return highlights the growing impact of the UK-India trade deal on cultural and creative partnerships.

    “Bollywood is back in Britain, and it’s bringing jobs, investment and opportunity, while showcasing the UK as a world-class filmmaking destination,” Starmer said. “This is exactly the kind of partnership our trade deal with India is designed to unlock.”

    Yash Raj Films CEO Akshaye Widhani added, “The UK has always held a special place in our hearts. Iconic films like Dilwale Dulhania Le Jayenge were shot here, and we are thrilled to reignite our ties with the country that has always supported our creative vision. With the 30th anniversary of ddlj and the stage adaptation Come Fall in Love underway in the UK, this partnership couldn’t be more timely.”

    UK culture secretary Lisa Nandy said, “Given the strength of our film industries and the deep cultural links between our nations, collaborations like this make perfect sense. Bollywood blockbusters filmed in Britain will drive growth, investment and creative exchange.”

    A supporting MoU between the British Film Institute and India’s National Film Development Corporation will further strengthen co-productions, enabling filmmakers from both countries to share resources, talent, and expertise. Past collaborations, such as Slumdog Millionaire, generated around 300 million pounds for the UK from a modest 12 million pounds budget, proving the immense potential of UK-India film ventures.

  • YRF partners with Posham Pa Pictures for theatrical releases

    YRF partners with Posham Pa Pictures for theatrical releases

    MUMBAI: It’s the coming together of a successful legacy studio and a new age creative production banner. Yash Raj Films (YRF)  today announced that it is partnering with series producer Posham Pa Pictures to jointly develop and produce theatrical films beginning 2025.  

    YRF is known for several iconic films like Chandni, Kaala Patthar, Lamhe,  Darr, Dilwale Dulhania Le Jayenge, Chak De! India, Dhoom and others. Posham Pa Pictures has been behind streaming series such as Netflix’s Kaala Paani, Mamla Legal Hai and Jaadugar and Disney+ Hotstar’s Home Shanti.

    The partnership marks Posham Pa’s foray into theatrical films releases. YRF will provide it with the studio infrastructure and its strong distribution capabilities, which is the vision of Aditya Chopra – the son of YRF founder, the late Yash Chopra. The transformation of YRF from being just a producer to a studio is being led by the firm’s CEO Akshaye Widhani. 

    Said Widhani: “It is truly the coming together of similar creative minds that are constantly striving for excellence by pushing the content envelope. Posham Pa Pictures have shown that they know the pulse of the audience by giving us unique and incredibly fresh stories that have won them unanimous acclaim. Our partnership will now aim to create ground-breaking theatrical experiences for today’s audiences who are seeking out new and novel storytelling to engage, endorse & celebrate.”

    Posham Pa was founded by partners Sameer Saxena, Amit Golani, Biswapati Sarkar and Saurabh Khanna. 

    “The coming together of YRF and Posham Pa Pictures throws open a world of exciting, unchartered creative possibilities,” said Saxena. “We are thrilled at the opportunity to jointly create theatrical experiences like never before with YRF and entertain the audience with unique, fresh stories.”

    (Picture courtesy: Biswapati Sarkar’s  X account)

  • FICCI FRAMES 2024: From playgrounds to pixels: Evolution and emerging trends in kids entertainment

    FICCI FRAMES 2024: From playgrounds to pixels: Evolution and emerging trends in kids entertainment

    Mumbai: The discussion traced the trajectory of this evolution, examining the impact of technology on content consumption, educational aspects, and the evolving preferences of young audiences. Emphasising the fusion of entertainment and education, the panel delved into the latest trends, such as interactive media, augmented reality, and immersive storytelling, offering valuable insights for creators, educators, and parents alike. The panel aimed to unravel the past, present, and future of kids’ entertainment, navigating the fascinating intersection of play and pixels.

    The moderator of the panel was Powerkids Entertainment CEO Manoj Mishra.

    “The essence of our content has remained consistent since the beginning. While storytelling and content creation have seen minimal alterations, there was a notable shift when I entered the industry. Initially, we relied heavily on foreign content, merely dubbing it for local audiences. However, over time, we began crafting our narratives that resonated more deeply with our audience, particularly children. The fundamental stories haven’t changed; it’s the platforms that evolve continually, and our adaptability has allowed us to broaden our horizons.” : Viacom18 kids TV network business head Anu Sikka.

    “In the future, animation will undeniably continue to hold a prominent position, Drawing insights from diverse channels, including online platforms like Netflix, and learning from the successes of digital endeavors, whether on Netflix or other platforms, we’ve adeptly tailored these achievements to suit the Indian landscape.”: Warner Bros Discovery head, kids network Uttam Pal Singh.

  • FICCI FRAMES 2024: Lights, camera, action: Golden era of storytelling

    FICCI FRAMES 2024: Lights, camera, action: Golden era of storytelling

    Mumbai: This session brought together seasoned storytellers and content creators to unravel the transformative impact of disruptive technologies on narrative formats. Delving into the shift from traditional blockbusters to the era of binge-watching, the panel explores how storytelling has evolved. Participants witnessed a dynamic discussion on changing audience dynamics, emerging platforms, and the innovative strategies employed by storytellers to captivate and engage audiences in an era marked by a constant evolution in entertainment consumption.

    The fireside chat was moderated by Indian critic and journalist Naman Ramachandran.

    “We are here to serve our audience with the most diverse & high-quality content. We find ourselves at an intriguing juncture in our streaming journey. Despite being a nascent industry, it is evolving rapidly, with people adopting it at an exceptionally fast rate.”: Netflix India VP – content Monika Shergill.

    Answering the question about the secret sauce in the theatrical business, Yash Raj Films CEO Akshaye Widhani said, “As an organisation, we don’t punish failure. That is the secret sauce at YRF.”

    Answering the second part of the question on what YRF looks for when commissioning a film or a series, Widhani said, “It is a creative business. Either you go right or wrong, but it’s about the story. The north star for us is the story. We’ve been telling stories for the last five decades and we hope we’ll keep telling stories much after that. When it comes to what we decide on how we decide to greenlight, it’s pretty much based on what that story is and how it appeals to us.”

  • Siddharth Roy Kapur unanimously re-elected as the President of the Producers Guild of India, at its 64th Annual General Meeting held on 28th September in Mumbai.

    Siddharth Roy Kapur unanimously re-elected as the President of the Producers Guild of India, at its 64th Annual General Meeting held on 28th September in Mumbai.

    Mumbai, 28th September 2018: Siddharth Roy Kapur has been re-elected as the President of the Producers Guild of India. He has previously served as the President since January 2017. It was a unanimous decision taken at the first meeting of newly appointed Guild Council on 28th September 2018.
    In addition, Sunjoy Waddhwa the eminent television producer has also been elected as the Vice President of the Producers Guild of India. At the same time Priti Shahani and Fazila Allana have been nominated to the Guild Council of Management along with Milan Luthria and Akshaye Widhani who have been included in the Guild Council as Special Invitees.

    Vijay Singh, Manish Goswami and Apoorva Mehta continues to be part of the Guild Management team as Vice Presidents in addition to Ashim Samanta who will also continue as the Treasurer.
    As the President, Siddharth Roy Kapur has been the leading voice of the industry over the past two years. The Guild has recently signed key strategic alliances such as the one with United Kingdom’s Producers Alliance for Cinema and Television and has engaged with key industry and Government stakeholders successfully.
    Kulmeet Makkar, the Chief Executive Officer of the Producers Guild of India stated that “Guild has emerged as the most recognised and respected forum for industry progress under the leadership of Siddharth Roy Kapur and we are moving towards becoming an all-encompassing producers’ body considering the growing importance of television and strong emergence of new media such as Netflix India who have recently joined Guild as its member”.

    Siddharth Roy Kapur is an eminent Producer of several critically acclaimed and commercially successful films. He founded his own film and digital media production house Roy Kapur Films after a long and successful stint at Disney and UTV. He was recently named as one of Variety Magazine’s Top 500 influential people in entertainment globally, amongst only 12 Indians to feature on this list.

  • YRF launches in-house VFX studio; Pankaj Khandpur named creative director

    YRF launches in-house VFX studio; Pankaj Khandpur named creative director

    MUMBAI: YRF Studios has launched its independent visual effects (VFX) division called yFX.

    yFX has roped in Pankaj Khandpur as creative director. Khandpur was previously with VFX company Tata Elxsi – Visual Computing Labs as creative director.

    The first film under the yFX division will be Yash Raj Films’ Salman Khan – Anushka Sharma starrer Sultan.

    YRF Studios vice president and Yash Raj Films finance and business affairs Akshaye Widhani said, “The Indian film industry is pushing the envelope with every film and visual effects will play a bigger part than ever before in Indian cinema. Like Hollywood films, Indian films too will become an event by itself, which means more effects and larger than life imagery. This state of the art facility will be housed in YRF Studios making YRF a fully integrated studio in every sense of the word.”

    Khandpur added, “With yFX, the Indian visual effects industry finally comes of age! Visual effects will now be treated on par with all the other critical departments in filmmaking, contributing to the process from day one: from the ideation of the script itself, all the way through to final world-class execution, thanks to our experienced, skilled and passionate team of designers, supervisors and artists.

  • YRF launches in-house VFX studio; Pankaj Khandpur named creative director

    YRF launches in-house VFX studio; Pankaj Khandpur named creative director

    MUMBAI: YRF Studios has launched its independent visual effects (VFX) division called yFX.

    yFX has roped in Pankaj Khandpur as creative director. Khandpur was previously with VFX company Tata Elxsi – Visual Computing Labs as creative director.

    The first film under the yFX division will be Yash Raj Films’ Salman Khan – Anushka Sharma starrer Sultan.

    YRF Studios vice president and Yash Raj Films finance and business affairs Akshaye Widhani said, “The Indian film industry is pushing the envelope with every film and visual effects will play a bigger part than ever before in Indian cinema. Like Hollywood films, Indian films too will become an event by itself, which means more effects and larger than life imagery. This state of the art facility will be housed in YRF Studios making YRF a fully integrated studio in every sense of the word.”

    Khandpur added, “With yFX, the Indian visual effects industry finally comes of age! Visual effects will now be treated on par with all the other critical departments in filmmaking, contributing to the process from day one: from the ideation of the script itself, all the way through to final world-class execution, thanks to our experienced, skilled and passionate team of designers, supervisors and artists.