Tag: Akshay Kumar

  • Box Office: ‘Ghayal Once Again’ opens to tepid response; ‘Airlift’ collects Rs 111.3 crore

    Box Office: ‘Ghayal Once Again’ opens to tepid response; ‘Airlift’ collects Rs 111.3 crore

    MUMBAI: Sunny Deol’s home production and directorial venture Ghayal Once Again tries to cash in on his 1990’s success, Ghayal and has opened to a tepid response at the box office. The film failed to catch momentum on Saturday, showing only a slight improvement on Sunday. Ghayal Once Again ended its opening weekend with Rs 21.2 crore.

    On the other hand, the Akshay Kumar starrer Airlift made the most of its perfect release period around 26 January, the Indian Republic Day, which helped its theme of patriotism. Despite being a dry theme with a documentary like feel through its first half, the film scored in its latter parts to pick up through the weekend and also thereafter. The film added a respectable Rs 28.5 crore in its second week to take its two week total to Rs 111.3 crore.

    Sanam Teri Kasam, an old-fashioned mishmash of previous love stories with cancer as the theme, suffers on many counts including being slow, depressing, clichéd lack of face value and so on. The film did not even make it to the one crore mark on its opening day. It improved a bit on Saturday and Sunday, both on the lower side and not enough to salvage the enterprise. The film collected Rs 3.8 crore in its opening weekend.

    Saala Khadoos pays the price for two reasons, being a sports film and being a very predictable one at that about an underdog, out of nowhere girl winning the boxing world championship. Except love stories, selling dreams is no more wise. Even Mary Kom, based on a real life champ, catered to a limited audience. The R Madhavan starrer Saala Khadoos managed to collect Rs 8.2 crore in its first week.

    Mastizaade shows that senseless vulgarity in the name of sex comedy does not work. With dud performers, the film tried to attract audience only on the anatomy of Sunny Leone and this is not her first film! The film got a low weekend and failed to add much in the rest of the days, ending its first week with Rs 17.65 crore at the box office.

    Kyaa Kool Hain Hum, a senseless sex comedy comes a cropper and fails badly. The film added about Rs 50 lakh in its second week to take its two week as well as lifetime business to a mere Rs 26.8 crore.

     

  • Cinekorn acquires Asia distribution rights of ‘Airlift’ from B4U

    Cinekorn acquires Asia distribution rights of ‘Airlift’ from B4U

    MUMBAI: Cinekorn Entertainment has acquired the Asian distribution rights of Akshay Kumar’s new film Airlift from B4U Television, which is the official international distributor of the film.

     

    Produced by Emmay Entertainment, Airlift is based on the true events of the world’s biggest evacuation from Kuwait in 1990. The film released on 22 January, 2016 and Cinekorn Entertainment is distributing the film in all major areas of the continent.

     

    Cinekorn Entertainment’s Kalapi Nagada said, “Asia has always been a splurging market for Hindi Films and the numbers are increasing day by day as more of non ethnic audiences have been getting glued to Hindi films. We have acquired the film from B4U Television, who is the official international distributor of the film Airlift. We are very positive and confident on the film since in the past Akshay Kumar with Singh is Bliing and Baby has become very popular among local audiences. In fact, we plan to go all out in terms of release spread for Airlift from the growing popularity of the past Akshay Kumar films.”

     

    Prior to this, Cinekorn acquired distribution rights for films like Jazbaa, Singh is Bliing, Happy New Year and Haider. These movies were screened in theatres in Sri Lanka, UAE, Malaysia and Singapore.

     

    Directed by Raja Menon, Airlift stars Nimrat Kaur opposite Kumar.

  • Cinekorn acquires Asia distribution rights of ‘Airlift’ from B4U

    Cinekorn acquires Asia distribution rights of ‘Airlift’ from B4U

    MUMBAI: Cinekorn Entertainment has acquired the Asian distribution rights of Akshay Kumar’s new film Airlift from B4U Television, which is the official international distributor of the film.

     

    Produced by Emmay Entertainment, Airlift is based on the true events of the world’s biggest evacuation from Kuwait in 1990. The film released on 22 January, 2016 and Cinekorn Entertainment is distributing the film in all major areas of the continent.

     

    Cinekorn Entertainment’s Kalapi Nagada said, “Asia has always been a splurging market for Hindi Films and the numbers are increasing day by day as more of non ethnic audiences have been getting glued to Hindi films. We have acquired the film from B4U Television, who is the official international distributor of the film Airlift. We are very positive and confident on the film since in the past Akshay Kumar with Singh is Bliing and Baby has become very popular among local audiences. In fact, we plan to go all out in terms of release spread for Airlift from the growing popularity of the past Akshay Kumar films.”

     

    Prior to this, Cinekorn acquired distribution rights for films like Jazbaa, Singh is Bliing, Happy New Year and Haider. These movies were screened in theatres in Sri Lanka, UAE, Malaysia and Singapore.

     

    Directed by Raja Menon, Airlift stars Nimrat Kaur opposite Kumar.

  • Box Office: ‘Airlift’ collects Rs 44.24 crore; ‘KKHH 3’ does Rs 17 crore biz

    Box Office: ‘Airlift’ collects Rs 44.24 crore; ‘KKHH 3’ does Rs 17 crore biz

    MUMBAI: The Akshay Kumar starrer Airlift earned a lot of appreciation and also grew gradually at the box office. Starting its opening day with moderate collections, the film fared well on day two and three thanks to positive word of mouth. Being a partly dry theme and part documentary, the film is doing remarkably well. 

     

    Kumar’s films have a limit when it comes to collections but, then, his films also always have manageable budgets. The film has collected Rs 44.24 crore in its opening weekend. The Republic Day eve as well as the Republic Day holiday should help while the severe cold temps in the North may also affect early morning as well as night shows to an extent.

     

    Kyaa Kool Hain Hum 3 caters to a certain kind of audience and, which does not include multiplex patrons. This limits its reach. The film collects merely Rs 17.2 crore in its opening weekend, which does no justice to the price that was demanded for distribution rights.

     

    On the other hand, Wazir did okay in absence of oppositions in its second week by collecting Rs 8.25 crore taking its two week total to Rs 36.65 crore. However, with two new releases last Friday, the film crashes badly.

     

    Dilwale has virtually come to the end of its run after five weeks. Adding just Rs 60 lakh for the fifth week, the film’s five week tally now stands at Rs 139.35, which is way below the expected mark.

     

    Bajirao Mastani is still finding patrons and has added Rs 4.5 crore in its fifth week, taking its five week tally to Rs 170.4 crore, which is not enough yet to cover its huge making cost.

  • Box Office: ‘Airlift’ collects Rs 44.24 crore; ‘KKHH 3’ does Rs 17 crore biz

    Box Office: ‘Airlift’ collects Rs 44.24 crore; ‘KKHH 3’ does Rs 17 crore biz

    MUMBAI: The Akshay Kumar starrer Airlift earned a lot of appreciation and also grew gradually at the box office. Starting its opening day with moderate collections, the film fared well on day two and three thanks to positive word of mouth. Being a partly dry theme and part documentary, the film is doing remarkably well. 

     

    Kumar’s films have a limit when it comes to collections but, then, his films also always have manageable budgets. The film has collected Rs 44.24 crore in its opening weekend. The Republic Day eve as well as the Republic Day holiday should help while the severe cold temps in the North may also affect early morning as well as night shows to an extent.

     

    Kyaa Kool Hain Hum 3 caters to a certain kind of audience and, which does not include multiplex patrons. This limits its reach. The film collects merely Rs 17.2 crore in its opening weekend, which does no justice to the price that was demanded for distribution rights.

     

    On the other hand, Wazir did okay in absence of oppositions in its second week by collecting Rs 8.25 crore taking its two week total to Rs 36.65 crore. However, with two new releases last Friday, the film crashes badly.

     

    Dilwale has virtually come to the end of its run after five weeks. Adding just Rs 60 lakh for the fifth week, the film’s five week tally now stands at Rs 139.35, which is way below the expected mark.

     

    Bajirao Mastani is still finding patrons and has added Rs 4.5 crore in its fifth week, taking its five week tally to Rs 170.4 crore, which is not enough yet to cover its huge making cost.

  • Eros readies pipeline of 65 movies across 7 languages in 2016

    Eros readies pipeline of 65 movies across 7 languages in 2016

    MUMBAI: Even as it has been embroiled in controversy over the last few months regarding its accounting practices, Eros International is planning to release as many as 65 movies in 2016 across seven different Indian languages like Hindi, Marathi, Tamil, Telugu, Malayalam, Bengali and Punjabi.

     

    Additionally, Eros is also planning to release Sanjay Leela Bhansali’s Bajirao Mastani in China and other international markets in 2016.

     

    HINDI

     

    Eros’ Hindi films pipeline for 2016 includes R. Balki’s Ki & Ka starring Arjun Kapoor and Kareena Kapoor, the promos of which are already out. The company will also be releasing Sajid Nadiadwala’s Housefull 3 starring Akshay Kumar, and Rohit Dhawan’s Dishoom starring John Abraham and Varun Dhawan.

     

    Baar Baar Dekho – a love story starring Katrina Kaif and Siddharth Malhotra will be releasing in association with Dharma Production, whereas Rock On 2 featuring Farhan Akhtar and Shraddha Kapoor will be released with Excel Entertainment.

     

    After associating with producer-director Aanand L Rai on films like Tanu Weds Manu Returns and Raanjhanaa, Eros will release multiple films with Rai’s joint production company Colour Yellow Production. These include Nil Battey Sannata that has received a good response at various festivals including the 20th Busan International Film Festival, 59th BFI London Film Festival with Swara Bhaskar wining the Best Actress at the Silk Road Film Festival of China. Also in the pipeline are films like Happy Bhaag Jayegi, a comedy that will present the first-time pair of Abhay Deol and Diana Penty and Manmarziyan, a romantic drama starring Bhumi Pednekar and Ayushmann Khurrana. 

     

    Apart from these, Rai is also working on his own directorial film, which will go into production this summer.

     

    This Diwali, Eros will release Ajay Devgn’s action drama – Shivaay. 

     

    After co-producing films like Goliyon Ki Rasleela Ram-Leela and Bajirao Mastani, Eros and Bhansali Productions will be joining hands on more co-productions, details of which will be announced at a later date. 

     

    Also scheduled to go on floor this year will be Eros and Phantom’s socio-drama superhero film Bhavesh Joshistarring Harshvardhan Kapoor to be directed by Vikramaditya Motwane.

     

    Other films slated to release in 2016 include Hansal Mehta’s critically-acclaimed Aligarh, Marathi director and National award winner Ravi Jadhav’s Hindi debut Banjo starring Riteish Deshmukh and Nargis Fakri, director Mohit Jha’s sports drama Saat Kadam and Pawan Kripalani’s psychological thriller Phobia starring Raadhika Apte.

     

    Eros will also release Vinay Sapru and Radhika Rao’s musical love story Sanam Teri Kasam starringnewcomers Harshvardhan Rane and Pakistani actress Mawra Hocane; Do Lafzon Ki Kahani by Deepak Tijori with Randeep Hooda and Kajal Agarwal as the lead pair along with Saif Ali Khan starrer Chef, a remake of 2014’s Hollywood hit Chef.

     

    REGIONAL LANGUAGES

     

    The company’s regional slate includes Marathi films like Sanjay Jadhav’s Guru, National award winning director Sujay Dahake’s Phuntroo, and Prakash Kunte’s & Jara Hatke. 

     

    Eros has already released the Telugu films – Balakrishna’s Dictator on 14 January, Pawan Kalyan’s Sardar Gabbar Singh, Mammootty’s Malayalam films White and Fahad Fazil’s Nale along with 2 Penkuttikalfeaturing Tovino Thomas, Amala Paul, Anju Kurian and Anna Fathima.

     

    Following the release of Bengali film Monchora by Sandip Ray with Abir Chatterjee and Raima Sen in January, Eros will release Prakton directed by Shiboprasad Mukherjee starring Prosenjit Chatterjee and Rituparna Sengupta paired together after a decade. 

     

    The Tamil movies’ in the pipeline include the Sivakarthikeyan starrer Rajini Murugan that released earlier this month; Suriya’s 24 directed by Vikram, Enkitta Mothathe, which is cinematographer Natarajan Subramaniam’s (Nutty) debut as an actor with Sanchita Shetty directed by Ramu Chellapa, actor Jaya Prada’s first Tamil production Uyire Uyire, Suriya’s Singam 3, Kai Neelam directed by Nalan Kumarsamy, Oru Kidayin Karunai Mamu directed by Suresh Sangiah and an untitled film starring mega star Karthi.

     

    The company is also collaborating with Harry Baweja to co-produce the sequel to the 3D animation film, Chaar Sahibzade, titled Chaar Sahibzaade 2 (Rise of Banda Singh Bahadur) followed by another 3D animation film Guru Tegh Bahadur. 

     

    Commenting on the company’s line-up, Eros International Media managing director Sunil Lulla said, “We have seen an excellent 2015 with the resounding success of Tanu Weds Manu Returns, peaking with the multiple-record breaking Bajrangi Bhaijaan and ending the year with our crowning glory Bajirao Mastani. We are at a very exciting phase in Eros and have an equally promising slate coming up this year that will reinforce and further strengthen our leadership position in the Indian media and entertainment industry. As a strategy, we will continue to diversify our presence across difference film genres, budgets and languages with a mix of popular and content driven cinema. In a few weeks, we will showcase to the world the first set of films under our Trinity franchise banner. Also scheduled to go on floor this year are some exciting directorial ventures by Sanjay Leela Bhansali, Kabir Khan, Aanand L Rai, Homi Ajadania, Sujoy Ghosh, Nishikant Kamat and Siddharth Anand. We hope and believe that 2016 will be just as magical as 2015 has been.”

  • Eros readies pipeline of 65 movies across 7 languages in 2016

    Eros readies pipeline of 65 movies across 7 languages in 2016

    MUMBAI: Even as it has been embroiled in controversy over the last few months regarding its accounting practices, Eros International is planning to release as many as 65 movies in 2016 across seven different Indian languages like Hindi, Marathi, Tamil, Telugu, Malayalam, Bengali and Punjabi.

     

    Additionally, Eros is also planning to release Sanjay Leela Bhansali’s Bajirao Mastani in China and other international markets in 2016.

     

    HINDI

     

    Eros’ Hindi films pipeline for 2016 includes R. Balki’s Ki & Ka starring Arjun Kapoor and Kareena Kapoor, the promos of which are already out. The company will also be releasing Sajid Nadiadwala’s Housefull 3 starring Akshay Kumar, and Rohit Dhawan’s Dishoom starring John Abraham and Varun Dhawan.

     

    Baar Baar Dekho – a love story starring Katrina Kaif and Siddharth Malhotra will be releasing in association with Dharma Production, whereas Rock On 2 featuring Farhan Akhtar and Shraddha Kapoor will be released with Excel Entertainment.

     

    After associating with producer-director Aanand L Rai on films like Tanu Weds Manu Returns and Raanjhanaa, Eros will release multiple films with Rai’s joint production company Colour Yellow Production. These include Nil Battey Sannata that has received a good response at various festivals including the 20th Busan International Film Festival, 59th BFI London Film Festival with Swara Bhaskar wining the Best Actress at the Silk Road Film Festival of China. Also in the pipeline are films like Happy Bhaag Jayegi, a comedy that will present the first-time pair of Abhay Deol and Diana Penty and Manmarziyan, a romantic drama starring Bhumi Pednekar and Ayushmann Khurrana. 

     

    Apart from these, Rai is also working on his own directorial film, which will go into production this summer.

     

    This Diwali, Eros will release Ajay Devgn’s action drama – Shivaay. 

     

    After co-producing films like Goliyon Ki Rasleela Ram-Leela and Bajirao Mastani, Eros and Bhansali Productions will be joining hands on more co-productions, details of which will be announced at a later date. 

     

    Also scheduled to go on floor this year will be Eros and Phantom’s socio-drama superhero film Bhavesh Joshistarring Harshvardhan Kapoor to be directed by Vikramaditya Motwane.

     

    Other films slated to release in 2016 include Hansal Mehta’s critically-acclaimed Aligarh, Marathi director and National award winner Ravi Jadhav’s Hindi debut Banjo starring Riteish Deshmukh and Nargis Fakri, director Mohit Jha’s sports drama Saat Kadam and Pawan Kripalani’s psychological thriller Phobia starring Raadhika Apte.

     

    Eros will also release Vinay Sapru and Radhika Rao’s musical love story Sanam Teri Kasam starringnewcomers Harshvardhan Rane and Pakistani actress Mawra Hocane; Do Lafzon Ki Kahani by Deepak Tijori with Randeep Hooda and Kajal Agarwal as the lead pair along with Saif Ali Khan starrer Chef, a remake of 2014’s Hollywood hit Chef.

     

    REGIONAL LANGUAGES

     

    The company’s regional slate includes Marathi films like Sanjay Jadhav’s Guru, National award winning director Sujay Dahake’s Phuntroo, and Prakash Kunte’s & Jara Hatke. 

     

    Eros has already released the Telugu films – Balakrishna’s Dictator on 14 January, Pawan Kalyan’s Sardar Gabbar Singh, Mammootty’s Malayalam films White and Fahad Fazil’s Nale along with 2 Penkuttikalfeaturing Tovino Thomas, Amala Paul, Anju Kurian and Anna Fathima.

     

    Following the release of Bengali film Monchora by Sandip Ray with Abir Chatterjee and Raima Sen in January, Eros will release Prakton directed by Shiboprasad Mukherjee starring Prosenjit Chatterjee and Rituparna Sengupta paired together after a decade. 

     

    The Tamil movies’ in the pipeline include the Sivakarthikeyan starrer Rajini Murugan that released earlier this month; Suriya’s 24 directed by Vikram, Enkitta Mothathe, which is cinematographer Natarajan Subramaniam’s (Nutty) debut as an actor with Sanchita Shetty directed by Ramu Chellapa, actor Jaya Prada’s first Tamil production Uyire Uyire, Suriya’s Singam 3, Kai Neelam directed by Nalan Kumarsamy, Oru Kidayin Karunai Mamu directed by Suresh Sangiah and an untitled film starring mega star Karthi.

     

    The company is also collaborating with Harry Baweja to co-produce the sequel to the 3D animation film, Chaar Sahibzade, titled Chaar Sahibzaade 2 (Rise of Banda Singh Bahadur) followed by another 3D animation film Guru Tegh Bahadur. 

     

    Commenting on the company’s line-up, Eros International Media managing director Sunil Lulla said, “We have seen an excellent 2015 with the resounding success of Tanu Weds Manu Returns, peaking with the multiple-record breaking Bajrangi Bhaijaan and ending the year with our crowning glory Bajirao Mastani. We are at a very exciting phase in Eros and have an equally promising slate coming up this year that will reinforce and further strengthen our leadership position in the Indian media and entertainment industry. As a strategy, we will continue to diversify our presence across difference film genres, budgets and languages with a mix of popular and content driven cinema. In a few weeks, we will showcase to the world the first set of films under our Trinity franchise banner. Also scheduled to go on floor this year are some exciting directorial ventures by Sanjay Leela Bhansali, Kabir Khan, Aanand L Rai, Homi Ajadania, Sujoy Ghosh, Nishikant Kamat and Siddharth Anand. We hope and believe that 2016 will be just as magical as 2015 has been.”

  • ‘Airlift:’ A dose of patriotism

    ‘Airlift:’ A dose of patriotism

    Stories are at a premium for film scripts, so are the imaginative script writers and, if there are a few around, the makers are not willing to indulge them at premium. No wonder that more often than not, even our superstars fail to carry a film through.

    In quest of new themes, some makers tried with scripts our people dream about; like bringing Dawood back (D-Day) or like assassinating a Pakistani terror outfit chief (Baby). However, these films did not really convince the film buffs; they were daydreams, after all.

    Airlift, hence, is about a real life massive venture of safeguarding 1.7 lakh Indian expatriates in Kuwait when Iran invaded the country in 1990. Makers in search of real life stories have made films like Who Killed Jessica, Talvar, Manjhi, Pan Singh Tomar, Bhaag Milkha Bhaag etc may confuse the event with the last year’s airlifting/shipping Indians out of Middle East.

    While all above named films have been dramatised for film adaptations, Airlift has taken such a liberty by combining the actions of four protagonists of this 1990 Kuwait operation into one hero in Akshay Kumar.

    Akshay is a successful businessman in Kuwait living with his wife, Nimrat Kaur, and a daughter. He has taken to Kuwait and feels very much at home there; India no more means much to him. That is when his world turns topsy-turvy. The long running feud between Iraq and Kuwait climaxes into Iraq’s invasion of Kuwait. Initially, Akshay as well as other expats think it is another usual threat till they see Iraqi troops demolishing Kuwait and killing the locals at random.

    Fortunately for Akshay and others, India is considered a friendly nation by Iraq and the troops have instructions not to harm Indians. Akshay senses the seriousness of the situation and decides to send away Nimrat and his daughter to England till things settle down. But, while driving through the city, he is captured by soldiers. His driver is shot dead. He is presented in front of the Iraqi army general. Again fortunately for Akshay, the general knows him from one of his trips to Iraq when he was in charge of Akshay’s security. He promises help for a consideration.

    As Akshay visits his office, his staff members look at him expectantly and it soon dawns on him that only he and his family can’t run away leaving his people behind. He settles all his staffers and their families in the office premises and, to his surprise, soon discovers that those who have taken refuge in and around his office don’t all belong to his company.

    The situation around makes him a changed man. From a hardcore, self-centred businessman, he has softened up into a caring person; he takes charge of the Indians who have taken shelter with him and plans on getting them out of Kuwait. His contacts are no use in such a situation, only dollar talk is understood.

    Akshay’s efforts to involve the Indian embassies in Kuwait as well as Iraq fail. So do his attempts to involve the Indian government. The lethargic babus don’t want to take the responsibility while the ministers concerned are not even willing to face the one babu who shows concern and appeals on behalf of the 1.7 lakh Indians. But, it is because of that one babu’s persistence that the minister finally approves action.

    Airlift may come as a new story to the audience who generally is exposed to little besides cross border terrorism. For them, the film is informative with the plus being this is a true account. But, that being the case, the film also has a documentary kind of effect, especially through its first part. Post interval, the film picks up pace as the evacuation drama unfolds and comes up with moments, which stir up patriotism in the viewer. Considering the dry subject, efforts are made to keep the script and narrative as tight and short as possible.

    Direction is generally good sticking to ambience of the region. However, the Iraqi shoulders look shabby and un-Iraqi like. The film has a pleasant musical score and, considering the theme, all songs play in the background. Camera work is apt. Dialogue is sharp. Casting is perfect with Akshay being just the star to invoke patriotism. Nimrat does very well as do others.

    Airlift caters mainly to the elite audience. Its opening is fair. The film, however, should pick up over the weekend with 26 January – Republic Day fervour adding to the patriotic quotient.

    Producers: Bhushan Kumar, Krishan Kumar, Nikhil Advani

    Director: Raja Krishna Menon

    Cast: Akshay Kumar, Nimrat Kaur, Purab Kohli, Prakash Belawadi, Kumud Mishra, Avtar Gill

    ‘Kyaa Kool Hain Hum 3:’ About being fools!

    Kyaa Kool Hain Hum 3 is the third instalment of the Kyaa Kool… series from Balaji Motion Pictures, a sex comedy that has proved lucrative for the makers. The idea is titillation bordering on vulgarity.

    Aftab Shivdasani and Tusshar Kapoor are best friends who are doing things together. Tusshar has a problem with colours, which affects his eyes. The pair usually goofs up and is rendered penniless as well as homeless.

    A friend, Krishna Abhishek, throws them a lifeline and invites them to visit him in Bangkok where he makes porn films. His aides and stars are Claudia Ciesla, Gizele Thakral, Andy Kumar and Danny Sura. Tusshar and Aftab are offered to do porn films, which they are reluctant to do at first. But, they need money badly and that makes them change their minds.

    There has to be something in the name of story to go on so, Tusshar falls in love with Mandana Karimi. Mandana’s father, Darshan Jariwala, however, wants to meet his daughter’s choice along with his family. Where would Tusshar get a family from? Easy! His porn star team comes to his aid. They all have to present themselves as a traditional sanskari family to Jariwala. This is where the film is expected to generate comic situations with its acting challenged cast, some of which has been imported from Bigg Boss show.

    Hindi comedy is usually about gags stolen from here and there and slaps and lewd expressions aided by double meaning dialogue. This film tries to include all of that.

    Uday Ghadge has directed a Marathi film earlier and assisted David Dhawan on a few films. Dhawan’s flair for comedy does not seem to have influenced him. The film is average in all aspects with even songs being of no help.

    Kyaa Kool Hain Hum 3 will find some audience in youth and single screens.

    Producers: Shobha Kapoor, Ekta Kapoor

    Director: Uday Ghadge

    Cast: Tusshar Kapoor, Aftab Shivdasani, Krishna Abhishek, Mandana Karimi, Darshan Jariwala, Gizele Thakral, Claudia Ciesla, Shakti Kapoor

  • ‘Airlift:’ A dose of patriotism

    ‘Airlift:’ A dose of patriotism

    Stories are at a premium for film scripts, so are the imaginative script writers and, if there are a few around, the makers are not willing to indulge them at premium. No wonder that more often than not, even our superstars fail to carry a film through.

    In quest of new themes, some makers tried with scripts our people dream about; like bringing Dawood back (D-Day) or like assassinating a Pakistani terror outfit chief (Baby). However, these films did not really convince the film buffs; they were daydreams, after all.

    Airlift, hence, is about a real life massive venture of safeguarding 1.7 lakh Indian expatriates in Kuwait when Iran invaded the country in 1990. Makers in search of real life stories have made films like Who Killed Jessica, Talvar, Manjhi, Pan Singh Tomar, Bhaag Milkha Bhaag etc may confuse the event with the last year’s airlifting/shipping Indians out of Middle East.

    While all above named films have been dramatised for film adaptations, Airlift has taken such a liberty by combining the actions of four protagonists of this 1990 Kuwait operation into one hero in Akshay Kumar.

    Akshay is a successful businessman in Kuwait living with his wife, Nimrat Kaur, and a daughter. He has taken to Kuwait and feels very much at home there; India no more means much to him. That is when his world turns topsy-turvy. The long running feud between Iraq and Kuwait climaxes into Iraq’s invasion of Kuwait. Initially, Akshay as well as other expats think it is another usual threat till they see Iraqi troops demolishing Kuwait and killing the locals at random.

    Fortunately for Akshay and others, India is considered a friendly nation by Iraq and the troops have instructions not to harm Indians. Akshay senses the seriousness of the situation and decides to send away Nimrat and his daughter to England till things settle down. But, while driving through the city, he is captured by soldiers. His driver is shot dead. He is presented in front of the Iraqi army general. Again fortunately for Akshay, the general knows him from one of his trips to Iraq when he was in charge of Akshay’s security. He promises help for a consideration.

    As Akshay visits his office, his staff members look at him expectantly and it soon dawns on him that only he and his family can’t run away leaving his people behind. He settles all his staffers and their families in the office premises and, to his surprise, soon discovers that those who have taken refuge in and around his office don’t all belong to his company.

    The situation around makes him a changed man. From a hardcore, self-centred businessman, he has softened up into a caring person; he takes charge of the Indians who have taken shelter with him and plans on getting them out of Kuwait. His contacts are no use in such a situation, only dollar talk is understood.

    Akshay’s efforts to involve the Indian embassies in Kuwait as well as Iraq fail. So do his attempts to involve the Indian government. The lethargic babus don’t want to take the responsibility while the ministers concerned are not even willing to face the one babu who shows concern and appeals on behalf of the 1.7 lakh Indians. But, it is because of that one babu’s persistence that the minister finally approves action.

    Airlift may come as a new story to the audience who generally is exposed to little besides cross border terrorism. For them, the film is informative with the plus being this is a true account. But, that being the case, the film also has a documentary kind of effect, especially through its first part. Post interval, the film picks up pace as the evacuation drama unfolds and comes up with moments, which stir up patriotism in the viewer. Considering the dry subject, efforts are made to keep the script and narrative as tight and short as possible.

    Direction is generally good sticking to ambience of the region. However, the Iraqi shoulders look shabby and un-Iraqi like. The film has a pleasant musical score and, considering the theme, all songs play in the background. Camera work is apt. Dialogue is sharp. Casting is perfect with Akshay being just the star to invoke patriotism. Nimrat does very well as do others.

    Airlift caters mainly to the elite audience. Its opening is fair. The film, however, should pick up over the weekend with 26 January – Republic Day fervour adding to the patriotic quotient.

    Producers: Bhushan Kumar, Krishan Kumar, Nikhil Advani

    Director: Raja Krishna Menon

    Cast: Akshay Kumar, Nimrat Kaur, Purab Kohli, Prakash Belawadi, Kumud Mishra, Avtar Gill

    ‘Kyaa Kool Hain Hum 3:’ About being fools!

    Kyaa Kool Hain Hum 3 is the third instalment of the Kyaa Kool… series from Balaji Motion Pictures, a sex comedy that has proved lucrative for the makers. The idea is titillation bordering on vulgarity.

    Aftab Shivdasani and Tusshar Kapoor are best friends who are doing things together. Tusshar has a problem with colours, which affects his eyes. The pair usually goofs up and is rendered penniless as well as homeless.

    A friend, Krishna Abhishek, throws them a lifeline and invites them to visit him in Bangkok where he makes porn films. His aides and stars are Claudia Ciesla, Gizele Thakral, Andy Kumar and Danny Sura. Tusshar and Aftab are offered to do porn films, which they are reluctant to do at first. But, they need money badly and that makes them change their minds.

    There has to be something in the name of story to go on so, Tusshar falls in love with Mandana Karimi. Mandana’s father, Darshan Jariwala, however, wants to meet his daughter’s choice along with his family. Where would Tusshar get a family from? Easy! His porn star team comes to his aid. They all have to present themselves as a traditional sanskari family to Jariwala. This is where the film is expected to generate comic situations with its acting challenged cast, some of which has been imported from Bigg Boss show.

    Hindi comedy is usually about gags stolen from here and there and slaps and lewd expressions aided by double meaning dialogue. This film tries to include all of that.

    Uday Ghadge has directed a Marathi film earlier and assisted David Dhawan on a few films. Dhawan’s flair for comedy does not seem to have influenced him. The film is average in all aspects with even songs being of no help.

    Kyaa Kool Hain Hum 3 will find some audience in youth and single screens.

    Producers: Shobha Kapoor, Ekta Kapoor

    Director: Uday Ghadge

    Cast: Tusshar Kapoor, Aftab Shivdasani, Krishna Abhishek, Mandana Karimi, Darshan Jariwala, Gizele Thakral, Claudia Ciesla, Shakti Kapoor

  • The Film & Television Producers Guild of India announces 11 edition of the Renault Sony Guild Film Awards

    The Film & Television Producers Guild of India announces 11 edition of the Renault Sony Guild Film Awards

    MUMBAI: The Film and Television Producers Guild of India has announced the 11 edition of the Renault Sony Guild Film Awards. The Guild constitutes of the most influential luminaries in cinema who select winners, making it one of the most credible and much revered accolades. The extravaganza will unfold with New Year Celebrations in January and will be broadcast exclusively on Sony Entertainment Television.

     

    Bollywood superstars Akshay Kumar, Priyanka Chopra, Shahid Kapoor, Ayushmann Khuranna, Kriti Sanon and Sonakshi Sinha feature among other star performers who will set the stage on fire with one incredible act after another. After a successful hosting stint last year, television’s superstar comedian Kapil Sharma will don the host’s hat once again and entertain audiences with his unbeatable comic timing.

     

    Renault India Operations Country Managing Director & CEO Sumit Sawhney said, “Renault India is yet again happy to work together with Guild’s 11th edition. This is our fourth year and we are elated to celebrate the achievements of distinct personalities of Indian Cinema who are driven by a commitment towards passion and excellence. Renault, the most awarded automaker in recent times, understands what it takes to win the hearts of people and also win accolades from a proficient jury. As we have always believed, both the Guild and Renault lay special emphasis on Driving the Change and are therefore a perfect fit with each other”

     

    The president of the Film & Television Producers Guild of India Producer and producer Mukesh Bhatt said “It is a pleasure to be an integral part of the Guild and play a role in honouring the best talent of Indian cinema. Over the years we have strived and maintained the highest standards in selecting amongst the best of the best and this time too we are confident the Guild Awards will celebrate the sheer excellence of Indian films”

     

    Talking about the awards, Sony Pictures Networks India Pvt. Ltd. CEO N.P Singh said, “We are pleased to host the prestigious Renault Sony Guild Awards, the official awards of the Film industry. The award winners are selected by the industry Guild – making it truly democratic, credible and honours achievers across different film disciplines. Sony Entertainment Television promises to make the ceremony a power-packed blockbuster night of celebration with exuberant acts & performances.”

     

    Actor Akshay Kumar commented on the occasion, “As a member of this hard working industry, the Guild awards are extremely auspicious to receive for any artist or film professional. With eminent members of our Indian film fraternity forming the Guild, the awards like every year are presented to brilliant work & outstanding achievements, it is a great honour to be nominated for the Guild Awards & now after completing 25 adventurous years in this industry, I will be taking you all down memory lane with my own energy to add to this wonderful night, by putting my best foot forward & performing my heart out to you all, hope you enjoy”

     

    TV Host and Comedian Kapil Sharma said “Guild Awards see the fraternity members honouring excellence in their very own industry. I had a great experience hosting for the Guild awards and it is a delight to entertain and interact with these great film personalities. This time too we have planned interesting acts and I am confident my hosting stint this year will be bigger success.”

     

    Speaking on the occasion, Wizcraft International Founder-Director Sabbas Joseph said, “It is a momentous occasion, each year, to see all of those in the industry who have worked so hard be rewarded for their skill and talent with which they create magic on-screen. This year’s Guild celebrations will be spectacular considering the incredible line-up of performances and the talent that will be celebrated at the ceremony.”

     

    Instituted to celebrate exceptional achievements in Indian Cinema, the film fraternity will congregate, once again this year, to celebrate and honour the best contributions and accomplishments in the industry and to celebrate their work in the previous year. The Sony Guild Awards honour excellence in the creative as well as technical categories. Conceptualized, produced, marketed and promoted by Wizcraft International Entertainment, the Awards will bring together the most celebrated stars of Indian Television and Cinema on one spectacularly star-studded stage.

     

    Conceptualized, produced, marketed and promoted by Wizcraft International Entertainment, the Awards will bring together the most celebrated stars of Indian Television and Cinema on one spectacularly star-studded stage.

     

    It is the only Award that does not allow the general public to be part of the voting process in keeping with its policy of ‘By the Industry, For the Industry’. The Guild consists of over 160 members, who constitute some of the most powerful and influential luminaries in its sector. The winners of the Awards are chosen by the Guild’s members, making it one of the most credible and much revered accolades.