Tag: Ajay Vidyasagar

  • YouTube contemplates YRF, Shemaroo, Sony, Zee & studio tie-ups

    YouTube contemplates YRF, Shemaroo, Sony, Zee & studio tie-ups

    MUMBAI: With competition in the OTT space getting tougher every passing day, the players have to ensure that they boast an edge over the rest. In a move to compete with its rivals – Netflix and Amazon Prime, Alphabet’s YouTube is in talks with some of India’s biggest production houses and broadcasters.

    Yash Raj Films, Shemaroo, Sony, Zee, etc are some of the big banners the streaming service is considering to partner with. It also plans to possess exclusive content for its Indian viewers from a large number of south Indian studios.

    Though, the deals could be different in nature. YouTube APAC regional director Ajay Vidyasagar in an interview with Hindustan Times has stated that some of the deals may bundle the content for YouTube first followed by TV while, some can tweak it for YouTube.

    YouTube is facing serious competition from rivals — Netflix and Amazon Prime not just in India but also in America. Globally, YouTube added 400 hours of content every minute to its platform last year. With Amazon signing a deal with Dharma Productions for exclusive content, with few more to be added soon, YouTube has competition knocking at its door. Even Netflix is closing in deals with studios like Phantom Films apart from its original production.

    Though, Vidyasagar is not letting the players affect his brand. He believes that Netflix is a high-value, low-volume business with limited reach. It creates content in one place and makes it globally available globally.

    But, YouTube claims to have found its way in having large volume and diverse content catering to local needs. According to Vidyasagar, it is expanding to become a local player in every country. Even in small towns, YouTube is the default native video platform that everyone chooses.

    Even after Star India taking away its famous talk show, Koffee with Karan which airs on Star World, off YouTube, Vidyasagar asserted that they have an extraordinary volume and in a few quarters time, they might look at the traffic.

    YouTube will also look more at exclusive content. In India, it will keep the business free, dependent on ad revenue. Even after having a Netflix-like subscription model in some countries, YouTube does not plan to do the same in India at least in the next few months.

  • YouTube contemplates YRF, Shemaroo, Sony, Zee & studio tie-ups

    YouTube contemplates YRF, Shemaroo, Sony, Zee & studio tie-ups

    MUMBAI: With competition in the OTT space getting tougher every passing day, the players have to ensure that they boast an edge over the rest. In a move to compete with its rivals – Netflix and Amazon Prime, Alphabet’s YouTube is in talks with some of India’s biggest production houses and broadcasters.

    Yash Raj Films, Shemaroo, Sony, Zee, etc are some of the big banners the streaming service is considering to partner with. It also plans to possess exclusive content for its Indian viewers from a large number of south Indian studios.

    Though, the deals could be different in nature. YouTube APAC regional director Ajay Vidyasagar in an interview with Hindustan Times has stated that some of the deals may bundle the content for YouTube first followed by TV while, some can tweak it for YouTube.

    YouTube is facing serious competition from rivals — Netflix and Amazon Prime not just in India but also in America. Globally, YouTube added 400 hours of content every minute to its platform last year. With Amazon signing a deal with Dharma Productions for exclusive content, with few more to be added soon, YouTube has competition knocking at its door. Even Netflix is closing in deals with studios like Phantom Films apart from its original production.

    Though, Vidyasagar is not letting the players affect his brand. He believes that Netflix is a high-value, low-volume business with limited reach. It creates content in one place and makes it globally available globally.

    But, YouTube claims to have found its way in having large volume and diverse content catering to local needs. According to Vidyasagar, it is expanding to become a local player in every country. Even in small towns, YouTube is the default native video platform that everyone chooses.

    Even after Star India taking away its famous talk show, Koffee with Karan which airs on Star World, off YouTube, Vidyasagar asserted that they have an extraordinary volume and in a few quarters time, they might look at the traffic.

    YouTube will also look more at exclusive content. In India, it will keep the business free, dependent on ad revenue. Even after having a Netflix-like subscription model in some countries, YouTube does not plan to do the same in India at least in the next few months.

  • ‘The next billion YouTube users are going to come from India:’ Ajay Vidyasagar

    ‘The next billion YouTube users are going to come from India:’ Ajay Vidyasagar

    MUMBAI: Even as Google CEO Sundar Pichai prepares for his India trip with a mandate to outline the company’s vision for the new smartphone users in the country later this month, YouTube has trained its eyes on India in a big way. With a global community of over one billion people that gives anyone the power to create something that everyone can watch, YouTube APAC director of partnerships Ajay Vidyasagar is of the opinion that the next billion users of a platform like YouTube are going to come from a market like India.

    Citing Pichai’s example, Vidyasagar adds, “Senior leaders at Google are very excited about India. India is one of our most valuable opportunities in the world. YouTube is already a mainstream platform in the country. The next billion users of a platform like YouTube are going to come from a market like India.”

    As a definitive step towards its vision for YouTube’s growth in India for churning out original local content, the company has launched YouTube Space Mumbai – the destination for web content creators and aspiring YouTube stars. YouTube Space Mumbai is India’s first and the world’s 8th YouTube Space.

    When asked what influenced the company’s decision to set up YouTube Space in India, Vidyasagar points out a few important stats. “While the year on year growth for YouTube globally is 60 per cent, in India the growth in watch-time has been a whopping 80 per cent. Needless to say India is a very important growing market for us. YouTube Space Mumbai is just one of the many initiatives the company has in store for the country.”

    Not just as a country of viewers, but as content creators too India has seen a steep rise. “There has been a growth of 90 per cent year on year, when it comes to uploading videos to YouTube in India. So getting Spaces to further empower the creators in the country was the obvious next step,” Vidyasagar informs.

    Moreover, YouTube users in India have also made an exponential shift on mobile devices to watch videos. “This year we saw 55 per cent of the total viewership on YouTube in India coming from mobile devices alone. It’s the first quarter when mobile device viewership eclipsed desktops.”

    When asked what this means in a country where mobile marketing is just setting up a roadmap unlike a developed market like China, and how it can impact a YouTube content creator’s revenue, Vidyasagar says, “Our way of looking at mobile or desktop viewership is fundamentally ‘bought and sold’ on a promise of a video view, which is pretty much the same thing on any device. Therefore monetisation isn’t a challenge, even if the device changes. We actually have figures to show now that monetisation is pretty much the same in all devices.”

    Further explaining the monetisation process in YouTube and how the platform gives advertisers a plethora of choices, Vidyasagar shares, “Our advertising team sells reserve advertisements and auction advertisement inventory. The skippable ads that you see are part of a suite that we offer in auction advertising. What ad will be placed on the channel is not decided by the creator but by the buyer of the advertising space. As an advertiser you can choose to buy from the reserve, which means to buy an ad in a specific channel at certain time in a certain volume. And you pay for specific price. But in an auction, you actually bid for an ad to be placed on the platform. So it is not creator led but advertiser led; we give the advertisers a lot of choice in the process.”

    A veteran in broadcast media from his earlier stints at Star TV and Sun TV, Vidyasagar shares how differently a VOD platform such as YouTube functions.

    “When I came to Google, I really thought YouTube is going to be a lot similar to television and very quickly I realised how wrong I was. In a lot of ways, television is a one way communication. You expect the audience to come at a certain hour to a certain television station and then go away. Everything about television is very different in terms of consumption and engagement from a platform like YouTube. Interactivity amongst creators is what drives YouTube and its community at heart. The single biggest difference for me has been realising the power of how creating, sharing and commenting plays such a big role in what was originally a one way communication,” he offers.

    Comparing the television medium to online, Vidyasagar says that in his stint with television, it was mainly the opinion of a handful of decision making people that was more often than not reflected in shows. “On television, we got a very filtered version of what people thought about the content. But when content goes out on YouTube, I have a pretty strong idea of what people actually think about it. This makes you very responsible over what you put out there as a content,” he says.

    That said, both YouTube Spaces global head Lance Podell and Vidyasagar stress the need to get more and more Indians be active on YouTube. While infrastructure and lack of uniform access of internet through the country, specially in Tier II and III cities remains a challenge, the duo is happy to inform that their previous marketing initiative YouTube Offline, which was first introduced to India, has borne fruit and shown a 500 per cent growth in usage across the country. Additionally, a slew of services are being thought of to pull in more users to the platform, Vidyasagar informs.

    With an aim to attract tens of thousands of fully functional content creators who can add to the YouTube community and also inspire others, the 4G wave in the country will only add an impetus to facilitate the video network’s plans in India.

  • Both TV & digital mediums are here to stay: PromaxBDA

    Both TV & digital mediums are here to stay: PromaxBDA

    MUMBAI: With the advent of social media and new usage platforms, the way people consume media has changed and how.

     

    At the PromaxBDA conference, an interesting session with Google partnership director South Asia Ajay Vidyasagar and Discovery Networks VP marketing Rajiv Bakshi threw light on how media is consumed and is leading the way for television of tomorrow.

     

    Spatial Access founder Meenakshi Menon moderated the session.

     

    Vidyasagar said, “The space has moved from creating content to creating a fan base. The consumer uses content to express himself.” Citing an example of when he joined Google in 2010, he said, “In 2010, the Indian audience gave a total of 500 million views, while today it gives about 350 billion views for the content that is available on YouTube.”

     

    YouTube is a platform for creators to engage and communicate with audiences, which television lacks. Sharing his views on how television will continue to exist, Bakshi said, “We’re no longer a traditional medium. We’re a contemporary medium. In spite of having entered the phase of digitisation, we are growing. So even if digital exists, television will continue to be there for the audiences. It caters to different sets of audiences. Moreover, people like to consume content on all platforms.”

     

    “We started Discovery in India with two channels. Today we have 11 channels, including one GEC – ‘Investigation Discovery,’ which we launched recently. So there is an audience for all types of content. India is evolving and TV is robust and growing,” Bakshi added.

     

    Raising a question, Menon asked how TV reconciles with the fact that content cost on TV is very high, whereas on YouTube it is bare minimum and in spite of this, YouTube gets a million views and a billion fans to their content.

     

    Answering Menon’s question, Bakshi said, “From a short term business point of view, the YouTube model is fine. But from a long-term business point of view, one needs to have a 24-hour content model. Eventually, in India people want maximum entertainment and minimum effort and TV is giving exactly that.”

     

    Speaking about the evolution of media, Vidyasagar said, “When print came, the word of mouth publicity did not lose its business. Similarly, when radio and television came, print did not die. None of them have impacted the value of existing media. The need for one to consume news is increasing and hence every medium is here to stay. The only important point to keep in mind is that content is an asset and in today’s world it needs to be made relevant to different devices.”

     

    While we know that a lot of producers are creating content for digital and showing it on digital, Vidyasagar stated an example where Jimmy Fallon actually engages with audiences on digital to bring relevant content back on TV. In the end, it’s a loop of usage. Digital is not taking away from anybody, and neither is television. Both the mediums engage consumers.

     

    Vidyasagar added, “For instance, in India the highest searched channels on YouTube are that of television networks because their content is available on YouTube. Eventually, the consumer gets the core benefits of the content available on digital and on television.”

  • YouTube launches buffer-free offline video in India

    YouTube launches buffer-free offline video in India

    MUMBAI: YouTube has launched an offline feature in India as part of a larger initiative to make YouTube easier to enjoy on mobile devices, while lessening the burden of data for its growing base of mobile users. This is part of YouTube’s first release of its ad-supported offline feature on Android and iOS, which was announced earlier this year with the launch of Android One smartphones.

     

    The new offline feature for the YouTube app lets people take videos offline, using WiFi or their data plans.  Once taken offline, the videos can be viewed without an internet connection for up to 48 hours, allowing people to enjoy YouTube videos without worrying about slow connections. For videos where this feature is available, people can choose to add the video for offline viewing by tapping on the offline icon that sits under the video frame.

     

    YouTube vice president of engineering John Harding said, “In a country like India, the future of the internet is mobile. 85 per cent of the internet population will connect to the internet with a mobile phone before any other device. Already, we’re seeing over 40 per cent of our traffic in India come from mobile devices, and we want to make sure we are making YouTube as enjoyable as possible for these mobile-first users. By launching this offline experience on YouTube in India today, we hope to help people move past the challenges of data connection, speed and cost to enjoy a smooth, buffer-free version of YouTube.”

     

    Much of India’s popular YouTube content is ready for people to view offline from indie comedy to Hindi movies and select Bollywood and pop Bhangra music.

     
    “We are delighted to launch this new offline experience on YouTube with some of India’s household names for entertainment and music, including T-Series, Saregama and Yashraj Films. Making these popular videos available for temporary offline viewing will help fans connect more easily with their favourite content, and we hope to continue helping Indians affordably access YouTube over the next year. This new feature will also help our partners bring more viewers to their content and find even greater success on our platform,” said YouTube Asia-Pacific regional director of YouTube partnerships Ajay Vidyasagar.

     

    The launch of YouTube’s offline feature is YouTube’s latest effort in a series of initiatives to make video content more affordable and accessible to the large base of mobile internet users in the country. Earlier this year, YouTube worked with Tata DoCoMo to introduce “YouTube Recharge,” a new video data add-on for prepaid users that gave them more affordable access to YouTube on their mobiles devices.

     

    Saregama India MD Vikram Mehra said, “As a partner of YouTube we welcome this new feature which will allow people from small towns who are surfing from poor bandwidth to enjoy our vast repertoire.”

     

    Added Shemaroo Entertainment director Jai Maroo, “We are one of the oldest partners of YouTube India and have a very successful partnership putting the best of bollywood content and monetizing it, where today we do between 46 to 60 million views per month.  Given the access and pricing issues to date in this country, we do see that user behavior that somewhere consumption gets restricted and this offline initiative will help increase consumption.   YouTube has created a win win situation where this feature is easy and seamless for the user while still protecting the interest of the content owner and the advertiser.” 

  • ‘We are identifying short term tasks and medium term tasks to get to a new, bigger Star’

    ‘We are identifying short term tasks and medium term tasks to get to a new, bigger Star’

    It’s the festival of lights. And for many the festival of noise courtesy exploding fireworks. In the hope of reducing the number of those belonging to the latter tribe, we, at indiantelevision.com, decided to put a display of firecracker articles for visitors this Diwali. We have had many top journalists reporting, analysing, over the many years of indiantelevision.com’s existence. The articles we are presenting are representative of some of the best writing on the business of cable and satellite television and media for which we have gained renown. Read on to get a flavour and taste of indiantelevision.com over the years from some of its finest writers. And have a happy and safe Diwali!

     (Written by: Thomas Abraham in 2007)

    Two men under whose collective leadership rest the fortunes of Asia’s most powerful media conglomerate. In a way, there is a commonality in how both have risen to the top at Rupert Murdoch’s Asian media arm – from the blue as it were. It was just under ten months ago that Paul Aiello, a one time investment banker, was pitchforked into the hot seat of a company riven by internal power politics and stalled growth stories in the key markets it was operating in.

    Three months later, Aiello opted for another dark horse in then Star News CEO Uday Shankar, giving the newshound turned corporate honcho operational charge of India’s lead broadcast network and the difficult task of setting things right there.

    In conversation with Indiantelevision.com’s Thomas Abraham a day after Shankar was elevated to Star India CEO (on 25 October), the two offer their most detailed overview yet, of the media conglomerate’s plans for this market and the region as a whole. Excerpts:

    These are exciting times for the industry with the economy booming and the sector seeing 20-25 % growth. How does Star view all this? What are the key factors that will drive its growth? What could work as impediments?
    Aiello: I continue to be extremely excited about the market and its growth, even though there are numerous uncertainties. You can argue that there are regulatory uncertainties, uncertainties created by increased fragmentation in viewership and increased competition. But these things are to be expected in a highly dynamic market place.

    The challenge for us is not about focusing on what Star is. It is really about what should the next Star be? What should Star be in the next five to ten years from now? That requires a lot of internal focus and development of strategies. 

    So whether it’s about our core broadcast business where we must deal with increased fragmentation, regionalization… all the phenomena that everyone looks at, we need to be there. As well as looking at the overall growth in the media market and knowing that there are other areas that we’re not in as Star; but areas where we have tremendous capabilities within News Corp and in Star, that we should move in to and make sense of.

    So we’ve been through a strategic review process and now we are coming out of that and are identifying the short term tasks and the medium term tasks to get to a new and bigger Star.

    If you get detracted by a noise event like a new show that someone else has come up with in the last one week or some uncertain ruling or regulatory decision, you can get paralysed and miss what is the more important strategic initiative on where you want to be.

    It is really important to keep that strategic vision because then you become really disciplined to stand by what the vision is and do the execution of the steps necessary, whether it is people moves or moving into new areas of business.

    So which are the new areas?
    Aiello: Certainly we need to expand the footprint of our core business of our channels. In the next six to nine months, we are going to be launching more channels.

    Five channels?
    Aiello:
    Five, six channels, yes. That is one manifestation of the extension of our core business. But we are looking at many other ways to build our business.

    Like for example?
    Aiello: News Corp has tremendous capabilities when it comes to films.

    Everybody was waiting for that. Are you going to go the Sony Pictures route? Will you be getting into movies big time and will that be under your mandate?
    Aiello:
    It is something for not just me to decide, but Fox to decide. We work very closely with our sister companies at New Corp. Let us see what we can do together if such opportunities make sense.

    News Corp is pretty strong in new media, internet as well.

    MySpace?
    Aiello: Yes, MySpace, Fox Interactive Media.

    Ajay Vidyasagar will be on that I am told.
    Aiello: Ajay is very involved in our new media strategy.

    If Ajay will be overseeing that side of the business, there are also the content challenges that lie ahead. How will all this be managed?
    Shankar: Ajay did an amazing job in the last eight-nine months when there was a creative management vacuum when people had left and gone away. Now we have ramped up our content team. So there is Anupama (Mandloi), there is Vivek (Behl), there is Monica and two or three others who have come in. We’ve also created a structure which is more channel focused. So there is a general manager of Star Plus, who’s Keertan (Adyanthaya). There is a GM of Star One, that’s Ravi (Menon). So the day to day channel management activities have become pretty much independent and self contained.

    So, for any of the other senior management, including myself, we don’t have that kind of daily interface. Our task has moved on to doing strategic and long term planning for the channels. Our internal understanding is that Ajay is going to primarily spend his time in building the internet business. And that’s in collaboration with MySpace wherever it’s possible. And internally, we will do a whole lot of other things.

    Where MySpace might not be a partner?
    Aiello: That’s right. Star will have its own new media strategy. At the same time Star will work with MySpace, Fox Interactive Media, in as many places as it makes sense. 


    The times of 50-on-50 top shows is history and we could soon well have a situation of three to four networks fighting it out for top honours. How do you see that panning out? 
    Shankar: I really feel that in this market, in the entertainment space, for a long time will continue to primarily be a two player market. Maybe there might be a third player who will have a little bit of traction. Who that first, second or third player is may change, in two or even in five years time. But I still think that for many years, that is what is going to be the situation.

    The big difference will be this. Typically in broadcasting globally, two key players will be the ones making money. In this market, in GEC, simply because of the size of the universe, it is possible that if people have a disciplined content approach, even the No. 3 and the No. 4 can make money.

    And our advertising space is becoming so segmented. Not everybody has to take big corporate advertisers. Not everybody has to target the same clients.

    What it requires is for people to clearly identify their TG, their target geography and smartly design unique or signature content for these TGs. My big problem is that in category after category you see, people are just cloning the leader.

    The fact is that it has worked because of the very size of the market. News is a classic example of that.

    Shankar: It has worked. But the returns are diminishing. If you see sustainable leadership in whichever category, somebody has been able to challenge the leader’s content model. Star News did whatever turnaround it could manage because it did not follow the Aaj Tak route of live breaking news. It went into appointment viewing and other kinds of signature programming.

    Now what you see is that everybody is chasing one or other player. The same thing is happening in music. You are seeing more and more commoditization of content and less and less differentiation. That is a big challenge.

    I think distribution is a huge challenge for this market; copy content is a big challenge. And the third, I am not saying necessarily in that order, huge challenge is the shortage of original quality talent; which nobody is really talking about. It is the same talent that is going around.

    If you are smart, you change three jobs in two years, your salary will go up four times, and you will get three more promotions. That does not mean that the person’s maturity has gone up or that person’s quality of skills have increased.

    Aiello: This is an issue that applies not only of India, but practically to all of Asia. You have to get fresh new talent. It is critical nurturing them and taking risks in developing them. 

     

    So the three biggest challenges over the next three years are distribution, commoditisation of content and talent management?

    Shankar: In distribution, if you were to further focus, the two challenges would be, 1) to strengthen the cable infrastructure to allow more and more channels to be delivered to the end customer, 2) is to create a regulatory environment where premium content is encouraged by monetizing.it.

    Not everybody has to pay Rs 500. There should be a good, decent family package available for Rs 75; but, somebody who wants to pay Rs 500 or Rs 1,000 and get great content, should have access to that. It is not to make an argument that people should pay through their noses; but people should have a choice.

    What is your view on Trai’s mandating pricing in non-Cas areas? I am told that broadcasters, as in the IBF, are debating challenging it legally. 

    Shankar: If there is a regulatory order, then everybody will have to comply with that. Obviously we have no choice.

    But this kind of price cap in non Cas areas, in an Indian environment where there is so much of opacity in declarations of subscriber base, is going to be extremely counterproductive for this industry. Because you’re operating in a situation where the cost of distribution has become a very important line item for all broadcasters. Except for one or two channels like Star Plus, everybody else has to shell out a large sum of money on distribution.

    The problem is that this kind of artificial cap on value, when the input costs are not being controlled, is very, very counterproductive. A whole bunch of broadcasters and many of the niches are going to become uncompetitive because of distortions in the distribution space. I think this is going to be highly detrimental.

    Yet you have all these new launches, new networks coming up.
    Shankar: Three reasons. People have faith in the Government, in God and the Regulator. 

    ‘You have to get fresh new talent. It is critical nurturing them and taking risks in developing them’

    It’s ‘karma’ then?
    Shankar: Seriously, if you look at it, there are niche channels where 30-40 per cent of their opex is the distribution fee. It is clearly unsustainable.

    This is a market where the talent costs are going through the roof because of the supply side shortage. It is a market where new competitors are coming, so your content costs are going up. Because clutter is going up, your marketing costs are going up. And your distribution costs are going completely out of whack.

    There is not even a logical relationship. Last year what you spent has no bearing on what you will have to spend this year. And in this market what you spend has no correlation to what you spend for similar deliveries in an adjoining market. This is clearly an insane situation.

    Aiello: That is not to say that some of these people will not succeed.

  • Maruti in $ 1 million sponsorship deal for cricket World Cup website

    Maruti in $ 1 million sponsorship deal for cricket World Cup website

    MUMBAI: ICC internet partner Indya.com kicked off its campaign for the globe’s biggest cricketing carnival with the official launch today of its World Cup dedicated website cricketworldcup.com.

    The launch coincided with the confirmation that car major Maruti had come on board the site as presenting sponsor for cricket’s headline event. In what is being termed as the biggest online advertising deal negotiated in India in recent times, Maruti has committed somewhere in the region of $ 1 million (Rs 450 million) for the privilege of owning “most of the real estate” on the site, sources close to the developments say.

    Ajay Vidyasagar, Star India executive vice-president content and communications, while refusing to offer any comment on the size of the deal, said: “Maruti has made a significant investment in partnering with us and this is the only engagement we are announcing for the present.”

    “Maruti has always been at the cutting edge of technology and have always been open to explore and experiment with new ideas,” NDTV Media CEO Raj Nayak, whose company has been given the mandate to sell advertising for Indya.com for the World Cup, said. “I think this is a testimony to the power of the worldwide web,” Nayak added.

    It may be recalled that earlier, the sponsorship packages on offer involved one presenting sponsor and four associate sponsors. This has all changed because the size of the deal Indya has negotiated with Maruti. There will now be far less inventory available for other potential sponsors than had been originally envisaged, Vidyasagar explained.

    Speaking about cricketworldcup.com, Vidyasagar said, “We are committed to provide the most comprehensive and definitive website of the game during the tournament and assure our users an online experience that they will find unparalleled.

  • Star One attempts to set Limca record with 24-hour ‘Antakshari’

    Star One attempts to set Limca record with 24-hour ‘Antakshari’

    MUMBAI: On the eve of the Star One’s Colgate Maxfresh Antakshari – The Great Challenge, the network rounded up avid fans to sing their way into the Limca Book of Records with a 24-hour Antakshari that started at on 7 February at 3 pm and eneded on 8 February.

    The show will premiere on 9 February at 8 pm and will invite KBC host Shah Rukh Khan to cheer the teams on, while musical talent show host Shaan will introduce the show. The opening act has been choreographed by twinkle toes Shiamak Davar.

    As a build up to the launch, the 24-hour non-stop Antakshari featured four teams from different parts of the country. According to the criteria assigned to them, the teams were allowed to take a half an hour break every three hours. The final announcement of whether they have accomplished the feat will only be confirmed by the Limca Book of Records committee in two weeks time.

    Limca Book of Records marketing manager VVR Murthy said that other factor they will consider is that the teams showed no signs of fatigue and continued singing their hearts out.

    Star India EVP Ajay Vidyasagar said, “We at Star One always believe in doing things differently and hope to achieve milestones with every initiative. This challenge of playing Antakshari for 24 hrs non stop is a step towards activating a pulse amongst our viewers. I really hope we make it to the Limca Book of Records!”

    Murthy added, “Till date, there is no record of such an event in the Limca Book of Records. If this is completed successfully, it will be the first entry into the Limca Books. I sincerely hope that they will make it and I wish all the participants the very best of luck.”

    The challemge culminated with host Annu Kapur felicitating the participants for the efforts.

  • Star Movies to come back on Mumbai’s airwaves from Monday

    Star Movies to come back on Mumbai’s airwaves from Monday

    MUMBAI: This should spell good news for English film buffs. After having been off air for nearly five months, Star Movies will be back on air in Mumbai from Monday, 5 February.

    The channel has submitted an application before the Mumbai High Court stating that it will only air films with a U or a U/A certificate. It might be recalled that archrival HBO had also been off air for some time. However it came back on air in November after submitting an application.

    Star Entertainment India executive VP Ajay Vidyasagar stated, “We are happy that Star Movies is back on air in Mumbai. All the titles that will be showcased, have been cleared as per the rules of the High Court. We look forward to entertaining our viewers in the New Year with exciting properties and titles and sustain the excitement, further strengthening our position in the English movie entertainment category.”

    Star Movies’ big event for this month is the 79th edition of the Oscar Awards which will air on 26 February 2007. This year there should be more interest than normal as Deepa Mehta’s Water is competing in the foreign film category.

    Before that on 18 February 2006 at 8 30 pm host Terence Yin presents the preview show Opening Night. It will have scenes from Dreamgirls which got eight oscar nominatiobns but surprisingly did not get a best picture nomination.

    It is a story of loyalty, fame and betrayal that tracks the struggle of a music group of African Americans carrying their sound into mainstream America. The Broadway phenomenon has been made into a film with Oscar nominees Eddie Murphy, Jennifer Hudson and Oscar winner Jamie Foxx.

    In addition to this, the channel will be premiering some big blockbusters like The Myth, Hotel Rwanda and Proof.

  • Star unveils downloadable video content on indya.com

    Star unveils downloadable video content on indya.com

    MUMBAI: The Star Group’s internet portal, indya.com has announced the launch of a digital entertainment store, by which users can download content. Among top shows on the network, Kahaani Ghar Ghar Kii, The Great Indian Laughter Challenge and Koffee With Karan will be made available for download. indya.com is also working with other content providers to bring Indian documentaries, current affairs updates, films and music online.

    The service is powered by Direct2Drive, Fox Interactive Media’s digital retail store, which already offers an array of downloadable film, television and anime content from providers, such as 20th Century Fox, Lionsgate Films, and Starz Entertainment. Users can access the service at http://broadband.indya.com.

    Single episodes are now available for free on a trial basis in order to allow users to sample the quality of the content and service. Additional episodes are priced starting from US$0.99 though special discounts are available for bundle purchases. Additionally, indya.com’s exclusive recap episodes will be available for top serials, chronicling an entire week of events in a 45-minute specially created recap. Recap episodes for shows like Kahaani Ghar Ghar Kii, are available now in the same week as aired on TV, with other shows to be added to the mix in the near future, informs an official release.

    It will be available worldwide and is targeted at broadband-enabled South Asian audiences in the U.S., U.K., Canada and South East Asia.

    The new service is offered via a “download-to-own” model, in which content is downloaded to the end-user’s PC. Purchased content is then playable on up to two Windows Media compatible devices, including portable players, allowing consumers to view their content on the go, adds the release.

    “This is the first time an Asian internet portal has made this kind of scale of entertainment content available online,” said Star India executive vice president and head, interactive media Ajay Vidyasagar. “We are very pleased to be able to launch the service with a number of Star’s popular properties and look forward to working with other content providers in order to offer broadband enabled South Asians the world over the best entertainment content for download.”