Tag: Ajay Bijli

  • Pvr Inox serves up India’s first luxury dine-in cinema in Bengaluru

    Pvr Inox serves up India’s first luxury dine-in cinema in Bengaluru

    MUMBAI: Lights, camera… appetiser! PVR Inox is giving Bengaluru’s cinema-goers a taste of something extraordinary with the launch of India’s first-ever luxury dine-in cinema at M5 Ecity Mall, where silver screens meet silver service.

    Fresh off opening its new eight screen multiplex at the mall, Pvr Inox is now transforming the movie experience into a full-fledged culinary and lifestyle destination. The new dine-in format lets guests enjoy gourmet, chef-curated meals in the comfort of their cinema seats, no stepping out, and remarkably, no movie ticket required to dine.

    The concept redefines what a night at the movies means. From Crosta’s artisanal pizzas and Wokstar’s sizzling Asian comfort food to Dogfather’s inventive hot dogs and Local Street’s regional delicacies, every dish is designed to elevate the cinematic journey. Add to that café corners, indulgent desserts, and lounge-style foyers and the venue doubles as a social space for foodies and film buffs alike.

    At the heart of this venture lies “youthification”, Pvr Inox’s futuristic approach to entertainment. The space integrates gaming zones, kids-first formats, and digital lounges, alongside its luxury auditoriums, appealing to young, experience-hungry audiences. “This is not just about watching films, it’s about spending time well,” said Pvr Inox lead specialist – innovation, film marketing & digital programming Aamer Bijli.

    Echoing the sentiment, Pvr Inox Limited  managing director Ajay Bijli added, “With M5 Ecity Mall, we’re inviting audiences to experience cinema in an entirely new way. From India’s first dine-in auditorium to immersive technology and curated food, it’s a celebration of films, lifestyle, and shared moments.”

    The tech is as grand as the gastronomy. Every auditorium boasts Dolby Atmos, Dts:x, and 4k Laser projection, with the Big Pix theatre offering Reald 3D visuals, and the Samsung Onyx Led screen taking in-seat dining to dazzling new heights.

  • PVR Inox marks Independence Day with 18 new screens in Mumbai and Bengaluru

    PVR Inox marks Independence Day with 18 new screens in Mumbai and Bengaluru

    MUMBAI: PVR Inox has turned Independence Day into a box office bonanza with the launch of 18 state-of-the-art screens across Mumbai and Bengaluru. The country’s largest cinema exhibitor unveiled a 10-screen megaplex at Sky City Mall in Borivali East, Mumbai, and an eight-screen flagship at Mahindra Millennium Mall in Bengaluru.

    Timed to coincide with the releases of Coolie and War 2, the two properties showcase the exhibitor’s boldest push yet into experience-driven entertainment. The Borivali megaplex spans multiple levels and features premium formats including Insignia, Imax with Laser and 4DX, with Instagram-ready foyers and lounge spaces pitched squarely at younger audiences.

    Bengaluru’s new multiplex promises even more experimentation: India’s first dine-in auditorium restaurant, an upgraded “Kiddles 2.0” cinema for children, Club Sapphire recliner halls, and VR/AR gaming zones. AI-enabled crowd-flow systems add a tech edge to the glitzy design.

    INOX Bengaluru

    PVR Inox managing director Ajay Bijli said the new cinemas celebrate “the freedom to experience stories in spaces that inspire, energise, and connect.”

    Executive director Sanjeev Kumar Bijli called the simultaneous 18-screen launch the firm’s “boldest step yet” in reimagining cinema as a multi-sensory destination.

    With 1,763 screens across 355 properties in 111 cities, PVR Inox continues to dominate Indian film exhibition. By positioning its latest properties as lifestyle hubs as much as theatres, it is betting that movie-going can be turned into a festival every weekend.

  • PVR Inox screens a strong  Q3 FY 2025

    PVR Inox screens a strong Q3 FY 2025

    MUMBAI:  Q3 FY 2025 saw the audiences coming back to the theaters drawn in by entertaining films. At least that’s what one can infer  from the financials of PVR Inox Ltd’s for  Q3 FY 2025  and  for the nine months ended 31 December 2024.

    PVR  announced its results  on 6 February through regulatory filings with the Bombay stock exchange. 

     Q3 FY 2025 was especially strong  driven by blockbuster releases and record-breaking figures in ticket prices, food and beverage (F&B) spends, and advertising revenues.

    The company reported revenues of Rs 17,388 million, EBITDA of Rs 2,583 million, and a profit after tax (PAT) of Rs 681 million for Q3 FY 2025. Cinema admissions reached 37.3 million, with the highest-ever average ticket price (ATP) of Rs 281 and F&B spend per head (SPH) of Rs 140. Advertising income surged to Rs 1,486 million, the highest since the pandemic.

    During the quarter, PVR Inox opened 11 new screens across two properties, bringing its total portfolio to 1,728 screens across 350 cinemas in 111 cities.

    For the nine-month period, the company posted revenues of Rs 45,893 million, an EBITDA of Rs 4,453 million, and a net loss of Rs 460 million. Cinema admissions totalled 106.4 million, with an ATP of Rs 259 and SPH of Rs 137.

    Commenting on the performance, managing director Ajay Bijli said, “As we look ahead, our focus remains on adopting a capital-light model, enhancing cash generation, reducing net debt, controlling costs, and delivering a diverse slate of films to excite moviegoers. With a robust content pipeline and strategic growth initiatives, we are confident in sustaining our leadership and driving long-term value for stakeholders.”

    The quarter witnessed record-breaking box office collections, propelled by Pushpa 2, which grossed Rs 1,450 crore in India, including Rs 900 crore for its Hindi dubbed version, making it the highest-grossing Hindi film ever. Tamil and Telugu films continued to perform well, while the Hollywood release Mufasa: The Lion King resonated with urban audiences.

    Despite these successes, key film reschedules affected overall momentum. The company anticipates strong 2025 content pipelines across Hollywood, Bollywood, and regional cinema.

    PVR Inox also announced continued reduction in net debt, which stood at Rs 9,958 million as of December 2024, a decrease of Rs 4,346 million since March 2023. The company exited 67 underperforming screens and expects to open 100–110 new screens by the fiscal year-end, focusing on capital-light models for future expansion.

  • PVR Inox launches its ‘Cult Classics’ IP with Laila Majnu

    PVR Inox launches its ‘Cult Classics’ IP with Laila Majnu

    Mumbai: PVR INOX Ltd, a cinema exhibitor in India has announced the re-release of the iconic film “Laila Majnu,” marking the official launch of its ‘Cult Classics’ intellectual property (IP). PVR INOX has a dedicated audience base that embraces a breadth of diverse cultural entertainment experiences. This IP aims to offer valuable, exclusive, and fresh content across an array of categories that convert a regular cinematic experience into an entertainment extravaganza for the audiences. These categories include the tried-and-tested success formula of re-release of timeless films, and innovative experiences such as film festivals, sporting events, concerts, documentary screenings, and live events.

    Following the tremendous success of the Rockstar re-release, PVR INOX is thrilled to present Laila Majnu as part of its ‘Cult Classics’ series. The event will be graced by renowned actress Tripti Dimri, Avinash Tiwari, Imtiaz Ali, and Sajid Ali at PVR INOX LIDO, Mumbai.

    The beloved classic romantic movie returns to theatres, celebrating its enduring impact on generations of moviegoers. The initiative attempts to revive iconic films that have left a lasting impact on audiences, ensuring these masterpieces continue to be appreciated by new generations.

    PVR INOX Ltd MD Ajay Bijli commented on the launch, “We are delighted to bring Laila Majnu back to the big screen as part of our Cult Classics IP. This initiative is a testament to our commitment to craft unexpected and innovative experiences for our audiences to enhance their movie-going experience. This is what sets a magical big-screen cinema experience apart from other mediums. We believe that these timeless films deserve to be experienced on the big screen and we are excited to share this journey with our patrons. We aim to create a bridge between the past and the present, offering a unique cinematic experience that honors the artistry of these iconic films.”

    Laila Majnu will be released at 51 PVR INOX Ltd properties across the country. The re-release will be followed by a series of other classic films.

  • PVR INOX unveils Bengaluru’s largest cinema

    PVR INOX unveils Bengaluru’s largest cinema

    Mumbai: PVR INOX, the largest and the most premium cinema exhibitor in India, has announced the launch of Bengaluru’s largest cinema at Phoenix Mall of Asia and its largest cinema in the South. The 14-screen Megaplex located in the largest and one of the most premium malls in Bengaluru features three premium formats – MX4D, ScreenX, and Insignia.  PVR INOX also introduces the first MX4D, the immersive 4D movie experience and ScreenX, 270-degree cinema viewing in South India.

    The new cinema will augment PVR INOX foothold in Bengaluru with 172 screens in 26 cinemas and in the state of Karnataka with 219 screens in 37 cinemas.  The company consolidate its presence in South India to a total of 572 screens in 100 properties.

    Located in the suburbs of Bangalore, the 14-screen Megaplex is the city’s most advanced cinema that includes the multi-sensory MX4D format, premium large screen format ScreenX, three auditoriums of PVR INOX’s luxury format, Insignia along with 9 premiere auditoriums with last row celebrity plush recliners. With a seating capacity of 1997 audiences, the new cinema is equipped with the best-in-class theatrical technology to offer an immersive and enhanced cinematic experience. This includes the 4K laser projection, advanced Dolby Atmos surround sound and Volfoni 3D screen.

    Commenting on the announcement, PVR INOX Ltd MD Ajay Bijli said, “The Southern region is a critical market for us with a steady supply of regional content and passionate consumer demand. We have received an overwhelming response for all our premium screen formats nationwide, prompting us to unveil our largest cinema in South with 14 screens including 3 superlative cinema formats – MX4D, Screen X and Insignia. It has been PVR INOX’s strategy to make cinemas more experiential and this Megaplex at Phoenix Mall of Asia perfectly aligns with our vision.’’

    The design harmoniously blends various shades of white, accented by a regal touch of Royal blue, imparting a luxurious ambiance. Strategic areas such as entrances and F&B spaces are elegantly emphasized using black accents amidst the whites, ensuring a delicate balance. Impressive video walls, signage, and ceiling features reflect the grandeur reminiscent of a Megaplex. By transitioning from whites to greys, the Insignia achieves a refined and opulent atmosphere. This timeless design promises a perpetually fresh appeal, welcoming customers to a comfortable and inviting environment.

    Commenting on the announcement, PVR INOX Ltd executive director Sanjeev Kumar Bijli said, “We are delighted to launch our biggest property in South India, introducing the MX4D and Screen X formats to the region. Bengaluru is a fast-changing and dynamic city in Southern region and one of India’s fast-growing economies. Leveraging on the immense potential of the city aided by proactive governance, it offers one of the most promising destinations for expansion of multiplexes. We are excited to expand our presence in Karnataka with a world-class cinema.”

  • PVR gets shareholders approval for Inox merger

    PVR gets shareholders approval for Inox merger

    Mumbai: Multiplex operator PVR has received shareholders’ approval for its proposed merger with Inox Leisure. 99.9986 per cent voted in favour of the merger. It was defeated by a margin of 0.0014 per cent.

    Inox, in a filing, said that a meeting with equity shareholders took place. The company sought approval for the proposed merger. The results of the vote are expected to be announced in the coming days.

    The Inox said, “A meeting of the equity shareholders of the company was held on 12 October 2022 at 12 p.m. through video conferencing (VC)/other audio visual means (OA VM) as per the directions issued by the National Company Law Tribunal, Mumbai Bench, vide its order dated 22 August, 2022 and in compliance with the applicable provisions of the Companies Act, 2013 read with rules made thereunder, circular(s) issued by the ministry of corporate affairs and the Securities and Exchange Board of India, for transacting the business mentioned in the notice dated 10 September 2022 convening the said meeting (NCLT Convened Meeting). “

    In March, the two companies announced plans for a merger. Inox had said the merger would bring together two of India’s best cinema brands to deliver an unparalleled consumer experience with a network of more than 1,500 screens.

    Following the merger, Inox promoters will join the existing PVR promoters as co-promoters of the merged entity. According to the regulatory filing on 27, once the scheme is implemented, the board of directors of the merged company will be reconstituted with a total board strength of 10 members and equal representation on the board for both promoter families with two board seats each.

    The company will be called PVR Inox, with the branding of existing screens to continue as PVR and Inox, respectively. Ajay Bijli will be the managing director and Sanjeev Kumar Bijli will be the executive director. Pavan Kumar Jain will be the non-executive chairman of the board.

    Shareholders of Inox will get PVR shares in a pre-approved “swap” ratio of 3:10. Three equity shares of PVR can be swapped for 10 of Inox. Inox will have a 16.66 per cent stake and PVR will have a 10.62 per cent stake in PVR Inox.

  • PVR celebrates 25 years with a variety of initiatives

    PVR celebrates 25 years with a variety of initiatives

    Mumbai: Multiplex operator PVR has completed 25 years in the country. To commemorate this milestone, the brand has rolled out a multi-media campaign with a film “Iss Andhere mein bahut Roshni hai” (There is light in this darkness) featuring Bollywood actor Aamir Khan. It has unveiled PVR’s 25th anniversary logo, along with PVR’s first NFT coin and an iconic ticket. PVR is also celebrating the occasion with contests.

    The concept for the Khan film was derived from a consumer insight and the poem was written by Vineet KKN Panchhi, which was further evolved for the film. The film idea comes from the insight of all the emotions and experiences the audience goes through – the magic of movies, the bonding and escaping to a fantasy world when the lights go down. The film is a play of light and darkness, taking the viewer on a journey that is brought to life inside our cinemas, as that’s the only place where darkness plays that role. It reinforces the promise of “more magic,” “more memories,” “more adventures” and “more happiness” to moviegoers to remain relevant, both as a category as well as a brand.

    PVR chairman and managing director Ajay Bijli said, “We take immense pride and feel extremely joyous on completing the 25-year milestone in India. The entertainment industry, the viewership patterns, as well as the audience have evolved over the years, and PVR has been able to live up to their expectations. As we continue to meaningfully engage consumers as well as introduce them to newer cinematic experiences, our focus will remain on bringing winning stories to the screen and adding joy and comfort to the life of our stakeholders.’’

    PVR added that it was founded back in 1997 with one sole motive: to completely revolutionise the cinema experience for Indian audiences. Over the past 25 years, it has introduced the latest cinematic formats from across the world to the Indian audience. The brand has evolved with changing times with cutting edge technology through extra-large screens, Laser Projection Systems, and immersive sound to bring alive every little detail of the movie. Seats being pivotal to delivering the ultimate sensorial cinema experience, PVR has ensured an experience that befits a king. It has reimagined a cinema F&B offering curated by its chefs with concepts customised to cater to varied preferences and choices for its discerning customers. Through, PVR Privilege, India’s leading entertainment loyalty programme, it strives to deliver to its customers an experience which is specific to their consumption behavior.

    PVR CEO Gautam Dutta commented, ‘’It’s been an eventful and phenomenal journey for PVR over the last 25 years and we are extremely excited and humbled as we celebrate this milestone. We would like to extend our gratitude to all our associates, partners, and especially movie enthusiasts, who have continued to have faith in us over these years. The enduring customer loyalty as well as enhanced brand recall and perception associated with our brand is an outcome of our customer obsession. Innovation has been our cornerstone to building a more delightful, cinematic atmosphere and delivering an exceptional experience to our patrons.’

    “Of course, we couldn’t have achieved any of it without the hard work of our employees and the perseverance of our business partners, who are resolutely committed to building our brand and helping us redefine the entertainment experience all over the country.”

    To commemorate its 25-year journey in India, PVR Cinemas has introduced a series of contests and offers to entice audiences and movie lovers across the country:

    Short film contest: Participants need to make a two-minute film on the theme, “Iss Andhere mein bahut Roshni hai.” Content creators and independent film makers of the best entries judged by film critics will be able to showcase their creations on the big screens of PVR.

    Social media engagements ‘filmy wishes contest’: Participants can use their favourite movie dialogues or song lyrics to create reels or stories and post them, tagging our official Instagram handle. The lucky 25 will get a chance to win free movie tickets for the entire year, invites to premieres, star meet and greets, and more.

    #25yearsofPVR Instagram filter challenge: Every year of PVR’s existence, one iconic movie will appear as gibberish, and participants will have to guess which one it is. PVR will randomly gratify 25 participants who have answered correctly with exclusive merchandise.

    Guest and privilege member offers:  As a part of the 25th anniversary celebration, all guests who visit PVR in the celebration week get 25 per cent off on any of its food combos and unlimited Pepsi.

    Earn 25 per cent points: During the celebration week, PVR privilege members can earn 25 per cent points instead of the usual five per cent earnings.

    NFT collection: PVR also brings its heritage to life in the metaverse. Special edition NFT coins and tickets capture the story of its brand and its most iconic moment. To make it even more special, it is giving away movie vouchers and a chance to contribute towards its social cause.

  • PVR expecting full recovery over the next couple of quarters: Chairman & MD Ajay Bijli

    PVR expecting full recovery over the next couple of quarters: Chairman & MD Ajay Bijli

    Mumbai: At the investor conference call post the announcement of its first quarter results, multiplex chain PVR’s chairman and managing director Ajay Bijli, said that the company is expecting a full recovery over the next couple of quarters.

    “Given the excellent performance of the movies in the last few months and a very promising lineup of content that is up for release during the rest of the year, we are expecting a full recovery in admissions and advertising income over the next couple of quarters. I believe that this year will be a great year for the company,” he added.

    PVR CFO Nitin Sood noted that there is still a large segment of people who have not shown up at the cinemas. “Our sense is that it will take a few months for the full recovery to play out as more films get released across theatres, as more genres of films get released across theatres, whether it is Hindi films or big tent poles like Avatar, which will draw consumers back to cinemas. So, the full recovery will take another six months to play out. Our sense is that by December 2022, when we have had a big run of films, effectively, recovery should take shape fully, because you must also understand that in a country like India, there is a very large segment of people who show up at the theatres only once or twice a year. So, for that to play out, you have to give it time and see a full recovery. So, our sense is by the end of December 2022, we should hopefully be able to see some of that.”

    Offering a quick update on the progress on the proposed merger of Inox Leisure with the company, Bijli said, “Both the companies got no objection certificates from the two stock exchanges, i.e., Bombay Stock Exchange (BSE) and National Stock Exchange (NSE), on the proposed scheme of the merger, and we are in the process of filing our application for the approval of the scheme of merger with the National Company Law Tribunal (NCLT) in the next couple of weeks. I am told that the NCLT process typically takes anywhere between five and seven months, so we seem to be on track.”

    Bijli is bullish on the content pipeline moving forward, he added, “The content pipeline in the months ahead looks promising. Over the next few months, we have several big-budget Bollywood movies lined up for release, like “Shamshera,” “Lal Singh Chaddha,” “Brahmastra,” and “Vikram Vedha.” From Hollywood, we have “Bullet Train,” “Paws of Fury,” “DC League of Super-Pets,” amongst others. From the regional genre, we have “Vikrant Rona,” “Liger,” “Godfather,” and “Ponniyin Selvan.””

    On the screen expansion plans, he said that the company opened 14 screens across three properties in the last quarter and is fast ramping up its capex plan to open a total of 125 screens by the end of the current fiscal. “About a third of our new screen additions will be in the tier two and tier three cities, and we will be entering 9 new cities during the year. The entire capex will be funded through internal accruals and liquidity available to the company. Our screen portfolio currently stands at 854 screens across 173 cinemas in more than 75 cities in India and Sri Lanka,” he explained.

    When asked about Hindi movies not doing well, he said, “No, there is no issue. I think it’s too early; it’s only been three-four months since movies have started coming out, and basically, I am not going to write-off Hindi movies so soon. There are some big movies lined up.” He added that one quarter is too short a timeframe to draw any conclusions that only regional terms will dominate and Hindi will not do well anymore.  

    He said that people just want to watch whatever appeals to them and it just so happens that two big regional language films did exceedingly well and they overshadowed other releases.

    PVR Pictures’ chief of business planning and strategy & CEO Kamal Giachandani noted that Hindi films have done well. ““Gangubai,” “Kashmir Files,” “Bhool Bhulaiyaa,” even “Jug Jug Jiyo,” which came out recently, have all done well. And also, we have to keep in mind that “K.G.F” and “RRR” actually performed a lot better in the Hindi version. Whether you would categorise them as a Hindi film, or would you consider them as a Kannada or a Telugu film, is a matter of debate. It depends on which angle you are looking at it from. But we think of them as Hindi films and the way we look at it is that if “RRR” and “K.G.F,” which are films essentially dubbed into Hindi, can do so well, imagine a Hindi film in the original version with a popular actor or with multiple popular actors, will connect to the audience. Imagine the upper limit for those films. Imagine the potential for those films. So, we see it as a big positive, and those were the three elements that made us think content is done well; these four months have done so well for us,” he mentioned.

    On the admissions front he said that when the company looks at the lineup that will come in the third and the fourth quarter of the fiscal it feels fairly confident that this could turn out to be a year which will end up with aggregate admissions which are a lot better than what was achieved in 2019- 20. “We feel extremely buoyant looking at the lineup and the response that we have got from the audiences. That said, our business is of hit and miss. I think it’s best to look at it on an annual basis rather than on a quarter-to-quarter basis in terms of admissions. There are segments like Hollywood films which have a depressed number in terms of quantity. Quality is fantastic, “Dr. Strange,” “Spiderman,” “Top Gun,” all of these films have exceeded the expectations, “Jurassic World.” But as far as the quantity goes, studios are still ramping up their production. Same is the case with Hindi films, producers are still ramping up their production. There has been a lot of disruption in terms of shooting over the last two years. We could have some surprises as we move forward but I think at an annual level, the entire financial year we are looking at a very strong set of numbers in terms of admissions.”

    Talking about the ad scene, PVR CEO Gautam Dutta said that in the second quarter the company should be getting its averages a lot better than the pre-Covid numbers of Q1 as compared to Q1 of last year. “So, currently we are in a gap of about 38 per cent, which should be reduced to about 20 per cent or so in Q2. By Q3, which is really a festive period and a lot of advertisers begin to advertise, we believe that we will be within the pre-Covid levels or maybe five or seven per cent lower. I am very certain that by Q4 we will end up sort of exceeding the pre-Covid numbers. So, that is going to be the trajectory, and having said that, yes, there has also been a big churn in the advertisers who used to come earlier to now.

    “We are seeing a lot of traction with new age advertisers who have come in, some of the FMCG and the multinational brands are taking a little more time. We hope that by quarter three they would possibly be back at the cinemas, so that’s largely what it is. Retail clients are showing a quicker turnaround, and we are seeing that while the RO size is small, they are kind of coming back to cinemas much faster. So, overall, I think quarter two is going to be a little under pressure but the average will get better than what we have achieved in Q1, but Q3 is really where I believe that we will be largely in the hitting range of pre-Covid numbers,” Dutta added.

  • PVR’s Q1 consolidated revenue up to Rs 1,002 crore

    PVR’s Q1 consolidated revenue up to Rs 1,002 crore

    Mumbai: Multiplex operator PVR has announced its unaudited standalone and consolidated financial results for the first quarter ended 30 June 2022.

    Consolidated revenue, Ebitda and PAT were Rs 1,002 crore, Rs 362 crore and Rs 53 crore, respectively, as compared to Rs 93 crore, Rs 58 crore and Rs 220 crore for the corresponding quarter in FY ’22. After adjusting for the impact of IND-AS 116-Leases, the consolidated revenue, Ebitda, and PAT of the company were Rs 1,000 crore, Rs 208 crore, and Rs 68 crore, respectively, as compared to Rs 71 crore, Rs 110 crore, and Rs 142 crore for Q1 FY’22.

    This quarter was the best ever quarter in PVR’s history in terms of revenue, Ebitda, and PAT. The company recorded the highest ever ATP of Rs 250 for the quarter on the back of global and local tent poles that resonated with the Indian audience. The quarter was marked by the release of some of the biggest domestic hits like “KGF: Chapter 2,” “RRR,” “Vikram,” “Bhool Bhulaiya 2” and Hollywood tentpoles like “Doctor Strange” and “Top Gun: Maverick,” which PVR said performed exceedingly well at the box office. “KGF 2” went on to become the second largest blockbuster in the Indian market. It was the highest grosser ever for PVR, with a net box office of Rs 121 crore across its cinema circuit.

    PVR added that its team’s consistent work on F&B resulted in the highest ever average F&B spend per head (SPH) of Rs 134 being reported during the quarter, reflecting a growth of 32 per cent over pre-pandemic levels. The company has recorded the highest monthly average F&B revenue of Rs.100+ crore during the quarter.

    But the growth in ad revenue continues to lag. The company has reported advertising income of Rs 63 crore, which is 32 per cent lower than the pre-pandemic figures. Or in other words, it reflects a 68 per cent recovery in ad income vis-à-vis pre-pandemic levels.

    On the back of significant growth in ATP and SPH and a significant recovery in admissions, the Ebitda margins for the quarter were 20.8 per cent.

    The company said that the content pipeline for 2022 in the months ahead looks extremely robust. Over the next few months, it has several big-budget Bollywood movies lined up for release, like “Shamshera,” “Laal Singh Chaddha,” “Brahmastra,” “Vikram Vedha,” “Ram Setu,” “Phone Bhoot,” “Yodha,” “Drishyam 2,” “Cirkus,” “Kabhi Eid Kabhi Diwali,” etc.. “Bullet Train,” “Paws of Fury,” “DC League of Super Pets,” “Black Adam,” “Black Panther: Wakanda Forever (Marvel),” and “Avatar: The Way of Water” are among the films from Hollywood. From the regional genre, we have “Vikrant Rona,” “Liger,” “Godfather,” “Ponniyin Selvan.”

    The company has revived its capex plans in a significant manner and is on track to open a total of 125 new screens during FY’23. It has opened 14 screens across 3 properties till date. About one-third of the new screen additions in this fiscal year will be in tier 2 and 3 cities. The company plans to enter nine new cities during the year.

    The announced merger with Inox Leisure is progressing well. Both the companies have received “No Objection Certificates” from the two stock exchanges (BSE and NSE) on the proposed scheme of merger. We are on track to submit our application for the approval of the scheme of merger before the National Company Law Tribunal (NCLT) in the next couple of weeks.

    PVR chairman and MD Ajay Bijli said, “This quarter’s results are a reflection of the strength of the domestic film industry we have in India and the consumer’s unsatiated appetite to watch films on the big screen. The Indian exhibition industry has been one of the fastest to recover as compared to other international markets. The content line-up for the year ahead looks very promising, and we hope this will be a very strong box office year for the Indian exhibitors. As we celebrate the silver jubilee for PVR this year, we are extremely confident that we will continue to set and exceed even greater benchmarks in the years to come.”

  • PVR Cinemas partners with Cinionic to provide 100 percent laser projection

    PVR Cinemas partners with Cinionic to provide 100 percent laser projection

    MUMBAI: PVR Cinemas has announced an expanded preferred partnership agreement with Cinionic, the world’s leading provider of laser cinema solutions, to power 500 screens with Barco Series 4 4K laser projection. On completion of the rollout on new and existing screens, PVR will be the first exhibition chain in India to go 100 percent 4K RGB laser projection. The announcement was made at CineEurope, a European convention and trade show for major, regional and independent cinema exhibitors, which is taking place this week in Barcelona.

    The Barco Series 4 family from Cinionic features next generation 4K laser projection that supports sustainability with reduced waste, lower energy consumption, and an extended lifetime. The thoughtfully designed Series 4 moves away from the use of consumables, utilizing reusable components like air filters, and the laser light source eliminates the need for lamps and their subsequent replacement and disposal. All models within this leading laser projection range are also exceptionally efficient, reducing power consumption with smart power management, minimized heat dissipation, and increased operational efficiency.

    PVR chairman & managing director Ajay Bijli said, “PVR is aligned to the Climate Action SDG goal of the United Nations and has committed to lower its emission and reduce its carbon footprint. The BARCO Series 4 4K RGB laser projectors is a sustainable investment from PVR as part of its endeavor to make changes in operational practices for reducing emissions and conserve energy for a sustainable future”.

    This announcement continues a long-standing partnership between PVR and Cinionic as together they work to elevate the cinematic experience for audiences in India. Laser Projection by Cinionic delivers exceptional presentation quality with vivid colours, high brightness, and clear on-screen images. Through the expanded agreement with Cinionic, PVR will also benefit from Cinionic’s enhanced services with Cinionic Cloud, a digital platform for managed services through remote connectivity, improving the performance and optimizing the cost of operation over time. Cinionic services help to ensure worry-free operations for cinemas, by monitoring the health of the projector, predicting service interventions in advance, and minimizing screen downtime.

    “PVR continues to enhance the theatrical experience for India, offering cinematic excellence and a commitment to a sustainable future. We are proud to expand our strong relationship with PVR to deliver a fully laser-powered theatrical experience. The eco-friendly Barco Series 4 offers audiences across India a greener way to go to the movies” said Cinionic CEO Wim Buyens.

    In observing evolving trends in the cinema exhibition industry, energy-efficient and eco-friendly product designs are gaining momentum. Energy is no longer simply an internal cost factor. Today’s leading exhibitors are looking for ways to reach their sustainability goals without sacrificing quality and identifying how every part of their cinema value chain can contribute towards supporting a greener value proposition.