Tag: advertising

  • Videograph announce partnership with Republic Media Network for live streaming and advertising

    Videograph announce partnership with Republic Media Network for live streaming and advertising

    Mumbai: Videograph, a player in innovative video technology is excited to announce a groundbreaking partnership with Republic Media Network News Channels. This collaboration marks a stride in the realm of live streaming, advertising insertion, and channel monetisation. As the demand for real-time, high-quality content continues to soar, Videograph is at the forefront of empowering media organizations with innovative solutions. Videograph is set to the live-streaming experience for viewers watching Republic News channels globally.

    With this partnership, Republic Media Network stands to its audience experience through Videograph’s cutting-edge live streaming technology, ensuring an impeccable and uninterrupted viewing journey across various devices. Through its robust infrastructure, Videograph will enable Republic News channels to deliver high-definition content to viewers across various platforms and geographies. The integration of Videograph’s Dynamic Ad Insertion technology will bring a new dimension to advertising prowess, enabling the delivery of personalized and targeted advertisements of the channels, thereby enhancing user engagement and unlocking fresh revenue streams.

    Commenting on the development, Videograph CEO & co-founder Uday Reddy, said, “We are excited to join forces with Republic Media Network, a trailblazer in the news industry to provide our cutting-edge solutions. This partnership is a testament to Videograph’s commitment to pushing the boundaries of what is possible in live streaming, advertising, and monetization. Together, we aim to redefine the viewer experience and drive new levels of success for Republic News channels on digital platforms.

    Republic Media Network chief operating officer of digital business Tapan Sharma commented, “Republic News channels have always been at the forefront of delivering cutting-edge news content to our viewers. Teaming with Videograph allows us to elevate our capabilities in live streaming, enabling us to provide a more engaging and personalized experience for our audience. We look forward to the positive impact this collaboration will have on our Digital channels and our viewers.”

    Extending beyond technology integration, the partnership will also bring Videograph and Republic together to implement monetisation strategies, leveraging Videograph’s global partnerships with renowned ad networks like Google Ad Manager, Beachfront, Magnite, Xandr, LG Ads, GroupM, Freewheel, PubMatic, and others to tap into high CPM-driven revenue opportunities.

    The partnership is also aimed at addressing a longstanding challenge in the content production landscape, providing Republic access to publisher-agnostic content distribution analytics tools. This will empower Republic to assess content performance data comprehensively, tracking distribution partner-wise, region-wise, device-wise, and more. The analytics tools will also enable monitoring of ad performance and revenue metrics, providing Republic Digital channels with valuable insights to refine content strategies and optimize revenue streams effectively.

    As Videograph and Republic Media Network join forces, the stage is set for a journey that enhances the capabilities of both organizations and redefines the standards of excellence in the dynamic world of live streaming of News. The collaboration reflects a shared vision for innovation, engagement, and success, promising a future where viewers can expect personalised viewing experience.

  • Excellent Publicity Bags RT News Launch Campaign in India

    Excellent Publicity Bags RT News Launch Campaign in India

    Mumbai: Excellent Publicity, one of advertising agencies, spearheaded the launch campaign for RT News in India. Excellent Publicity has unveiled the launch campaign of RT News following the channel’s recent approval for telecast on major networks such as Tata Sky and Dish TV. The objective behind this branding was creating awareness and marking RT News’ official entry into India.

    While the original plan to unveil the campaign was during G20 but it faced unforeseen challenges necessitating coordination and approvals from all stakeholders involved in the branding process. RT News is the first Russian 24/7 English-language news channel which offers Russian views on global news. Launched in 2005 by the state-owned RIA Novosti news agency, RT News has positioned itself as a prominent media outlet for its comprehensive coverage of international events.

    The RT News campaign encompassed 280 outdoor sites across Bangalore, Hyderabad, Kolkata, Delhi, Mumbai, and Chennai for Out-of-Home (OOH) advertising. Bus branding targeted 250 buses in Delhi and Mumbai, while newspaper campaigns featured in the Times of India in six metro cities, Hindustan Times for Mumbai and Delhi, and The Hindu for Kolkata. Cab branding extended to Delhi, Mumbai, Hyderabad, Chennai, Bangalore, Jaipur, Pune, Kolkata, Ahmedabad, Lucknow, Surat, and Indore. Additionally, airport branding targeted Bangalore, local train branding focused on Mumbai, and metro train branding was implemented in Mumbai.

    Excellent Publicity territory co-director (MENA) Kamaxi Tekani said, “This campaign goes beyond branding; it’s about creating an awareness of RT News among the Indian audience. It was a thrilling experience to work with the brand and be a part of its journey to establish a foothold in the country. Following the initial success of the launch campaign, Excellent Publicity secured an extension and is actively exploring additional advertising mediums to further strengthen the reach and impact of RT News in India.”

    Excellent Publicity Vertical Director (offline) Yogesh Kori, added, “Working with RT News has been a one-of-a-kind experience. Since it was a launch campaign, it was executed with precision across six major metro cities, strategically utilizing Out-of-Home (OOH) advertising, newspaper ads, bus branding, and cab branding. The campaign has managed to garner a good response among people, which is a testament to the quality of work and networking.”

  • Guest Article: How can brands effectively utilise social media platforms for targeted advertising?

    Guest Article: How can brands effectively utilise social media platforms for targeted advertising?

    Mumbai: In the dynamic realm of the contemporary digital landscape, social media has emerged not merely as a communication tool but as a formidable force in the realm of targeted advertising. Brands today have the unprecedented opportunity to harness the power of social media platforms to connect with their ideal audience, amplify their brand messages, and ultimately drive conversions. Today, we will delve into the key strategies that can empower brands to wield social media effectively for targeted advertising.

    Understanding your target audience for a more nuanced strategy

    The cornerstone of successful targeted advertising on social media begins with a deep understanding of the target audience. Brands must go beyond superficial demographic data and delve into the intricacies of their audience’s interests and online behavior. By conducting thorough market research, brands can identify not only the age, gender, and location of their audience but also the nuances that make them tick. This granular understanding lays the foundation for crafting messages that resonate on a personal level.

    Selecting the right social media platforms for distinct audience

    Not all social media platforms are created equal, and each harbors a distinct audience with unique preferences and expectations. For effective targeted advertising, brands need to be strategic in selecting the platforms that align with their audience demographics and content formats. For instance, a visually-oriented brand may find Instagram to be more suitable, while a B2B service might thrive on LinkedIn. By choosing the right platforms, brands can ensure that their messages reach the right eyes and ears.

    Creating engaging and relevant ad content with captivating visuals

    In the crowded landscape of social media, capturing attention requires more than just a presence; it demands compelling content. Tailoring advertising messages to align with the preferences and interests of the target audience is paramount. Brands should focus on crafting content that not only showcases their products or services but also tells a story that resonates with the emotions of their audience. From eye-catching visuals to persuasive copy, every element of an ad should be designed to captivate and engage.

    Leveraging advanced targeting options

    Social media platforms offer a treasure trove of advanced targeting options that go beyond basic demographics. Brands can harness the power of sophisticated targeting tools, including demographic targeting, interest-based targeting, and behavioral targeting. By zeroing in on the specific traits and behaviors of their audience, brands can ensure that their ads are reaching individuals with a genuine interest in what they have to offer. This precision not only maximizes the impact of advertising efforts but also minimizes wastage on uninterested audiences.

    Tracking and analysing campaign performance

    The digital nature of social media advertising provides a unique advantage – real-time data. Brands should leverage analytics tools to meticulously track and analyze the performance of their campaigns. By scrutinizing metrics such as engagement rates, click-through rates, and conversion rates, brands can gain valuable insights into what works and what doesn’t. This data-driven approach empowers brands to optimize their campaigns on the fly, ensuring that resources are allocated where they generate the maximum return on investment.

    Conclusion: Navigating the social media advertising landscape

    In the ever-evolving landscape of digital advertising, mastery of social media platforms is indispensable. Brands that understand their audience, strategically choose platforms, create compelling content, utilize advanced targeting options, and continuously analyze campaign performance are poised for success. As the digital realm continues to shape consumer behavior, the ability to navigate and capitalize on the opportunities presented by social media is a competitive advantage that no brand can afford to ignore. By adopting a holistic and data-driven approach to targeted advertising on social media, brands can not only connect with their ideal audience but also cultivate lasting relationships that extend beyond the confines of the digital world.

    This article has been authored by Digidarts founder & CEO Siddhartha Vanvani.

  • TAM report: News genre observed seven per cent de-growth in ad volumes in Jul-Sept’23

    TAM report: News genre observed seven per cent de-growth in ad volumes in Jul-Sept’23

    Mumbai: TAM India has released an advertising report on TV news channel for Jul-Sept’23.

    Television ad volumes in news genre witnessed growth in both Apr-Jun’23 and Jul-Sept’23 by seven per cent and one per cent respectively compared to Jan-Mar’23. Whereas, news genre observed de-growth in ad volumes in Jul-Sept’23 by seven per cent compared to Jul-Sept’22.

    Services and food & beverages sectors retained their first and second positions during Jul-Sept’23 compared to Apr-Jun’23. ‘Banking/Finance/Investment’ was the only new entrant in top 10 list of sectors during Jul-Sept’23 over Apr-Jun’23. The top 10 sectors together added 80 per cent share of ad volumes during Jul-Sept’23.

    During Jul-Sept’23, cars ascended to first position with five per cent share of ad volumes compared to its third position in Apr-Jun’23. Toilet soaps, corporate/brand image and tooth pastes were the entrants in the top 10 categories list during Jul-Sept’23 over Apr-Jun’23. Together, the top 10 categories added 27 per cent share of ad volumes in Jul-Sept’23.  Retail outlets – Jewellers descended to second position in Jul-Sept’23 compared to their first position in Apr-Jun’23.

    Reckitt Benckiser (India) was the leading advertiser in Jul-Sept’23 with seven per cent share of ad volumes. Also, Hindustan Unilever, SBS Biotech and Amazon Online India retained their second, sixth and tenth position during Jul-Sept’23 compared to Apr-Jun’23.  The top 10 advertisers collectively added 24 per cent share of ad volumes in Jul-Sept’23. During Jul-Sept’23, Life Insurance Corporation of India was the only new entrant in the top 10 advertisers list compared to Apr-Jun’23.

    During Jul-Sept’23, 4.5K plus brands were present on television advertising for news genre. Compared to Apr-Jun’23, Dettol Toilet Soaps, Policybazaar.Com and LIC-Corporate were new entrants in the top 10 brand list during Jul-Sept’23. Lalithaa Jewellery retained its first position during Jul-Sept’23 compared to Apr-Jun’23. Out of the top 10 brands, three of them belonged to Reckitt Benckiser (India) in Jul-Sept’23.

    ‘Mortgage Loans’ category saw highest increase in ad secondages with growth of 55 per cent on television advertising for the news genre. In terms of growth percentage among top 10 categories, Cellular Phones-Smart Phones witnessed highest growth of five times during Jul-Sept’23.

    During Jul-Sept’23, ‘Hindi News’ was the leading subgenre for advertising on news genre with 17 per cent share of ad volumes. The top five channel subgenres accounted for 54 per cent share of ad volumes during Jul-Sept’23. 

  • TAM report: Ad volumes of Coca Cola India grew by 2.7 times in ICC CW’23

    TAM report: Ad volumes of Coca Cola India grew by 2.7 times in ICC CW’23

    Mumbai: TAM Sports has released a commercial advertising report on ICC Cricket World Cup 23. This advertising report is based on all 48 matches of ICC CW’23 and for all the channels on which matches are telecasted.

    ICC World Cup’23 witnessed indexed growth of 17 per cent from all matches in terms of average ad volumes per match compared to ICC

    World Cup’19.

    Among all the World Cup matches, matches of the Indian team garnered max ad volume share. SF (Ind. vs. NZ) and F (Ind vs Aus) garnered the maximum ad volumes during ICC Cricket World Cup 2023.

    Tally of categories, advertisers, and brands rose by 42 per cent, three per cent and 34 per cent respectively during all the matches of ICC CW’23 compared to all the matches of ICC CWC’19.

    In ICC World Cup’23, ad volumes of Ecom-Wallets grew by 75 per cent compared to ICC World Cup’19. But among the top five categories, two-wheelers witnessed 42 times ad volume growth in ICC Cricket World Cup’23 over its previous edition. Perfumes/deodorant, pan masala & ecom-wallets were the only common categories among the top five of ICC World Cup’23 and ICC World Cup’19 in all the matches.

    Among the top five advertisers, Vini Product and FX Mart were the only common advertisers between ICC World Cup’23 and ICC World Cup’19. Ad volumes of Coca Cola India grew by 2.7 times in ICC CW’23 over ICC CW’19 among the top five advertisers.

    Among the 215 plus new brands, ‘Bharat Petroleum MAK’ was the leading brand followed by ‘Kamla Pasand Silver Coated Elaichi’. The top five categories present in ICC World Cup’19 and not in ICC World Cup’23, belonged to e-com category.

    In ICC CWC’23, brands of HUL were top exclusive on Hindi+English language sports channels and Regional language sports channels. A total of 165 plus brands advertised on both regional and Hindi+English sports channels during 48 matches of ICC CWC’23. “Phonepe” was leading the list of common brands.

  • TAM report: Britannia Industries and Nestle India entered the top 10 list during Jul-Sept’23

    TAM report: Britannia Industries and Nestle India entered the top 10 list during Jul-Sept’23

    Mumbai: TAM AdEx has released a quarterly report on television advertising for Jul – Sep’23.

    Ad volumes on television advertising witnessed growth of five per cent in Apr-Jun’23 and one per cent growth in Jul-Sep’23 compared to Jan-Mar’23. Also, Jul-Sept’23 observed a degrowth of four per cent in TV ad volumes compared to Jul-Sep’22.

    Food & beverages retained its top position compared to Apr-Jun’23; the auto sector observed a positive rank shift. Banking/finance/investment entered the top 10 list of sectors during Jul-Sep’23 compared to Apr-Jun’23. The top 10 sectors together added 89 per cent share of ad volumes in Jul-Sep’23.

    The top 10 categories collectively added 33 per cent share of ad volumes on television advertising during Jul-Sep’23. During Jul-Sep’23, biscuits, tea and mosquito repellents were the new entrants in the top 10 list of categories compared to Apr-Jun’23. Washing powder/liquids, milk beverages, and shampoos observed a positive rank shift in Jul-Sep’23 compared to Apr-Jun’23.

    Hindustan Unilever and Reckitt Benckiser (India) retained their first and second positions during Q’1, Q’2 and Q’3 of Y 2023. During Jul-Sep’23, the top 10 advertisers contributed 49 per cent share of ad volumes on TV advertising. Britannia Industries and Nestle India entered the top 10 list during Jul-Sept’23 and secured ninth and tenth positions compared to their 14th and 13th positions respectively in Apr-Jun’23.

    In Jul-Sep’23, the top 10 brands together accounted for 10 per cent share of ad volumes on television advertising. Out of the top 10 brands present in Jul-Sep’23, five of them belonged to Reckitt Benckiser (India) and four belonged to Hindustan Unilever. Also, five of the top 10 brands belonged to personal care/personal hygiene sector during Jul-Sep’23.

    Milk beverages saw highest increase in ad volumes resulting in 30 per cent growth during Jul-Sep’23 compared to Apr-Jun’23 followed by ecom-online shopping with 76 per cent growth.

    Compared to Jan-Mar’23, GEC and movies genre witnessed minor rise in percentage share of ad volumes in Jul-Sep’23. Whereas, news and kids genre’s share was maintained throughout all three quarters. The top five genre together contributed more than 90 per cent share of ad volumes in each of the Q’1, Q’2 and Q’3 of Y 2023.

  • Top five advertisers contributed 32 per cent of ICC World Cup ’23 ad volumes: TAM Sports

    Top five advertisers contributed 32 per cent of ICC World Cup ’23 ad volumes: TAM Sports

    Mumbai: TAM Sports has released an advertising report based on the first 39 matches of ICC CW’23 and for all the channels on which matches are telecasted.

    ICC World Cup’23 witnessed indexed growth of 19 per cent from the first 39 matches in terms of average ad volumes per match compared to ICC World Cup’19.

    The count of categories & brands grew by 32 per cent and 30 per cent respectively in ICC World Cup’23 compared to ICC World Cup’19 during the first 39 matches from both the World Cups.

    In ICC World Cup’23, perfumes/deodorant was the leading category with eight per cent share of ad volumes. Perfumes/deodorant, pan masala & ecom-wallets were the only common categories among the top five of ICC World Cup’23 and ICC World Cup’19 in the first 39 matches.

    Also, the top five categories together covered 32 per cent share of ad volumes during the first 39 matches of ICC World Cup’23.

    Among the top five advertisers, Vini Product was the only common advertiser between ICC World Cup’23 and ICC World Cup’19. The top five advertisers collectively added 32 per cent share of ad volumes during ICC World Cup’23.

    Over 50 new categories and over 195 new brands were advertised in 39 matches of ICC World Cup’23 compared to the same number of matches in ICC World Cup’19.

    Among the 195 plus new brands, ‘Bharat Petroleum MAK’ was the leading brand followed by ‘Indusind Bank Indie App’.

  • Vini Product – sole common advertiser in ICC World Cup ’19 and ’23: TAM Sports

    Vini Product – sole common advertiser in ICC World Cup ’19 and ’23: TAM Sports

    Mumbai: TAM Sports has released an advertising report based on the first 31 matches of ICC Men’s Cricket World Cup’23 and for all the channels on which matches are telecasted.

    ICC World Cup’23 witnessed indexed growth of 22 per cent from the first 31 matches in terms of average ad volumes per match compared to ICC World Cup’19.

    Count of categories, advertisers & brands grew by 31 per cent, one per cent and 26 per cent respectively in ICC World Cup’23 compared to ICC World Cup’19 during the first 31 matches from both World Cups.

    In ICC World Cup’23, perfumes/deodorant was the leading category with eight per cent share of ad volumes. Perfumes/deodorant & ecom-wallets were the only common categories between ICC World Cup’23 and ICC World Cup’19 in the first 31 matches. Also, the top five categories together covered 32 per cent share of ad volumes during the first 31 matches of ICC World Cup’23. Among the top five advertisers, Vini Product was the only common advertiser between ICC World Cup’23 and ICC World Cup’19. The top five advertisers collectively added 31 per cent share of ad volumes during ICC World Cup’23.

    Over 50 new categories and over 175 new brands advertised in 31 matches of ICC World Cup’23 compared to the same number of matches in ICC World Cup’19. Among the 175 plus new brands, ‘Bharat Petroleum MAK’ was the leading brand followed by ‘Vi Cellular Phone Service’.

  • TAM Sports: Over 165 new brands were advertised in 23 matches of ICC World Cup’23

    TAM Sports: Over 165 new brands were advertised in 23 matches of ICC World Cup’23

    Mumbai: TAM Sports has released an advertising report based on the first 23 matches of ICC Men’s Cricket World Cup’23 and for all the channels on which matches are telecasted.

    ICC World Cup’23 witnessed indexed growth of 24 per cent from the first 23 matches in terms of average ad volumes per match compared to ICC World Cup’19.

    The count of categories, advertisers & brands grew by 29 per cent, two per cent and 24 per cent respectively in ICC World Cup’23 compared to ICC World Cup’19 during the first 23 matches from both World Cups.

    In ICC World Cup’23, Perfumes/deodorant was the leading category with nine per cent share of ad volumes. Perfumes/deodorant & ecom-wallets were the only common categories between ICC World Cup’23 and ICC World Cup’19 in the first 23 matches. Also, the top five categories together covered 33 per cent share of ad volumes during the first 23 matches of ICC World Cup’23. Among the top five advertisers, Vini Product & FX Mart were the only common advertisers between ICC World Cup’23 and ICC World Cup’19. The top five advertisers collectively added 32 per cent share of ad volumes during ICC World Cup’23.

    Over 45 new categories and over 165 new brands were advertised in 23 matches of ICC World Cup’23 compared to the same number of matches in ICC World Cup’19. Among the 165 plus new brands, ‘Bharat Petroleum MAK’ was the leading brand followed by ‘Mahindra XUV 700’.

  • “Tujhe advertising baad mein sikhaoonga”, a Piyush-and-me story

    “Tujhe advertising baad mein sikhaoonga”, a Piyush-and-me story

    Mumbai: What could I possibly write about a man, about whom so much has already been written? How did he make Ogilvy into one of the most creative forces in the industry, the uncanny ability to spot and nurture talent, his originality that changed the face of Indian advertising, his influence on the world stage, his incredible god-like stature in our business? I have nothing new to add there.

    So, let me start at the very beginning, which, as the song goes, is a very good place to start.

    January, 1987. I was a fresher, straight out of college, when Piyush Pandey hired me as a trainee account executive. Pandey was an account supervisor then (a pretty senior position in those days, unlike the throw-away designations of today). And the first thing I learned from him was, no matter what department of the agency you’re in, you need to see yourself as a creative person. Because this is a creative business. And Pandey demonstrated that every single day.

    As account supervisor, he’d take charge of the creative on his brands. Especially when the brands needed more earthy Indian expressions and not translated from English lines. He wrote lines that are iconic even today – ‘Chamak Dhoop Si’ for Sunlight, ‘Fevicol Ka Jhod Hai, Toothega Nahin’ aur ‘Chal Meri Luna’…. all while being an account supervisor! He hadn’t moved fully into the creative department when he wrote the lyrics for “Miley sur mera tumhara”, Suresh Mullick’s beloved film on national integration. Piyush didn’t try and resort to poetry or flowery lines. He wrote simple conversational stuff, straight from the heart. Like he was literally chatting with the consumer. Great learning for me as a young AE, especially as I also got the opportunity to help him do all the storyboards for his scripts!

    Looking back, I realise that everything Piyush did, he did it by keeping it simple. And fun. The more the laughter in the corridors, the better the work that’d come out. He believed in it. We’d often meet at his home, where we’d discuss the brief, he’d write the script and I’d do the storyboard. And then, we’d sit down to eat some delicious homemade aloo parathas with a special Rajasthani dry chutney his mom had sent. For a bhukkad like me, staying in a paying guest accommodation and eating all meals outside, this was a kingly feast. One day, I think I ate 12 parathas and finished half of his favorite chutney. Finally, Pandey had to say “Saaley, bas kar! Aata khatam ho gaya!”

    However, the biggest lesson I learned from him was actually not in the office but on the cricket field.

    In 87-88, Ogilvy was one of the top cricketing teams in the CAG Shield Tournament (the ad industry’s premier sporting event). And Pandey, with his Ranji background, was naturally the team captain. During my interview, Piyush had asked me if I would bowl or bat. And I’d said, both. With his characteristic guffaw, he said, “Chal, tujhe advertising baad mein sikhaoonga. Kal subah nets pe aa jaana!”

    And boy, did he take his cricket seriously! All of us had to practice every morning from 6.00-9.00 am during the season and then go to the office for a full day’s work. Everyone had to practice fielding, catching, throwing and running before we got a chance to bat or bowl. Total task master he was, and I still have a chipped finger bone to show for it. His reasoning was very simple and firm; if you’re going to play with the company logo on your chest, you’d better put up a good show and play with pride.

    Coming to the lesson I spoke about earlier…. It was during a match we were playing against a relatively weak agency team. Their bowling was very amateurish. But as it typically happens in cricket against a weak bowling attack, you can lose wickets very quickly, because of overconfidence. So, we were 4 down already when I walked in to bat. Piyush, however, was at the other end, batting strongly on 48.

    The first few balls I faced were such dollies that I let my youthful impetuousness take over. I started swinging wildly, trying to hit each ball for a 4 or 6, even though I was not really connecting. A couple of balls almost grazed my stumps in slow motion. Which is when I saw Piyush thundering down the pitch.

    Thundering is the word, believe me, because I’d never seen him that angry, ever. He grabs me by the shoulder, sticks his face into mine and with gritted teeth, says (for the sake of public decency, I’ve deleted some of the more colorful words he used):

    Piyush: “Tujhe out hone ka shauk hai na? Toh koi acche ball pe out ho! Aur ja wapas!”
    Me: “Sorry, boss”
    Piyush: “Saale, main kitne pe hoon?”
    Me: “48.”
    Piyush: “Aur tu kitne pe hai?”
    Me: “Zero.”
    Piyush: “Phir tera role kya hai abhi?”
    Me (thoroughly chastened): “Aapko strike dena”
    Piyush: “Aur tu kya kar raha hai?”

    Lesson learnt. I put my head down and took a fresh guard. By the time our innings ended, Piyush was not out on 175, having pasted those bowlers all over the park and I was not out on 45. As we walked back together, he slightly ahead with his bat held high and me two steps behind, I realised what an important thing I’d learned that day.

    Teamwork isn’t about playing for your own glory. It’s about knowing when to play and when to rotate the strike. It’s about supporting your fellow team members and helping them play better. It’s knowing when to lead and when to follow. And this deep insight has stayed with me throughout my career as a manager and leader. Years later, I happened to meet Harsha Bhogle at a party and I asked him how he held his own in the commentary box with top cricketers like Gavaskar, Chappell, Boycott etc., and he said the same thing, “I just rotate the strike and let the experts play.”

    It’s a huge lesson, folks. Something that every leader needs to learn. Only then will your team win.

    Today, as Piyush moves to an advisory role at Ogilvy, I believe he’s done exactly that. He’s given the strike to his trusted team members and said “Go play your game now. I’m there at the non-strikers end whenever you need me.”

    Well played, my captain.

    This article has been authored by former BBH CEO Subhash Kamath.