Tag: Advertiser

  • Micromax announces comeback

    Micromax announces comeback

    NEW DELHI: Popular Indian mobile manufacturer Micromax is poised to make a comeback with its "In" range of smartphones.

    Micromax founder Rahul Sharma made the announcement, saying the homegrown company is once again looking to re-enter the smartphone market. In a video posted on Twitter, Sharma narrated Micromax’s journey – the brand’s growth to the top as well as the mistakes which were made on the way – and that it’s now ready for a fresh start.

     

     

    Sharma stated that he does not condone the recent events playing out on the Indo-Sino border. At one point the number 2 smartphone maker in India, Micromax faced tough competition from Chinese brands, and was eventually forced to call it quits.

    “The Chinese mobile manufacturers wiped me out in my own country. This time, whatever I do, will be for the sake of India," he said in the video, adding that he has taken PM Narendra Modi’s call of Atmanirbhar Bharat to heart.

    Micromax, along with 15 other smartphone manufacturing companies, was approved for incentives under the government's Production-linked incentive (PLI) scheme.

    Earlier this year, the Centre had amended the rules to the PLI scheme to make it more market-friendly by removing caps and other contentious clauses. The incentives range from 4 per cent to 6 per cent over a five-year period, provided the manufacturer makes smartphones valued at around $200.

    According to a Reuters report, the approved companies are expected to make Rs 10,50,000 crores worth of smartphones in India.

    A few years ago, brand Micromax was shining and thriving in the sub-Rs 10,000 and sub-Rs 5,000 segment phones. It also launched several premium smartphones and did an interesting campaign with Hollywood superstar Hugh Jackman.

  • What BARC’s temporary cessation of news channel ratings means for all

    What BARC’s temporary cessation of news channel ratings means for all

    MUMBAI: With all the hullabaloo around the news TV space and allegations of rigging flying thick and fast, the viewership monitor BARC has decided to take a breather as far publishing of  weekly ratings of the purveyors of news is concerned. This temporay cessation  could impact the overall industry – especially advertisers and those involved in the news business. More so because advertisers and agencies will not have access to the de facto ratings cuurrency that allows them to price the air time and TV spots they buy from the news channels.  

    The committee has shared its point of view on why it has taken such a step. Excerpts:-

    Why has BARC India taken the step of not reporting news channels? 

    In the light of the recent developments, the BARC board has proposed that its technical  committee (Tech Comm) review and augment the current standards of measuring  and reporting the data of niche genres, to improve their statistical robustness and to  and to significantly hamper the potential attempts of infiltrating the panel homes.  This exercise would cover all Hindi, regional, English news and business news channels  with immediate effect.  

    Therefore, starting with the ‘News Genre,’ BARC will cease publishing the weekly  individual ratings for news channels during the exercise. This exercise is expected to  take around eight to 12 weeks including validation and testing under the supervision of  BARCs TechComm. The monitoring service will continue to release weekly audience estimates for the  news genre by state and language. 

    Which genres will be affected by this change?  

    The decision will initially impact all Hindi, regional, English news and business news  broadcasters. BARC will continue to provide estimates for the overall news genre  every week by state and language.  

    For how long will the data not be available for news channels?  

    The BARC TechCom  will revisit the rule sets of niche genres to improve their  statistical robustness and to significantly hamper the potential attempts of infiltrating  the panel homes. Starting with the news genre, BARC would stop declaring the individual  channel ratings for news channels while this reworking of the rule sets is being done.  This exercise would take around eight to 12 weeks including validation and testing under the  TechComm’s supervision. BARC will keep its stakeholders updated as it  augments these processes.  

    Which data and analysis will not be possible or will not be available because of the withholding of ratings? 

    The withholding of ratings will, inter -alia, will lead to non – availability of the following  viewership variables for impacted channels: 
    • Impressions  
    • Daily reach  
    • Average Time Spent (ATS)  
    • Cumulative reach  
    • Rating % 

    Since these variables will not be available, analysis such as viewer movement and  behavioural track analysis will not be possible.  

    However, the above details will be available at a genre level.  

    Will BARC be collecting and processing data for impacted channels during  this period? Will the individual channel data be released post this period?  
    BARC will continue to collect and process data for the impacted channels. BARC’s TechComm  will advise a protocol for release of individual channel data,  post its work on niche channels.  

    Will playout data be collected during this period for the impacted  channels? 

    Yes, playout data will be collected for the impacted channels during this period. 

    Will Spot Trek service be impacted due to this withholding of ratings?  

    BARC will continue to confirm spot – related data to its Spot Trek subscribers.  There will be no impact on the Spot Trek service.  

    Are the numbers released by BARC inclusive of the impacted news  channels?  

    The data for news channels will still be included in the audience estimates for  aggregate such as total TV. It is only the audience estimates for the individual  channels that will be masked. 

    What data will be reported for the impacted news channels?  

    BARC will continue to release audience estimates for the overall news genre every  week by state and language. However, channel–wise data will not be released.  

    I am not a news channel. Why has my data been withheld?  

    Individual news channels audience estimates will not be reported. The genre  classification is determined by “Policy for Genre Classification of TV Channels” as last  updated in September 2019 and as updated on the BARC website. This classification is  updated on a quarterly basis.  

    As per the BARC policy on genre classification, a TV channel is classified as a news  channel, when more than 60 per cent of the TV Channel content for a given week averaged  across a calendar quarter from 6:00 Hrs. – 26:00 Hrs. consists of news and news- related  content. 

    Are genres other than news genres also going to be impacted?  

    The BARC TechComm will review and augment the current  standards of measuring and reporting the data of niche genres, to improve their  statistical robustness and to and to significantly hamper the potential attempts of  infiltrating the panel homes. 

  • BJP leads political ad spends on Facebook

    BJP leads political ad spends on Facebook

    NEW DELHI: Social media has emerged as one of the most powerful tools in elections. All the political parties are making the utmost use of social media platforms during the elections to tilt the opinion in their favour.

    From February 2019 till August 24 this year, BJP spent Rs 4.61 crore on Facebook advertisements and Congress Rs 1.84 crore, according to the data available on the social media giant’s spending tracker. Keeping an eye on Maharashtra elections, the ruling Bhartiya Janata Party spent most on this money tp push social issues, elections, and politics. 

    Four other advertisers, linked to the BJP, also made it to the top 10 list including three that share the same address in Delhi as the ruling party’s national headquarters, according to the tracker.

    These four include two community pages, ‘My First Vote for Modi’ (Rs 1.39 crore) and ‘Bharat Ke Mann Ki Baat’ (Rs 2.24 crore); Nation With Namo, which is categorised as a news and media website (Rs 1.28 crore); and, a page (Rs 0.65 crore) affiliated to BJP leader and former MP R K Sinha, who owns Security and Intelligence Services (SIS).

    According to Facebook, an ad is categorised under “social issues, elections, and politics” if it is made by or on behalf of a candidate, political party, or advocates an outcome; is about a particular election or referendum; is regulated by political advertising, or is about a local social issue.

    In total, these accounts and BJP spent Rs 10.17 crore on advertising, which accounts for 64 per cent of the total amount spent by the top ten rank holders, that is Rs 15.81 crore. The period covered includes the general elections in April-May 2019, which saw the BJP return to power with an overwhelming majority.

    Earlier, a report by the Association for Democratic Reforms (ADR), claimed that BJP is by far the richest political party in India. The ADR analysed the audited accounts of the BJP, and six other national parties, including the Congress, for 2016-17. In 2019, BJP earned Rs 2,410 crore.

  • No top programme, advertiser and brand data for week 13: BARC India

    No top programme, advertiser and brand data for week 13: BARC India

    MUMBAI: Broadcast Audience Research Council of India (BARC) will not be able to make available data on top programmes, top advertisers and top brands for week 13. The ratings agency has informed that due to the ongoing COVID-19 situation, partners’ operations are disrupted and so it can’t make information available for the week starting 28 March up to 3 April.

    On its website, BARC India says, “BARC India is committed to weekly data release and will be releasing viewership data as scheduled on Thursday, 9 April 2020 at 1 pm. However, partners' operations have got disrupted and data for top programs, top advertisers and top brands are unavailable and hence will not be released for week 13.”

    It further adds, “We sincerely regret the inconvenience caused and thank you for your support and wish you safety, good health and peace of mind.”

    Other viewership data has been made available.

  • Dettol topples Trivago from top spot in BARC week 2 of 2019

    Dettol topples Trivago from top spot in BARC week 2 of 2019

    MUMBAI: The Broadcast Audience Research Council (BARC) India has released its data for top advertisers and brands for week 2 of 2019.

    The data reflects top 10 advertiser and brands across genre on Indian television (U+R): 2+ Individuals demonstrating ads that were inserted the most from 5 January to 11 January 2019.

    Top Advertisers:

    Hindustan Unilever Ltd is still holding strong to the top advertiser spot. The owner of a vast product portfolio, including foods, beverages, cleaning agents, personal care products led the game with 120788 insertions.

    The maker of products like Dettol, Veet, Durex condoms, Strepsils, Air Wick, and Harpic, Reckitt Benckiser Ltd, has also maintained its last week position in the second spot with 114626 insertions. ITC, too, has once again ranked third as it made 44191 insertions in week 2.

    Procter & Gamble and Ponds India stood fourth and fifth, just like the last week, with 33604 and 28427 insertions, respectively.

    Top Brands:

    Dettol Liquid Soap made a fresh entry onto the top spot in the brands' category with 16819 insertions in week 2 of 2019. Dettol Toilet Soaps stepped up from the fourth position of the last week to rank second in the list with 11394 insertions.

    Trivago, which was maintaining the top position for past several weeks, slipped to the third position in the second week with 9929 insertions.

    Santoor Sandal and Turmeric came in fourth with 9879 insertions followed by PolicyBazaar.com with 9841 insertions. 

  • Top 10 television advertisers during first 24 weeks of 2017

    BENGALURU: Hindustan Unilever Limited (HUL), Reckitt Benckiser (India) Ltd (RBIL) and Baba Ramdev’sPatanjaliAyurved Ltd (Patanjali) were the three top advertisers that have been present in all the 24 weekly lists of Broadcast Audience Research Council of India (BARC). All the three players are from the FMCG genre.Overall, 27 advertisers have been present at least for one week in the BARC’s weekly lists of TOP 10 Advertiser Across Genre : All India (U+R) : 2+ Individuals.

    HUL leads the pack by far with a total of 27,56,296  ad insertions during the 24 week period, followed by RBIL with 14,00,356 insertions. Patanjali with 5,68,023 insertions (just a fraction above 20 percent of HUL’s ad insertions) is third. Ad insertions by the HUL group would be much higher once the insertions by other companies associated with HUL are added.  

    The fourth largest advertiser during the period is confectionary giant Cadbury’s India Limited (Cadbury’s) which was present in BARC’s Top 10 advertisers lists for 23 of the first 24 weeks of 2017  – Cadbury’s had insertions of 5,26,685 during the period. HUL’s beverages associate – Brooke Bond Lipton India Limited (Brooke Bond) was fifth in the pecking order with 4,48,054 insertions during the 22 weeks that it was present in BARC’s weekly lists. It may be noted that the sum of insertions mentioned in this paper are the sum of only those numbers when they were present in BARC’s weekly  lists of top 10 advertisers. The actual number of insertions will be much higher. Please refer to the figure below for a list of top 10 advertisers during the first 24 weeks of 2014, based on their presence in BARC’s weekly lists of top 10 advertisers

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  • What content marketers should keep in mind in 2016

    What content marketers should keep in mind in 2016

    GroupM’s This Year Next Year report 2016 has projected that Digital Ad Ex will grow by 47.5 per cent in 2016. It has also strongly hinted at an upcoming trend where brands will get into movie and content production.

    With disruption being the name of the game, traditional avenues of content marketing, yes, this breed of marketing did exist before the digital era, has gone through a major overhaul and marketers are already seeing some new trends emerging.

    With a billion mobile phone connections and counting, bandwidth for internet consumption is soon to grow manifold, thanks to improved telecom infrastructure and 4G hitting urban and semi-urban markets. Advertisers well aware of this rapidly changing ecosystem must evolve, must adapt or perish. Hence, content marketing keeping the digital world in mind is advisable.

    Industry experts share their inputs with www.indiantelevision.com about some factors that content marketers should keep in mind for 2016.

    Know thy social media:

    Stay ahead of the curve, it’s important to understand the digital eco-system well, including devices that make way for content marketing and the social media. “I feel a whole new generation is coming on to the mobile internet for the first time in India. Not just Delhi-Mumbai-Hyderabad-Bangalore, but also in the tier II cities like Jaipur, Kanpur and Allahabad,” says popular travel itinerary website Ixigo.com’s content marketing head Ashish Chopra.

    “The moms and dads are coming online. They aren’t necessarily tech savvy on desktops but they are pretty active on mobile social media like WhatsApp and Facebook. The fact that more and more people are spending longer hours on the internet is important for a content marketer like me. It has become necessary that we keep mobile sensitivity when we create videos,” he adds.

    To further substantiate his argument, Chopra proposes to make the content native to the user’s experience. “For example, if you copy and paste a YouTube video link on Facebook, it doesn’t get enough views. Two years ago, we launched a video and posted its YouTube link on Facebook.  It got around 300 views,” Chopra recalls from his personal experience. “The next day we uploaded it on Facebook as a native video and got 50,000 views on day one. So Facebook is killing the game right now. It wants good content, wants people to stick around longer on the platform. Content marketers must understand and capitalise on this, and see if it can be turned into a win-win for both the stakeholders,” he adds further.

    Know thy consumer better:

    With the nationwide penetration of internet in the rural and semi-urban markets, and advertisers taking increased interest in them to grow their markets, marketers are often heard asking if the strategy they have in place for their urban consumers will also work in these newer markets.

    The looming question is whether content popular in metros and other urban market will resonate in the newer markets or ifmarketers need to have a different strategy for these.

    “I look at content in a different light,” Chopra shares. “For every brand that invests in content marketing it’s the consumer who decides what the flavour of the content will be. ixigo has many users who travel by train. So we focus on those people.”

    What is important is that content marketers ask themselves if what they are creating is useful for their target audience, irrespective of the sensibility of urban, rural, tier I or tier II cities. “If it’s useful he or she is most likely to share it. One should keep an eye on topical content and inspirational stories that might relate to the audience. Then, with an insight into the lives of the consumers, come up with little things that touch their daily lives,” Chopra adds.

    Be a storyteller, not advertiser:

    Recognising the power of digital media and content to move  consumers, several brands are powering their marketing arms to become storytellers as well — either through brand integration or through partnerships with content creators (branded content).

    United Beverages’ alcohol-beverage brand Kingfisher is a fine example of a forward-looking brand that has done exceptionally well in tapping this potential.

    “At the end of the day YouTube has a viewership of 75 million of our target group and is the fifth largest video channel so to speak. Only a few television channels are larger than it. One has to start looking at YouTube as mainstream media as well,” says United Beverages Limited, marketing SVP Samar Singh Sheikhawat, talking about content marketing and digital marketing in general.

    With branded content being the buzzword, one mustn’t confuse it with ads. “People have little patience for advertisements.”

    “Earlier, say when there was only Doordarshan, people didn’t have a choice but to sit through them. After multiple channels came in, people had a remote control in their hands, and would mostly switch channels to avoid ads,” says Chopra.

    “For the current, digital generation, when an ad comes on YouTube or Facebook, viewers have 10 tabs open. So we can’t make ‘ads’ for this generation. It has to be authentic content of real value to them, solves a problem, fascinates or is topical. And there has to be entertainment of some sort. Period,” Chopra firmly asserts.

    And that is exactly what Kingfisher has done with the web-series Pitchers in partnership with The Viral Fever. “Kingfisher has already heavily and successfully invested in content marketing on the digital platform, their single most outstanding success being TVF’s Pitchers.

    It was produced by TVF and funded by us, and after the success of its season one, we have decided to be part of season 2 this year. Kingfisher has been woven into the story and the views you see are organic. We are not claiming credits or marketing it,” shares Sheikhawat, admitting that the brand is looking to invest in several similar initiatives. “We have received feelers from the likes of Ronnie Screwvala’s Arre, YRf’s new digital arm. So we are currently evaluating creating more content like pitchers,” Sheikhawat adds.

    Be patient, it works:

    The 120 Media Collective founder-CEO Roopak Saluja defines content marketing simply: “If advertising is telling the world you are a rock star, content marketing is showing you are one.”

    In the current eco-system, Saluja observes that advertisers lack patience with content marketing and aim for an immediate result. According to his market observations, “Though wisdom remains in investing in a sustainable content property, for the most part, brands and advertisers investing in content marketing are not looking into larger properties.”

    “From what the market looks like in early 2016, there will be brands that will be dipping their toes into content market to try it out. Rather than making a big investment, they might want to experiment at a small scale as an entry point into the field,” he elaborates. In other words, the adoption of the medium might be low intensity and not immediate.

    In agreement with his peers, Saluja reiterates that the current trend of content marketing is based on the rapid growth of video content digital available. ”Whether its small video content or a large property, the way ahead is definitely video-driven.”

    In content marketing, advertisers really see results in sustained strategy over getting content as a standalone initiative. Therefore advertisers making one-time small investments might not see the promised result from the medium and might go back to the traditional medium. This could be counterproductive for the medium. “It’s hard to say how it will affect the medium currently. Whether it’s five or 16 years later, traditional media will be deemed inefficient and all advertisers must be on board the content and digital bandwagon,” Saluja speculates.

    When it comes to effectiveness, Sheikhawat, a pioneer in content marketing, agrees that it is too soon to talk of efficacy as more often than not brands are aiming at credibility and loyalty than at direct effect on sales.

    Keeping Pitchers in mind Sheikhawat shares his experience on accountability of content marketing. “It is hard to tell in only one season, but it did get listed at position 21 on IMDB, rated next to shows like Game Of Thrones. It got over 10 million views for the five-episode web series. The target is to take it to 4 to 5 million unique viewers. That’s a significant number, larger than many television channels in this country. Apart from viewership, it comes with credibility, which is organically built with this digital-savvy generation, the future consumer base for us. We will continue this for a couple of more seasons. Then we will be in a better position to evaluate.”

    While the budget for content market is comparatively small for Kingfisher at the moment, it will only increase, says Sheikhawat. “Typically, digital advertising is 20 per cent of our marketing budget, out of which content creation will be close to half.”

    The industry is also discussing if an episodic way of introducing a marketing campaign to viewers and consumers can also be a way to keep them loyal to and interested in the brand. While many are concerned that episodic branded content requires longer commitment, they are willing to place their bets on it.

  • What content marketers should keep in mind in 2016

    What content marketers should keep in mind in 2016

    GroupM’s This Year Next Year report 2016 has projected that Digital Ad Ex will grow by 47.5 per cent in 2016. It has also strongly hinted at an upcoming trend where brands will get into movie and content production.

    With disruption being the name of the game, traditional avenues of content marketing, yes, this breed of marketing did exist before the digital era, has gone through a major overhaul and marketers are already seeing some new trends emerging.

    With a billion mobile phone connections and counting, bandwidth for internet consumption is soon to grow manifold, thanks to improved telecom infrastructure and 4G hitting urban and semi-urban markets. Advertisers well aware of this rapidly changing ecosystem must evolve, must adapt or perish. Hence, content marketing keeping the digital world in mind is advisable.

    Industry experts share their inputs with www.indiantelevision.com about some factors that content marketers should keep in mind for 2016.

    Know thy social media:

    Stay ahead of the curve, it’s important to understand the digital eco-system well, including devices that make way for content marketing and the social media. “I feel a whole new generation is coming on to the mobile internet for the first time in India. Not just Delhi-Mumbai-Hyderabad-Bangalore, but also in the tier II cities like Jaipur, Kanpur and Allahabad,” says popular travel itinerary website Ixigo.com’s content marketing head Ashish Chopra.

    “The moms and dads are coming online. They aren’t necessarily tech savvy on desktops but they are pretty active on mobile social media like WhatsApp and Facebook. The fact that more and more people are spending longer hours on the internet is important for a content marketer like me. It has become necessary that we keep mobile sensitivity when we create videos,” he adds.

    To further substantiate his argument, Chopra proposes to make the content native to the user’s experience. “For example, if you copy and paste a YouTube video link on Facebook, it doesn’t get enough views. Two years ago, we launched a video and posted its YouTube link on Facebook.  It got around 300 views,” Chopra recalls from his personal experience. “The next day we uploaded it on Facebook as a native video and got 50,000 views on day one. So Facebook is killing the game right now. It wants good content, wants people to stick around longer on the platform. Content marketers must understand and capitalise on this, and see if it can be turned into a win-win for both the stakeholders,” he adds further.

    Know thy consumer better:

    With the nationwide penetration of internet in the rural and semi-urban markets, and advertisers taking increased interest in them to grow their markets, marketers are often heard asking if the strategy they have in place for their urban consumers will also work in these newer markets.

    The looming question is whether content popular in metros and other urban market will resonate in the newer markets or ifmarketers need to have a different strategy for these.

    “I look at content in a different light,” Chopra shares. “For every brand that invests in content marketing it’s the consumer who decides what the flavour of the content will be. ixigo has many users who travel by train. So we focus on those people.”

    What is important is that content marketers ask themselves if what they are creating is useful for their target audience, irrespective of the sensibility of urban, rural, tier I or tier II cities. “If it’s useful he or she is most likely to share it. One should keep an eye on topical content and inspirational stories that might relate to the audience. Then, with an insight into the lives of the consumers, come up with little things that touch their daily lives,” Chopra adds.

    Be a storyteller, not advertiser:

    Recognising the power of digital media and content to move  consumers, several brands are powering their marketing arms to become storytellers as well — either through brand integration or through partnerships with content creators (branded content).

    United Beverages’ alcohol-beverage brand Kingfisher is a fine example of a forward-looking brand that has done exceptionally well in tapping this potential.

    “At the end of the day YouTube has a viewership of 75 million of our target group and is the fifth largest video channel so to speak. Only a few television channels are larger than it. One has to start looking at YouTube as mainstream media as well,” says United Beverages Limited, marketing SVP Samar Singh Sheikhawat, talking about content marketing and digital marketing in general.

    With branded content being the buzzword, one mustn’t confuse it with ads. “People have little patience for advertisements.”

    “Earlier, say when there was only Doordarshan, people didn’t have a choice but to sit through them. After multiple channels came in, people had a remote control in their hands, and would mostly switch channels to avoid ads,” says Chopra.

    “For the current, digital generation, when an ad comes on YouTube or Facebook, viewers have 10 tabs open. So we can’t make ‘ads’ for this generation. It has to be authentic content of real value to them, solves a problem, fascinates or is topical. And there has to be entertainment of some sort. Period,” Chopra firmly asserts.

    And that is exactly what Kingfisher has done with the web-series Pitchers in partnership with The Viral Fever. “Kingfisher has already heavily and successfully invested in content marketing on the digital platform, their single most outstanding success being TVF’s Pitchers.

    It was produced by TVF and funded by us, and after the success of its season one, we have decided to be part of season 2 this year. Kingfisher has been woven into the story and the views you see are organic. We are not claiming credits or marketing it,” shares Sheikhawat, admitting that the brand is looking to invest in several similar initiatives. “We have received feelers from the likes of Ronnie Screwvala’s Arre, YRf’s new digital arm. So we are currently evaluating creating more content like pitchers,” Sheikhawat adds.

    Be patient, it works:

    The 120 Media Collective founder-CEO Roopak Saluja defines content marketing simply: “If advertising is telling the world you are a rock star, content marketing is showing you are one.”

    In the current eco-system, Saluja observes that advertisers lack patience with content marketing and aim for an immediate result. According to his market observations, “Though wisdom remains in investing in a sustainable content property, for the most part, brands and advertisers investing in content marketing are not looking into larger properties.”

    “From what the market looks like in early 2016, there will be brands that will be dipping their toes into content market to try it out. Rather than making a big investment, they might want to experiment at a small scale as an entry point into the field,” he elaborates. In other words, the adoption of the medium might be low intensity and not immediate.

    In agreement with his peers, Saluja reiterates that the current trend of content marketing is based on the rapid growth of video content digital available. ”Whether its small video content or a large property, the way ahead is definitely video-driven.”

    In content marketing, advertisers really see results in sustained strategy over getting content as a standalone initiative. Therefore advertisers making one-time small investments might not see the promised result from the medium and might go back to the traditional medium. This could be counterproductive for the medium. “It’s hard to say how it will affect the medium currently. Whether it’s five or 16 years later, traditional media will be deemed inefficient and all advertisers must be on board the content and digital bandwagon,” Saluja speculates.

    When it comes to effectiveness, Sheikhawat, a pioneer in content marketing, agrees that it is too soon to talk of efficacy as more often than not brands are aiming at credibility and loyalty than at direct effect on sales.

    Keeping Pitchers in mind Sheikhawat shares his experience on accountability of content marketing. “It is hard to tell in only one season, but it did get listed at position 21 on IMDB, rated next to shows like Game Of Thrones. It got over 10 million views for the five-episode web series. The target is to take it to 4 to 5 million unique viewers. That’s a significant number, larger than many television channels in this country. Apart from viewership, it comes with credibility, which is organically built with this digital-savvy generation, the future consumer base for us. We will continue this for a couple of more seasons. Then we will be in a better position to evaluate.”

    While the budget for content market is comparatively small for Kingfisher at the moment, it will only increase, says Sheikhawat. “Typically, digital advertising is 20 per cent of our marketing budget, out of which content creation will be close to half.”

    The industry is also discussing if an episodic way of introducing a marketing campaign to viewers and consumers can also be a way to keep them loyal to and interested in the brand. While many are concerned that episodic branded content requires longer commitment, they are willing to place their bets on it.

  • Ronnie Screwvala’s grand plans for Kabaddi

    Ronnie Screwvala’s grand plans for Kabaddi

    MUMBAI: If you’ve got to invest in sport in India, then it has to be the multibillion cricketing extravaganza the Indian Premier League (IPL) which attracted audiences like a zillion bees to a honeypot. Nothing else comes even close to it. Well at least that was the perception a couple of years back.

     

    But cricket’s hypnotic influence is waning, as other sports have begun to attract a following. And that’s mainly because game changing innovators have got into develop the business of sports. Amongst them figure Mashal Sports promoter and TV commentator Charu Sharma, Star India boss Uday Shankar and firm believers in disruption like Ronnie Screwvala. The trio picked up a game you and I have all played at some time or the other during our school days.

     

    A game that is played in each and every part of India, a game which the national team has emerged triumphant in each and every level it has participated; a game that we all know but did not talk about much. In no time, it has  emerged as the second most popular sport on television.

     

    We are talking about the game called kabaddi which has flowered as the Star Sports Pro Kabaddi League, a tourney that Screwvala’s Unilazer Sports had an eye on from day one. The entrepreneur invested and acquired the Mumbai franchise and named it U Mumba. The first season saw his team play well. Well enough to reach the finals. But not well enough to take home the gold and the trophy; second place was all that it could manage.

     

    But second best was not good enough for Ronnie. Came ProKabaddi League Season II, and Ronnie’s boys took home the gold.  What helped them across the winning line?

     

     “It’s teamwork. From day one we focused on teamwork, and it has worked for us,” pat comes Screwvala’s response. “Ours was the only consistent team which reached the finals in both the seasons. In sport, talent nurturing, morale and teamwork are most important things, so once you get that right – the body language, the aura around it, and the perfection falls in place.”

     

    The success of U Mumba was not limited to the ground. It was reflected in the number of sponsors on the team jersey, in the full houses at the arena when the team played, and in the balance sheet as well in terms of revenue generation.

     

    “I think we had a very focused approach to winning, to perform and that’s what sport is all about, and I feel that’s what has worked for us,” explains Ronnie.  “So when people look at it and say this is the organization which is committed to take sports further, it is committed to its people. It is unlike any other organization when you see the body language and when you see the culture of the company; people invest in the culture of the company. We want to win.”

     

     He has been working on another level too: that of building the franchise of kabaddi. Like other team owners he realized that there were limitations with the ProKabaddi League. Being a once-a-year competition played over a few days, it could not stack up against other sports like cricket or tennis or football that are played throughout the year and have large mind spaces amongst sports lovers. Hence, sustaining its brand value would be difficult[ – forget about enhancing it – which is what most team owners want: an appreciation in the value of their investment in their teams.

     

    So he initiated a discussion with the other stakeholders and they came up with an answer, make the ProKabaddi League a twice a year proposition.

     

     “The thought we had was very clear and I think it came from everybody saying that we should have a longer season or two seasons. In cricket you can have a six weeks league and it still captures people’s minds as the sport is played throughout the year. Our point was that if you want to make a  sport a national interest sport and build it up into an even bigger property, you can’t play it just six days a year. We were pushing everyone and proposing to everyone that we should have two seasons a year and that was our goal. It took all of a year but fortunately now we will we will have season three in January 2016,”  says Screwvala.

     

    The ingredients are all there to make kabaddi a national phenomenon like cricket. The sport has its popularity across India but it was considered to be a non-glamorous sport played on the streets or on dusty grounds by the not so-well-off Indians; not something the rich or the upper middle-class could enjoy. Earlier coverage of the sport on television, especially Doordarshan, had also made it look unappealing.

     

    Hence, kabaddi needed many an innovation to make it look exquisite on television. And there came the great collaboration between Mashal Sports, Star India and the Kabaddi federations. Making the game compact was an important first step, explains Screwvala,  

     

    Says he: “I think what Star and Mashal have done to the sport is incredible. What Mashal did is put the sport on a platform that would make everyone look good. And that’s where the line, time, mat came into picture. If the game was played on mitti (soil) in an open field the compactness would have been missing. The sport would be even more engaging when the spectators were close enough to feel like they were a part of the action.”

     

     Star India too brought its production and creative skill sets to the table and made the sport look larger than life. Ronnie highlights out that Star did not film the league like they would cover a local sport, rather they went the Full Monty, with all the bells and whistles to make it look like a global spectaclur sport.

     

    “Indians like action. The action genre is very big here and the gladiator feel that Star’s coverage has brought is incredible” says Ronnie praising Star India. 

     

    Having tasted success and taking home the booty with his team U Mumba as the champ, Ronnie is brewing further plans relating to ProKabaddi.  

     

    “The sport needs to become aspirational. And we can do that through an animation series, TV series, movies and games. At least two of them will be unveiled in the coming one year,” says the billionaire media baron turned investor. “We have a plan drawn out for the next 18 months and we will do everything possible to make kabaddi an aspirational and regular sport in India. We are investing in a national hunt for new talent, so that we have future stars ready. This is a program to develop kabaddi at the grassroots level. It is an initiative to discover 100-200 Kabaddi talents across pan India. The interaction in rural area has been quite magical so far.”

     

    He is pretty happy with the returns he has got. “Last year we had revenues of Rs 12 crore,” he reveals with a wide smile on his face. “In 2016 we are targeting Rs 40-50 crore.  Mashal kept the acquisition price low and reasonable and thanks to that break even has already happened.”

     

    In terms of sources of revenue, despite the ticket prices being high, sponsorships and alliances lead the tally, followed by gate collections and TV revenue.

     

    “We did decently well in first season but now we are looking for a FourX jump,” he clarifies.” We cannot undersell Kabaddi rather we should not undersell Kabaddi. It is the number 2 sport in the country in terms of viewership…above football so it cannot be the number 4 sport in terms of advertising. It is watched by urban as much it is watched by rural so why do we under sell it?”

     

    He believes a lot more can be achieved if advertisers and agencies correct their perceptions about kabaddi.  Says he with a lot of passion in his voice:  “My only problem is certain advertisers who are in complete la la land.. the complete dinosaurs in my opinion. They still ask questions like:  are urban people watching it? Lets do a research and see who is watching it. And my answer to them is that we will find urban is as much into it kabaddi as rural is. So these perceptions are amateurish.”  

     

    Indeed this is a man who has made it a business to build enterprises and then finding customers who buy into them. And making a fat packet in the process for himself. Not once but several times over. The last one was when he got a very stringent media and entertainment major, the mouse house, Disney to buy out his interests in UTV. Kabaddi is definitely going to be a lot easier. 

  • Green TV to go the AFP way, soon

    Green TV to go the AFP way, soon

    MUMBAI:  India’s first agriculture oriented private TV channel launched on 21 October has already managed to penetrate 11 per cent of the total TV homes in the country.

    However, the channel headed by Nomad Films managing director Junaid Memon, has not been able to get any advertiser on board but it soon plans to change that. “Within the next few days you will see some advertiser funded programmes on Green TV,” says Memon. However, unlike other channels, they won’t be entertainment or news shows but awareness-based programmes that will educate farmers.

    It is looking at one year tie ups with brands wherein shows will be created on ground first and then aired on the channel. Though he did not wish to reveal the names, he says that talks are on with FMCG brands. Memon says that the channel is not going by conventional advertising since is very limiting. “What we can offer is allowing brands to meet their buyer. We are beyond just a TV channel, we can offer two-way communication,” he says.

    “We are picking people from agriculture institutes and then teaching them how to talk to the farmers and how to create shows for TV,” he adds. Currently, the channel has about 160 people which he soon looks to increase to 250.

    The primetime bands are morning 9 am to 12 pm and evening 4 pm to 7 pm with about six hours of original content being produced now. It will be soon taken up to eight hours. Morning shows consist of business, commodity market and daily updates on crop, afternoon is targeted to women with health and education programmes and evening is dedicated to information based technical shows. Memon advises that ‘agriculture’ is just a word but the channel’s scope involves a variety of things including horticulture, pisciculture, etc. All programmes are being shot in HD but currently telecast only in SD.

    The research team consists of 13 people, which he will be increasing to 23 by January. The group CEO is Ravi Bhatnagar, programming head is Nitin Sukheja, sales head is Sudeep Bhattacharya, and distribution head is Devinder Verma.

    It is soon going to bring on board an ad sales company. The marketing for the channel will begin in January with creatives being done by Guava Creative Solutions.
    So far, its distribution team has seeded about 2000 of the targeted 8000 boxes to LCOs.

    It is also closing in on deals with two DTH operators.