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Tag: Adoor Gopalakrishnan

  • MIFF 2014 concludes amid much fanfare

    MIFF 2014 concludes amid much fanfare

    NEW DELHI: Are you listening by Kamar Ahmed Simon won the Golden Conch Award for best documentary film while Nishtha Jain with her Gulabi Gang was named best director at the recently concluded 13th Mumbai International Film Festival (MIFF) for Documentary, short and animation films.

     

    Eminent filmmakers Adoor Gopalakrishnan and Shyam Benegal presented the awards as the curtains came down to the seven-day festival.

     

    Jury 1 comprised filmmaker Anand Patwardhan, film curator Angela Haardt from Germany, Director of the Yamagata Documentary Film Festival – Fujioka Asako of Japan, Slovenian film scholar Jurij Meden, and noted animator from Mumbai Shilpa Ranade.  Jury II comprised Canadian filmmaker Mark Achbar, film director and editor Amitabh Chakrabarty, film maker from Kerala M R Rajan, noted cinematographer Piyush Shah, and Netherlands based film scholar Rada Sesic.

     

    The 90-minute documentary by Simon won the award in the above 60-minutes category. It gets the Golden Conch trophy and Rs 500,000 cash prize (Rs 300,000 for the Director and Rs 200,000 for the producer – Sara Afreen). Set in the coastal belt of Bangladesh, the film is a powerful and beautifully photographed film that reveals the alarming effects of climate change and deftly captures the fighting spirit of a community and their will to survive. The global issue of climate change is experienced in microcosm in Simon’s film, as he observes the families of Sutarkhali.

     

    The Golden Conch for Best Documentary Film up to 60 minutes went to Maria Stodtmeier’s (Germany) In Between : Isang Yun in North and South Korea. This documentary explores whether music can overcome the boundaries of a divided country. It examines the worlds of North and South Korean music, taking the viewer along on an exciting journey through two political systems. It got the Golden Conch trophy and Rs 500,000 cash prize (Rs 300,000 for the Director and Rs 200,000 for the producer – Paul Smaczny).

     

    Black Rock directed by Vikrant Janardhan Pawar and produced by the Film and Television Institute of India was adjudged the Best Short Fiction film in International Competition. It got the Golden Conch trophy and Rs 500,000 cash prize (Rs 300,000 for the Director and Rs 200,000 for the producer – FTII).

     

    The Golden Conch Best Animation Film award went to True Love Story by Gitanjali Rao. This 18-minute animation set in the streets of Mumbai explores what happens when the ultimate Bollywood fantasy is applied in reality. It gives a glimpse into the influence of Bollywood on real life in Mumbai, told through puppet animation. The award carried a Golden Conch and Rs 500,000 cash prize.

     

    The film on Right to Information, Chakravyuh, by National Film award-winner Dhvani Desai was voted the most popular film, a new award chosen through voting by festival delegates. Chakravyuh through the struggles of four characters from different regions of India throws light on how the RTI can be used to fight corruption. The film produced by Films Division was first shown on 12 October 2013 on the occasion of the eighth anniversary of RTI in Mumbai.

     

    Nishtha Jain received Rs 100,000 cash award and a certificate got the Best Director Award in the International Competition section. Gulabi Gang tells the story of Sampat Pal and her group of women vigilantes and activists from Bundelkhand, who fight for women’s rights and their empowerment. Armed with a lathi (stick) the Gulabis visit abusive husbands and beat them up unless they stop abusing their wives. The film has won several other awards, and there are plans to release it in theatres on 21 February as part of PVR Director’s Rare initiative. Jain, an alumnus of FTII, is based in Mumbai.

     

    The Dadasaheb Phalke Chitranagari Award went to Mumbai based filmmaker Dylan Mohan Gray’s film Fire in the Blood for Best Debut Film of a Director. The 84-minute film tells the story of how Western pharmaceutical companies and governments blocked access to low-cost AIDS drugs for the countries of the global south in the years after 1996 – causing ten million or more unnecessary deaths – and the improbable group of people who decided to fight back. This award carrying a cash prize of Rs 100,000 and a Trophy has been instituted by the Maharashtra Film Development Corporation, Mumbai

     

    The Indian Documentary Producers Association Award for the best student film went to Sonyacha Amba (Golden Mango) directed by Govind Raju and produced by FTII, Pune. This film had participated in the Berlin and Beijing festivals as well. The Rs 100,000 cash and Trophy is given by the IDPA.

     

    The Pramod Pati Award for most Innovative film, carrying a cash prize of Rs 100,000 and a trophy went to Pushpa Rawat’s 57-minute documentary Nirnay (Decision). The film explores the lives of women in a lower middle class colony in Ghaziabad, who are young and educated, but feel bound and helpless when it comes to major decisions about their lives, be it career or marriage.

     

    The Kashmiri film Tamaash (The Puppets) got the Golden Conch for the best Short Fiction Film up to 45 minutes in the National Competition. Tamaash is the first film by directors Satyanshu and Devanshu Singh, who also wrote, edited, and produced it, along with Tulsea Pictures. The film insists on the power of goodness and the importance of preserving the innocence of children.  It had won the Golden Elephant Award at the International Children’s Film Festival held in Hyderabad during November 2013. Along with the Golden Conch, the filmmakers also get Rs 250,000 cash award.

     

    In the National Competition section, Seven Hundred Zero Zero Seven by Altaf Mazid got the Golden Conch for Best Documentary (upto 40 minutes), while Have You Seen the Arana by Sunanda Bhat and Invoking Justice by well-known Deepa Dhanraj shared the  Best Documentary Awards in above 40 minutes category.

  • NDTV to expand documentary slot from mid-March

    NDTV to expand documentary slot from mid-March

    NEW DELHI: NDTV 24X7, which had commenced a weekly half-hour slot for short films after it entered into a partnership with the Prasar Bharati-supported Public Service Broadcasting Trust (PSBT) last month, has now decided to increase the telecast of documentaries from mid-March.

    At present, NDTV telecasts the short and reality films each week on its flagship channel NDTV 24×7 as part of the series Documentary 24×7, every Thursday at 9:30 pm and repeated on Sundays at 1:30 pm.

    NDTV Producer Gunjan Jain – who recently attended the Mumbai International Film Festival for documentary, short and animation films to scout for good films – told indiantelevision.com that the half-hour and one hour slots may be alternated depending on the length of the films received by the channel for telecast.

    She also clarified that though the initial agreement had been with PSBT, the channel was also prepared to telecast documentaries by other producers. She had seen some good films in Mumbai and submitted her report to the channel.

    According to a PSBT spokesperson, the partnership provides an ideal platform for the exploration of myriad issues that these documentaries deal with, and for enhancing the viewership of powerful and insightful content. The effort will go a long way in creating and encouraging a public culture of documentary appreciation and engagement.

    Renowned filmmaker and PSBT Chairperson Adoor Gopalakrishnan said, “We welcome exposure for the excellent films produced by PSBT on a private commercial channel. With the terrible decline in the standards of commercial television, this is a very praiseworthy effort by NDTV. Our films are produced by independent filmmakers, most of them young, partially funded by Doordarshan. The future for public broadcasting lies in efforts such as these that demonstrate the potential of public-private partnerships.”

    PSBT is a non-profit trust that represents the confluence of energies to foster a shared public culture of broadcasting that is exciting and cutting edge. PSBT’s pioneering work revolves around the creation of independent films that are socially responsive and representative of democratic values. It seeks to situate a new vocabulary and activism at the very heart of broadcasting in India and this endeavour will open up new spaces for engagement with the form and content of documentary films in the mainstream public media.

  • NDTV to telecast DD-supported documentaries

    NEW DELHI: Many channels owe their origins or at least their talent to Doordarshan. Prannoy Roy began his television innings in a weekly programme on Doordarshan. Now, NDTV headed by him is to become the first privately-owned channel to screen films made by the Prasar Bharati-supported Public Service Broadcasting Trust.

    The Trust (SSBT) and New Delhi Television (NDTV) have entered into a significant partnership for the promotion of documentary and reality films. PSBT’s films are already being telecast on Doordarshan every week and at numerous national and international fora. They will now be telecast each month on NDTV’s flagship channel NDTV 24×7 as part of the NDTV series ‘Documentary 24×7’, every Thursday at 21:30 hrs and repeated on Sundays at 0130 hrs. 

    According to a PSBT spokesperson, the partnership provides an ideal platform for the exploration of myriad issues that these documentaries deal with and for enhancing the viewership of powerful and insightful content. The effort will go a long way in creating and encouraging a public culture of documentary appreciation and engagement. 

    Renowned filmmaker and PSBT Chairperson Adoor Gopalakrishnan said: “We welcome exposure for the excellent films produced by PSBT on a private commercial channel. With the terrible decline in the standards of commercial television, this is a very praiseworthy effort by NDTV. Our films are produced by independent filmmakers, most of them young, partially funded by Doordarshan. The future for public broadcasting lies in efforts such as these that demonstrate the potential of public-private partnerships”.

    Two PSBT films have been telecast on NDTV over the last month: Spot the Difference by Vivek Mohan, which documents the everyday lived similarities of a Chinese and Tibetan family despite underlying political differences, and Sharira by Ein Lall which explores the life of Chandralekha, an extraordinary and celebrated dancer and the interconnections between body, movement, sexuality, sensuality and spirituality.

    PSBT is a non-profit trust that represents the confluence of energies to foster a shared public culture of broadcasting that is exciting and cutting edge. PSBT’s pioneering work revolves around the creation of independent films that are socially responsive and representative of democratic values. It seeks to situate a new vocabulary and activism at the very heart of broadcasting in India and this endeavour will open up new spaces for engagement with the form and content of documentary films in the mainstream public media.