Tag: Adil Hussain

  • Second season of Delhi Crime releases on Netflix on 26 August

    Second season of Delhi Crime releases on Netflix on 26 August

    Mumbai: OTT platform Netflix has announced that the second season of Delhi Crime will be released on August 26.

    The second season delves into another challenging investigation. spearheaded by seasoned police officer DCP Vartika Chaturvedi (Shefali Shah), along with the newly promoted Neeti Singh (Rasika Dugal) and Vartika’s right-hand man, Bhupendra Singh aka Bhupi (Rajesh Tailang).

    This season will see Vartika and her team manoeuvre through complex situations both personally and professionally as a heinous crime takes centre stage.

    Along with Shefali Shah, Rasika Dugal, Rajesh Tailang, Adil Hussain, Anurag Arora, Sidharth Bhardwaj, and Gopal Dutt, they will reprise their roles.

  • Netflix to release the trailer for its true-crime anthology series, Delhi Crime

    Netflix to release the trailer for its true-crime anthology series, Delhi Crime

    MUMBAI: Netflix released the trailer of its upcoming police-procedural  series, Delhi Crime, which will launch on the service in 190 countries on March 22. Delhi Crime  is a seven-part anthology series written and directed by award-winning Indo-Canadian filmmaker Richie Mehta and stars Shefali Shah, Adil Hussain, Rasika Dugal and Rajesh Tailang.

    The story is a fictionalized depiction of the 2012 investigation into the incident and captures the complexities of the scrutiny, the emotional toll on the investigating team, and their determination to bring the perpetrators to justice in a fraught environment, seen through the lens of the investigation led by Varthika Chaturvedi (Shefali Shah), the police officer in charge.

    The series premiered at the Sundance Film Festival 2019, and has been lauded and garnered stellar reviews from critics across the world.

    Produced by Golden Karavan and Ivanhoe Pictures, the first season of Delhi Crime premieres on Netflix on March 22, 2019.

  • Zee buys Rajini 2.0’s three-language satellite rights for Rs 110 cr

    MUMBAI: Zee Network has acquired the satellite TV rights for superstar Rajinikanth’s sci-fi thriller “2.0” directed by S Shankar for Rs 110 crore. The film will grace the global theaters on 18 October during Diwali.

    Starring Bollywood star Akshay Kumar in the role of an antagonist, the film is a sequel to the 2010 blockbuster “Enthiran”. Sudanshu Pandey, Amy Jackson, Adil Hussain and Kalabhavan Shajohn are in the supporting cast.

    Lyca Productions creative head Raju Mahalingam told PTI that it was an unprecedented deal and that they were glad to associate with Zee Network. The price is for combined Indian satellite rights for the film for all the languages (Tamil, Hindi, and Telugu).

    A R Rahman, the Academy award-winning composer, has given the music for the project, which is said to be India’s most expensive film at a budget of Rs 450 crore.

    Also Read:

    Zee signs four TV-series deal with Eccho Rights

     

     

  • Force 2…..Of forced action…

    Force 2…..Of forced action…

    MUMBAI: Force 2 is the sequel to the 2011 movie, Force, which, in turn, was based on the 2003 Tamil film, Kaakha Kaakha. Force was about John Abraham, an ACP level cop, a loner who refuses to marry because that would hamper his work of chasing dreaded criminals. His department is always at war with the narcotics trade, and his life is always at risk. 

    However, love happens: he falls for Genelia D’Souza and marries her, only to lose her in his battle with the drug mafia. The rest is about how he avenges her death.

    In Force 2, John the narcotics cop goes international. He is deputed to assist a RAW agent, Sonakshi Sinha. John’s childhood friend, Freddy Daruwala, a RAW agent along with two other colleagues has been eliminated by the Chinese while on duty there. John receives a book from his friend and concludes that his friend’s cover was blown by one of his own compatriots. 

    John takes it upon himself to avenge his death.

    It is for John and Sonakshi to identify the traitor from among their own and then to neutralize him. Sonakshi does not think much of John, he being a cop while she represents the elite espionage force. She does not take John’s contribution seriously as she would rather go about singling out the traitor in her copybook style.

    The equation changes once John pinpoints the culprit while Sonakshi is still marking the probable suspects. But, much to John’s discomfort, the hierarchy is established. John is supposed to take orders from her even though her bumbling ways and reputation of failing to pull the trigger when needed makes her look more like the hero’s funny sidekick

    The villain, Tahir Bhasin, is identified but nabbing him is not easy. After all, he is also a trained spy. What follows is a chase which lasts through most of the first half of the film. The traitor is smart, always well-prepared and a step ahead of his pursuers. He has backup help from the Chinese to whom he is leaking the names of Indian agents in their country!

    As John and Sonakshi catch up with Bhasin, he is always saved by his handlers. Whenever that happens, John and Sonakshi are sitting ducks for them but they, it seems, want to chase to go on!

    Why would an Indian and a RAW agent at that be leaking information? He has his reasons on which the whole premise of the film is based. He is seeking revenge from someone high up in the Indian establishment. And, that is where the finale shall take place.

    The film starts off on an exciting note in the backdrop of China where three agents’ cover has been blown and the way they are killed. But, no, the fight here is not with the Chinese, they are just incidental. It’s all about the enemy within and that takes away some fun to start with.

    After that the action shifts to Budapest for rest of the film but, besides the change of scene as far as the location is concerned, the chases and the one-upmanship game have been seen before and get repetitive. The concept, as mentioned earlier, is based on a premise that is not familiar. Nowhere is the public privy to life of a RAW agent, let alone it being flashed on media like a local incident.

    While the pace is swift as most of the footage goes to action and chases with none wasted on romance or singing and dancing, it also means the film has no distractions as in variety. The script is on predictable lines. The direction, in such an event, is all about sticking to action with little attention to script. 

    The climax takes the audience for granted. Dialogue, especially the lines penned for Tahir, is good. The action is well executed and John, to his credit, makes them look plausible. John also looks sincere about his role of a cop on a rebound. Sonakshi shows little variation in expressions whether she is talking about her mistake which cost five cops their lives or in any other situation. The background score is effective.

    Force 2 is a below average action thriller.

    Producers: Vipul Amrutlal Shah.
    Director: Abhinay Deo.
    Cast: John Abraham, Sonakshi Sinha, Tahir Bhasin, Adil Hussain, Raj Babbar.

    Tum Bin 2….Old wine gone flat

    Tum Bin 2 is a sequel to 2001 film, Tum Bin, a musical love triangle. The sequel, also directed by Anubhav Sinha, comes rather late as far as sequels go, as the idea seems to be to cash in on the current trend of sequels and also to put to use a successful franchise. Tum Bin 2 follows almost same storyline as the original.

    Ashim Gulati and Neha Sharma are a pair and live an eventful life full of fun. On one of their days out skiing, Ashim meets with an accident. After attempts to trace him, all hopes are given up on his survival. Neha is devastated and withdraws from the world outside.

    This is when Neha meets Aditya Seal through Ashim’s father, Kanwaljeet Singh. Aditya gets busy helping Neha out of her grief. He also gets her involved in her work. Neha gradually starts living a normal life while also getting attracted to Aditya. Just when lives of all connected seem to be hunky-dory, it takes a turn to bring in the ever so popular and old-fashioned twist.

    Ashim is not dead after all. It is now a love triangle and Neha is faced with her past and present loves.

    There is nothing new to the story about the past catching up and the one in a quandary is always the woman. Tum Bin 2 does not vary from its original and retains the same glitches in the script as well. 

    The forte in the original was its soundtrack which worked in the film’s favour. Here, the music falls short of expectation. Retaining an old Jagjit Singh number from the earlier version is not much help.

    Direction is fair. Dialogue is routine. Cinematography makes the viewing pleasant. Performance wise, Neha Sharma and Aditya Seal do well. Ashim Gulati has little to do in the first half; he is okay.

    Tum Bin 2 faces some tough challenges. It comes at a time when demonetisation has affected box office collections all over; the film needed stronger musical score and, the length of 141 minutes (shortened by six minutes from the original censored length of 147) is too lengthy for a love story without any known faces.

    Producers: Bhushan Kumar, Krishan Kumar, Anubhav Sinha.
    Director: Anubhav Sinha.
    Cast: Aditya Seal, Neha Sharma, Ashim Gulati, Kanwaljeet Singh.

  • Force 2…..Of forced action…

    Force 2…..Of forced action…

    MUMBAI: Force 2 is the sequel to the 2011 movie, Force, which, in turn, was based on the 2003 Tamil film, Kaakha Kaakha. Force was about John Abraham, an ACP level cop, a loner who refuses to marry because that would hamper his work of chasing dreaded criminals. His department is always at war with the narcotics trade, and his life is always at risk. 

    However, love happens: he falls for Genelia D’Souza and marries her, only to lose her in his battle with the drug mafia. The rest is about how he avenges her death.

    In Force 2, John the narcotics cop goes international. He is deputed to assist a RAW agent, Sonakshi Sinha. John’s childhood friend, Freddy Daruwala, a RAW agent along with two other colleagues has been eliminated by the Chinese while on duty there. John receives a book from his friend and concludes that his friend’s cover was blown by one of his own compatriots. 

    John takes it upon himself to avenge his death.

    It is for John and Sonakshi to identify the traitor from among their own and then to neutralize him. Sonakshi does not think much of John, he being a cop while she represents the elite espionage force. She does not take John’s contribution seriously as she would rather go about singling out the traitor in her copybook style.

    The equation changes once John pinpoints the culprit while Sonakshi is still marking the probable suspects. But, much to John’s discomfort, the hierarchy is established. John is supposed to take orders from her even though her bumbling ways and reputation of failing to pull the trigger when needed makes her look more like the hero’s funny sidekick

    The villain, Tahir Bhasin, is identified but nabbing him is not easy. After all, he is also a trained spy. What follows is a chase which lasts through most of the first half of the film. The traitor is smart, always well-prepared and a step ahead of his pursuers. He has backup help from the Chinese to whom he is leaking the names of Indian agents in their country!

    As John and Sonakshi catch up with Bhasin, he is always saved by his handlers. Whenever that happens, John and Sonakshi are sitting ducks for them but they, it seems, want to chase to go on!

    Why would an Indian and a RAW agent at that be leaking information? He has his reasons on which the whole premise of the film is based. He is seeking revenge from someone high up in the Indian establishment. And, that is where the finale shall take place.

    The film starts off on an exciting note in the backdrop of China where three agents’ cover has been blown and the way they are killed. But, no, the fight here is not with the Chinese, they are just incidental. It’s all about the enemy within and that takes away some fun to start with.

    After that the action shifts to Budapest for rest of the film but, besides the change of scene as far as the location is concerned, the chases and the one-upmanship game have been seen before and get repetitive. The concept, as mentioned earlier, is based on a premise that is not familiar. Nowhere is the public privy to life of a RAW agent, let alone it being flashed on media like a local incident.

    While the pace is swift as most of the footage goes to action and chases with none wasted on romance or singing and dancing, it also means the film has no distractions as in variety. The script is on predictable lines. The direction, in such an event, is all about sticking to action with little attention to script. 

    The climax takes the audience for granted. Dialogue, especially the lines penned for Tahir, is good. The action is well executed and John, to his credit, makes them look plausible. John also looks sincere about his role of a cop on a rebound. Sonakshi shows little variation in expressions whether she is talking about her mistake which cost five cops their lives or in any other situation. The background score is effective.

    Force 2 is a below average action thriller.

    Producers: Vipul Amrutlal Shah.
    Director: Abhinay Deo.
    Cast: John Abraham, Sonakshi Sinha, Tahir Bhasin, Adil Hussain, Raj Babbar.

    Tum Bin 2….Old wine gone flat

    Tum Bin 2 is a sequel to 2001 film, Tum Bin, a musical love triangle. The sequel, also directed by Anubhav Sinha, comes rather late as far as sequels go, as the idea seems to be to cash in on the current trend of sequels and also to put to use a successful franchise. Tum Bin 2 follows almost same storyline as the original.

    Ashim Gulati and Neha Sharma are a pair and live an eventful life full of fun. On one of their days out skiing, Ashim meets with an accident. After attempts to trace him, all hopes are given up on his survival. Neha is devastated and withdraws from the world outside.

    This is when Neha meets Aditya Seal through Ashim’s father, Kanwaljeet Singh. Aditya gets busy helping Neha out of her grief. He also gets her involved in her work. Neha gradually starts living a normal life while also getting attracted to Aditya. Just when lives of all connected seem to be hunky-dory, it takes a turn to bring in the ever so popular and old-fashioned twist.

    Ashim is not dead after all. It is now a love triangle and Neha is faced with her past and present loves.

    There is nothing new to the story about the past catching up and the one in a quandary is always the woman. Tum Bin 2 does not vary from its original and retains the same glitches in the script as well. 

    The forte in the original was its soundtrack which worked in the film’s favour. Here, the music falls short of expectation. Retaining an old Jagjit Singh number from the earlier version is not much help.

    Direction is fair. Dialogue is routine. Cinematography makes the viewing pleasant. Performance wise, Neha Sharma and Aditya Seal do well. Ashim Gulati has little to do in the first half; he is okay.

    Tum Bin 2 faces some tough challenges. It comes at a time when demonetisation has affected box office collections all over; the film needed stronger musical score and, the length of 141 minutes (shortened by six minutes from the original censored length of 147) is too lengthy for a love story without any known faces.

    Producers: Bhushan Kumar, Krishan Kumar, Anubhav Sinha.
    Director: Anubhav Sinha.
    Cast: Aditya Seal, Neha Sharma, Ashim Gulati, Kanwaljeet Singh.

  • Parched…Dry run at box office

    Parched…Dry run at box office

    MUMBAI: Leena Yadav’s Parched debuted at the Toronto International Film Festival in 2015. Ever since, it has been on the festival circuit extensively till its theatrical release this week.

    Parched is about the state of women in the hinterland. The injustice meted out to women is a part of all societies; while the urban tales do not usually come out, rural stories abound but taken as a way of life till, a film or a story is made on it.

    Parched is about three women in arid Rajasthan, each having her own woes, mainly men-inflicted.These women find solace on the shoulders of each other. The women eventually gather courage to chart their own lives instead of submission.

    Tannishtha Chatterjee is playing a widow with a son of marriageable age. However, the lad is unwilling. Radhika Apte, Tannishtha’s confidante, is not better off either as she is labelled a ‘baanjh’ by her alcoholic husband and subjected to a regular dose of beating. Sharing her pain with Tannishtha is the only solace in her life.

    Surveen Chawla is playing a prostitute. Seemingly liberated, she too has her own problems as she is losing out on business to her younger rivals while also bearing the brunt of the anger of her pimp and others. Surveen has this idea that why all the foul words in Hindi are addressed to women and why can’t they be reversed and used for men?

    Nobody is aware of the desires of women; they seek care, love and, also, sex. Tannishtha has but some solace in a secret admirer who keeps calling her on phone. And, there is this sage like figure, Adil Hussain, who helps Radhika experience a fulfilling life while also assisting her get rid of the social stigma of ‘baanjh’.

    Parched has worthy contribution from all actors. Leena Yadav has rightly chosen a subject that needs a bold approach and executed it well. Her handling of the subject is deft. The cinematography by the American, Russel Carpenter, captures the surroundings well while also justifying the essence of the film. Editing, also entrusted to a foreign technician, Kevin Tent, keeps the process taut.

    This women-centric film is for performers. Tannishtha, Radhika and Surveen do full justice to their roles, while Surveen excels.

    Parched, having already made it to about a dozen film festivals, is one for the laurels while commercially it would appeal to a few at the high-end multiplexes.

    Producers: Ajay Devgn, AssemBajaaj.

    Director: LeenaYadav.

    Cast: RadhikaApte, Tannishtha Chatterjee, Surveen Chawla, Laher Khan, Adil Hussain, Riddhi Sen.

    Days Of Tafree: In Class; Out Of Class….Lacks class!

    Days Of Tafree: In Class-Out Of Class is a youth oriented film with a college background. It is a remake of the Gujarati film, Chhello Divas: A New Beginning (2015).

    Though many Hindi films have been adapted from Gujarati stage plays, the recent ones being OMG: Oh! My God (2012: Kanji Virudh Kanji), Waqt: Race Against Time (2005: Aavjo Vahla Fari Malishu), Super Nani  (2014: Baa ae Mari Boundary) and Aankhen (2002: Andhalo Pato), instances of Gujarati film remake in Hindi are rare if not non-existent.

    The film is about a group of college friends whose behavior in class and on the campus is unlike that of other college boys you would see in real life or in films. They hoot behind the teacher’s back, they talk filthy language as if it was the new in-thing. They are loud and always chasing girls and lady instructors. And, the bunch also has one Big Moose kind of brainless hulk which also makes the boys feel invincible.

    The pranks of these boys are supposed to arouse laughter. What really happens through the film is that only those on screen keep laughing failing to take the audience along. The film also makes jokes on physical deformities which is rather rude.

    The film is a flashback into the college life of one of the boys. There is no drama or conclusion as there is no story in the film. The music is loud in keeping with the tone of the film but non-appealing. Direction is amateurish and the editing is poor. The performances are over the top.

    Days OfTafree: In Class Out Of Class is poor in all respects.

    Producers: Anand Pandit and Rashmi Sharma

    Director: Krishnadev Yagnik

    Cast: Nimisha MehtaAnsh BagriSanchay GoswamiSarabjeet Bindra, Anuradha Mukharjee

  • Parched…Dry run at box office

    Parched…Dry run at box office

    MUMBAI: Leena Yadav’s Parched debuted at the Toronto International Film Festival in 2015. Ever since, it has been on the festival circuit extensively till its theatrical release this week.

    Parched is about the state of women in the hinterland. The injustice meted out to women is a part of all societies; while the urban tales do not usually come out, rural stories abound but taken as a way of life till, a film or a story is made on it.

    Parched is about three women in arid Rajasthan, each having her own woes, mainly men-inflicted.These women find solace on the shoulders of each other. The women eventually gather courage to chart their own lives instead of submission.

    Tannishtha Chatterjee is playing a widow with a son of marriageable age. However, the lad is unwilling. Radhika Apte, Tannishtha’s confidante, is not better off either as she is labelled a ‘baanjh’ by her alcoholic husband and subjected to a regular dose of beating. Sharing her pain with Tannishtha is the only solace in her life.

    Surveen Chawla is playing a prostitute. Seemingly liberated, she too has her own problems as she is losing out on business to her younger rivals while also bearing the brunt of the anger of her pimp and others. Surveen has this idea that why all the foul words in Hindi are addressed to women and why can’t they be reversed and used for men?

    Nobody is aware of the desires of women; they seek care, love and, also, sex. Tannishtha has but some solace in a secret admirer who keeps calling her on phone. And, there is this sage like figure, Adil Hussain, who helps Radhika experience a fulfilling life while also assisting her get rid of the social stigma of ‘baanjh’.

    Parched has worthy contribution from all actors. Leena Yadav has rightly chosen a subject that needs a bold approach and executed it well. Her handling of the subject is deft. The cinematography by the American, Russel Carpenter, captures the surroundings well while also justifying the essence of the film. Editing, also entrusted to a foreign technician, Kevin Tent, keeps the process taut.

    This women-centric film is for performers. Tannishtha, Radhika and Surveen do full justice to their roles, while Surveen excels.

    Parched, having already made it to about a dozen film festivals, is one for the laurels while commercially it would appeal to a few at the high-end multiplexes.

    Producers: Ajay Devgn, AssemBajaaj.

    Director: LeenaYadav.

    Cast: RadhikaApte, Tannishtha Chatterjee, Surveen Chawla, Laher Khan, Adil Hussain, Riddhi Sen.

    Days Of Tafree: In Class; Out Of Class….Lacks class!

    Days Of Tafree: In Class-Out Of Class is a youth oriented film with a college background. It is a remake of the Gujarati film, Chhello Divas: A New Beginning (2015).

    Though many Hindi films have been adapted from Gujarati stage plays, the recent ones being OMG: Oh! My God (2012: Kanji Virudh Kanji), Waqt: Race Against Time (2005: Aavjo Vahla Fari Malishu), Super Nani  (2014: Baa ae Mari Boundary) and Aankhen (2002: Andhalo Pato), instances of Gujarati film remake in Hindi are rare if not non-existent.

    The film is about a group of college friends whose behavior in class and on the campus is unlike that of other college boys you would see in real life or in films. They hoot behind the teacher’s back, they talk filthy language as if it was the new in-thing. They are loud and always chasing girls and lady instructors. And, the bunch also has one Big Moose kind of brainless hulk which also makes the boys feel invincible.

    The pranks of these boys are supposed to arouse laughter. What really happens through the film is that only those on screen keep laughing failing to take the audience along. The film also makes jokes on physical deformities which is rather rude.

    The film is a flashback into the college life of one of the boys. There is no drama or conclusion as there is no story in the film. The music is loud in keeping with the tone of the film but non-appealing. Direction is amateurish and the editing is poor. The performances are over the top.

    Days OfTafree: In Class Out Of Class is poor in all respects.

    Producers: Anand Pandit and Rashmi Sharma

    Director: Krishnadev Yagnik

    Cast: Nimisha MehtaAnsh BagriSanchay GoswamiSarabjeet Bindra, Anuradha Mukharjee

  • New Hindi film to have world premiere at Venice International Film Festival

    New Hindi film to have world premiere at Venice International Film Festival

    NEW DELHI: The Hindi film ‘Mukti Bhavan’ (Hotel Salvation) by Shubhashish Bhutiani is to have its world premiere at the Venice International Film Festival on 2 September.

    After receiving the Orizzonti Prize for Best Short Film for his short ‘Kush’,Bhutiani is back to Venice with his feature debut ‘Mukti Bhawan’.

    The Festival is being held from 31 August to 10 September 2016 and this film will have three public and delegate screenings on 2 and 3 September 2016 apart from one web streaming.

    The 103-minute film stars Adil Hussain (Life of Pi), Lalit Behl, Geetanjali Kulkarni.Palomi Ghosh, Navnindra Behl, and Anil K Rastogi.

    Shubhashish Bhutiani will be in Venice along with producer Sanjay Bhutiani and actor Adil Hussain.

    When a 77 year old man, Daya, wakes up from a strange nightmare, he knows his time is up and he must get to Varanasi immediately in hope of dying there to attain salvation. His dutiful son, Rajiv, is left with no choice but to drop everything and make the journey with his stubborn father, leaving behind his wife and daughter. The two of them check into Mukti Bhawan/Hotel Salvation. Rajiv finds himself having to live and take care of his father for the first time in his life. But he finds himself torn, not knowing what he must do to keep his life together.

  • New Hindi film to have world premiere at Venice International Film Festival

    New Hindi film to have world premiere at Venice International Film Festival

    NEW DELHI: The Hindi film ‘Mukti Bhavan’ (Hotel Salvation) by Shubhashish Bhutiani is to have its world premiere at the Venice International Film Festival on 2 September.

    After receiving the Orizzonti Prize for Best Short Film for his short ‘Kush’,Bhutiani is back to Venice with his feature debut ‘Mukti Bhawan’.

    The Festival is being held from 31 August to 10 September 2016 and this film will have three public and delegate screenings on 2 and 3 September 2016 apart from one web streaming.

    The 103-minute film stars Adil Hussain (Life of Pi), Lalit Behl, Geetanjali Kulkarni.Palomi Ghosh, Navnindra Behl, and Anil K Rastogi.

    Shubhashish Bhutiani will be in Venice along with producer Sanjay Bhutiani and actor Adil Hussain.

    When a 77 year old man, Daya, wakes up from a strange nightmare, he knows his time is up and he must get to Varanasi immediately in hope of dying there to attain salvation. His dutiful son, Rajiv, is left with no choice but to drop everything and make the journey with his stubborn father, leaving behind his wife and daughter. The two of them check into Mukti Bhawan/Hotel Salvation. Rajiv finds himself having to live and take care of his father for the first time in his life. But he finds himself torn, not knowing what he must do to keep his life together.

  • B4U acquires overseas distribution rights of Wave Cinemas’ six films

    B4U acquires overseas distribution rights of Wave Cinemas’ six films

    MUMBAI: B4U has acquired the overseas distribution rights of six films, which have been produced by Wave Cinemas.

     

    The first film in the deal is Main Aur Charles, which is directed by Prawaal Raman and stars Randeep Hooda, Richa Chadha and Adil Hussain.

     

    The deal was inked between B4U head of films Sunil Shah and Wave Cinemas CEO Rahul Mittra. 

     

    Slated for a worldwide release on 30 October, Main Aur Charles is presented by Wave Cinemas’ Ponty Chadha.

     

    The deal also includes the re-release of the 1969 Prithviraj Kapoor starrer epic Punjabi movie Nanak Naam Jahaj, which is presented by Wave Cinemas’ Ponty Chadha and Shemaroo Entertainment in association with Raju Chadha. The movie will hit theaters in November coinciding with Guru Nanak Dev Ji’s birth anniversary.