Tag: ad rates

  • Star Sports seeking a marginal increase in ad rates for IPL’24

    Star Sports seeking a marginal increase in ad rates for IPL’24

     Mumbai: 1.      Star Sports seeking a marginal increase in ad rates for IPL’24 (16.4lakhs vs 16lakhs – SD/HD combined) in spite of historic IPL in terms tremendous growth in reach (36 per cent) and ratings (30 per cent )

    (Source: Reach: BARC 2+ All India | Ratings: BARC M15+ AB Urban Pay)

    2. Compared to LY, SD rates have grown from 12 lakh to 12.8 lakhs considering 30 per cent growth in ratings/ reach growth of 36 per cent and extremely efficient CPM 60 (almost half of digital)

    3. Considering market trend of premiumization and more brands looking for mid/ premium audiences, Disney Star has lowered the entry cost for HD audiences from 5.9lakhs to 5.5lakhs/ 10 secs. This is in-spite of massive growth in HD reach (3.8X growth in reach vs 2023), making HD accessible to larger client-base of India.

    Source: HD Reach – BARC 2+ All India

    4. Overall, it looks like TV rates offer a much better efficiency/ CPM. TV delivers 3X scale brand impact and ROI for brands e.g. (attached)

       * Rate for Mobile/Web is 16 lakhs, when compared to this SD rates on TV are 12.8 Lakhs – 20 per cent lower rates and 3X higher scale and impact

       * CTV rates which offers a reach of around 50million is available at 6.5 lakhs compared to 5.5 lakhs for HD which reaches 150 mn viewers – 3X of CTV (Attached)

       * At a combined level, Digital rate is 22.5Lakh (Mobile + CTV) vs 16.5lakh (SD+HD) on Star Sports – 27 per cent lower – thereby increasing the efficiency by 3-4times at a combined All India level.

     

  • Sony Entertainment Television hikes KBC 14 ad rates by 15-20 per cent; witnesses return of marquee brands

    Sony Entertainment Television hikes KBC 14 ad rates by 15-20 per cent; witnesses return of marquee brands

    Mumbai: The longest-running knowledge-based game show Kaun Banega Crorepati (KBC) is returning to TV screens on 7 August for its fourteenth season. Throughout many seasons, KBC has emerged as the ‘go-to’ property for advertisers when it comes to maximizing brand presence & customer engagement.

    “The property is known for its undisputed honesty and credibility aids in achieving the desired objective for an advertiser through the customized solutions we create by understanding their needs,” Sony Pictures Networks India ad sales – network channels Sandeep Mehrotra told Indiantelevision.com. “This benefit certainly attracts clients who keep coming back with every season of KBC.”

    Channel to increase ad rates

    Mehrotra reveals that the Sony Entertainment Television channel is planning to increase the ad rates on the show by 15-20 per cent for the new season. It sees the return of marquee brands including Reserve Bank of India (RBI), Asian Paints, UltraTech Cement, Life Insurance Corporation (LIC) and Hyundai. Reputed brands like Asian Paints, UltraTech Cement and Hyundai have been associated with KBC for the past five, four and two years, respectively.

    The reason brands associate with KBC year after year is because of the show’s legacy and credibility which has helped it build a strong foundation and deliver value when it comes to brand solutions. Throughout the years, clients have seen its business objectives find the right brand solutions through KBC beyond just free commercial time (FCT).

    KBC is a much more digitally integrated show as compared to when it first started. The audience can engage with the game show on their smartphones via the Sonyliv app. The ‘KBC Play Along’ feature that combines the right mix of technology and gamification has added a personal engagement factor for the audience, getting them more involved in the game.

    “We are looking at creating value propositions for brands who are motivated to expand their reach on both linear and digital mediums, as it would benefit them in achieving their desired business objectives that have been set out,” said Mehrotra.

    He further said, “The show enjoys diverse participation from brand partners, season after season. KBC continues to attract positive responses from not only existing sponsors but new ones as well. Owing to the value proposition the show offers, the visibility adds weight to the sponsoring business.”

    Focusing on innovation and creativity

    This year’s season of KBC has innovated on two fronts, its marketing and programming. It is running a TV campaign that captures the transition of society from an information-scarce environment to an information overload which has created a need for a filter on solicited and unsolicited information that can translate to relevant knowledge.

    This messaging has been captured by the dialogue ‘Gyaan jahaan se bhi mile bator lijiye, lekin pehele zara tatol lijiye’ spoken by the show’s host Amitabh Bachchan in their commercials running on TV. The campaign cashes in on the show’s credibility and strengthens KBCs positioning as the leading game show on TV.

    The 14th season of KBC also coincides with India’s 75th year of independence and the channel has introduced a special episode that will air on 7 August at 9:00 p.m with special guests to bring alive the theme of India’s independence. Promos of the show aired on TV indicate that Padma Bhushan recipient actor Aamir Khan, Padma Bhushan boxing champion Mary Kom and Padma Shri Sunil Chhetri will be guests on the show. Kargil war veteran major DP Singh and Sena medal gallantry recipient Mitali Madhumita will appear as special guests.

    In terms of format changes, this year KBC contestants will win a prize pool of Rs 75 lakh or higher, which is expected to go up to Rs 7.5 crore. Additionally, after the success of the children’s special in the previous season, the current season will witness little geniuses taking the hot seat once again.

    “KBC 14 will be an integration of everything that has worked towards KBC’s success in the past and current innovations to the reality game-show format,” concluded Mehrotra.

  • DB Corp announces 20 per cent hike in ad rates for My FM

    DB Corp announces 20 per cent hike in ad rates for My FM

    Mumbai: DB Corp has announced a 20 per cent increase in ad rates on My FM across its key markets with effect from 15 February.

    My FM has witnessed an increase in demand in its key markets which has resulted in an opportunity for the radio broadcaster to increase ad rates and reflect its strong positioning in these markets. “The key markets of My FM have been witnessing a strong uptick in growth, as economic activity is returning to normal after the second wave last year. In addition, businesses across sectors are looking to increase their return on investment and get the most out of their advertising budgets,” said the statement.

    “We are seeing renewed vigour in advertising revenues, almost all categories are back on radio for their advertising needs especially in tier 2 and 3 markets where radio has always been very effective in hyper-local connect and have bounced back to pre-Covid levels,” said My FM CEO Rahul Namjoshi. “Over the last few months, we have witnessed significant demand in advertisements and consequently rising inventory pressure. Our priority has always been to deliver innovative content to our listeners and it is in our best interest to keep the listening experience and advertisers’ interest in perfect harmony. The price hike will help us to continue offering an enjoyable listening experience for our listeners and deliver stronger RoI for advertisers.”

    DB Corp is one of India’s largest media companies and home to flagship newspapers such as Dainik Bhaskar, Divya Bhaskar, Divya Marathi and Saurashtra Samachar as well as its radio network My FM.

  • IPL 2020: Brands opt for spot buying over bigger packages

    IPL 2020: Brands opt for spot buying over bigger packages

    NEW DELHI: It was being coined for long by the industry insiders that IPL will bring respite to the broadcasters from tardy advertising revenues that they are dealing with since the onset of Covid-19 pandemic, in early March.

    The tournament will take place in UAE this year between September 19 and November and is touted to be the biggest Live Sports event this year. Undoubtedly, there is a lot of excitement about the property among consumers, broadcasters and brands.

    It has been widely reported that Star has set a target of Rs 3000 crore in advertising revenues for IPL this year.

    Media Ant co-founder Samir Chaudhary shares, the ad rates for Star Sports are pretty much the same as the last time, Rs 13-15 lakhs per 10 seconds but on Hotstar it has gone up from ‘120 CPM in last season to ‘180 CPM.

    Interestingly, the experts pointed that while the advertisers are happy to go ahead with this high impact property, they are also playing it safe when it comes to buying ad slots on Star Sports and Hotstar for the tournament. Unlike every year, brands are not flocking to buy package deals but are smartly investing in spot buying, a leading marketing expert tells us. He adds that this is also the reason that ad rates have been slightly up this year. 

    Several reports indicate that Star has already sold a large part of their ad inventory and the rest of the inventory will be sold close the bigger matches. A lot will also depend on the viewership numbers of the tournament. For the record, IPL has always been able to clock high viewership numbers. In 2019, the cricketing league clocked a viewership of 462 million.

    Media veteran Shripad Kulkarni notes, “For Star Sports, these are the rates that they have begun with but it is a very dynamic situation this time. It will all depend on demand and supply. Also, usually, they used to open the FCTs once the sponsors were finalised but they don’t have much time now, so all of this is running parallely. I am hoping for the sake of all us that there is a last-minute surge in the prices as many are looking at it as a point of revival.” 

    Interestingly, this year, IPL is coinciding with the festive season which is further helping its cause. Traditionally brands are keen to advertise during this season to reach out to their consumers who are in a good mood to purchase. Advertisers have a very small window and they prefer to go all in during this time. So, this year, it is expected that advertisers will be happy to pay a premium for IPL slots to reach out to their consumers.

    In a recent interaction with Indiantelevision.com CEO, founder, and editor-in-chief Anil Wanvari, Havas Media group MD India Mohit Joshi had noted that good 25-30 per cent of this year’s festive season spends will be taken by forthcoming the cricketing league, scheduled to happen between 19 September and 8 November.

    Another expert insisted that the market sentiments are fairly positive right now and a number of brands are in the process of buying ad slots. Though, he adds that the sponsorship rates are running about 25 per cent low this year. 

    The positive sentiment around the property was further enhanced with the announcement of Dream11 replacing Vivo as the title sponsor. The fantasy league brand bought the sponsorship right for Rs 222 crore.

    On the digital front, Disney + Hotstar will play a major role this year. Several industry experts have pointed that they are expecting good viewership on Hotstar and therefore the ad rates are slightly higher, maybe up to 50 per cent more than the last time.” It is expected that a lot of brands will be keen to experiment with IPL on the digital front.

    Surprisingly, Kulkarni is expecting a dip in the ad rates for Hotstar to the tune of 25-30 per cent from the last season. He also agrees that a lot is going to depend on demand and supply. The rates might be revised as the season progresses and viewership numbers are revealed. 

    In terms of the number of FCTs sold, all the media experts maintained that many brands, from the ed-tech, automobile, and FMCG categories, are in the discussion phase and confirmations will follow in the next two weeks. 

  • Aaj Tak announces hike in Ad Rates

    Aaj Tak announces hike in Ad Rates

    MUMBAI: Aaj Tak raises the bar on performance, and on monetisation! Come this September, 2018, the number one news channel for the last 17 years recalibrated its rates after indexing inventory and latest leadership performance across parameters.

    In the latest few weeks Aajtak has seen tremendous upside with stories like Vajpayee ji’s demise, Kerala Floods, Independence Day among others setting the nations agenda.  During the period of three days 15th to 17th August, the heightened news environment helped Aaj Tak cross even leading Hindi GECs channels like Star plus, Zee TV, Colors & Sony TV on Coverage . (Source: BARC, TG:15+,Mkt:HSM, TB:0200-2600 Hrs, Period: 15th Aug to 17th Aug’18,Cov’000s)

    Aaj Tak has always enjoyed highest market share and viewership numbers in its category almost every week this year. In fact, it is the only channel with 25 crore monthly viewers in the news category.

    (Source: BARC, TG:2+,Mkt:HSM,Period:W29’18-W32’18,Cov in Cr)

    On market share in 15+ HSM, Latest 4 weeks Aaj tak has 45% Mkt Share Margin over no.2 Channel ( Source: BARC,TG:15+,Mkt: HSM,TB:0200-2600 Hrs, Period: 2018,4 weeks -21st July’18-17 Aug’18,Shr% Based on 12 channels)

    Rahul Shaw, CRO , TV Today summarized,”Given its unchallenged viewership and unparalleled following, Aaj Tak is now strategically looking at lowering inventory and compensating it with a premium pricing. With leadership across hsm, all india, urban, rural, coverage and prime time and almost a quarter of  news viewership with only one news channel on big news time bands, it is important that the leader helps the genre improve yields “

    Group CEO , India Today Group, Vivek Khanna adds, “The most influential news brand of the country has been a role model for many to follow. Truth , integrity & unconventional methods of news reporting really leave no competition in sight. The no1 news channel is also India’s no.1 news Facebook page, is global no1 news channel on Youtube by subscribers, is no1 Hindi news website, no1 hindi news twitter handle and no.1 Hindi news app. To top it, it is not just India’s no1 news channel, it is India’s no1 TV channel on IRS—hence the campaign-“Aajtak ka muqabla koi no2 se nahi, sirf aajtak se hai”

    Rahul Shaw adds, “With lower inventory levels, every ad on the channel will get better uncluttered visibility, a better ROI and hence more effective use of ad spends. There is a rollout plan for innovative ad options that will be global firsts. In keeping with the reputation, Aajtak will redefine the value news can unlock for viewers and advertisers “

    Here are some records held by Aaj Tak

    • India’s No. 1 Hindi news channel for past 17 years- the only news channel with more than 25 crore viewers monthly

    · India’s No.1 TV Channel – Source: IRS 2017

    • World’s No. 1 YouTube News Channel with 9 million subscribers (Source : Socialbakers)

    • India’s No. 1 News Facebook Page with 21 million page likes  (Source : Facebook)

    • India’s No. 1 Hindi News Twitter Handle with 7 million followers (Source : Twitter)

    • Aaj Tak has 2 times more viewership than the No. 2 Hindi News channel (Source- IRS 2017, Most Watched Television)

  • We deserve it, says Nina Jaipuria as ad sales rates hike 25-30%

    We deserve it, says Nina Jaipuria as ad sales rates hike 25-30%

    MUMBAI: Pleasing a child is a daunting task and taking the challenge head on is none other than Nickelodeon and Sonic. With the new year coming in, the channels are set to excite its viewers with surprises and celebrations. Re-enforcing its market leadership, while Nick has got back Oggy and the Cockroaches, the action packed, chase comedy Pakdam Pakdai will be seen on Sonic, starting 22 December. 

    This is in line with the channel’s strategy to bring alive the thought of “Action Ka Tevar with Comedy Ka Flavour.”

    “Nick has already established its leadership position with characters like Motu Patlu and Ninja that we have nurtured over the years. Now its time to focus on Sonic. The shift of Pakdam Pakdai to Sonic is a strategic move in that direction. The show will rest only on Sonic since we do not want to dilute the franchise and keep both our channels differentiated,” says Viacom18 EVP and business head kids cluster Nina Elavia Jaipuria.

    To back this up, it is launching the first Pakdam Pakdai movie called Pakdam Pakdai – Don v/s Billiman on 25 December at 11.30 am on Sonic. Adding to the supersonic line-up is Sci -Fi Santa and all new episodes of Power Rangers with an entertaining array of new shows like Rimba Racer, Mini Ninjas and Jungle Bunch.

    To up the entertainment quotient, Nick will be airing the fifth exclusive made for television Motu Patlu movie: Motu Patlu Aur Khazane Ki Race. “There is always room for more. The kids demand for more and hence as the year progesses you will not only see newer episodes of Motu Patlu but also many more made for television movies.”

    Talking about the next big initiative, Oggy and the Cockroaches is all set to make a come back on Nick. Premiering on 1 January 2015, the channel has already created a bank of 65 episodes. This character was made about five years ago and very quickly it became a chart topper. “What we got was a silent show, but we dubbed it and it became a runaway success.” 

     

    2014: A successful year…

    In the year, Sonic has grown almost 200 per cent in terms of ratings. “We couldn’t have asked for a better growth story for Sonic. Small and steady but we are happy the way the graph is looking now.”

    As per TAM ratings provided by the channel in All India ABC CS 4-14, Sonic’s reach has grown by 63 per cent and time spent by 93 per cent as compared to last year. “Not only we want more viewers but we want them to stick on our channel and the growth clearly shows that the content is sticky and the characters have already made their way into the hearts and minds of children. Our closest competitor Disney XD has de-grown and trails by 25 TVTs in November’14,” points out Jaipuria.

    What led to the 200 per cent viewership growth on Sonic? The holiday season did wonders for the channel where close to 1.5 million kids engaged all through summer. The channel conducted a ‘Back to School’ campaign to ‘Be the Ranger’ across 11 cities and 200 schools and grabbed eyeballs of almost 1.6 lakh kids. Moreover, it was followed by ‘Diwali Dhamaka’ campaign that reached out to over 10 million kids across the country. ‘Meet the Rangers in USA’ was an exciting mass media campaign with the ultimate thrill factor where the winner kids got a chance to meet the actual power rangers in USA.

    Power Rangers visited malls and game-plexes and challenged kids to take up the multicity gaming championship. The channel received over 15,000 entries. With Christmas nearing, the channel is conducting a sci-fi Santa contest, a month full of amazing prizes to be won every day.

    The reason behind so many campaigns and activities was to make Sonic more popular amongst its TG. “The Sonic task was very different for us because it was about creating awareness for the channel in the digitized markets given that Sonic is only available in digital markets.”

    From April 2013 to November 2013 and from April 2014 to November 2014, the kids’ category has witnessed a growth of 7 per cent. From the category, Nick tops the chart with 21 per cent growth in the ratings followed by Hungama with 9 per cent and rest all the channels have registered a drop.

    So what has worked wonders for Nick? According to Jaipuria, the three stalwarts on the channel – Motu Patlu, Pakdam Pakdai and Ninja Hattori have added to most ratings. In a very short span of time Motu Patlu managed to grab 44 per cent of the ratings, Pakdam Pakdai (9 per cent) and Ninja Hattori  (43 per cent).

    Jaipuria believes it is not just about TAM, but how the channel captures the hearts and minds of the little kids and to create the bond and relationship. “In the kids category the characters are most important to drive viewer affinity.  It is the character that forges the relationship and bond with our viewers along with engaging story-telling and great quality of animation.”

    The channel conducted ‘Be the Boss’ campaign where Nicktoons travelled to each winner’s city to hand them their ‘Appointment Letters’ to invite them to the corporate office. Over 21,000 entries participated to ‘Be the Boss’.

    Talking about the achievements, in the 11th edition of Ormax – Small Wonders Study, Nick’s Ninja Hattori, Motu Patlu and Sonic’s Power Rangers made their way amongst the top 10 characters.

    So, what made Nick stand out in the crowd? According to Jaipuria the trend in the category has not been Hollywood or Bollywood, but it is about creating movies that kids actually love. The fourth movie – Motu Patlu Kung Fu Kings was a runaway success. It was the category leader and in the week when it premiered it garnered around 777 TVTs.

    In 2014, Nick has attracted almost 20-30 new advertisers. Brands like Snapdeal, OLX, Godrej, Gionee Smartphones, Rasna etc have come on board. Talking about the entire franchise, it has attracted 105 new advertisers and 300 brands.

    With holidays coming, the channel is celebrating with consumer activations. ‘Lift your Gift’ contest, which started from 8 December and will go on for a month long, is one example.

    The channels have the advantage of being part of the network, which caters to the age group of 0-50 plus. “We have kids, youth and then general entertainment and that’s how we leverage and build on each other.”

    For instance, the characters Motu Patlu hit the highest peak of popularity when they did the jig with the stars in Jhalak Dikhlaja (JDJ).

    What seems to be the happy moment for Nick is that the ad sales category has grown by 14 per cent which is actually growing faster than the kids category (7 per cent). Jaipuria says the reason is the 12-minute ad cap which fuelled the shortage of inventory and therefore led to an automatic increase of ad rates.

    Considering the 12-minute ad cap, Jaipuria reveals that the entire network is already houseful. But talking about the other side of the story, she feels the category continues to be under indexed. “While the ad sales for the category is growing, it is still hugely under indexed.  The genre contributes about 9 per cent of viewership at a CNS 4+ but less than 2 per cent of the total TV  ad pie.  This needs to be addressed and we are sure that this disparity will soon be corrected.”

    The network has gone beyond the usual FCT and is working on innovations; from customised on-air solutions to product licensing and from in-show placements to product licensing and promotional licensing. “The non FCT pieces are one that not only helps broadcasters like us but also helps advertisers in a big way.”

    When the IP belongs to the owner, one can possibly try and create things with it. For example, Pakdam Pakdai has made it to overseas markets and is syndicated to almost seven territories outside of India like Middle East, South Asia etc and has become a small part of the revenue stream for the channel. 

    Keeping ahead of the curve and being future ready, assuming kids are consuming television on mobile, laptops and internet, the network has got its websites up and running. While Nickindia.com boasts of 3.5 million page views, sonicgang.com has 1.75 million page views. To top it all, it witnessed over 5 minutes of average time spent on each visit.

    Keeping in mind that kids won’t always be available on laptops or desktops, it has launched a Nick World app with the Nick shows and Keymon O’Fish game on iOS and Android platforms. It has got almost 30,000 downloads.

    Jaipuria feels that the challenge in the industry is to write movies in animation and there is dearth of writers in the space. “It’s the chase at the end of the day. We have handful of people in the category and for us hunting new talent is always a task. Even the production houses find it very hard.”

    On the financial side, Jaipuria reveales that the ad sales rates for the entire franchise has grown by 25-30 per cent. “We deserve it and the category also deserves it.” She further says that unlike Hindi fiction which costs around Rs 6-8 lakh per episode, animation content per episode is Rs 15-20 lakh.

    On the subscription revenue, the network has witnessed a growth of 15-18 per cent. “Thankfully the PnL’s are looking healthier, thanks to the subscription revenues.”