Tag: Abhay Deol

  • Hrithik, Farhan, Abhay say ‘Yas’ to adventure in ultimate reunion

    Hrithik, Farhan, Abhay say ‘Yas’ to adventure in ultimate reunion

    MUMBAI: Fourteen years after they won hearts with Zindagi Na Milegi Dobara, Hrithik Roshan, Farhan Akhtar, and Abhay Deol are back together this time, for a new kind of adventure. The much-speculated viral video featuring the trio has led to the reveal of Zindagi Ko Yas Bol, an exciting campaign for Yas Island that brings fans the closest thing to a sequel.

    The campaign, which unfolds in a five-episode series, sees the iconic trio exploring Yas Island’s most thrilling experiences. In the spirit of their original road trip film, each of them takes on a new challenge, pushing boundaries and embracing adventure with a resounding ‘Yas’. From high-speed roller coasters to jaw-dropping experiences, the series promises nostalgia, laughter, and a reminder to live life to the fullest.

    Adding to the excitement, the campaign features a brand-new jingle that encapsulates the fun and energy of Yas Island.

    Miral Destinations CEO Liam Findlay said, “This campaign is about rekindling the spirit of friendship and adventure, much like the film did years ago. Yas Island is the ultimate destination for unforgettable experiences, and we’re delighted to bring this journey to life with Hrithik, Farhan, and Abhay.”

    Filmmakers Zoya Akhtar and Reema Kagti, who co-wrote the script for the campaign, added, “It’s incredible to see how the film continues to resonate with audiences. At its core, Zindagi Na Milegi Dobara was about stepping out of your comfort zone, and we’re excited to celebrate that once again.”

    Fans can follow the trio’s escapades on Yas Island’s official social media channels as new episodes unlock fresh challenges and breathtaking moments. Zindagi Ko Yas Bol isn’t just a campaign—it’s an invitation to say ‘Yas’ to life’s greatest adventures!

  • Zupee unveils ‘Sadiyon Se India Ka Apna Game’ campaign

    Zupee unveils ‘Sadiyon Se India Ka Apna Game’ campaign

    Mumbai: Zupee has unveiled its latest campaign, ‘Sadiyon Se India Ka Apna Game,’ celebrating the timeless appeal of Ludo, India’s most beloved board game. This campaign is more than just a launch, it’s a heartfelt narrative that creatively captures Ludo’s evolution through the ages, with engaging storytelling and humor, culminating in its modern-day skill-based avatar on Zupee.

    From the ancient stone age to grandeur of royal courts to the golden era of black and white and the funky retro era, Zupee’s campaign creatively illustrates Ludo’s enduring journey. It also underscores Zupee’s innovation in offering skill-based variations that enable players to win real money on Zupee Ludo in today’s digital age, contrasting with a past where there were no meaningful rewards.

    The campaign showcases a star-studded ensemble including Saif Ali Khan, Sunil Grover, Mouni Roy, Vijay Raaz, and Abhay Deol, with each celebrity embodying a different era, bringing alive the idea that Ludo is truly ‘Sadiyon Se India Ka Apna Game’ in their own creative way.

    Zupee founder and CEO Dilsher Singh Malhi said, “We are delighted to introduce ‘Sadiyon Se India Ka Apna Game,’ a campaign celebrating Ludo’s enduring legacy. As a beloved classic, Ludo has united people across generations. This campaign not only highlights Ludo’s journey from ancient times to its modern avatar on Zupee, but also underscores our commitment to blending tradition with innovation in skill-based gaming. Collaborating with esteemed talents like Saif Ali Khan, Sunil Grover, Mouni Roy, Vijay Raaz, and Abhay Deol adds a unique touch to amplify the joy of playing Ludo to an even wider audience!”

    Bollywood star, Saif Ali Khan added, “Zupee’s dedication to offering enjoyable and innovative gaming experiences resonates with me. Their distinctive approach to skill-based gaming sets them apart, and Ludo, a beloved classic, perfectly captures the spirit of joyful entertainment.

    I am excited to contribute to an endeavor that celebrates our traditional board games while embracing contemporary gaming trends, all while weaving a playful narrative around our shared love for Ludo.”

    On his association with the brand, Indian actor & comedian, Sunil Grover added, “Ludo is indeed sadiyon se India ka apna game, a timeless favorite that has brought people together for generations. Working on this campaign was definitely a blast, mixing laughs with good old memories. Working with Saif Ali Khan, Vijay Raaz, Mouni Roy and Abhay Deol to bring different eras to life and give our favorite Ludo a modern twist was a delight.”

    The ‘Sadiyon Se India Ka Apna Game’ campaign is conceptualised and produced by Leo Burnett India and will span across TV, digital, print, radio, and outdoor platforms, complemented by a series of short films.

  • Disney International HD & Disney+Hotstar to premiere ‘Spin’ on 15 August

    Disney International HD & Disney+Hotstar to premiere ‘Spin’ on 15 August

    Mumbai: Disney Channel original movie ‘Spin’ will release on Disney International HD and Disney+ Hotstar Premium on 15 August at 12 noon, two days after its US release.

    Directed by Manjari Makijany, the film is about an Indian American teen named Rhea (played by Avantika Vandanapu) who discovers her artistic side through the unique world of DJ culture. Actor Abhay Deol plays the role of Rhea’s father in the film.

    Spin also features Meera Syal in the role of Rhea’s spirited grandmother and actor Simhadri as Rhea’s younger brother.

    The film is written by Carley Steiner and Josh Cagan and executive produced by Zanne Devine.

  • South Asian Film Market (SAFM)commences on 31st August in Singapore

    South Asian Film Market (SAFM)commences on 31st August in Singapore

    Mumbai: South Asian Film Market (SAFM) in Singapore is taking placefrom 31st August to 1st September in Singapore and will be attended by important filmmakers and industry stalwarts.  It is a unique initiative which offers a platform for selected filmmakers to raise funding for their projects from certain high net worth individuals (HNIs). It is the only such platform for South Asian films outside South Asia and had witnessed great success in its inaugural year in 2018.  4 films were funded of which 2 of them are ready for the release and the other 2 is are in their pre-production stages.

    Films in the West are produced by hedge funds and high net worth individuals who plough moneyin them purely as an alternative form of investment.SAFM is the only unique platform to offer this opportunity in South Asia. Singapore is often referred to as the financial capital of the region is the most appropriate place  to host this as the city often acts as a bridge between South Asia and South East Asia. This year, 15 filmmakers will fly down to Singapore and pitch their project to a set of jury panel members which includes Abhay Deol (Actor/Producer), Kilian Kerwin (Ivanhoe Pictures), Saugata Mukherjee (Hotstar), Saurabh Gupta (M! Capital Ventures) and Shariq Patel (Zee Essel).

    Commenting on SAFM, Abhay Deol, Actor / Producer, mentioned “I am very excited to be a part of the Jury at South Asian Film Market 2019 in Singapore. It is a unique format that brings filmmakers and high net worth individuals to a common platform. Investing into films as an alternative investment class is very common in the west and SAFM is bringing that to the content boom in South Asia. One of my films was also at SAFM last year which then got funded and is now up for release soon".
     
    “We aim to bridge the gap between creativity and finance and introduce fresh capital to films. South Asia is witnessing a boom currently in this space and it is the best time for investors to explore such investment”, said Abhayanand Singh, Chairman, SAFM.

    SAFM is also introducing a new section this year wherein publication houses will pitch for the adaptation of their books as films or web series.
     

  • IFFI 2016: Abhay Deol acquires three films;explores digital release

    IFFI 2016: Abhay Deol acquires three films;explores digital release

    NEW DELHI: Actor producer Abhay Deol has acquired critically acclaimed festival favourite independent films to explore their release on digital platforms at the ongoing Film Bazaar at the International Film Festival of India in Goa.

    The films are Aditya Vikram Sengupta’s Venice Film Festival and National Award Winner – “Labor Of Love”; Payal Sethi’s critically acclaimed multi-award winning ‘UN Women’ Selection – “Leeches”; and Brahmanand’s heartbreaking documentary on Ghazal Maestro Jagjit Singh “Kaagaz Ki Kashti”, among others.

    Deol said: “I saw “Labour of Love” at Indian Film Festival of Los Angeles and was blown away with Aditya’s aesthetic sensibilities, and his ability to spin a story without any spoken dialogues! Payal’s Leeches is an important film that people need to watch. She has beautifully woven a compelling story around an issue that is anathema to our social fibre and well-being. My most recent select is “Kaagaz Ki Kashti”, which pays homage to Ghazal maestro Jagjit Singh and premiered at MAMI this year. Brahmanand is a savant behind the lens and succeeds in powerfully bringing the legend back to life. I strongly believe in these films and want to ensure that audiences across the world watch them.”

    On being asked about the strategy of exploring the release the films on digital platforms, Deol said, “The way we consume content has changed. While it is no secret that we have a limited number of screens in India, the economics to engage in a theatrical release don’t make sense for Independent films. Minimum P&A budgets required to secure a decent release add unhealthy weight on a small film. What we need now is to adopt alternate avenues of distribution that are widely available thanks to platforms like iTunes, Netflix and Amazon Prime, all of which are effectively reaching global audiences. I’ve been in touch with some filmmakers who increasingly understand this changing environment. Pulkit’s recent directorial debut “Maroon,” is a fine example of an indie release done right. Vivek Kajaria and his team strategically released the film day and date on iTunes Worldwide, straight from MAMI. The potential reach that a film can achieve adopting this route is significant and can no longer be ignored.”

    Sengupta said, “We’re very excited about this opportunity to collaborate with Abhay Deol and take the next step in this incredible journey of Labour Of Love. Abhay has been a champion for the film right from the beginning and will help in introducing the film to an even wider audience. I’m also happy about the fact that he is taking the initiative to further the movement of Indian independent cinema.”

    Payal added, “This is the start of a new movement for Indian indies, which need to look towards innovation, not just in filmmaking, but distribution as well. I applaud Abhay’s trail-blazing stance, which is a huge boost for films such as mine that have proven capable of winning accolades on the world-stage. This initiative gives our films a digital lease on life and empowers us to build audiences beyond a successful festival run.”

    Brahma whose documentary has been the talk of the town said, “I feel initiatives and eyes for films like these by ambassadors like Abhay is needed for the film to reach its rightful audience in the longer run …A film is a film and the key is to keep you hooked to the narrative and legends like these needs to be remembered and perpetuated for posterity.

    Everyone from the maker to champions of them like Abhay as well as distributors and platforms like Netflix, iTunes, Amazon Prime etc need to come together to drive these initiatives to its rightful viewers.”

    On the topic of monetization via release on digital platforms and online distribution masquerading as piracy, Deol says. “Piracy is not a matter of choice, but stems primarily due to the unavailability of content on legitimate digital platforms. If your film is made available in a timely manner, then I truly believe that audiences would prefer to pay and watch it on a platform legally. Moreover, monetization through digital distribution is increasingly resulting in a positive return on investment (ROI). Licensing platforms are offering fair payouts, potentially paving a way for audiences around the world to watch and appreciate South Asian Content.”

    Abhay Deol will continue to curate films he loves and present them to audiences the world over by collaborating with Digital Platforms.

  • IFFI 2016: Abhay Deol acquires three films;explores digital release

    IFFI 2016: Abhay Deol acquires three films;explores digital release

    NEW DELHI: Actor producer Abhay Deol has acquired critically acclaimed festival favourite independent films to explore their release on digital platforms at the ongoing Film Bazaar at the International Film Festival of India in Goa.

    The films are Aditya Vikram Sengupta’s Venice Film Festival and National Award Winner – “Labor Of Love”; Payal Sethi’s critically acclaimed multi-award winning ‘UN Women’ Selection – “Leeches”; and Brahmanand’s heartbreaking documentary on Ghazal Maestro Jagjit Singh “Kaagaz Ki Kashti”, among others.

    Deol said: “I saw “Labour of Love” at Indian Film Festival of Los Angeles and was blown away with Aditya’s aesthetic sensibilities, and his ability to spin a story without any spoken dialogues! Payal’s Leeches is an important film that people need to watch. She has beautifully woven a compelling story around an issue that is anathema to our social fibre and well-being. My most recent select is “Kaagaz Ki Kashti”, which pays homage to Ghazal maestro Jagjit Singh and premiered at MAMI this year. Brahmanand is a savant behind the lens and succeeds in powerfully bringing the legend back to life. I strongly believe in these films and want to ensure that audiences across the world watch them.”

    On being asked about the strategy of exploring the release the films on digital platforms, Deol said, “The way we consume content has changed. While it is no secret that we have a limited number of screens in India, the economics to engage in a theatrical release don’t make sense for Independent films. Minimum P&A budgets required to secure a decent release add unhealthy weight on a small film. What we need now is to adopt alternate avenues of distribution that are widely available thanks to platforms like iTunes, Netflix and Amazon Prime, all of which are effectively reaching global audiences. I’ve been in touch with some filmmakers who increasingly understand this changing environment. Pulkit’s recent directorial debut “Maroon,” is a fine example of an indie release done right. Vivek Kajaria and his team strategically released the film day and date on iTunes Worldwide, straight from MAMI. The potential reach that a film can achieve adopting this route is significant and can no longer be ignored.”

    Sengupta said, “We’re very excited about this opportunity to collaborate with Abhay Deol and take the next step in this incredible journey of Labour Of Love. Abhay has been a champion for the film right from the beginning and will help in introducing the film to an even wider audience. I’m also happy about the fact that he is taking the initiative to further the movement of Indian independent cinema.”

    Payal added, “This is the start of a new movement for Indian indies, which need to look towards innovation, not just in filmmaking, but distribution as well. I applaud Abhay’s trail-blazing stance, which is a huge boost for films such as mine that have proven capable of winning accolades on the world-stage. This initiative gives our films a digital lease on life and empowers us to build audiences beyond a successful festival run.”

    Brahma whose documentary has been the talk of the town said, “I feel initiatives and eyes for films like these by ambassadors like Abhay is needed for the film to reach its rightful audience in the longer run …A film is a film and the key is to keep you hooked to the narrative and legends like these needs to be remembered and perpetuated for posterity.

    Everyone from the maker to champions of them like Abhay as well as distributors and platforms like Netflix, iTunes, Amazon Prime etc need to come together to drive these initiatives to its rightful viewers.”

    On the topic of monetization via release on digital platforms and online distribution masquerading as piracy, Deol says. “Piracy is not a matter of choice, but stems primarily due to the unavailability of content on legitimate digital platforms. If your film is made available in a timely manner, then I truly believe that audiences would prefer to pay and watch it on a platform legally. Moreover, monetization through digital distribution is increasingly resulting in a positive return on investment (ROI). Licensing platforms are offering fair payouts, potentially paving a way for audiences around the world to watch and appreciate South Asian Content.”

    Abhay Deol will continue to curate films he loves and present them to audiences the world over by collaborating with Digital Platforms.

  • Zarine’s Khan-Nawazi on Living Foodz on 19 Nov

    Zarine’s Khan-Nawazi on Living Foodz on 19 Nov

    MUMBAI: Get ready for a sumptuous extravaganza this November, as Living Foodz presents ‘Spices and Secrets with Zarine Khan’ on 19 November, which marks her television debut.

    ‘Spices & Secrets with Zarine Khan’ will showcase the lavish spreads of Zarine’s legendary Bollywood dinner parties for which guests eagerly mark their calendars. It also gives a glimpse of the ‘Khan-Nawazi’ that her family is famous for. Apart from this, Zarine will unravel the treasure trove of recipes she has lovingly pieced together over the years which include rare Persian, Mughlai, Parsi and Continental delicacies.

    The show is a visual treat for food and Bollywood enthusiasts alike, who will get a chance to see her dish out famous biryanis and mutton chops. Zarine will also share heart-warming anecdotes with Bollywood celebrities such as Dia Mirza, Farah Khan, Sajid Khan, Riteish Deshmukh, Abhay Deol, Javed Jaffrey, Poonam Dhillon, Kabir Bedi, as well as her own celebrated family. Viewers will also get to watch Zayed and Zarine in action as they prepare one of the family’s favourite dishes, ‘Laal Masala Chops’.

    “I absolutely love having friends over to our home for meals and I always ensure my table is spread with delicious food. For years, I have used my mother-in-law’s tried and trusted recipes which my friends and family love and now I have the opportunity to share these on TV with Spices and Secrets. I draw inspiration from my Parsi heritage as well as the traditions I learnt from my in-laws’ and it reflects in the food I cook. I hope to bring the best of my experiences to the viewers of Living Foodz through this show”, says Zarine Khan.

    Living Foodz Amit Nair, Business Head, Amit Nair, Business Head, , says “Spices and Secrets is special for all of us, as it showcases the culinary skills of a much-loved Bollywood family. The show beautifully captures the warmth that Zarine shares with her guests and we hope our viewers will enjoy the show. The show promises to be a captivating family watch.”

    “We are proud to present an original and unique culinary format of fine dining, with a lady of substance and class, from a distinguished celebrated family as its esteemed host. Inviting in her home of refinery, are a galaxy of stars and celebrities to share her fineness of food in this one of a kind show”, Subhadarshi Tripathy, CCO, Living Foodz added.

    Join Zarine Khan every Saturday and Sunday at 8 PM, as she charms you with her gastronomic secrets and more!

  • Zarine’s Khan-Nawazi on Living Foodz on 19 Nov

    Zarine’s Khan-Nawazi on Living Foodz on 19 Nov

    MUMBAI: Get ready for a sumptuous extravaganza this November, as Living Foodz presents ‘Spices and Secrets with Zarine Khan’ on 19 November, which marks her television debut.

    ‘Spices & Secrets with Zarine Khan’ will showcase the lavish spreads of Zarine’s legendary Bollywood dinner parties for which guests eagerly mark their calendars. It also gives a glimpse of the ‘Khan-Nawazi’ that her family is famous for. Apart from this, Zarine will unravel the treasure trove of recipes she has lovingly pieced together over the years which include rare Persian, Mughlai, Parsi and Continental delicacies.

    The show is a visual treat for food and Bollywood enthusiasts alike, who will get a chance to see her dish out famous biryanis and mutton chops. Zarine will also share heart-warming anecdotes with Bollywood celebrities such as Dia Mirza, Farah Khan, Sajid Khan, Riteish Deshmukh, Abhay Deol, Javed Jaffrey, Poonam Dhillon, Kabir Bedi, as well as her own celebrated family. Viewers will also get to watch Zayed and Zarine in action as they prepare one of the family’s favourite dishes, ‘Laal Masala Chops’.

    “I absolutely love having friends over to our home for meals and I always ensure my table is spread with delicious food. For years, I have used my mother-in-law’s tried and trusted recipes which my friends and family love and now I have the opportunity to share these on TV with Spices and Secrets. I draw inspiration from my Parsi heritage as well as the traditions I learnt from my in-laws’ and it reflects in the food I cook. I hope to bring the best of my experiences to the viewers of Living Foodz through this show”, says Zarine Khan.

    Living Foodz Amit Nair, Business Head, Amit Nair, Business Head, , says “Spices and Secrets is special for all of us, as it showcases the culinary skills of a much-loved Bollywood family. The show beautifully captures the warmth that Zarine shares with her guests and we hope our viewers will enjoy the show. The show promises to be a captivating family watch.”

    “We are proud to present an original and unique culinary format of fine dining, with a lady of substance and class, from a distinguished celebrated family as its esteemed host. Inviting in her home of refinery, are a galaxy of stars and celebrities to share her fineness of food in this one of a kind show”, Subhadarshi Tripathy, CCO, Living Foodz added.

    Join Zarine Khan every Saturday and Sunday at 8 PM, as she charms you with her gastronomic secrets and more!

  • Happy Bhag Jayegi, Unindian: blending of different cultures dominate cinemas this week

    Happy Bhag Jayegi, Unindian: blending of different cultures dominate cinemas this week

    MUMBAI: There are quite a few films around stories of India-Pakistan cross connections and some seem to benefit both Hindi as well as Pakistani industries as the trans-border themes find more acceptance because of commonality in cultures and could help create a common market.

    Happy Bhag Jayegi takes the two countries one story film even closer in cultures. The story in this film moves within 50 kilometers on two sides Punjab: Amritsar in India and Lahore in Pakistan. As expected, the film has an extensive use of Punjabi dialogue.

    In age-old tradition, Happy aka Diana Penty’s marriage is fixed to an aspiring local politician Jimmy Shergill by her father Kanwaljit Singh. But, Diana is deeply and truly in love with Ali Fazal, a wannabe musician. The wedding ceremony is about to take place when, as planned, Happy jumps in to an open truck parked under her window to make her escape to meet Ali.

    Not wanting to be found, Diana hides herself in a huge carton. But, there has been a mistake. Diana has jumped into a wrong truck and this truck is headed to Lahore in Pakistan via Wagah check post to deliver some stuff there. The carton lands at its destination at the house of Abhay Deol, son of the Punjab province ex-governor Javaid Sheikh.

    Abhay is engaged to his childhood friend Momal Sheikh. This is when Diana makes her presence felt, jumping out of the carton. This spells trouble for Abhay as Momal suspects some hanky-panky between Diana and Abhay. It takes a while for Abhay to clear all doubts as both, Momal and Abhay decide to help Diana unite with Ali.

    Abhay decides to make a trip to India to find Ali and bring him to Pakistan to bring the two lovers together. In India, he has to contend with Jimmy and his goons who are holding Ali in captivity. While Abhay is away in India, Jimmy’s contacts in Pakistan have kidnapped Diana who is now under their custody.

    Javaid sees in Abhay a worthy heir to his political ambitions. His catch phrase in anything to do with Pakistan is: Will change the history of Pakistan. And he feels Abhay can do it too. As a political ploy, Abhay convinces Javaid that they should arrange a community marriage of 100 needy suitors which would help them gain political mileage. Actually, his plan is to also get Ali and Diana tie the knot in the crowd of 100 couples, now that he has brought Ali from India and also got Diana freed.

    The marriage jamboree is about to begin when Jimmy who followed Abhay to Pakistan plans to take Ali’s place in the wedding ceremony. Kanwaljit has also reached the venue and a free for all follows making for a funny climax.

    Happy Bhag Jayegi is a fairly funny movie with no real negative shades as villains also have comic shades. The film is well scripted as its first half passes smoothly. It sags in the second half, making up to some extent in the climax. There is a problem as the film uses too much of Punjabi – in typical local twang. Direction is able. India Pakistan locales are mixed well. Thankfully, the film has few songs and all are peppy blending well with the theme. Cinematography is good.

    Performances are generally good. Abhay Deol is restrained. Jimmy Shergill is impressive as ever, this time in a comic role. Diana Penty impresses in the role of a typical tomboyish Punjabi girl. Ali Fazal carries his deadpan expression through as needed for his character. Momal Sheikh is fair. Special mention must be made of Piyush Mishra who excels.

    The film, as expected, has had a poor opening and some improvement over the weekend will be limited mainly to Delhi-Punjab areas due to use of Punjabi flavour and language in the film.

    Producers: Anand L Rai, Krishika Lulla.
    Director: Mudassar Aziz.
    Cast: Abhay Deol, Diana Penty, Ali Fazal, Jimmy Shergill, Javaid Sheikh, Momal Sheikh, Kanwaljit Singh, Piyush Mishra.

    UnIndian

    UnIndian is a crossover romance drama and this time, the action moves from our traditional base of such romances – UK or US – to down under in Australia. With a self-made but divorcee woman and traditional parents, a cultural clash becomes the mainstay of this film. While usually such films are loaded with loud Punjabi characters; this one is not.

    Tannishtha Chatterjee is a divorcee living in Australia. She has a daughter and parents, Supriya Pathak and Akash Khurana, who retain their Indian values and traditions. Supriya and Akash, like all well-meaning Indian parents, want their daughter to find a doctor or some such of an Indian background, well settled in life to begin her life anew.

    Bret Lee is an Australian who teaches English as it is used in Australia at the university. The plan is for the settlers from all over to learn the language making it easier for them to blend in society. The tables turn on Lee when he sees and instantly falls in love with Tannishtha. Now he needs to learn things that are Indian.

    Lee has help at hand in Arka Das, his Indian roommate who is a TV anchor of a food show. Arka knows only as much about India as Lee does but guides him all the same. This helps create some funny situations and laughter.

    The love story deals with some side issues while also promoting some tourism for Australia as the love story braves the cultural divide.

    UnIndian is a mildly funny film about meeting of two cultures through the easiest route: a love story. The script is plain with some loose ends but there is just about as much you can do in such a story where distractions cannot be crammed in as in action or song and dance. Direction is fair and the second half of the film goes a bit awry while dealing with unnecessary mush Indian style. Dialogue is simple and witty. Cinematography is competent.

    Tannishtha Chatterjee is natural and sails through the film easily. Bret Lee is better than expected. Arka Das is very good. Supriya Pathak is natural. Akash Khurana and the rest are okay in support.

    UnIndian will find very limited patronage at a few metro multiplexes.

    Producer: Krian Pictures.
    Direction: Anupam Sharma.
    Cast: Brett Lee, Tannishtha Chatterjee, Supriya Pathak, Akash Khurana, Arka Das, Gulshan Grover, Pallavi Sharda.

  • Happy Bhag Jayegi, Unindian: blending of different cultures dominate cinemas this week

    Happy Bhag Jayegi, Unindian: blending of different cultures dominate cinemas this week

    MUMBAI: There are quite a few films around stories of India-Pakistan cross connections and some seem to benefit both Hindi as well as Pakistani industries as the trans-border themes find more acceptance because of commonality in cultures and could help create a common market.

    Happy Bhag Jayegi takes the two countries one story film even closer in cultures. The story in this film moves within 50 kilometers on two sides Punjab: Amritsar in India and Lahore in Pakistan. As expected, the film has an extensive use of Punjabi dialogue.

    In age-old tradition, Happy aka Diana Penty’s marriage is fixed to an aspiring local politician Jimmy Shergill by her father Kanwaljit Singh. But, Diana is deeply and truly in love with Ali Fazal, a wannabe musician. The wedding ceremony is about to take place when, as planned, Happy jumps in to an open truck parked under her window to make her escape to meet Ali.

    Not wanting to be found, Diana hides herself in a huge carton. But, there has been a mistake. Diana has jumped into a wrong truck and this truck is headed to Lahore in Pakistan via Wagah check post to deliver some stuff there. The carton lands at its destination at the house of Abhay Deol, son of the Punjab province ex-governor Javaid Sheikh.

    Abhay is engaged to his childhood friend Momal Sheikh. This is when Diana makes her presence felt, jumping out of the carton. This spells trouble for Abhay as Momal suspects some hanky-panky between Diana and Abhay. It takes a while for Abhay to clear all doubts as both, Momal and Abhay decide to help Diana unite with Ali.

    Abhay decides to make a trip to India to find Ali and bring him to Pakistan to bring the two lovers together. In India, he has to contend with Jimmy and his goons who are holding Ali in captivity. While Abhay is away in India, Jimmy’s contacts in Pakistan have kidnapped Diana who is now under their custody.

    Javaid sees in Abhay a worthy heir to his political ambitions. His catch phrase in anything to do with Pakistan is: Will change the history of Pakistan. And he feels Abhay can do it too. As a political ploy, Abhay convinces Javaid that they should arrange a community marriage of 100 needy suitors which would help them gain political mileage. Actually, his plan is to also get Ali and Diana tie the knot in the crowd of 100 couples, now that he has brought Ali from India and also got Diana freed.

    The marriage jamboree is about to begin when Jimmy who followed Abhay to Pakistan plans to take Ali’s place in the wedding ceremony. Kanwaljit has also reached the venue and a free for all follows making for a funny climax.

    Happy Bhag Jayegi is a fairly funny movie with no real negative shades as villains also have comic shades. The film is well scripted as its first half passes smoothly. It sags in the second half, making up to some extent in the climax. There is a problem as the film uses too much of Punjabi – in typical local twang. Direction is able. India Pakistan locales are mixed well. Thankfully, the film has few songs and all are peppy blending well with the theme. Cinematography is good.

    Performances are generally good. Abhay Deol is restrained. Jimmy Shergill is impressive as ever, this time in a comic role. Diana Penty impresses in the role of a typical tomboyish Punjabi girl. Ali Fazal carries his deadpan expression through as needed for his character. Momal Sheikh is fair. Special mention must be made of Piyush Mishra who excels.

    The film, as expected, has had a poor opening and some improvement over the weekend will be limited mainly to Delhi-Punjab areas due to use of Punjabi flavour and language in the film.

    Producers: Anand L Rai, Krishika Lulla.
    Director: Mudassar Aziz.
    Cast: Abhay Deol, Diana Penty, Ali Fazal, Jimmy Shergill, Javaid Sheikh, Momal Sheikh, Kanwaljit Singh, Piyush Mishra.

    UnIndian

    UnIndian is a crossover romance drama and this time, the action moves from our traditional base of such romances – UK or US – to down under in Australia. With a self-made but divorcee woman and traditional parents, a cultural clash becomes the mainstay of this film. While usually such films are loaded with loud Punjabi characters; this one is not.

    Tannishtha Chatterjee is a divorcee living in Australia. She has a daughter and parents, Supriya Pathak and Akash Khurana, who retain their Indian values and traditions. Supriya and Akash, like all well-meaning Indian parents, want their daughter to find a doctor or some such of an Indian background, well settled in life to begin her life anew.

    Bret Lee is an Australian who teaches English as it is used in Australia at the university. The plan is for the settlers from all over to learn the language making it easier for them to blend in society. The tables turn on Lee when he sees and instantly falls in love with Tannishtha. Now he needs to learn things that are Indian.

    Lee has help at hand in Arka Das, his Indian roommate who is a TV anchor of a food show. Arka knows only as much about India as Lee does but guides him all the same. This helps create some funny situations and laughter.

    The love story deals with some side issues while also promoting some tourism for Australia as the love story braves the cultural divide.

    UnIndian is a mildly funny film about meeting of two cultures through the easiest route: a love story. The script is plain with some loose ends but there is just about as much you can do in such a story where distractions cannot be crammed in as in action or song and dance. Direction is fair and the second half of the film goes a bit awry while dealing with unnecessary mush Indian style. Dialogue is simple and witty. Cinematography is competent.

    Tannishtha Chatterjee is natural and sails through the film easily. Bret Lee is better than expected. Arka Das is very good. Supriya Pathak is natural. Akash Khurana and the rest are okay in support.

    UnIndian will find very limited patronage at a few metro multiplexes.

    Producer: Krian Pictures.
    Direction: Anupam Sharma.
    Cast: Brett Lee, Tannishtha Chatterjee, Supriya Pathak, Akash Khurana, Arka Das, Gulshan Grover, Pallavi Sharda.