Tag: Abbas Kiarostami

  • Sandrine Kiberlain to preside over Camera d’or jury at Cannes

    Sandrine Kiberlain to preside over Camera d’or jury at Cannes

    NEW DELHI: Renowned French actress Sandrine Kiberlain is to preside over the jury for this year’s Caméra d’or – award for the at the 70th Cannes International Film Festival this year. Canera d’or is a prize to a director’s first work from the Official Selection, the Directors’ Fortnight or the Semaine de la Critique.

    The Festival is being held from 17 to 27 May 2017 in the seaside resort in France.

    In a career spanning 25 years and boasting around 40 films, the actress has made a simple and subtle but undeniable impression on the French filmmaking scene.

    She first shot to prominence in The Patriots by Éric Rochant (winner of the Romy-Schneider prize), followed by En avoir (ou pas) by Laetitia Masson (César for Most Promising Actress).

    Since then, she has continued to make an impact far and wide, taking risks in her stride and turning her hand with ease to dramas (Mademoiselle Chambon), quirky comedies (9 Month Stretch, César for Best Actress), arthouse films (False Servant) and mass-market films (Little Nicolas).

    Following on from Wim Wenders, Tim Roth, Abbas Kiarostami and more recently Agnès Varda and Sabine Azéma, Sandrine Kiberlain and her jury members will award the Caméra d’or prize at the Closing Ceremony of the Festival de Cannes on Sunday 28 May.

    Since 1978 the award has gone to Stranger than Paradise by Jim Jarmusch (1984), Suzaku by Naomi Kawase (1997), The White Balloon by Jafar Panahi (1995), Hunger by Steve McQueen (2008) and Beasts of the Southern Wild by Benh Zeitlin (2012). Last year, Houda Benyamina won the Caméra d’or for her film Divines screened in the Directors’ Fortnight.

  • Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    NEW DLEHI: Japanese director Naomi Kawase, whose film Sweet Bean (An), had been the opening film of Un Certain Regard last year, is to preside over the Cinéfondation and Short Films Jury for its 69th edition of the Festival de Cannes. 

    A statement from the Festival said: “There are some directors whose careers are constantly intertwined with the Festival, much to its delight. The story with Naomi Kawase began back in 1997 when aged 27, she became the youngest winner of the Caméra d’or for her film Suzaku (Moe no Suzaku). The promise of this early discovery has since been reaffirmed time and again – as borne out by the selection in Competition of a whole series of her feature films: Shara (Sharasojyu) in 2003, The Mourning Forest (Mogari no Mori) in 2007, Hanezu (Hanezu no tsuki) in 2011 and Still the Water (Futatsume no mado) in 2014. In 2013, as a member of the Feature Film Jury, Naomi Kawase played a key role on the Croisette alongside Steven Spielberg”.

    In her films Naomi Kawase uses limited budgets and prefers non-professional actors – a sign of the director’s beginnings in the documentary genre, which first brought her to prominence after she graduated from the Photography School of Osaka. 

    When her appointment was announced, Naomi Kawase said: “Films enrich people’s lives, and their worlds inspire new possibilities. It is a little over 100 years since the advent of films, and their potential is ever expanding. They are exceptional media that can embody the diversity of world cultures, and their stories are like another life that enchants the audiences who see them. Short films are exceptionally difficult as they face the question of how much of a story can be experienced in their short duration, while they also contain myriad possibilities yet unseen. And among films created by students there will be the discovery of hidden brilliance like a gemstone, which makes me very much look forward to participating in this jury, a journey of adventure.”

    Renowned producer and director Gilles Jacob added: “From her Japanese roots, Naomi Kawase (Caméra d’or 1997) takes her extreme delicateness, refined manners and moral elegance. Her pointillist talent has helped generate a cinematic intelligence and a subtle art full of poetic mystery and graceful simplicity, conveyed through the great emotions of life and the tiny gestures of everyday existence. This year she will join a long line of great presidents of the Cinéfondation and Short Film Jury, from Martin Scorsese and Abbas Kiarostami, to Jane Campion, Hou Hsiao Hsien, John Boorman and the Dardennes brothers.”

  • Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    NEW DLEHI: Japanese director Naomi Kawase, whose film Sweet Bean (An), had been the opening film of Un Certain Regard last year, is to preside over the Cinéfondation and Short Films Jury for its 69th edition of the Festival de Cannes. 

    A statement from the Festival said: “There are some directors whose careers are constantly intertwined with the Festival, much to its delight. The story with Naomi Kawase began back in 1997 when aged 27, she became the youngest winner of the Caméra d’or for her film Suzaku (Moe no Suzaku). The promise of this early discovery has since been reaffirmed time and again – as borne out by the selection in Competition of a whole series of her feature films: Shara (Sharasojyu) in 2003, The Mourning Forest (Mogari no Mori) in 2007, Hanezu (Hanezu no tsuki) in 2011 and Still the Water (Futatsume no mado) in 2014. In 2013, as a member of the Feature Film Jury, Naomi Kawase played a key role on the Croisette alongside Steven Spielberg”.

    In her films Naomi Kawase uses limited budgets and prefers non-professional actors – a sign of the director’s beginnings in the documentary genre, which first brought her to prominence after she graduated from the Photography School of Osaka. 

    When her appointment was announced, Naomi Kawase said: “Films enrich people’s lives, and their worlds inspire new possibilities. It is a little over 100 years since the advent of films, and their potential is ever expanding. They are exceptional media that can embody the diversity of world cultures, and their stories are like another life that enchants the audiences who see them. Short films are exceptionally difficult as they face the question of how much of a story can be experienced in their short duration, while they also contain myriad possibilities yet unseen. And among films created by students there will be the discovery of hidden brilliance like a gemstone, which makes me very much look forward to participating in this jury, a journey of adventure.”

    Renowned producer and director Gilles Jacob added: “From her Japanese roots, Naomi Kawase (Caméra d’or 1997) takes her extreme delicateness, refined manners and moral elegance. Her pointillist talent has helped generate a cinematic intelligence and a subtle art full of poetic mystery and graceful simplicity, conveyed through the great emotions of life and the tiny gestures of everyday existence. This year she will join a long line of great presidents of the Cinéfondation and Short Film Jury, from Martin Scorsese and Abbas Kiarostami, to Jane Campion, Hou Hsiao Hsien, John Boorman and the Dardennes brothers.”

  • Jane Campion to head feature jury, Abbas Kiarostami chairs short jury at Cannes Film fest

    Jane Campion to head feature jury, Abbas Kiarostami chairs short jury at Cannes Film fest

    NEW DELHI: The Cannes film festival that is scheduled between 14 May to 25 May this year will see ‘Titli’ by Kanu Behl as the only Indian film to have made it to the official selection of the Cannes Film Festival.

     

    The two-hour film will be screened in the Un Certain Regard section of the festival in the seaside French resort.

     

    It will feature 19 films in competition opening with Grace De Monaco by Olivier Dahan; 18 films in competition opening with Party Girl by Marie Amachoukeli, Claire Burger, and Samuel Theis; and one film to mark the 70thanniversary celebration of the Le Monde newspaper. In addition, there will two out of competition, three midnight, and five special screenings in the Festival which is considered the top film festival in the world.

     

    The New Zealand director, producer and scriptwriter Jane Campion is to preside over the Jury of the 67th Cannes Film Festival, while the 2014 Cinefondation and Short Films Jury will be presided over by the renowned Abbas Kiarostami from Iran, and Argentinean scriptwriter, producer and director Pablo Trapero, will preside over the Jury for Un Certain Regard.
            

    The short film jury will be presided over by the renowned Abbas Kiarostami from Iran, and Argentinean scriptwriter, producer and director Pablo Trapero, will preside over the Jury for Un Certain Regard.

     

    Some of the films in competition are ‘Winter Sleep’ by Nuri Bilge Ceylan, Adieu Au Langage by Jean Luc-Godard, The Homesman by Tommy Lee Jones, and Jimmy’s Hall by Ken Loach.

     

    The Salt of the Earth by Wim Wenders is in the Un Certain Regard section, while Zhang Yimou’s Coming Home is in the out of competition section.

  • Lee Chang-dong to be dean of Asian Film Academy

    Lee Chang-dong to be dean of Asian Film Academy

    MUMBAI: Lee Chang-dong, who won an award at the last Cannes Fest for best screenplay for Poetry and Secret Sunshine, will serve as the dean of the 2013 Asian Film Academy (AFA).

    Held jointly with the annual Busan International Film Festival, AFA is an international education program that offers aspiring filmmakers the chance to develop different aspects of their craft. This year‘s edition will be held for 18 days from 26 September to 13 October.

    Lee will teach students about short film production and supervise master classes and lectures. Participants will also learn about the practice and philosophy of filmmaking during the intensive program. In addition to him, emerging Thai filmmaker Aditya Assarat, winner of the New Currents Award at the 2007 Busan Festival for Wonderful Town, will serve as a mentor.

    “With Lee Chang-dong‘s master vision combined with Aditya Assarat‘s enthusiastic energy, the AFA 2013 faculty promises the best education possible for its new prospective fellows,” said the Academy in a statement.

    Earlier those top Asian directors who have supervised the Academy are Korea‘s Im Kwon-taek, Japan‘s Kiyoshi Kurosawa, China‘s Jia Zhangke, Taiwan‘s Hou Hsiao Hsien and Iran‘s Moshen Makhmalbaf and Abbas Kiarostami.