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  • Karnataka sets sights on creative technology leadership following GAFX 2025

    Karnataka sets sights on creative technology leadership following GAFX 2025

    BENGALURU:  The Karnataka government has unveiled ambitious plans to position the state as a global creative technology hub, announcing upcoming Esports Summit and Game Developers Conference events following the conclusion of the highly successful Bengaluru GAFX 2025.

    The three-day conference, held at The Lalit Ashok and organised by the Department of Electronics, IT & Biotechnology and the Association of Bangalore Animation Industry (ABAI), attracted over 5,000 daily visitors and featured 100+ sessions with 200 speakers from ten countries.

    “Karnataka is not just the IT, biotech, and skill capital of India—we are on our way to becoming the global creative capital,” declared information technology minister Priyank Kharge at the valedictory function. “With the right policies, incentives, and vision, we will transform India into a hub for creative technology.”

    The minister outlined plans for significant investment in incubators, Centres of Excellence, and original intellectual property creation, inspired by the success of global entertainment giants like Disney and Marvel. 

    Karnataka’s AVGC-XR Finishing School has already trained over 842 students, while the state hosts 27 Digital Art Centres and represents 20 per cent of India’s Media & Entertainment market.

    Several major announcements marked the event, including the animated debut of beloved comic character Suppandi, unveiled by actor Rana Daggubati. The character will stream on PowerKids TV, with Tinkle’s young female superhero WingStar also set for animation. The prestigious Uncle Pai Promising New Creator Award was launched, with Mahati Santhanakrishnan named inaugural recipient for her comic Hunting Monsters.
     

    Mike, Ashish, Biren and CC

    A significant partnership between Green Gold Animation (India) and TG Entertainment (UK) was announced to expand The Brilliant World of Tom Gates franchise across South Asia, focusing on licensing, merchandising, and animation production.

    The conference proved particularly fruitful for business development, with the B2B Forum facilitating 395 letters of intent between companies. Fifteen top buyers engaged with 39 participating companies, with 40 intellectual properties showcased. The Investor Connect Program saw 29 investors from 22 companies meeting with 34 startups, offering crucial funding and mentorship opportunities.

    The Skyesports Souvenir 2025 National Esports Championship featured four elite teams competing for a Rs 5 lakh prize pool, with Gods Reign crowned champions and Aakash “PH1NNN” Bose earning MVP honours. The competition showcased Counterstrike 2, confirmed as a title in the upcoming Olympic Esports Games 2026.

    The AnimationXpress GEM Awards recognised industry excellence across gaming, esports, and metaverse categories. Notable winners included Bloom – A Puzzle Adventure (Best Casual Game), Indus Battle Royale (Best Mobile Game), and 1971: Indian Naval Front (Best Hardcore Game). SuperGaming claimed Game Studio of the Year, with Lucid Labs named Best Indie Studio.
     

    Mishaal Wanvari, Neha Singhal Mehta and Team Soul

    Several strategic agreements were formalised, including an MoU between Uzbekistan and ABAI that will see delegations exchanged between the countries. The ABAI AVGC Centre of Excellence and Media & Entertainment Skills Council also partnered to advance skilling, incubation, and policy development.

    A Digital Detox Center by the All India Gaming Federation was launched, while a special session on Bringing Moana 2 to Life offered behind-the-scenes insights into Disney’s advanced animation technologies, including Tonic for hair grooming and enhanced crowd simulation.

    “There are tangible outcomes that will be an accelerator for India’s creative technology industries,” said Bengaluru GAFX  chairman and ABAI president Biren Ghose. “GAFX 2025 has succeeded in highlighting the disruption that will enable studios, startups, and talent to make a lasting impact on the global stage.”

  • Here are the winners of the second edition of Ann Awards

    Here are the winners of the second edition of Ann Awards

    Mumbai: On 17 July, Animation Xpress concluded the second edition of KAM Kids Animation & More summit that successfully brought together all the stakeholders of the animation space from all across the globe. The summit was followed by a grand award ceremony titled the ANN Awards 2021 where the best talents in the world of animation were honoured and recognised for their artistry and creativity.

    KAM Summit and ANN awards were presented by Nick and co-powered by Cosmos-Maya, Unreal-Engine and Discovery Kids. YOTTA served as the workstation partner and OTT service partner whereas Green Gold Animation was the summit partner. ABAI promoting Centre of Excellence (COE) were the associate partners and the event was supported by in10 Media – GUBBARE and HUION. Tokyo-based TBS’ Digicon6 Asia was the festival partner and ASIFA India was the community partner.

    Animators, studios, and individuals from institutes participated across 66 categories, setting a benchmark in the animation space. Over 300 artists were judged by a well-qualified 10-member jury through an online mechanism. The jurors were Vidit Kundra, Shilpa Ranade, Yoshiya Ayugai, Sekhar Mukherjee, Joan Vogelesang, Indrajit Nattoji, Anil Wanvari, Vivek Ram, Jack Liang, Dhimant Vyas.

    The winners will receive the Ann Awards trophy along with digital certificates.

    This year to honour the creative genius and champion of Indian animation industry, the late Arnab Chaudhuri, AnimationXpress introduced a new recognition, ‘The Arnab Chaudhuri Director’s Award’. To select the winners, an Awards Committee was put in place that consisted of people who have been associated with Arnab and understood his philosophies- Vaibhav Kumaresh, Ashish Kulkarni, Pete Bishop, Orion Ross, P Jayakumar, Prakash Moorthy, Hari Varma, Anil Wanvari and Ashima Avasthi.

    The winning student director under ‘The Arnab Chaudhuri Young Ace Award – Short Form content’ will be awarded with a cash prize of Rs 15,001 and the winner of ‘The Arnab Chaudhuri Young Ace Award – Long fort Form content’ will be awarded with Rs 33,001. The cash prize is a joint contribution from Ashima Avasthi, Vaibhav Kumaresh and AnimationXpress. The winners will also receive a digital tablet from our support partner HUION. 

    Here’s the list of Ann Awards nominations and winners:

    PROGRAMMING

    Best Preschool Show

    ·  Mighty Little Bheem episode – A Royal Festival of Colors (Green Gold Animation)

    Best Channel Packaging

    ·  Warner Media India – Pogo Festive Packaging

    Best Promo

    ·  Kaal ka badla (Discovery Kids India)

    ·  Kris Live Action Sport (Warner Media India – Pogo)

    ·  Kris Live Action Stationary (Warner Media India – Pogo)

    ·  Toons ki barish (Warner Media India – Cartoon Network)

    ·  What’s Your Summer Plan (Sony Pictures Networks India)

    Best 2D Animated Series

    ·  Abhimanyu (Toonz Media Group)

    ·  Ting Tong as Inventor (Viacom18 – Nickelodeon)

    ·  Chhota Bheem Episode – Shrunken Kids (Green Gold Animation)

    ·  Fukrey Boyzzz: Vanaar Sena (Discovery Kids India)

    ·  Titoo (Cosmos-Maya)

    Best 3D animated series

    ·  Bhoot Bandhus Family Tree & Bhoot Bandhus Magic Show (Viacom18 – Nickelodeon)

    ·  Rudra – Race to the mountain (Viacom18 – Nickelodeon)

    ·  Bablu Dablu: Monster Plan (One Take Media)

    ·  Motu Patlu (Cosmos-Maya)

    ·  KickO and Super Speedo (Sony Pictures Networks India)

    Best Animated Film

    ·  Fatak Patak – Sheru Ban Gaya Champion (Nihodo Media)

    ·  Rudra – The Land of Nowhere (Viacom18 – Nickelodeon)

    ·  Bheem In The City (Green Gold Animation)

    ·  Little Singham : Kaal ki Shatir Chaal (Discovery Kids India)

    ·  Little Singham: Future mein Satakli (Discovery Kids India)

    Best Animated Short Film

    ·  Ting Tong as Kungfu Dancer (Viacom18 – Nickelodeon)

    ·  Jungle Mangal (Saggitive TechnoCreative Solutions)

    ·  Lamput – Transfer Gun (Warner Media India)

    Best Music Composer

    ·  Har Task with a Mask (Warner Media India)

    ·  Move it Like the Animals (YoBoHo Digital Content)

    ·  Kicko and Super Speedo vs Benaam Who (Sony Pictures Networks India)

    Best Remotely Produced Content

    ·  Bheega Diya na (Warner Media India)

    ·  We for the World (Warner Media India – Pogo)

    ·  Momo and Tulus (YoBoHo Digital Content)

     

    DIGITAL/ OTT AWARDS

    Best Animated Film

    ·  Bombay Rose (Paperboat Design Studios)

    ·  Titoo Ambulance (Warner Media India – Pogo)

    ·  Christmas Ident (Warner Media India – Pogo)

    ·  Simmba Biker Gang (Warner Media India – Pogo)

    Best Animated Digital Series

    ·  Gummy Bear & Friends (Toonz Media Group)

    ·  Mighty Little Bheem Episode – Come Out and Play (Green Gold Animation)

    Best Animated Music Video

    ·  The Fortune & Julia Nem – Lost (Kiran Venugopalan)

    ·  Titoo aisa kyun hain? (Warner Media India)

    ·  Har task with a mask (Warner Media India – Pogo)

    Best Remotely Produced content

    ·  Toons ki barish (Warner Media India – Cartoon Network)

    Best Animated Social Media Brand

    ·  Cosmos-Maya WowKidz

    Best Reels

    ·  Pixoury Media

     

    TECHNICAL AWARDS

    Best Title Design

    ·  Fukrey Boyzzz: Vaanar Sena (Discovery Kids India)

    Best Title Song

    ·  Keymon Ache (Viacom18 – Nickelodeon)

    ·  Hope Song – Phhir Dil Bolega YAY! (Sony Pictures Networks India)

    ·  Honey Bunny ka Jholmaal title song (Sony Pictures Networks India)

    Best Editing in an Animated TV Series

    ·  Motu Patlu (Cosmos-Maya)

    Best Editing in an Animated Film

    ·  Fatak Patak – Sheru Ka World Tour (Nihodo Media)

    ·  Fatak Patak – Sheru Aur Masti Ki Pathshala (Nihodo Media)

    ·  Honey Bunny in Ghost Palace (Sony Pictures Networks India)

    Best Editing in an Animated Digital Series

    ·  Momo and Tulus (YoBoHo Digital Content)

    ·  Ace2Three Rummy (Skill Tool Studio)

    Best Director of an Animated TV series

    ·  Toonz Media Group
    Chacha Chaudhary

    ·  Cosmos-Maya
    Selfie With Bajrangi

    ·  Cosmos-Maya
    Motu Patlu

     

    Technical Awards

    Best Director of an Animated Film

    ·  A THEOREM (AK RAPOLU THEOREM)
    DHIRA

    Best Director of a Digital Series

    ·  Skill Tool Studio
    Ace2Three Rummy

    Best Screenplay

    ·  Fatak Patak – Sheru Ka World Tour (Nihodo Media)

    ·  Fatak Patak – Sheru Ban Gaya Champion (Nihodo Media)

    ·  Honey Bunny and Super Car Race (Sony Pictures Networks India)

    Best Character Design

    ·  Tiger in Jungle Mangal (Saggitive TechnoCreative Solutions)

    ·  Gadget Guru Ganesha (Cosmos-Maya)

    ·  Bapu (Cosmos-Maya)

    Best Character Animation

    ·  One Take Media Bablu
    Dablu: Monster Plan

    Best Voice Over Artist for a TV series – Male

    ·  Sony Pictures Networks India
    Honey Bunny Ka Jholmaal

    Best Voice Over Artist for a Digital series – Female

    ·  YoBoHo Digital Content Build
    A Childrens Playground

    Best Technical Innovation

    ·  A THEOREM (AK RAPOLU THEOREM)

    DHIRA

    L&M (Licensing & Merchandising) Awards

    Best Animated Character Merchandise

    ·  Chhota Bheem Saregama Carvaan Mini (Green Gold Animation)

    Best Animated Series Merchandise

    ·  Fatak Patak (Nihodo Media)

    Best Licensed Animated Character Programme

    ·  Chhota Bheem (Green Gold Animation)

    Best Licensed Animated Series Programme

    ·  Bablu Dablu: Snow Daze (One Take Media)

    Best use of Leveraging a Character for Brand Marketing

    ·  Chhota Bheem Jelimal Candies (Green Gold Animation)

     

    MAM (Media, Advertising and Marketing) Awards

    Best Animated Brand Film

    ·  Air India Animated Brand Films (ARTHA Animation)

    ·  Ace2Three Rummy (Skill Tool Studio)

    ·  TRAQ by Titan (Paperboat Design Studio)

    Best Digital Campaign for an Animated Series

    ·  Fukreyy Boyzzz Launch (Discovery Kids India)

    ·  Kaal ki Shatir Chaal (Discovery Kids India)

    ·  Ace2Three Rummy (Skill Tool Studio)

    Best use of Animated Character in a Brand TVC

    ·  Air India Animated Brand Advertisements (ARTHA Animation)

    Best Experiential Marketing

    ·  School Contact Programme (Discovery Kids India)

    Best Brand Collaboration

    ·  Fukrey Boyzzz x Britannia Krunch (Discovery Kids India)

    Best Innovative Campaign

    ·  SuperHero Academy (Discovery Kids India)

     

    Student Awards

    Best Student 3D Film

    ·  Deep Trouble (MAAC Andheri – Mumbai)

    ·  Let’s Go (MAAC South Extension – New Delhi)

    ·  BOOND (MAAC Malad – Mumbai)

    Best Student 2D film

    ·  Story of a Beginning
    Balaram J (National Institute of Design)

    ·  Water Pollution
    Vishnu Balal (UNESCO H2Ooooh! – Waterwise Program 2021 by Toonz Media Group)

    ·  Blinding Lights Music Video
    Dhruv Dhindale, Sakshi Singh & Aman Singh (DICE VFS)

     

    SPECIAL AWARDS

    Best Animator – Female

    ·  Meera Latkar (Warner Media India – POGO)
    Bheega diya naa

    Best Animator – Male

    ·  Mukund Bhaleghare (Skill Tool Studio)
    ACE2THREE Rummy

    Best Indie Studio

    ·  Paperboat Design Studios

    Young Animator of the Year

    ·  Balaram J (National Institute of Design)
    Story of a Beginning

    Best Animated Music Video

    ·  Jazyl Homavazir & Amandeep Singh
    Homeless Homeboy Animated Opening

    ·  YoBoHo Digital Content
    Move it Like the Animals

    ·  Discovery Kids India
    Little Singham: Kaal ki shatir Chaal

    ·  Kiran Venugopalan & Aishwarya Manoj Mankar
    The Fortune & Julia Nem – Lost

    Best Bollywood inspired animated IP

    ·  Fukrey Boyzzz (Discovery Kids India)

    Best use of animation in a public service message nominee

    ·  Pollution Control Day 2020 (Digitalclay Studios)

    ·  Mumbai Police Parivaar (ARTHA Animation)

    ·  Fukrey Boyzzz: Swag wali Diwali (Discovery Kids India)

    Best Syndicated Content  

    ·  Bablu Dablu: Sunsational Summer (One Take Media)

     

    EDITOR’S CHOICE AWARDS

    Best 3D Series Overall- TV and OTT

    ·  Mondo Yan (Toonz Media Group)

    ·  Mighty Little Bheem Episode – A Flower For Mom (Green Gold Animation)

     

    Most Expansive Studio of the Year
    Cosmos-Maya

    The Arnab Chaudhuri Director’s Award

    The Arnab Chaudhuri Young ACE Award – Short Form

    ·  Notun Fasal (New Harvest)
    Sovan Dutta (SRFTI)

    The Arnab Chaudhuri Young ACE Award – Long Form

    ·  Story of a Beginning
    Balaram J (National Institute of Design)

    The Arnab Chaudhuri Animation ACE Award

    ·  Chandra’s Cafe
    Krishna Chandran A. Nair

  • ABAI looks to promote animation with its new programme

    ABAI looks to promote animation with its new programme

    MUMBAI: One of the largest non-profit association in the country, ABAI is introducing a first-of-its-kind educational initiative in Bengaluru city christened as ‘Train the Trainers’ (TTT) and is actively supported by Department of IT, BT, S&T – Government of Karnataka. The program is slated to start on 21 April 2014.

     

    The Government of Karnataka through its KAVGC policy 1.0 is aimed at improving the educational infrastructure of the AVGC (Animation, Visual Effects, Gaming and Comics) industry. In order to improve the quality of the trainers in the AVGC industry, and thereby improving the overall quality of education imparted, TTT program aspires to bring together national and international trainers to facilitate the training in different modules of various stages of production.

     

    TTT program, chaired by Bhasinsoft CEO and ABAI secretary Ankur Bhasin is envisaged to provide an academically challenging educational experience through effective teaching, research and service, enabling candidates to acquire understanding, knowledge and skills necessary for establishing successful career in teaching and becoming responsible trainers within the animation industry.

     

    “The TTT is an innovation on jump-starting the quality of educational initiative on the digital arts environment. It assesses the pain point of who will impart new media arts learning. It will help plug a major gap in growing a talent that needs tens of thousands of employees over the next three to five years,” said ABAI president & Technicolor India country head Biren Ghose in a press statement.

     

    The candidates who enroll for this program stand to gain not only six months of high-quality training but also a chance to work on live projects in a professional studio environment. This will enable the candidates to learn teaching techniques such as creative teaching methodology, class-room management, and all other aspects of AVGC.

     

    “TTT program, in its initial offering, starts with a concentrated batch of 12 candidates per batch to ensure that there is no dilution in the quality of imparted training. A separate Executive TTT course is also offered for working faculties who prefer weekend classes,” said Bhasin.

     

    He added; “In my studio, Bhasinsoft, and across the industry it is seen that a large amount of good talent comes from tier 2 and tier 3. Hence, TTT is also planned in a way to reward trainers in the program with cash incentive for training in tier 2 and tier 3 cities.”

     

    Institutes stand to benefit that the candidates will be able to bring the exposure and knowledge to impart quality training to students. The teaching methodology, which is a combination of a learner-centred interactive methodology and a project-based teaching, will help bridge the gap between Institute and Industry. A better education quality is bound to improve the students’ placement record, which will further enhance the reputation of Institute.

     

     “Indian AVGC industry is growing at a rapid pace – not only because of larger quantity of Hollywood content being worked on in India but also because of a growing domestic market. The animation, VFX and post production market has grown from Rs 35.3 billion in 2012 to Rs 39.7 billion in 2013 and is expected to add over 40,000 jobs in the coming three to four years. For the growth to sustain and further enhance, it is imperative that the quality of students being trained improves which in turn is a result of the quality of trainers imparting the training. Hence, TTT directly addresses the need of the hour,” emphasised Bhasin.

  • Get set for festival celebrating animation and VFX

    Get set for festival celebrating animation and VFX

    MUMBAI: ABAI one if India’s primary associations supporting the digital and creative arts sectors is organising Abai Fest 2013 at the University Grounds in Mysore on the 6 and 7 December 2013. This is going to be the first ever festival screening exclusive footage from all over the world in “animation and visual effects”.

    “Computer Graphics has become part and parcel of International and local content creation in film and television. It provides the digital intermediation needed by filmmakers, directors and studios to mount bigger and bolder stories, themes and projects. Too little of how this is done has been exposed to the Indian public,” said ABAI & Country Head – Technicolor India president Biren Ghose.

    Gravity, Superman, Man of Steel, World War Z, The Croods, Epic, Skyfall, Life of Pi and many other recent releases are testimony to the fact that computer graphics (CG) in digital production is now the new norm in filmmaking.

    India is rapidly becoming a global hub for major VFX production and the domestic film industry is also adopting CG rapidly as a tool helping the director to go beyond the limits of the camera.

    “Not enough awareness and screenings of animation and VFX takes place and we want to be a ‘melting pot’ venue for fun, discussion, participation and exclusively presenting content in this part of the world. Not much ‘animation’ is seen outside of the few cartoon channels,” said Ghose.

    The festival would bring some of the world’s latest showcase featuring the best of what has been created in the recent past. Directors, producers and professionals will be at hand to present, meet, discuss and exhibit the state of the art.

    “This will help open minds, hearts and doors in animation, gaming and visual effects (VFX). Come join us in experiencing the fun and festivity,” concluded Ghose.

  • Get set for festival celebrating animation and VFX

    Get set for festival celebrating animation and VFX

    MUMBAI: ABAI one if India’s primary associations supporting the digital and creative arts sectors is organising Abai Fest 2013 at the University Grounds in Mysore on the 6 and 7 December 2013. This is going to be the first ever festival screening exclusive footage from all over the world in “animation and visual effects”.

     

    “Computer Graphics has become part and parcel of International and local content creation in film and television. It provides the digital intermediation needed by filmmakers, directors and studios to mount bigger and bolder stories, themes and projects. Too little of how this is done has been exposed to the Indian public,” said ABAI & Country Head – Technicolor India president Biren Ghose.

     

    Gravity, Superman, Man of Steel, World War Z, The Croods, Epic, Skyfall, Life of Pi and many other recent releases are testimony to the fact that computer graphics (CG) in digital production is now the new norm in filmmaking.

     

    India is rapidly becoming a global hub for major VFX production and the domestic film industry is also adopting CG rapidly as a tool helping the director to go beyond the limits of the camera.

     

    “Not enough awareness and screenings of animation and VFX takes place and we want to be a ‘melting pot’ venue for fun, discussion, participation and exclusively presenting content in this part of the world. Not much ‘animation’ is seen outside of the few cartoon channels,” said Ghose.

     

    The festival would bring some of the world’s latest showcase featuring the best of what has been created in the recent past. Directors, producers and professionals will be at hand to present, meet, discuss and exhibit the state of the art.

    “This will help open minds, hearts and doors in animation, gaming and visual effects (VFX). Come join us in experiencing the fun and festivity,” concluded Ghose.
     

  • ABAI: KAVGC 2013 Summit concludes in Bangalore

    ABAI: KAVGC 2013 Summit concludes in Bangalore

    BENGALURU: The Karnataka Animation, Visual Effects, Gaming and Comics (KAVGC) Summit organised by the Association of Bangalore Animation Industry (ABAI), in collaboration with the government of Karnataka concluded on Thursday 29 August 2013, ending two days of power packed sessions by Indian and international experts from the industry and the Karnataka state government.

     

    The first session on day two: the Business session on Technology was moderated by NVIDIA Country Head Vishal Dhupar and had Arul Moorthy, NVIDIA – GPU in the VFX Workflow Senior Applied Engineer Wil Braithwaite; Autodesk-Mental Ray Lead Animation AE in APAC Prem Moraes; HP – Shared Infrastructure, National Business Development Manager for Cloud Solutions R Balasubramanian and Wipro Technologies CTO of Global Media and Communication Business Jayanta Dey as co-panellists.

     

    This was followed by a session on AVGC in a Globally Connected World moderated by The Children’s Media Foundation, UK Director Greg Childs. The session had representatives from different parts of the world speaking about the facilities that their territories had to offer to the Indian AVGC industry. This included Consuls, Vice-Consuls and Senior Trade Commissioners from Canada, France, UK and Quebec (Canada).

     

    The session on Original Content Development moderated by Liquid Comics Founder Suresh Seetharaman had Walt Disney Television International India ex Director Content and Creative Arnab Chaudhuri; Technicolor Animation and Gaming Art Director Manoj Menon and Novo Juris – “How not to lose it” Sharda Balaji as co-panellists.

     

    One of the most interesting sessions was the Show and Tell Session that had the audience’s undivided attention. Arnab Chaudhuri the director of the Indian animated action film ‘Arjun the Warrior Prince’ (AWP) spoke of the making of the film. Chaudhuri revealed the various real life characters on which every character in his film was based, details about the sets, as well as shared some of the raw footage and sketches that resulted in the final product. One of the best animated products out from India, AWP was produced by UTV motion pictures and Walt Disney Pictures, with Chaudhuri as Director Content and Creative at Walt Disney Television International India.

     

    The summit culminated with a session on Education moderated by Dreamworks Dedicated Unit at Technicolor India Studio Head Adi Shayan. The other panellists were Dr. Ashish Kulkarni (CEO Reliance Animation) in his capacity as Ficci AVGC Forum, Governing Council Member and Ficci-MESC Initiatives for Skill Development; Asian Institute of Gaming and Animation (AIGA) Founder Hanif Mohammed; Native Puppets – Artists Perspective Founder Anand Baid, Karnataka Chitrakala Parishath, College of Fine Arts Director Dr. R Kulkarni; The Painted Sky Art Based Learning Approaches Executive Coach, Founder and Director Anirban Bhatrtacharya.

  • ABAI: KAVGC Summit kicks off in Bengaluru

    ABAI: KAVGC Summit kicks off in Bengaluru

    BENGALURU: The Karnataka Animation, Visual Effects, Gaming and Comics (KAVGC) Summit organised by the Association of Bangalore Animation Industry (ABAI, in collaboration with the government of Karnataka kicked off in Bengaluru last evening. Indian as well as international stakeholders from the animation, visual effects, gaming and comics (AVGC) industry saw Karnataka’s minister for IT, BT and S&T S R Patil inaugurate the two day event at the Hotel Chancery Pavilion.

     

    Amongst those present during the inaugural ceremony was the Karnataka government’s principal secretary, IT, BT and S&T I S N Prasad.

     

    During his inaugural speech, Patil said that Karnataka state government’s thrust was on capacity building for the KAVGC industry and wanted to make Karnataka and Bangalore the preferred KAVGC destination.  He informed that this year, globally the estimated $153 billion KAVGC had a CAGR of 10 per cent, while in India it was growing much faster at about 22 per cent CAGR and was expected to reach five billion dollars this year. He said that a state funded post production and processing facility similar to the ones in Mumbai and Chennai would soon be inaugurated in Karnataka.

     

    He further said the state government was willing to work with bodies such as Ficci that had made some progress in setting up the curriculum for education courses.

     

    While echoing Patil, Prasad said that the state government was willing to listen to the KAVGC industry and act accordingly. “Karnataka will continue to lead the AVGC growth in India. We have partnered with a cross section of the digital content industries through ABAI,” said Prasad.

     

    Earlier, during his introductory remarks, ABAI president Biren Ghose set the tone for the summit when he said that the government and the ministry had been extremely strategic and extremely proactive in taking up a call from the industry.

     

    Speaking about the 2013 edition of KAVGC Summit, Ghose said, “The summit is meant to provide new direction to professionals and companies, highlighting growth and opportunity areas. It showcases our engagement with the academia, the government and industry and highlight the policy execution we have enabled as the roadmap for the next year.”

     

    The second ‘ABAI Leadership Excellence Award’ was conferred to Rajiv Chikalapudi, the creative and business force behind India’s animated phenomenon ‘Chhota Bheem’.

     

    Chikalapudi, during his keynote address detailed the long journey by his company Green Gold Animation to create and sustain a genuine IP success story including successes in merchandising and licensing. Chikalapudi said that a number of companies had great IP ready, but were afraid to pitching them. He exhorted these companies to go out and showcase their products, citing his own example – Chotta Bheem had been rejected twice before it was accepted by Pogo channel.

     

    The second keynote speaker Dreamwroks Country head Damian Froberville described the progress of the Indian Unit of Dreamworks and also gave some insights into the Asian scenario for global services. Froberville also said that the convergence between films and gaming was very much on the cards, but had not yet reached there. He said that this mattered to the players in the industry because of increased reliance on service providers with more content and shorter timelines of a product; and a lot more flexibility with VFX players doing a larger portion of game work.

     

    Among the other notable speakers and panelists included Greg Childs editorial director, The Children’s Media Conference; Jai Natarajan, Ceo, Xentrix Studios;  Owen Hurley, Creative head, Technicolor; Charles Gauthier Vice -consul and senior trade commissioner for India, Quebec office in Mumbai; Vsihal Dhupar, MD South Asia, NVDIA; Akhauri Sinha, MD, MPC, Bengaluru; Wil Braithwaite, Senior Applied Engineer-Digital Film, NVDIA; Ankur Bhasin; Ceo Bhasinsoft India Ltd; Vamsi Ayyagari, Management media professiona; AshishKulkarni, Ceo Reliance Animation.

     

    Notable additions to this year’s edition of KAVGC are the four Specialised Clinics – the IP Clinic; Technology Clinic; Co-production and Outsourcing Clinic; and the Pitching Clinic.

     

    The KAVGC Summit held annually for the last three years with the support of the government of Karnataka, continues to increase its focus on the business and industry of AVGC, aiming to provide a forum for knowledge sharing and improved connectivity among decision makers and stakeholders in the sector.