Tag: Aankhen

  • Indian film producer loses copyright battle over Lootere title

    Indian film producer loses copyright battle over Lootere title

    MUMBAI: A Hindi film producer who made a 1993 film starring Sunny Deol has lost his bid to stop Disney+ Hotstar from streaming a digital series with the same title, after a Bombay high court judge ruled that film titles cannot be copyrighted.

    Sunil Darshan Saberwal, who produced the Hindi feature film Lootere three decades ago, sued Star India (now JioStar India) and others in March 2024, seeking to prevent them from using what he claimed was his registered title for their piracy-themed web series.

    But justice Sandeep Marne dismissed Saberwal’s application for a temporary injunction on 18 August, delivering a comprehensive rejection of his copyright claims and dealing a significant blow to long-standing industry practices around title registration.

    The judge ruled that “there cannot be a copyright in mere title of a film”, citing Supreme Court precedent that titles are “incomplete in themselves” and do not qualify as literary works under India’s Copyright Act of 1957. The ruling follows the apex court’s 2016 decision in Krishika Lulla v Shyam Vithalrao Devkatta, which established that commonplace words like Desi Boys lack the originality required for copyright protection.

    Saberwal’s 1993 romantic drama bears no resemblance to Star India’s eight-episode series about Somalian pirates hijacking an Indian vessel. The court noted that “except similarity in the title, plaintiff’s cinematograph film Lootere admittedly does not have any similarity in terms of story with the series.”

    The producer had registered the title Lootere with film industry associations including the Western India Film Producers Association, arguing this gave him exclusive rights. But the court dismissed such registrations as “purely private arrangements having no sanctity in law,” enforceable only between association members through contract.

    “The associations formed by film producers and registrations granted by such associations are nothing but an internal contractual arrangement between the members,” justice Marne stated. Since Star India was not a member of the relevant association, it could not be bound by Saberwal’s registration.

    The judgment highlighted how Bollywood routinely produces multiple films with identical titles—citing examples including Hera Pheri, Aankhen and Dilwale —without legal challenge, provided the underlying stories differ.

    The court also criticised Saberwal’s lengthy delay in pursuing legal action. Though he first noticed the series trailer in September 2022, he waited until March 2024 to file suit—by which time the series had already been streaming on Disney+ Hotstar for months.

    “Plaintiff has whiled away substantial time of about two years despite acquiring knowledge of plans,” the judge observed, noting this delay was “fatal” to claims for emergency relief.

    The decision undermines the film industry’s practice of treating title registrations as conferring legal rights, potentially opening the door to more disputes over popular names. Industry associations have historically operated these registration systems to prevent conflicts between producers, but the ruling clarifies they carry no statutory weight against non-members.

    Saberwal’s legal team had argued that Star India’s own attempts to secure clearance for the title from producer Boney Kapoor proved the industry recognises such rights. But the court found this irrelevant since it was undertaken by a production services company, not Star India itself.

    The series Lootere continues streaming on Disney+ Hotstar, having premiered in March 2024. Saberwal retains the option to pursue damages rather than injunctive relief, though his suit contains no such claim.

    The ruling reinforces that while films and their underlying literary works enjoy copyright protection, titles remain in the public domain unless they achieve trademark status or generate sufficient goodwill for passing-off claims—a much higher bar than simple registration with industry bodies.

  • “Mini-series is the way forward”: Vipul A Shah

    “Mini-series is the way forward”: Vipul A Shah

    MUMBAI: He started his career as a director with a soap opera called Ek Mahal Ho Sapno Ka on Sony Entertainment Television (SET) in the year 1999. It was the first Hindi fiction series to reach the landmark of 1000 episodes and is considered as one of the longest-running television serials of Indian television.

     

    After that, there was no looking back for Vipul Amrutlal Shah, who has given the film industry hit movies like Aankhen (2002), Waqt: The Race Against Time (2005), Namastey London (2007), London Dreams (2009) and Action Replay (2010) as a director. He has also produced movies like Singh Is King, Force, Commando and Holiday.  

     

    The producer cum director is back to the small screen, and this time with an action series Pukaar – Call for the Hero on Life OK.

     

    In the second of the Content Hub series, Indiantelevision.com had a quick chat with Vipul Shah to understand his views on the growth of content over the years and what the audience expects from a director/producer.

     

    According to Shah, the larger issue with television content is that it is static. “We have got stuck into the rut where we feel that the audience just wants to see the saas-bahu soaps and that is the only way forward. I don’t think that is right,” he says.

     

    He believes that audiences are not stagnant and they move forward even before the creators of the show realise. “There was a time when daily soaps would clock a TRP of 20 plus. Today the number one show is five or a little more than that. This only suggests that the number of viewers watching the series is no longer the same.”

     

    With most television content packed with saas-bahu soaps, Shah feels that somewhere the television audience is losing interest. “And largely, producers are to be blamed for not creating different content. I think the time has come where channels and producers need to realise and give a new dimension to the work we are doing.”

     

    He wants the television industry to evolve and think beyond saas-bahu soaps. With its new series being a bi-weekly and a finite one (slated for 24 episodes), he says that the audience is looking out for something new always. According to Shah, mini-series is the way forward. “Internationally, it is the way. We are going to move forward with mini-series,” he adds.

     

    He strongly believes that Indian content has the ability to travel abroad. Shah informs that his directorial debut Aankhen was going to be made in Hollywood as well. “We had almost sold our rights to a Hollywood studio. My producer messed up the deal; otherwise Aankhen would have been the first film to travel to Hollywood.”

     

    Shah states that we should not worry too much about what Hollywood wants and should concentrate on the Indian market. “If we are able to satisfy the 125 crore people in India, the whole world will come to us,” he opines.

     

    Talking about creative freedom from the broadcasters end, Shah says that he has always been given absolute freedom. “Nobody has ever told me anything in terms of how I should write or direct.”

     

    As a maker, Shah is open to look at concepts which are new, dynamic, challenging and fun to execute.

     

    For the background, Content Hub brings together writers, creators, producers, artistes and broadcast executives, both for TV and digital on one platter. The initiative is aimed at established professionals, newbies and anyone who is keen on taking the plunge into the fascinating world of writing, producing and creating for television and the digital space.

  • Sadashiv Amrapurkar passes away

    Sadashiv Amrapurkar passes away

    NEW DELHI: Veteran Marathi and Bollywood actor Sadashiv Amrapurkar known for his negative and comic roles passed away of lung infection on 3 November at a  suburban hospital in Mumbai after battling with the disease for over a fortnight.

     

    Hospital sources said Amrapurkar was put on ventilator support and had been in a critical condition for the past few days. He was 64 and is survived by his wife and three daughters.

     

     The actor is remembered for several films and for his hard-hitting negative and sometimes comic roles in movies like Ishq, Aankhen, Gupt, Hukumat, Chor Machaye Shor and several others.

     

     Prime Minister Narendra Modi condoled the death of the veteran actor who he said, will be remembered for his versatility. “We will remember Sadashiv Amrapurkar as a versatile actor, popular across generations. RIP. My deepest condolences to his family,” read a post on Modi’s Twitter handle @narendramodi.

     

     With strong roots in rural and Marathi theatre, Amrapurkar made his film debut with Govind Nihalani’s acclaimed Ardh Satya in 1983. His performance in the film as a local mafia don won him several awards.

     

     Having established his acting credentials with the film, he went on to have a thriving career in both offbeat and Hindi commercial films for nearly two decades.

  • Akshay to supervise Vidhyut for Commando 2

    Akshay to supervise Vidhyut for Commando 2

    MUMBAI: Director-producer Vipul shah who cast Vidhyut Jamwal in his recent movie Commando is now ready to make the sequel of the movie where action hero Akshay Kumar will supervise the newcomer.

    Shah who has already worked with the actor in four films – Aankhen, Waqt: The Race Against Time, Namastey London and Singh is Kinng. The director will collaborate with Kumar for Commando 2 as a consultant and advisor to supervise some of Jamwal‘s stunts.

    As reported in IANS Shah said, “According to me, Akshay is the best action hero in the country. He was the most excited when we started ‘Commando‘ with Vidyut and, in fact, we’d have liked Akshay to be more participative in ‘Commando’. However, he was too busy. But now in ‘Commando 2‘, we definitely intend to bring Akshay in.”

  • Sequel of Aankhen in offing

    Sequel of Aankhen in offing

    MUMBAI: Producer Gaurang Doshi is well on way to make a sequel of his 2002 film Aankhen that starred Amitabh Bachchan, Akshay Kumar, Arjun Rampal, Paresh Rawal and Sushmita Sen in lead roles. But this time besides Bachchan, the entire cast is set to change.

    Talking about the fresh star cast, Doshi has said, “There will be a new cast except for Amitabh Bachchan. We are on the verge of finalising things and would make an announcement soon.”

    Though the original was directed by Vipul Shah, the second installment will be helmed by a new director. “We have been working on this idea of a sequel since quite some time. The first part of the film had two endings — one for the Indian market and the other for the overseas audience. The three protagonists in the film would remain blind,” averred Doshi, while revealing his plans.

    The sequel that will be shot in India, Canada and England would go on floors soon and is expected to release next year.