Tag: Aamir Khan

  • Celebrities & brands in 2015: The changing dynamics

    Celebrities & brands in 2015: The changing dynamics

    MUMBAI: Celebrities and brands go hand in hand and so do celebrities and controversies! No sooner has a celeb publicly said something even remotely scandalous, blasphemous, startling or offensive knowingly or unknowingly than a controversy has erupted… one which doesn’t take too much time to snowball into a “grave national issue” to be discussed on prime time across news channels! 

     

    And 2015 was one such year that saw many a celebs facing the wrath of the common man for putting their foot in their mouth on more occasions than one. Be it Shah Rukh Khan, Aamir Khan, Salman Khan or Aishwarya Rai Bachchan, they’ve all had their moment in the spotlight and for all the wrong reasons. When a controversy breaks, after the celebrity, the next thing that gets affected is either their unreleased movie or the brands that they endorse.

     

    Last year was a significant year when it comes to celebrity endorsements. While there weren’t any path breaking innovations, a few memorable campaigns like Tanishq Divyam’s Diwali campaign featuring Deepika Padukone and her family, Shah Rukh Khan’s Yepme campaign and Ranbir Kapoor in Saavn’s TVC commercial kept up the excitement quotient. There’s no denying the fact that an ad’s reach becomes tenfold when a celebrity gets onboard. From automobiles, life insurances to washing powders and vests — there’s not a single category left that hasn’t yielded to star power. But it was not all merry in endorsement land as several cases of endorsements gone wrong popped up in 2015.

     

    Brand endorsements that went wrong:

     

    Interestingly, while it is hard to name any celebrity brand campaign that stood out in 2015, one can easily name the ones that made it to the headlines for all the wrong reasons. We saw Aishwarya Rai Bachchan being hurdled with racial discrimination allegations for her Kalyan Jewellers ad.

     

    That aside, one of the biggest example would be Nestle’s Maggi, which came under the radar over permissible amount of lead in it. Several celebrities who had promoted the brand in the past, especially Madhuri Dixit and Amitabh Bachchan had to face the wrath of netizens for endorsing a brand that may have been harmful.

     

    So what do we take home from these instances of endorsements gone wrong (if they are)?

     

    “Not to ride on media wave and add to mass hysteria,” says KWAN Entertainment and Marketing Solutions CEO and MD Anirban Das Blah. “A lot of all the so called controversial brand endorsements we saw in 2015 were more of a media cook up than a real issue. Moreover, almost all of them had nothing to do with the celebrities, who endorsed the product.”

     

    Acknowledging the moral responsibility of a celebrity in carefully choosing the brands they endorse, Blah simply asks, “If a certain product is considered harmful for consumption, aren’t the dealers and shopkeepers who sold it for so many years equally or more responsible?”

     

    According to Blah’s observation, celebrities do their research with whatever information is available to the public. Unless one is expecting them to conduct their own lab test, one can’t really point a finger at them for supporting a brand they know to be true. “I also feel that the media needs to be more responsible in how it reports these issues instead of riding on the power of social media trends and ignoring the facts,” he adds.

     

    However, it is not always the celebrities who are at the far end of the stick. We saw the flip side of the relationship when, spurned by Aamir Khan’s public statement, several netizens took to social media to boycott his biggest endorsed brand of 2015 – Snapdeal. The Rs 30 crore deal, which took Aamir Khan to the fifth spot in the Forbes list of celebrities as per brand value, came under trial when several threatened to boycott the online shopping portal if the brand didn’t ‘snap’ its relationship with the star.

     

    Madison Mates CEO Darshana Bhalla, who handled the deal between Snapdeal and Khan, shares her take away from the entire incident. “In a situation like that of Snapdeal and Aamir Khan, the brand has got to hand hold. If they are distinctly sure of the communication, which came with having Aamir Khan on board, then even if there are ups and downs either from the brand’s side or the celebrity’s side, they have got to stay on. Because it is after a lot of analysis that the two parties have embarked on their journey together.”

     

    While Snapdeal issued an official statement saying that it was neither connected nor played a role in comments made by Aamir Khan in his personal capacity, at the end of the day, their association survived the storm.

     

    Changing ball game:

     

    What’s changing the game is undoubtedly the emergence of digital as an advertisement platform. A clear shift from the traditional to the digital medium has been seen and more so in 2015. More and more brands are moving from plastering vanilla deals through electronic and print media to YouTube and social networking sites like Facebook, Twitter, and Instagram for their trend value.

     

    What does that imply for celebrity endorsements? Multi-platform entertainment management company, Exceed CEO Uday Singh says that it offers a sea change in the way endorsements are looked at.

     

    “Earlier we used see celebrities at several on-ground activation events. Getting a big star onboard generally would guarantee several hundred footfall for the events. But times have changed now. Now instead of on-ground activation, online activations are being preferred. If a brand can get an Amitabh Bachchan onboard, who has one of the highest number of followers on social media, a single message from him can reach millions of people. The beauty further lies in the fact that the result is instantaneous and measurable,” Singh explains, adding that he finds the current changes in the advertisement sphere quite exciting.

     

    When asked if the standard for hiring a star to communicate a message for a brand would eventually depend on their social media traction, Singh says, “The parameters aren’t that singular. There are more than one or two factors, which marketers and brand managers consider when signing a deal with a celebrity. The person has to stand for something and has to be relatable to the brand’s target group.”

     

    Seconding Singh, Bhalla adds, “Between 2014 and 2015, the industry saw a slight paradigm shift in how advertising is treated. We noticed a unique focus on multiple platforms viz-a-viz electronic and print ads that we were so used to. Digital and mobile phones have made advertising more personal and targeted. The rapid growth of e-commerce has also led to an increased traction on digital platforms. Stress is given on content and brands are opting for a more narrative approach to their brand communication that emotionally connects consumers with the products. This opens a huge opportunity for celebrity endorsements. Celebrities have an advantage when it comes to forming those bonds and connecting with consumers emotionally,” she says.

     

    Celebrity or not, the 30 second TVC formula is a dying breed, says Blah. The advertising world is fast moving to digital and soon mobile will outdo television in terms of reach. Bhalla says, “The growing need to have a personal connect with consumers will lead brands to take the celebrity approach as well.”

     

    Noticing the shift in the way a brand endorsement is approached, Blah adds, “Gone are the days when actors were required to fit into a type cast to be able to join the brand wagon. Where action heroes would address certain brands, while actresses would represent glamorous products. Today, endorsements are not strategic calls but a tactical necessity on the part of the marketers to retain their USP, and celebrities are nothing more than the models who act in the TVCs, albeit with a larger reach that the marketer needs.”

     

    The number game:

     

    What exactly is a successful celebrity campaign? Is it by its content, how many calls the brand’s sales teams get after the campaign, or by how long people retain an ad in their memory.

     

    “While talking about a good campaign done with a celebrity, we are often caught analysing the creative input and the content, which is a subjective matter, if you ask me. Creatively appealing or not, ultimately what matters is how much a particular campaign and a star’s presence has helped the brand achieve its communication target. In short, how many sales call they receive,” Bhalla puts across straightforwardly.

     

    With relevance as the key, the profit and loss effect of an ambassador over a brand is the ultimate judge of that celebrity’s brand value. Going by that formula, Bhalla acknowledges that Snapdeal has worked really well for Aamir Khan, not to mention it was one of the highest grossing endorsement deals of the year worth approximately Rs 30 crore.

     

    Perhaps it has to do with the actor preferring to sign at least a year or two long contracts, instead of per day deals like most celebrities. “Ranbir Kapoor and Aamir Khan are two celebrities, who prefer to sign long term campaigns and only come onboard with a brand with brand communication in mind. This also puts them on the top of the list of highest paid celebrities for endorsements,” Bhalla says.

     

    An executive from a celebrity brand management company shares on condition of anonymity that if one were to break up these two actors’ endorsement fees on a per day basis, Aamir Khan can charge up to Rs 3 – 4 crore per day for an endorsement, while Ranbir Kapoor can ask for Rs 2.5 – 3 crore.

     

    “The high rates don’t necessarily effect a celebrity’s net earnings from endorsements. While Aamir and Ranbir charge a ton for a single endorsement, they are not onboard with too many brands,” says Blah.

     

    On the other hand, actors like Shah Rukh Khan, who recently reclaimed his top rank in the Forbes list of Indian celebrities in terms brand value in 2015, may be working with over 25 brands at a time. Sources share that SRK commands anything between Rs 2 – 3 crore as his per day endorsement fee.

     

    While Blah asserts that SRK seldom strikes a long term deal with a brand, Singh begs to differ. “There is a certain charm about Shah Rukh Khan for which brands can’t leave him. His long term association with Videocon shows that the actor must be doing something right for them to be carrying on with him. Even brands like Tag Heuer, which have recently signed Ranbir Kapoor for one of their promotions, are still continuing with their contract with Shah Rukh Khan. He is undoubtedly the king in the endorsement world in India,” stresses Singh.

     

    Going by the figures shared by a source, who works closely with the stars, SRK, Aamir and Ranbir are closely followed by Salman Khan with a per day endorsement fee of Rs 2 – 2.5 crore. On the other hand, cricketers Virat Kohli and MS Dhoni, actors Deepika Padukone and Akshay Kumar all charge in the range of Rs 1.2 crore approximately, followed by Katrina Kaif and Kareena Kapoor at Rs 1 crore. Endorsement fees of actors like Shahid Kapoor, Farhan Akhtar and Priyanka Chopra fall in the Rs 75 lakhs per day range.

     

    While the Khans continue to lead the number game, even though the year wasn’t the best for the Dabangg hit-maker, industry experts unanimously agree that Akhtar emerged as the new face of endorsement for several brands in 2015.

     

    “He has carved a niche market for himself as an urban man in a scenario where every other actor is either too young or has too much mass appeal. Brands looking for a man of credibility to communicate for their premium products, have only so many options to choose from. This was a market initially led by Saif Ali Khan, and now Farhan Akhtar is doing amazing well for similar products like Asian Paints and Chivas,” says Blah.

     

    Another new kid on the block to watch out for, says Singh, is Varun Dhawan. “The boy has chosen his films very carefully. While he has done roles that strike a chord with a masses, he has also appealed to the niche market. Starting with 2015, one can look forward to seeing him in several brand campaigns in the upcoming year as well.”

     

    When it comes to newcomers and new faces, 2015 has been a busy year for the likes of Alia Bhatt, Kriti Sanon, Shraddha Kapoor and Jacqueline Fernandes says Blah, adding that these ladies will continue to command television screen time, visibility through OOH campaigns as well as digital footprints in 2016 as well.

     

    Over all, experts foresee an exciting year ahead for celebrity endorsements albeit with their share of controversies.

     

    As long as India remains a country that is driven by visual communication for quick and effective reach, celebrity endorsements will continue to dominate the advertising space, be it electronic, print or digital.

  • #SnapdealForIndia faces #AppWapsi after recent Aamir Khan controversy

    #SnapdealForIndia faces #AppWapsi after recent Aamir Khan controversy

    ‘A celebrity endorsement can make or break a brand.’

    Quoted from Countering Brandjacking in the Digital Age by Christopher Hofman and Simeon Keates, the statement strikes a key note with the eCommerce giant Snapdeal’s current situation with its brand ambassador, actor Aamir Khan.

    In a recent interview at the Ramnath Goenka Awards 2015, the actor had spoken about “growing disquiet” in India and had also remarked that his wife had once asked him whether they should move out of the country! Though Khan has come out with an official statement defending his stand on the matter, the damage has already been done.

    An excerpt from Khan’s official statement reads: “Neither I, nor my wife Kiran, have any intention of leaving the country. We never did, and nor would we like to in the future. Anyone implying the opposite has either not seen my interview or is deliberately trying to distort what I have said. India is my country, I love it, I feel fortunate for being born here, and this is where I am staying. To all those people who are calling me anti-national, I would like to say that I am proud to be Indian, and I do not need anyone’s permission nor endorsement for that.”

    The angry netizens however took to Twitter, Facebook and other social media platforms to  protest against actor Aamir Khan’s controversial comment on India’s growing intolerance. Snapdeal, a brand that the actor endorses was also dragged into this by the netizens and the brand has since been facing the brunt of their anger. 

    Lately, Snapdeal has come out with an official statement dissociating the brand’s association of any kind with Khan’s comments.

    “Snapdeal is neither connected nor plays a role in comments made by Aamir Khan in his personal capacity. Snapdeal is a proud Indian company built by passionate young Indians focused on building an inclusive digital India. Everyday we are positively impacting thousands of small businesses and millions of consumers in India. We will continue towards our mission of creating one million successful online entrepreneurs in India,” said a spokesperson from Snapdeal.

    With an all encompassing growth of social media, the common man’s access to celebrities and brands have enhanced, and so did the threats to corporations and brands in both number and variety. Celebrity endorsements doesn’t escape the purview of this double edged sword that the digital platform brings along with its many benefits. Within hours of #AppWapsi going viral on Twitter and Facebook, Snapdeal saw over 70,000 one star ratings being hurled at their app on Google’s Play Store.

    Some even took to the review space to write negative messages to the online shopping platform, explaining their reasons to pull out of the brand’s services.

    Whether the brand will take the threats seriously  and snap the deal with Aamir Khan is a question that remains to be answered.

    A veteran media planner told indiantelevision.com under conditions of anonymity, that it is unlikely that Snapdeal will walk that route.  Moreover, “a major part of the contract tenure has run its course and there is no discussion on reevaluating the endorsement contract or talks of ceasing it,” he says, adding, “Diwali is the main season when it comes to sales, and even for marketing and promotions in this quarter. With Diwali over, we don’t see major changes in Snapdeal’s endorsement contract with Aamir Khan

    Question of the hour is-, has the #AppWapsi campaign brought down Snapdeal’s brand value by any significant score?

    “Snapdeal is a major brand with a huge customer base. I don’t think this campaign will affect the brand that easily. This is a passing phase. Before it affects Snapdeal, it will effect Aamir Khan at the box office, which I feel is less  likely a chance,” points out an expert under promise of anonymity.

    Seconding that opinion is another expert from the industry. “It may influence the brand’s image only temporarily but will fade away as fickle minded mass will move on to another controversy and forget Snapdeal. So yes, there will definitely be an impact on Snapdeal, but I don’t see it last longer. At the end of the day consumers’ relation with Snapdeal is the product and this controversy won’t come in the way of the sales. We aren’t even sure if those angry comments have come from consumers who make a difference in the brand’s sales at all”

    While most market analyst and planners feel that the situation doesn’t call for a knee jerk reaction, Snapdeal’s official statement dissociating themselves from Aamir Khan’s comment shows that the brand isn’t completely unaffected.

    “If the ratings affects the performance of the app, then it will definitely be detrimental to the brand. It may also affect the brand value. The brand needs to communicate their perspective to the consumers. “shares a veteran media analyst and planner.

    Meanwhile, counter argument in favour of Snapdeal has also gained ground over the net, with some supporters belonging to Khan’s fan base. The uncanny of all was the tweet from Snapdeal’s rival, Flipkart’s Sachin Bhansal, who earlier tweeted defending Snapdeal.

    Sachin Bansal @_sachinbansal This is a flawed logic. Brands don’t buy into brand ambassadors personal opinions. @snapdeal shouldn’t face this SnapdealForIndia is the campaign used to counter #AppWapsi, where happy Snapdeal consumers are taking to social media to share how the brand has helped the country in the past. Snapdeal’s official handle on Twitter immediately jumped to retweet posts that spoke well of the brand.

    Infact, the page is running a contest asking consumers to give ‘honest reviews and rankings’ of their app on Google Play to win prizes.

    Whether these efforts will save Snapdeal from being dragged+AKA-further+AKA-into its brand ambassador’s mess, only time will tell.

  • ‘Baahubali’ premiere on Sony Max betters Salman Khan’s ‘Bajrangi Bhaijaan’ ratings

    ‘Baahubali’ premiere on Sony Max betters Salman Khan’s ‘Bajrangi Bhaijaan’ ratings

    MUMBAI: The two Bs that created the maximum buzz at the Indian box office this year were Bajrangi Bhaijaan and Baahubali – The Beginning. While the former starring Salman Khan did wonders at its recent world television premiere on Star Gold, the latter has gone and bettered its performance on the small screen.

    According to TAM Media Research’s analytical division S-Group, Baahubali – The Beginning has toppledBajrangi Bhaijaan with TVR of 6.85 on Sony Max. Bajrangi Bhaijaan notched 6.80 TVR in its world TV premiere on Star Gold.

    As was earlier reported by Indiantelevision.com, Star Gold emerged as the number one channel in the Hindi movie genre with the premiere of Bajrangi Bhaijaan. The movie perched itself on the sixth spot on the elite list of the Top 10 world television premieres from 2010 – 2015 as per TAM Media Research.

    However, Baahubali has now replaced Bajrangi Bhaijaan in the sixth spot of the top 10 world television premiere list.

    Baahubali, directed by S. S Rajamouli and produced by Shobu Yarlagadda and Prasad Devineni, was made in Telugu and Tamil. It was also dubbed in Hindi, Malayalam and French languages.

    Baahubali had its Hindi world television premieres in week 44 (25 October) on Sony Max. It may be recalled that it was telecast on Malayalam and Telugu languages, earlier in October.

    Baahubali in Telugu telecast on Star India’s regional channel Maa TV received the maximum TVR of 21.8, followed by its Malayalam version on Mazhavil Manorama with 16.1 TVR and last but not the least in Hindi on Sony Max with 6.85 TVR.

    Aamir Khan’s 3 Idiots with 10.88 TVR leads the top ten list of world television premiere followed by Salman Khan’s Bodyguard with 9.95 TVR in the second spot. Shah Rukh Khan’s Chennai Express with 9.50 TVR stands in the third spot, while yet another Salman’s Dabangg is on fourth spot with 9.19 TVR. In the fifth position is the Ajay Devgn starrer Singham with 8.72 TVR.

    In week 44 Baahubali replaced blockbuster Bajrangi Bhaijaan, which was dominating the sixth spot in week 42. Baahubali with 6.85 TVR bagged the sixth slot in the top ten list just above the Bajrangi Bhaijaan, which is in seventh slot with 6.80 TVR. In eight spot is the Shah Rukh Khan starrer Ra.One,which received 6.72 TVR and Aamir’s PK was at ninth spot with 6.62 TVR. In tenth spot is the Akshay Kumar starrer Entertainment movie premiere with 5.49 TVR.

    Bajrangi Bhaijaan was heavily promoted and hence received 81 per cent promo reach and average frequency of 15.5. Baahubali, on the other hand, was promoted to achieve a 70 per cent each. Bajrangi Bhaijaan received 23.3 per cent whereas Baahubali received a higher reach conversion that is 25.1 per cent among the both the movies, on Hindi speaking market (HSM).

  • ‘Bajrangi Bhaijaan’ on Star Gold sixth most watched movie premiere on TV

    ‘Bajrangi Bhaijaan’ on Star Gold sixth most watched movie premiere on TV

    MUMBAI: Even as Star Gold emerged as the number one channel in Hindi movie genre with the premiere of Salman Khan’s Bajrangi Bhaijaan, the movie has popped up in the sixth spot on the elite list of the Top 10 world television premieres from 2010 – 2015 as per TAM Media Research.

     

    Going by the Top 10 world television premieres, it is clear that the Khans indeed rule the roost… be it on the big screen or the small. Aamir Khan’s 3 Idiots with 10.88 TVR leads the top ten list followed by yet another Salman movie – Bodyguard with 9.95 TVR in the second spot. Shah Rukh Khan’s Chennai Express with 9.50 TVR stands in the third spot, while Salman’sDabangg is on fourth spot with 9.19 TVR. In the fifth position is the Ajay Devgn starrer Singham with 8.72 TVR.

     

    As per TAM, Bajrangi Bhaijaan received 6.8 TVR, which is 0.2 TVR above the blockbuster hit movie – PK starring Aamir Khan, which premiered on Sony with 6.6 TVR and is in the eight spot, just behind Ra.One’s television premiere on Star Gold, which garnered 6.72 TVR. PKshone as the best world television premiere for 2015… up until this week before it was dethroned by Bajrangi Bhaijaan. Akshay Kumar’s Entertainment movie premiere raked in 5.49 TVR on Zee Cinema and was in the ninth spot. In tenth place was the premiere of R… Rajkumar on Colors with TVR of 5.45.

     

    In comparison, SRK’s Happy New Year premiere on Zee Cinema received 4.4 TVR, while Devgn’s Action Jackson on Star Gold bagged 3.1 TVR. ABCD 2, which aired on Sony grabbed 2.8 TVR.

     

    What’s more, Star India is also planning to telecast Bajrangi Bhaijaan on its general entertainment channels (GECs) in the near future. “The movie will go from Star Gold to Star Plus as part of our strategy,” Star India Hindi movie business executive vice president and general manger Hemal Jhaveri tells Indiantelevision.com.

     

    In week 42 of TAM Media Research data, Bajrangi Bhaijaan received approximately 14.6 million TVTs and the entire movie was sampled by nearly 40 million audiences that account to approximately 18.4 per cent of the entire TV owning audiences in the Hindi Speaking Market (HSM). It received a heavy time spent by viewers of 78 mins.

     

    While as per BARC India data, the film garnered a whopping 25 million TVTs (HSM CS 4+ Urban and Rural), and 74.5 million people, across the country, tuned into the premiere, which is close to three times the number that watched it in the theatres.

     

    Star Gold gained a massive 40 GRPs in this week, which is 53 per cent of the average of last four weeks, majorly owing to Bajrangi Bhaijaan according to TAM ratings.

     

    Jhaveri said, “We are very happy by the responses we have received from Bajrangi Bhaijaan. The film’s ratings are a strong validation that our strategy is aligned with the viewers’ demands. It was completely a 360 degree marketing plan and the content that worked for us. Salman Khan is clearly a star loved across the nation and the movie itself is iconic in every possible manner. The content was awesome and I am very confident that we will do better for years.”

     

    In most cases, channels acquire rights for 10 years from the production house for every film. Talking about the criteria of acquiring telecast rights of films, Jhaveri informed that the selection process is complex as it contains a lot of things while finalising the movie for the world television premiere. “It’s a combination of everything including actors, stories, performance and timing. It entails understanding of the content, some degree of popularity of actors and the production house. So it’s complex as it’s unpredictable whether a particular film will work or not. Over the past two years, we have become very selective in our acquisition process and are not as aggressive as we were earlier. And that is the trend that we will be following,” he said.

     

    After the world premiere television of Bajrangi Bhaijaan, Star Gold is now prepping up to telecast other recent releases in the coming days. “We have many films in the pipeline. Our next deliverable will be Drishyam followed by Hero,” Jhaveri said.

     

    As a part of its content strategy, after its premiere on television, Star also made availableBajrangi Bhaijaan exclusively on its over the top (OTT) platform Hotstar.

     

  • CCI fines Karnataka film and TV bodies guilty of preventing non-Kannada programming into state

    CCI fines Karnataka film and TV bodies guilty of preventing non-Kannada programming into state

    NEW DELHI: Holding them guilty of anti-competitive practices, the Competition Commission of India (CCI) has imposed a fine of Rs 20.24 lakh on three organisations of TV and filmmakers by banning or prohibiting the release of dubbed television serials and feature films in Karnataka.

     

    A bench headed by CCI chairperson Ashok Chawla ordered that Karnataka Film Chamber of Commerce (KFCC), Karnataka Television Association (KTVA), and Kannada Film Producers Association (KFPA) should deposit the amount of penalty imposed upon them within 60 days of the receipt of the order and file a compliance report within six months. The Bench also comprised members S L Bunker, Sudhir Mital, Augustine Peter, and U C Nahta.

     

    KFCC is to pay penalty of Rs 16.82 lakh calculated at the rate of 10 per cent of its average income for three financial years 2008-09, 2009-10 and 2010-11; while a penalty on KTVA of Rs 1.74 lakh and Rs 1.68 lakh on KFPA – calculated at the rate of eight per cent of their average incomes for three financial years 2008-09, 2009-10 and 2010-11 has been imposed on them.

     

    The Commission did not find the Karnataka Film Directors Association (KFDA), Kannada Chalanachitra Academy (KCA) and Karnataka Film Artists, Workers and Technicians Union (KFAWTU) guilty of any malpractice as they were not involved in the production of films or television series.

     

    The Commission directed KFCC, KTVA and KFPA to ‘cease and desist from indulging in practices, which are found to be anti-competitive in terms of the provisions of section 3(1) read with section 3(3)(b) of the Act.’  It also asked the bodies to bring in place, in letter and in spirit, a Competition Compliance Manual to educate its members about the basic tenets of competition law principles. These erring associations should play an active role in creating awareness amongst its members of the provisions of the Act through competition advocacy. 

     

    The director general of the Commission who examined the veracity of the complaint by viewers body Kannada Grahakara Koota and its president Ganesh Chetan found that the history of ban on dubbing of films in Kannada may be traced back to late fifties and early sixties. In 1962 the local film makers under the banner of Sahitya Parishath, an organisation for the development of Kannada culture and language) declared a ban on dubbed films in Karnataka. After this declaration, reportedly no dubbed film has been released in Karnataka. Although there is no legal restriction on dubbing or release of a dubbed film in India or in Karnataka, yet due to boycott or ban imposed by the film trade associations and some other organisations the dubbed films in Kannada language are not made or released. 

     

    The DG also found that there were cases of vandalism when some TV channel attempted to show a programme, and a Kannada producer was banned from releasing a film despite his claims that it was a Kannada film. Actor-producer Aamir Khan said he had written to the bodies to allow the telecast of dubbed versions of Satyamev Jayate, but without success.

     

    Referring to a similar order given by the Commission in regard to KFCC, it noted, “It is abundantly clear that KFCC has been found to be indulging in anti-competitive conduct in various cases. This is a case of continuous violation of the provisions of the Act and of complete disregard to the competition law principles.” 

     

    The penalty was imposed “having regard to the nature of anti-competitive conduct and its recurrence.”

     

    With regard to penalty under section 27 of the Act, the Commission said it has to be determined after taking into account the aggravating and mitigating factors pertaining to each contravening Party. Further, the anti-competitive conduct needs to be penalized sufficiently to cause deterrence in future among the erring entities engaged in such activities. 

      

    The Commission said any form of restriction to deny market access to other language films or programmes is not justified. It should be the choice of a film producer or artiste as to whether his film should be dubbed in other language or not. Similarly the viewer should have the choice as to which movie or programme to watch. Restrictions cannot be imposed on the film exhibitors and distributors and television channels to exploit the exhibition of validly obtained rights of a film or programme. Any kind of regulation or restriction by an association falls foul of competition law provisions. 

     

    The Commission agreed with the findings of the DG that the conduct of the three bodies clearly results in limiting and restricting the market of dubbed films/serials in Kannada language in contravention of section 3(1) read with section 3(3)(b) of the Act. 

     

    Some other programmes not permitted since 1999 included Doordarshan series Ramayanaand The Sword of Tipu Sultan, and programmes like Rani Jhansi and Luv Kush made by private channels, apart from Telugu programmes dubbed in Kannada.

  • Sony tastes success with ‘PK’ premiere, but what next?

    Sony tastes success with ‘PK’ premiere, but what next?

    MUMBAI: Big ticket world television premieres have been seen as viewership boosters for most of the broadcasters. Remember the world television premiere of Shah Rukh Khan starrer Chennai Express on Zee TV in 2013? It was this one movie, that did the magic for Zee TV, making it the chart topper for week 43, toppling Star Plus, which seems to have locked that position for itself.

    World television premiers are no strangers to mainline general entertainment channels (GECs), which have been banking on their pull for over a decade now. Not only do they help bring in revenues for the channels, but also extend the channels’ reach beyond regular audiences.

    Movies are like energy shots for GECs. They help a channel define its leadership – one successful blockbuster movie in a week could shoot up the GRPs for the channel and also its position for that week.

    One recent example is Sony Entertainment Television (SET) which saw the highest increase in ratings during week 26 (2015) of TAM TV ratings. Courtesy, Aamir Khan starrer movie PK, which observed 6.6 TVR in the HSM LC1 market, taking the channel straight to the third spot from the bottom for the week.

    According to an analysis conducted by S-Group, an Analytical arm of TAM Media Research, in the period between 2013-2015, PK stands second only to Chennai Express in the top 10 world television premieres post the implementation of DAS. The movie has zoomed ahead of the world TV premieres of other box office smash hits like Kick, Krrish-3 and Dabangg-2, which garnered 5.4 TVR, 5 TVR and 4.9 TVR respectively.

    On the back of almost 1150 promo GRPs, PK reached 44.5 million audiences in Hindi Speaking Markets (including LC1 towns) with time spent by viewers standing at 72 minutes. The premier of Chennai Express, with 73 minutes, was just a minute ahead, while reaching 52 million viewers.

    The data by TAM reveals that the on-air promotions of the movie were spread across 23 days on 25 channels, exposing 66 per cent of the HSM universe. Not just this, ‘PK moments’, a promo theme that focused on the eccentricities and likeability of Aamir Khan’s character in the movie, was the most effective in pulling in viewers on to the telecast.

    The movie appealed highly to younger audiences, especially those in the 4-14 years age-group. Majority viewership came from metros and 1 million+ towns.

    So the big question now is, if a channel like Sony, which almost for a year has stayed at the bottom of the chart, continue premiering big ticket films to gain viewership?

    According to a media analyst, movies are not the bread and butter for GECs. “Movies are bought to spike the ratings and help create positive channel imagery. Movies are not acquired to generate huge revenues – rather they are used to boost the other programming and create channel imagery.”

    The analyst further feels that it is treated as a good impact property because movies have a definite following and viewership that is sort of almost guaranteed. “The promotions around the channels are quite extensive and this just increases the chance to gain GRPs,” he asserts.

    According to Maxus managing partner head of the north and east regions Navin Khemka movies like PK are big events for any broadcaster. “It’s like a big cricket match for the channel it will be aired on, helping it garner GRPs for that particular week. However, for a channel to sustain those GRPs and viewers week-after-week is not easy. You definitely see a spike because the movie is very big.”

    Khemka believes that one movie success cannot change the fortune for a GEC.

    On the other hand, another planner believes that Sony should do more of such big ticket acquisitions as it has the potential to draw audiences. “The channel has the potential to get good ratings. Not only with movies, but with any kind of content, if it connects with the audience,” he reasons.

    Another media observer opines that research plays a crucial role which makes for a good result. “It is important for the channel to go to the TG and ask what they exactly want to watch, what time are they free, etc. Such factors should be taken into consideration,” says the observer.

    It can be recalled that at FICCI Frames 2015, all the content creators emphasised on the importance of research, as it is this which defines the fate of any TV show.

     Star Plus general manager Gaurav Banerjee had said, “The biggest need of the hour is research and development, 75 per cent of the shows do not work because of poor research.”

    On the same lines, Balaji Telefilms group CEO Sameer Nair said that emotion is same all over the world. Content creators need to research more and have good art of storytelling.

    Expressing unhappiness to the current content system, Reliance Broadcast Network Limited CEO Tarun Katial had said, “Not happy with the content that is there, we need to stop, research and start all over again.”

    Sony’s game plan for the coming months

    Going to what is really bread and butter for a GEC, which is a fiction content; Sony had taken another shot at attracting hordes of viewers to its prime time fare. In its first step towards that, it launched a show with popular TV icon – Ram Kapoor with Dil Ki Baatein on 23 March.

    Despite big actors, it failed to garner GRPs and is seeing the closure in the coming weeks. (Initially it was slated to go off-air on 17 July, but now has got an extension for a month).

    To increase its content portfolio of experimenting with different subjects, it launched Reporters on 13 April which has been delivering decent numbers. But according to reports, it will see its curtains down next month.

    Bringing new style of storytelling onboard, the channel will launch its next high-budget property titled Raani Mahal which according to sources will replace Reporters.

    Produced by Lost Boy Production’s Vikas Gupta it is still in its casting stage. “We have not started shooting yet. We are still finalising the cast and location for the show,” answers Lost Boy Productions creative director Vikas Gupta.  

    Secondly, Optimystix Productions is coming up with a show titled Jaane Kya Hoga. It will launch in August. Currently, the production house has been conducting extensive workshops for the actors.

    Thirdly, Sony has teamed up with Balaji Telefilms yet again to produce another love story. Though the name of the show has not yet been finalised, it will see its launch in the month of August.

    So will these shows help Sony garner eyeballs?

    According to Khemka, the channel needs to ensure that the new content is sampled first. He feels that every channel today is getting good content and it all depends if they are able to get the stickiness of the audience.

    “A lot of channels put up content, but the key to any good content being successful is the sampling. So it has to ensure that it is launching the content on the back of a big marketing plan so that people are actually sampling and sticking to the content. It is not only about one show, one hour or one day, for a GEC it is important to keep innovating day in and day out, to get the audience glued to the channel. Developing the stickiness and loyalty is extremely important,” he says.

    Another media planner believes that the channel needs to put up the content properly. “They did not get the content right first time but will get it the second time. They need to understand consumer profile, what they want and get the content exactly on that. Definitely the research that needs to be done is not there.”

    Sony, are you listening? 

  • Sony books third spot with ‘PK’ premiere: TAM TV Ratings

    Sony books third spot with ‘PK’ premiere: TAM TV Ratings

    MUMBAI: Blockbuster PK continues be the golden goose. The Rajkumar Hirani directed movie became the most watched programme of week 26 as per Tam TV ratings analysis. This Aamir Khan starrer which was premiered on 21 June 2015 on Sony Entertainment Television (SET) garnered 7.63 TVR, taking the channel straight to the third spot for this week.

     

    Sony registered 166 GRPs in week 26, up from the 117 GRPs it garnered in week 25.

     

    Star Plus still remains undisputed on the top of the table despite a slight decline in GRPs. In week 26 the channel registered a viewership of 248 GRPs, a drop from 252 GRPs it registered in the previous week.

     

    Colors, at number two, also observed a decline in viewership. It descended from 213 GRPs to 205 GRPs. Fourth placed Zee TV was the only other gainer amongst the top general entertainment channels (GECs) genre. The channel’s viewership grew from 154 GRPs to 161 GRPs.

     

    In the top programme category PK had no competition as it scored 7.63 TVR. This was followed by Yeh Hai Mohabattein on Star Plus which bagged 4.24 TVR. Yeh Rishta Kya Kehlata Hai and Saathiya Saath Nibhana from the same channel came third and fourth with 4.04 TVR and 3.76 TVR respectively. Zee TVs  Kumkum Bhagya came fifth with 3.45 TVR.

     

    Sab’s Tarak Mehta ka Ulta Chasma garnered 3.45 TVR and was placed at the sixth spot. Colors dominated the bottom part of the top 10 chart with Meri Aashiqui Tum Se Hi, Chakravartin Ashoka Samrat, Sasural Simar Ka and Udaan being placed at seventh, eighth, ninth and tenth spot respectively.

     

    Click here to view full report

  • Sony LIV to premiere Aamir Khan’s ‘PK’

    Sony LIV to premiere Aamir Khan’s ‘PK’

    MUMBAI: Sony LIV, Multi Screen Media’s (MSM’s) digital video entertainment brand serving and streaming content both on mobile & web, is all set to bring the movie that created history.  An exceptionally well crafted movie ‘PK’ directed by Rajkumar Hirani will be premiered on 22 June onwards for a week at Sony LIV app and web. So now one can watch their favorite movie end number of times for free!

     

    Cinema lovers and Aamir Khan fans now have the chance to delve into the rib-tickling histrionics of the lovable alien played by the superstar as he questions the religious dogmas and superstitions that plague India. With Anushka Sharma, Sushant Singh RajputBoman IraniSaurabh Shukla, and Sanjay Dutt in supporting roles, viewers will journey with PK as he makes satirical observations about the peculiarities of human behavior and beliefs.

     

    So whether you missed the film on the silver screen or you’d like to immerse yourself in its comical moments and applause-worthy dialogues all over again, don’t forget to tune into Sony LIV!   

  • Tourism Ministry launches new ‘Atithi Devo Bhava’ TVCs starring Aamir Khan

    Tourism Ministry launches new ‘Atithi Devo Bhava’ TVCs starring Aamir Khan

    NEW DELHI: A new series of television commercials (TVCs) on the theme of ‘Atithi Devo Bhava’ with actor Aamir Khan were launched here by the Tourism Minister Mahesh Sharma.

     

    A brochure titled “India – the Land of Yoga” was also launched at the function organized in New Delhi.

     

    The four films made on the theme of “Atithi Devo Bhava” spread awareness about ways to extend hospitality to tourists visiting India by adopting an honest and helpful attitude, as well as maintaining cleanliness and hygiene. 

     

    Khan is the brand ambassador for these films, which have been directed by adman Prasoon Joshi. 

     

    Joshi said, “‘Atithi Devo Bhava’ is the core of our culture and we must promote is as our USP for the purpose of tourism.” 

     

    The four films launched today will be telecast on various television channels to spread the message across the country. The films also aim to educating people about the importance of tourism and touristic values. 

     

    While launching the brochure “India- the Land of Yoga”, Dr Sharma said that the celebration of International Yoga Day is a matter of pride for India and many countries of the world are supporting us in this endeavour. The brochure on Yoga includes details of Yoga destinations, which will help to promote Yoga as a tourism product.

     

    Dr Sharma thanked Khan and Joshi for making these films and helping in boosting the image of tourism in India. He said that security, hospitality and cleanliness are the main strengths of tourism in India and the Ministry is working on a mission mode to achieve these objectives. 

     

    The Minister also said that the Indian Government has launched a Helpline 1363 or 1800-111-363 to help the foreign tourists and guide them on their arrival in India. The helpline will be available in 12 foreign languages within a month to facilitate the foreign tourists. Currently, the Helpline is available in Hindi and English. 

     

    The Minister also announced the setting up of a National Medical and Wellness Tourism Board to boost medical tourism in India. “The Board will help to bring together and showcase on an international platform the various streams of medicine available in India including Ayurveda, Yoga, naturopathy, Unani and low cost allopathic treatments,” Dr Sharma added.

     

    In another important step to promote tourism, Dr Sharma announced four new theme based circuits under the Swadesh Darshan scheme that will be developed in the next year. These four circuits are Wildlife Circuit, Spiritual Circuit, Desert Circuit and Ramayana Circuit. These four circuits will be in addition to the five circuits already being developed by the Ministry of Tourism.

  • Aamir Khan sent notice for using ‘Satyamev Jayate’ as show title

    Aamir Khan sent notice for using ‘Satyamev Jayate’ as show title

    MUMBAI: Known to be soft targets, it’s almost become a fad to sue celebrities in India these days. After the likes of Amitabh Bachchan and Madhuri Dixit being recently pulled into the Maggi Noodles controversy, now Aamir Khan has landed himself in a legal mess.

     

    An activist has sent a legal notice to the Bollywood actor and director of popular television show Satyamev Jayate, for using the country’s emblem as the title of the programme allegedly without the permission of the Central Government.

     

    The activist Manoranjan Roy says that the name Satyamev Jayate is a part of the national emblem as well as part of the State Emblem, which cannot be used without permission as per State Emblem of India (Prohibition of Improper Use) Act 2009.

     

    The notice sent by advocate Manoj Singh on Roy’s behalf to Aamir Khan, his wife Kiran Rao and the show’s director Satyajit Bhatkal, demands that producers of the show furnish a copy of government permission. “Otherwise our client has given us peremptory instructions to initiate legal proceedings against you,” it says.

     

    No authority has the right to register or grant patent, which contains the State Emblem or its part, the notice says, adding that “it cannot be used to get monetary benefit or for the purpose of advertisement.”

     

    Satyamev Jayate hosted by Khan, aired on Star India’s channels and Doordarshan.