Tag: Aamir

  • Secret Superstar: Patchy underdog movie riding on Aamir’s fame

    Secret Superstar: Patchy underdog movie riding on Aamir’s fame

    There have been numerous films on a protagonist going against the tide to fulfil his ambition and childhood dream. Usually, in films, such aspirants come from second rung cities, small towns or mofussil India. That adds to the sympathy or the underdog quotient as the script’s requirement.

    Just about every actor would have played at least one if not more such roles of an underdog hitting the pinnacle of success. Be it in the field of entertainment, industry or underworld. In fact, there have been some films made on real life heroes too who made it big from humble beginnings; some acknowledged some unofficial. The prominent among these include films on Neerja, MS Dhoni, Dhirubhai Ambani, Sachin Tendulkar, Milkha Singh, Silk Smitha, Capt Nanavati, Azharuddin, Phoolan Devi, Phogat sisters, Mary Kom and just about every pre-independence political leader and freedom fighter.

    But, unless dramatised, these biopics don’t work. Compare with, for example, M S Dhoni: The Untold Story and Sachin: A Billion Dreams. While Dhoni worked with the viewers, Sachin was rejected. The reason was that Dhoni was scripted to appeal while Sachin went on the lines of a documentary.

    Secret Superstar is not a biopic but goes on the same lines of one and one wishes it had taken cue from films like Dhoni or Mary Kom where fighting the odds includes a lot of hurdles and not just one impractical father’s illogical angry outbursts.

    Secret Superstar is the story of a teenaged Vadodara girl from a Muslim family though the film makes no reference to her community throughout the film. The character of Zaira goes to a co-ed school, which the makers don’t care if it comes across as English, Gujarati or Hindi medium.

    Zaira aspires to be a singer. Her mother, a supressed wife, had bought her a guitar when she was six. Zaira strums on the guitar when her father, played by Raj Arjun, is not around for he lives with the ghosts of Aurangzeb. Zaira can go to a co-ed school, mingle with boys, burkha is never forced on women of the house, it is just that she can’t cultivate her hobby.

    Since Raj Arjun works in Saudi Arabia, to the relief of Zaira and her mother, played Meher Vij, he is away 11 months a year and they can live normal lives. Zaira has to give an outlet to her talent without letting her father know about her exploits. Meher Vij, always by her side, sells an ornament to buy Zaira a laptop.

    Secret Superstar is also a teenage love story on the side. He classmate, played by Tirth Sharma, loves her and is always ready to go out of his way to help her. Zaira’s journey starts with Meher Vij and Tirth by her side. She decides to sing and post her videos on Youtube hidden behind a burkha hoping for her songs to work and be noticed. Her identity on Youtube is Secret Superstar.

    Youtube plays one of the characters in this film as it may have been a part of many others stories too since its inception in 2006. Zaira is an overnight sensation on the social media and is also praised by film stars and others but, mainly, by a cranky music director played by Aamir Khan.

    Zaira, the social media sensation, and Aamir Khan, on the last lap of his creativity, join forces and Aamir manages to create a new singing superstar out of Zaira in the process reviving his own career.

    Secret Superstar has a predictable story that has been turned and twisted at whim. Glitches are left to pass throughout. The producer’s reputation for minor details is missing here. The first half is designed to be negative where one man is cast out of a 1960 family social film in Raj Arjun.

    With fair dialogue, average production values, the film has decent cinematography. For the kind of theme and script the film handles, its 150-minute duration is telling on the viewer. For a musical about launching a new singing talent, the film’s musical score is lacking.

    While Zaira carries the film on her shoulders, she is well supported by Vij and Sharma. Arjun is effectively terrorising. Aamir has made a caricature out of the music composer that he plays wearing gaudy T shirts tucked in jeans, the kind of costume tapori hero used to wear in 1970s films to cater to the what was described as ‘frontbenchers’. His execution of the role borders on buffoonery.

    Secret Superstar comes across as a patchy film riding on the name of Aamir but hoping for the Diwali weekend to salvage it.

    Producers: Aamir Khan, Kiran Rao.

    Director: Advait Chandan.

    Cast: Aamir Khan, Zaira Wasim, Meher Vij, Tirth Sharma, Raj Arjun, Kabir Sajid.

  • Aamir Khan willing to shape up nephew Imran Khans career!

    Aamir Khan willing to shape up nephew Imran Khans career!

    MUMBAI: Till now Mamu Aamir has never interfered in Imran’s career. According to the superstar every actor goes through a bad phase in his career. However, seems like Aamir Mamu is quite worried about the way in which Imran’s career is shaping up.

    In an exclusive interview with zoOm, Aamir said that he is now ready to guide Imran and he will be more than willing to share tips that will help him get off this bad phase. Seems like Imran’s back to back flops this year has got Aamir thinking. He has not just offered to guide Imran but also the film makers who are interested in signing up Imran. Being Aamir’s nephew, everyone expects Imran to be like his mamu in the way he chooses his scripts. However, when Imran tried the Aamir way of working by opting for diverse role, the movies failed to impress at the Box Office.

    Let’s hope that this mamu can get his nephew’s career back on track. For the latest and biggest stories from Bollywood, stay tuned to Planet Bollywood News every day at 7 pm only on zoOm – India’s No. 1 Bollywood Channel.
     

  • Disney UTV to make screen adaptation of Chetan Bhagat’s ‘Revolution 2020’

    Disney UTV to make screen adaptation of Chetan Bhagat’s ‘Revolution 2020’

    MUMBAI: Disney UTV is all set to direct the screen adaptation of Chetan Bhagat’s ‘Revolution 2020’. The studio has roped in Raj Kumar Gupta of Aamir, No One Killed Jessica and Ghanchakkar fame to direct a movie based on Bhagat’s novel ‘Revolution 2020’.

    This will be studios second adaptation of Bhagat’s novel, the first being Kai Po Che!, an adaptation of Bhagat’s ‘The 3 Mistakes of My Life’.

    It was during the pre-production of Kai Po Che! that Bhagat shared the draft of his latest book with the creative team at Disney UTV. The Studio saw the cinematic potential in the novel, which is high on drama and entertainment and at the same time hugely relevant to the youth of today.

    Disney UTV had snapped up the rights to the book, a few months before it was launched. The novel will be made into an epic drama with strong roles for the three main leads, who will play the characters of Gopal, Raghav and Aarti, whose destinies are intertwined.

    “We are really excited about working again with two incredibly talented individuals, with whom we’ve made some great movies. In the past, Raj Kumar Gupta directed powerful films like Aamir and No One Killed Jessica for us. And there’s Chetan Bhagat who we’ve had a great time working with on the immensely successful Kai Po Che! So we’re looking forward to bringing both of them together on ‘Revolution 2020’. Raj Kumar Gupta bringing his cinematic vision to Chetan Bhagat’s ‘Revolution 2020’ is something to look forward to,” Disney UTV senior creative director – Studios Rucha Pathak.

    “I am delighted to work with UTV again after Kai Po Che!, that not only did extremely well at the box office but also was considered one of the best films of the year. Raj Kumar Gupta is brilliant director, especially for a story like ‘Revolution 2020’, steeped in contemporary Indian realism with a strong emotional content. ‘Revolution 2020’ is an intense love story, in the backdrop of corruption in the education sector, which exists and affects millions of youth across the country. Set in Kota and Varanasi, the book has sold a million and half copies, and has held pan-Indian appeal, including in the smaller cities. I expect the film to do the same. I can’t wait for Gopal, Aarti and Raghav to be cast and come to life,” added author Chetan Bhagat.

    “I read Bhagat’s ‘Revolution 2020’ and was quite moved by it. It is a very simple and heartfelt story about being young, being confused, being in love, getting corrupt. I am looking forward to writing and directing this book for the screen,” said Raj Kumar Gupta
    The screenplay of the film is currently underway and it is expected to go on the floors mid 2014.

  • Star Gold presents ‘Savlon Sabse Favourite Kaun 2006’

    Star Gold presents ‘Savlon Sabse Favourite Kaun 2006’

    MUMBAI: Star Gold will open the voting lines for the opinion poll of bollywood Savlon Sabsey Favourite Kaun International 2006 from 12 November.
    The poll is open for fans not just from India but also from other countries including the Middle East, South East Asia, US, UK, Pakistan, Afghanistan, Australia and New Zealand.

    The nominees for different categories are:

    – Sabsey Favourite Hero:
    Amitabh, Abhishek, Akshay, Ajay or Aamir, Shahrukh Khan, Salman Kha, Hrithik, John and Sanjay Dutt.

    – Sabsey Favourite Heroine:
    Aishwarya Rai, Rani Mukherjee, Preity Zinta, Kareena Kapoor, Bipasha Basu, Sushmita Sen, Juhi Chawla, Kajol, Priyanka Chopra and Ayesha Takia.

    – Sabsey Favourite Comic Hero:
    Arshad Warsi, Boman Irani, Rajpal Yadav, Johnny Lever and Paresh Rawal.

    – Sabsey Favourite Nayi Heroine:
    Kangana Ranaut, Tanushree Dutta, Konkona Sen Sharma, Sneha Ullal and Soha Ali Khan.

    – Sabsey Favourite Naya Hero:
    Abhay Deol, Shreyas Talpade, Kunal Khemu, Upen Patel and Shiny Ahuja.

    – Sabsey Favourite Film:
    Lage Raho Munna Bhai, Rang De Basanti, Krrish, Kabhi Alvida Na Kehna, Fanna.

    – Sabsey Tez Sitara:
    Sharman Joshi , Kunal Kapoor, Katrina Kaif, Priyanka Chopra, Vidya Balan.

    People can vote for this category only on www.indya.com

    To find out more about Savlon Sabsey Favourite Kaun International keep watching Star Gold along with the hosts Ranvir Shorey, Vinay Pathak and Suresh Menon. Accompanying them will be Savlon SFKI ambassador- Ayesha Takia.

    To vote: SMS ‘SFK’ to 7827 or Log on to www.indya.com.

    The first episode of Bandhon Mein Hai Dum will premiere on 12 November at 12 pm.

  • Aamir Vs Aamir

    Aamir Vs Aamir

    Let me begin with a disclaimer. This is not a piece about how celebrities should conduct themselves in public or in media. It is not about whether or not they should get involved with or voice their opinions on politically or socially sensitive matters. It is not about whether they should do research on a controversial subject, acquaint themselves with ‘facts’ from both sides, and only then form an opinion instead of forming lazy opinions.

    Enough and more has been written or spoken on these subjects. We have heard Aamir and his supporters from the ‘industry’ and elsewhere. We have seen other celebrities such as Arundhati Roy and Rahul Bose share their opinion with us on several news TV stations. In fact, only recently, I read a beautifully written piece by Rahul Bose on intentblog, one of the best open blogs I have seen.

    It’s Aamir the actor who acts for a living versus Aamir the brand whose equity must be protected, grown and leveraged
    _____****_____

    My goal here is a little different. A little less selfless and more commercial, if you may. As a practitioner of marketing and communication, I am intrigued by the issues the Aamir-Narmada-Fanaa episode raises, even after the episode itself seems to have blown over.

    If you try to simplify an otherwise multi-textural issue, it’s Aamir the celebrity that endorses half a dozen high profile brands versus Aamir the concerned citizen who is compelled to raise his voice against seeming injustice. In fact, even more importantly, it’s Aamir the actor who acts for a living versus Aamir the brand whose equity must be protected, grown and leveraged.

    Now look at what the brand did. It [doesn’t sound right to refer to Aamir, as ‘it’, does it?] jumped out of its popularly accepted, rather linear domain of acting-to-entertain, into uncharted territory. Out of the larger-than-life fantasy world of the big screen, Dolby sound, and carefully directed retakes, into the grimy and sweaty world that millions live in every day. It could not have been an easy choice. Particularly when a brand extension [Fanaa] was weeks away from its launch. I know there are people out there who believe Aamir’s Narmada outburst and rather ‘suddenly’ found social conscience were part of a carefully orchestrated bridge strategy between Rang De Basanti and Fanaa. If that is true, I wonder how many product or service marketing managers would take such a risk before a launch. In fact, whether Aamir’s Narmada voice was a marketing tactic is not the real issue here.

    To me, the issue is whether brands need to learn a new lesson on how to communicate with their customers. Ever since brand management started as a discipline, most brands have tried to create and maintain a squeaky clean image, polished regularly by advertising. They have lived in a fantasy world where problems always disappear at the end of 30 seconds, ‘ordinary’ names always fail, rivals draw blood on an imaginary street. They have stood on pedestals and delivered sermons about the good and the evil, while obedient disciples listened with patience. Not unlike how Aamir and others in his profession talk to us in a theatre, if you think about it.

    But the truth is, brands live in our minds and hearts and we live in a society. The society isn’t a fantasy world; it’s where we return when the three hours of fantasy are over. It’s where parents take interviews, so that kids can get admission into a school, where neighbors fight over relatively trivial issues, where corruption is something we practice in day time and watch on TV at night.

    Do brands live in our society? With us? Should they?

    If we want to move from an era where consumers move from just knowing our brand to liking it, a thought that is finding increasing acceptance amongst seasoned brand marketers, we should perhaps think of brands as social beings.

    Should brands take a social stance? Or should they avoid any kind of controversy and stay sanitized and clean?
    _____****_____

    Not everyone in our society is our friend. Some people whose ideas and opinions are similar to ours, who have interests and hobbies common to ours, who help us face a challenge or leverage an opportunity, become our friends. Others become someone else’s friends. People fight normal fights, but we are most often loyal to our friends regardless of who is fighting against them. And while we might have many types of friends and sometimes we lose touch with some of them, we don’t change with friends very frequently.

    Do we see our brand as a friend like this?

    Here comes the provocation. In a world where people [consumers?] are getting increasingly cynical of marketing, advertising and brands, should we start breaking down some of the practices that built our powerful brands yesterday? Should we attempt to make the simple principles of friendship and social relationship work to create a relationship between our brand and attention challenged consumers?

    Should our brands step down from the hallowed pedestal and mingle with the masses? Should they take stances on issues of social importance and urgency, even if some of them might be controversial and ‘politically’ sensitive?

    Net, should brands take a social stance? Or should they avoid any kind of controversy and stay sanitized and clean?

    How come Aamir thought of doing something that Shah Rukh, Amitabh, Aishwarya, Lataji and Hritik haven’t done? Is Aamir the only one? How about Shabana? How about Gere?

    How come we regard Benetton, Bullet, MTV, Diesel, Harley, Zippo, Apple, Red Bull differently from countless others?

    If we think of brands broadly as mainstream and leading-edge, how they have built themselves, what chances they have taken, who owns them and how they behave, we might find some directions and explanations. But, then, that’s a broader subject, isn’t it?

    Do you have an opinion on brands taking a social stance. Help Ravi Kiran write the next chapter. Post your thoughts to editor@indiantelevision.com

    (The author is South Asia CEO Starcom MediaVest Group)