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Monster Mela on Star Gold

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MUMBAI: Star Gold is launching a ‘Hollywood Monster Mela’ which would air the monster movies, Jurassic Park, The Lost world and Jurassic Park 3 in Hindi on every Saturday at 8:30 pm.

The Original Idea:

– The original idea for Jurassic Park came from Michael Crichton’s attempt in 1983 to write a screenplay about a Pterodactyl being cloned from an egg. The screenplay and movie never came to fruition. He had originally intended for the story to be through the eyes of a child who was at the park when the dinosaurs escaped.
– The first draft of the screenplay had Hammond left behind on the island.
– With every new draft of the script, there was a different set of survivors and a different set of characters dying. At various points during pre-production, Hammond, Malcolm, and Dr. Wu were going to die and Gennaro and Muldoon were going to live.
– In the original script, the T-Rex skeleton in the lobby was hooked up to pulleys like a giant marionette. In the ending, Grant was going to man the controls and act as puppeteer, using the skeleton’s head and feet to crush the raptors.

Firsts on the movie:

Jurassic Park was the first film to use DTS digital surround sound.
Jurassic Park was Richard Attenborough’s first acting role in 15 years.
– Steven Spielberg got to direct the man who beat him to the Best Director Oscar in 1983 (Richard Attenborough, whose film Gandhi (1982) beat Spielberg’s E.T. The Extra-Terrestrial (1982) as Best Picture).

 

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Awesome Visual Effects:

– Director Steven Spielberg was worried that computer graphics meant Nintendo type cartoon quality. He originally only wanted the herd of gallimimus dinosaurs to be computer-generated, but upon seeing ILM’s demo animation of a T-rex chasing a herd of galamides across his ranch, he decided to shoot nearly all the dinosaur scenes using this method. The animation was first plotted on an Amiga Toaster, and rendered for the film by Silicon Graphics’ Indigo workstations.
– The glass of water sitting on the dash of the Ford Explorer was made to ripple using a guitar string that was attached to the underside of the dash beneath the glass
– Shots of a full dinosaur was computer-generated, but shots of parts of dinosaurs were of animatronics.
– The full-sized animation of the tyrannosaurus rex weighed about 13,000 to 15,000 pounds.
– During the shooting of the initial T-rex attack scene that took place in a downpour and was shot on a soundstage, the latex that covered the T-rex puppet absorbed great amounts of water, making it much heavier and harder to control. Technicians worked throughout the night with blow driers trying to dry the latex out. Eventually, they suspended a platform above the T-rex, out of camera range, to keep the water off it during filming.
– A baby triceratops was built for a scene where one of the kids rides it. Special effects technicians worked on this effect for a year but the scene was cut at the last minute as Steven Spielberg thought it would ruin the pacing of the film.
– There were so many wires and rigging to control the velociraptor animatrons in the kitchen stalking scene that the child actors had to literally step over and around them while the scene was being filmed.
– The ending where the T-rex saves the day was added when the production team and John Williams decided that it was the hero of the film.
– At one point Lex is hanging from a floorboard between stories. She looks up for a moment. The stunt double looked up accidentally while filming and Ariana Richards’ face had to be superimposed in post production.
– The super computer used in the control room was one of only two ever built to that size (1024 nodes). The other machine was at Los Alamos.
– Steven Spielberg wanted the velociraptors to be about 10 feet tall, which was taller than they were known to be. During filming, paleontologists uncovered 10-foot-tall specimens of raptors called Utahraptors.
– The raptors in the kitchen scene was filmed on Joseph Mazzello’s birthday. Due to a misunderstanding, Joseph ran into one of the raptors on one of the takes and was injured.
– The scene where the T-Rex comes out of the bushes and eats the gallimimus was actually shot on the island of Oahu at Kualoa Ranch. This was the only outdoor scene not filmed on Kauai, due to Hurricane Iniki.
– Before Steven Spielberg decided to use animatronic dinosaurs and computer-generated effects, he wanted to use stop motion animation for the dinosaur effects and had Phil Tippett put together a short demo of the kitchen scene using claymation dinosaurs (Barbie dolls were substituted for the actual actors).
– The blip sound on the Silicon Graphics computers and the blip on the Apple Macintosh Quadra 700 is a blip sound from a Motorola-brand cell phone.
– The helicopter used in the movie was later involved in an accident in Hawaii in March 2001. In the accident, the chopper dropped ten feet to the ground, bounced back up and then tipped on its right side.

Records:

Jurassic Park held the box office record until it was beaten by Titanic (1997).
– Both the film and the book generated so much interest in dinosaurs that the study of paleontology has had a record increase in students, and interest in general has skyrocketed, and has been at an all-time high ever since.
– The novel was published in 1990. However, pre-production of the film began in 1989, using only Crichton’s manuscript. It was widely believed that the book would be such a hit that it would make an outstanding movie. It turns out that assumption was correct.

 

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Truth behind fact and fiction:

– In the scene where the survivors are crawling through vent spaces, a raptor is seen with shadows from the vents all over its body. The shadows form the letters GATC, the four letters used to denote the components of DNA
– Ariana Richards’ audition consisted of standing in front of a camera and screaming wildly. Director Steven Spielberg -wanted to see how she could show fear.-
– For the part where the T-Rex catches a Galliminus and shakes it in his mouth, the sound was taken from a dog shaking a toy in its mouth.
– Sean Connery was offered the role of John Hammond.
– The name of character -Lewis Dodgson- is a fusion of the –Alice in Wonderland– author’s pen-name Lewis Carroll, and his real name -Charles Dodgson-.
– Principal photography finished 12 days ahead of schedule and on budget.
– The release strategy was planned 15 months before the studio had the chance to see a frame of the movie.
– In the shots of the gift shop, clearly visible is a book entitled -The Making of Jurassic Park– by Don Shay and Jody Duncan. This title was published but tells the behind the scenes story of how the film was made. Jody Duncan also wrote the –Making Of- book for The Lost World: Jurassic Park (1997).
– When the T-Rex comes through the glass roof of the Explorer in the first attack, the glass was not meant to break, producing the noticeably genuine screams from the children.
– All the merchandise (T-Shirts, stuffed dinosaurs, lunch boxes, flasks, etc.) shown in the film were, in some part, actually created to be sold with the movie.

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Laughs meet chills as ‘Jhamkudi’ hits TV screens

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MUMBAI: Get ready for a hauntingly good time as Jhamkudi, the Gujarati blockbuster that cast a spell on cinema-goers, makes its world television premiere on Shemaroo Josh this 14 November at 7 PM.

Directed by Umang Vyas, the film takes viewers to the eerie village of Raniwada, where Navratri celebrations are overshadowed by the curse of a vengeful witch. Enter Bablo, a quirky real estate agent, and Kumud, a royal heir, whose fates collide in a hilarious and spooky chain of events that’s equal parts chaos and charm.

The film stars national award-winning actress Manasi Parekh, who shines once again with her trademark depth and grace, alongside Viraj Ghelani, the digital sensation whose comic timing is as sharp as ever. The stellar ensemble also includes Ojas Rawal, Sanjay Goradia, Jayesh More, Krunal Pandit, Chetan Daiya, and Bhavini Jani.

Blending goosebumps with giggles, Jhamkudi proves that even horror can have heart. With its sharp writing, witty dialogues, and a dash of desi masala, the film promises an evening of family fun that’s both thrilling and thoroughly entertaining.

So mark your calendars, grab some popcorn, and tune in to Shemaroo Josh on 14 November at 7 PM for the perfect mix of fright and delight, because this witch tale is all about wicked fun!
 

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Zee reels in record highs with a blockbuster show of movie magic

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MUMBAI: In a cinematic twist worthy of its own premiere, Zee Entertainment Enterprises Ltd. (‘Z’) has pulled off a blockbuster of its own recording a three-year high share of 28.7 per cent in the Hindi movie cluster in Q2FY26. Proving that great storytelling never goes out of style, the content and technology powerhouse has reaffirmed its dominance in India’s ever-competitive movie broadcast landscape.

Leading the charge is Zee Cinema, which reclaimed its position as the No. 1 Hindi movie channel (15 plus HSM Urban) this quarter. Its line-up of premieres from the rural rumbler Jaat to the slick actioner Game Changer pulled in massive audiences. But it was Pushpa: The Rule – Part 2 that truly stole the show, delivering the highest-rated movie premiere of FY26 so far. The last film to achieve a similar feat? Gadar 2, also a Zee Cinema triumph from November 2023.

Meanwhile, Zee’s Free-to-Air dynamos Anmol Cinema and Zee Action flexed their reach muscle, becoming the most-watched channels across all languages and genres. Each channel drew in more than 116 million viewers, proving that free TV still holds unbeatable sway in Indian households.

The story doesn’t end in Hindi. Zee’s regional clusters continue to script their own success stories. In Marathi, Zee Talkies, Zee Yuva, and Zee Chitramandir maintained their near-50 per cent market share, with the world television premiere of Phullwanti delivering the highest ratings of the quarter. Down south, Zee Thirai (Tamil) and Zee Cinemalu (Telugu) kept their leadership intact, while Zee Biskope in the Bhojpuri belt ranked among the top three in its market, a cinematic sweep across regions.

“The growth of our movies cluster across languages is a strong reflection of our content strategy focusing on new super-hit premieres, classic titles from our library and data-driven curation,” said a company spokesperson. “The genre’s unmatched reach and strong resonance amongst male viewers and the youth also enable it to deliver scale and strategic value to advertisers across markets.”

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And those advertisers are clearly tuning in. The genre’s steady viewership and distinct audience base make Hindi movie channels a mainstay in media mixes for India’s top ten advertisers. In September 2025 alone, Zee’s 22 movie channels across six languages reached over 550 million viewers, a testament to the scale and staying power of its cinematic empire.

From Hum Aapke Hain Koun and Karan Arjun to RRR and Bobby, Zee’s vast film library continues to bridge nostalgia and novelty. Some titles have reached iconic status Hum Aapke Hain Koun, for instance, has been watched by a staggering 250 million people over the past five years, roughly equal to the population of the world’s fifth most populous country.

As Zee continues to blend data with drama and strategy with storytelling, it’s clear the brand isn’t just broadcasting films, it’s curating a cultural phenomenon. For millions of viewers across India, the show must go on and with Zee, it most certainly will

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Lights, camera, boo! &pictures turns full on spooky

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MUMBAI: Trick or treat, but make it filmi! This Halloween, &pictures is turning up the spook-o-meter with ‘Full On Halloween’, a fun-horror movie marathon airing all day on 31 October 2025. Promising goosebumps, giggles and ghostly surprises, the channel is set to deliver a perfect mix of fright and fun.

From eerie small-town tales to supernatural showdowns, the line-up packs in something for everyone. The chills kick off at 8:45 am with Kakuda, starring Sonakshi Sinha and Riteish Deshmukh, followed by the mischievous The Bhootni at 3:15 pm, featuring Sanjay Dutt, Palak Tiwari and Mouni Roy. At 5:30 pm, Phone Bhoot dials up laughs and scares with Katrina Kaif, Ishaan Khatter and Siddhant Chaturvedi, before the visually rich folklore fantasy Tumbbad closes the night at 10:40 pm.

Adding to the fun are K3 Kaali Ka Karishma, Om Bheem Bush, and Bhaagmathi, keeping the thrills fresh and spooky spirits high. With a blend of humour, horror, and high-energy storytelling, Full On Halloween promises a day where jump scares meet joyrides.

So this 31 October, grab your popcorn and your courage, because Halloween on &pictures isn’t just on… it’s Full On! 

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