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  • Republic TV loses veteran operations chief after eight-year stint

    Republic TV loses veteran operations chief after eight-year stint

    NEW DELHI: Hersh Bhandari, chief operating officer of Republic Media Network, has called time on his eight-year tenure at the news broadcaster, announcing his departure in a LinkedIn post that urged colleagues to “ignore all rumours” about his next move.

    The media veteran, who has spent three decades climbing the ranks of India’s television industry, said he was taking a “small break to reinvent myself and gear up for the next adventure.”

    His departure marks the end of a significant chapter for Republic TV, where Bhandari served as both chief operating officer for the broader network and chief executive officer of Republic World since December 2018.
    In his farewell message, Bhandari thanked Arnab Goswami and the editorial team for their “intensity and support”, while crediting his time at Republic with teaching him strategic thinking and leadership skills. He described the experience as helping him learn “great entrepreneur lessons” and draw “inspiration from colleagues every single day.”

    Bhandari’s career spans some of India’s most prominent media houses, including a six-year stint at Times Network, where he served as vice-president of sales and national revenue head for Times Now. Before joining Republic, he spent nearly two years as national revenue head at TV Today Network.

    His media journey began in the 1990s with a marketing role at Star TV Network, after cutting his teeth in the clothing industry with a seven-year tenure at Pepe Jeans London. At Times Network, he also held senior positions at Zoom, serving as vice-president and national head for four years.

    The executive, who describes himself as an “avid enthusiast of sports and music,” has built a reputation for driving growth across people and media operations. His LinkedIn profile carries the motto: “No matter how far down we may be, we are never too far down to come back.”

    Republic Media Network has not yet announced a replacement for Bhandari’s role. The news comes as India’s television news sector continues to face intense competition and evolving viewer preferences in the digital age.

  • Khele Sanand season three kicks off with bigger goals and stronger community spirit

    Khele Sanand season three kicks off with bigger goals and stronger community spirit

    MUMBAI: Game, set, match! Sanand is playing for keeps. Khele Sanand, Gujarat’s buzzing grassroots sports movement, is back for season 3, and it’s bigger, bolder, and brimming with community pride.

    Launched with fanfare at Sanskardham campus, the Vijayi Bharat foundation’s flagship league was inaugurated by international kho kho stars Pratik Waikar and Nirmala Bhati. What began in 2023 with just 2,500 students has now surged into a powerhouse involving over 7,000 young athletes from more than 120 schools.

    The numbers tell the story of its rise: a 400 per cent jump in girls’ participation in kho kho, a 39 per cent spike in team registrations, and the involvement of 150 volunteers handling everything from refereeing to hospitality. Backing from 20 village sarpanchs and local businesses has stitched together a genuine community effort, making Khele Sanand much more than a sports league, it’s a movement.

    “This is not just a league, it’s a platform that instils teamwork, discipline and resilience,” said Bhati, calling the initiative a bridge between raw talent and bigger opportunities. Waikar agreed and added, “Khele Sanand nurtures ambition and builds belief. It’s giving rural and urban youth alike a chance to compete in a structured, professional environment.”

    Season 3 raises the stakes with new venues, expanded formats and enhanced coaching, running through to April 2026. The finale promises not only medals and trophies, but also a celebration of resilience, teamwork and the spirit of participation.

    With each season, Khele Sanand proves that sport isn’t just about winning games, it’s about winning communities.

  • Spykar’s new podcast stitches heritage with ambition in ‘It’s in our jeans’

    Spykar’s new podcast stitches heritage with ambition in ‘It’s in our jeans’

    MUMBAI: All sewn up, Spykar is threading stories, not just jeans. India’s homegrown denim label has unzipped a new chapter in storytelling with the launch of its podcast, ‘It’s in our jeans/genes.’ The series promises conversations as textured as a vintage denim jacket, spotlighting change makers who are stitching heritage into modern ambition.

    The debut episode features the dynamic Suta sisters: Sujata and Taniya. The brand has reimagined the saree for today’s generation while empowering more than 17,000 artisans across India. True to the show’s theme, the duo even paired denim with sarees in a playful diy experiment, blending tradition with trend in one seamless drape.

    “Fashion is about more than denim, it’s about identity and the stories that connect us,” said Spykar Lifestyles, co-founder and ceo, Sanjay Vakharia. “The Suta sisters embody the balance of heritage and modernity, reflecting the ambition of a new India that thinks global while staying rooted.”

    For Sujata and Taniya, the podcast felt like a natural fit. “Suta has always been about effortless, joyful sarees and supporting artisans. Spykar’s podcast celebrates the same values: authenticity, storytelling, and pride in taking Indian traditions to the world,” they shared.

    With more episodes lined up across technology, food, music, and start-ups, ‘It’s in our jeans/genes’ aims to inspire students, entrepreneurs, and dreamers alike. Available on Spotify, Youtube, Apple podcasts and more, the series cements Spykar’s role not just as India’s denim favourite, but also as a storyteller for a new India: authentic, ambitious, and global.

  • Sanjay Mehta launches Ananta Quest to reimagine life after 50

    Sanjay Mehta launches Ananta Quest to reimagine life after 50

    MUMBAI: Sanjay Mehta, best known for founding Mirum, a pioneering digital agency, has launched a new venture, Ananta Quest. The platform targets Indians aged 50 to 65 who are grappling with questions of identity, health and purpose.

    Ananta Quest is built on three pillars: health (prana), wealth (artha) and community (ekatra). Its aim is to provide structure and action, not just reflection.

    Mehta has a record of spotting opportunities early. He created Homeindia.com in 1998, among the country’s first e-commerce sites, and Mirum in 2009, when social media marketing was nascent. His latest project stems from his own exploration of ageing, which he has documented through a content series called What If You Live to Be 100?.

    “Even the most accomplished individuals face hard questions after 50,” he said at the launch. “We want to create a trusted space where they can move from ambiguity to reinvention.”

    India’s over-50 population is expanding fast. Ventures such as Ananta Quest seek to shift the narrative about ageing, framing later life not as decline but as renewal.

  • Oneindia taps Sushant Yattam to spearhead video push

    Oneindia taps Sushant Yattam to spearhead video push

    MUMBAI:  It’s hoping that this appointment will help it go one up on competition. Oneindia, India’s multilingual digital news platform, has named Sushant Yattam as business head for video as it seeks to capitalise on the country’s surging appetite for video content. The appointment signals the platform’s ambitious pivot towards video-first revenue generation and audience expansion.

    Yattam brings 15 years of media and entertainment experience to the role, having held senior positions at Wizcraft, Qyuki Digital Media, Walt Disney India and UTV Indiagames. His brief centres on scaling Oneindia’s video operations and developing creator-led content strategies across the platform’s network.

    “Video represents the future of digital storytelling and revenue growth,” says Oneindia chief business officer Sunder Venkatraman.  “With Sushant’s proven track record in scaling businesses and creator innovations, we’re positioned to lead the market in building an innovative video ecosystem that truly represents Bharat.”

    The platform, which reaches over 280  million users, sees significant scope for video expansion as Indian audiences increasingly shift towards multilingual video formats.  Yattam aims to develop scalable intellectual properties that blend data-driven insights with regional storytelling.|

    “Audiences worldwide are rapidly moving towards video and multilingual formats,” Yattam notes. “Oneindia is uniquely positioned not only to lead this transformation in India but also set benchmarks for digital markets globally.”

    The appointment comes as Indian digital platforms face intensifying competition for video eyeballs and advertising revenue in one of the world’s fastest-growing internet markets.

  • How Expats Can Get True Copy Attestation for UAE Visa Applications

    How Expats Can Get True Copy Attestation for UAE Visa Applications

    Applying for a UAE visa entails more than simply forms and documentation. True copy attestation is an important step that many expats tend to overlook. Without it, applications may be delayed or even rejected. This article describes what true copy attestation is, why it’s important for visa applications, and how to complete the process efficiently and accurately.

    What Is True Copy Attestation in Dubai?

    True copy attestation refers to an attestation method by which a skilled lawyer verifies that a photocopy of an original document is authentic and identical to the original. In Dubai, only licensed lawyers typically offer this service.

    Unlike other photocopies, a certified true copy attestation in Dubai carries legal weight and confirms that the original document has been verified against the true copy.

    Why Expats Need True Copy Attestation for Visa Applications

    Expats often need to present certified copies of documents to prove their identity, education, or proof of residence. As a result of this, UAE visa authorities commonly request attested copies of: 

    • Passports 

    • Address proof that can be obtained through utility bills or tenancy contracts 

    • Employment or experience letters 

    • Educational certificates  

    So what happens if you submit an uncertified copy? Your document approval could be delayed or rejected. With true copy attestation, expats demonstrate that their documents are genuine and officially verified.

    Certified True Copy Attestation in Dubai vs. Notarization 

    It is important to distinguish between attestation and notarization.  

    Certified true copy attestation in Dubai: A licensed lawyer certifies that a photocopy matches the original document.  
       
     Notarization: A notary public verifies but does not typically certify photocopies of passports or bills.  

    For UAE visa applications, immigration departments and free zones usually require certified true copies and not notarized documents.

    Step-by-Step Guide to True Copy Attestation in Dubai 

    1. Check Requirements

    The first step is to confirm with the visa authority or employer which documents need certified true copies.

    2. Prepare Photocopies

    Ensure all copies are clear, complete and free from distortions. Poor quality or blurred copies do not get approved.

    3. Bring Originals to a Lawyer

    Lawyers must inspect the original document before certifying the copy. Originals are essential for verification.

    4. Certification by Lawyer

    Following document inspection, the lawyer signs and stamps the copy, adding a statement that it is a true copy of the original, along with the date.

    5. Use in Visa Applications

    You can then submit the certified true copies instead of the originals to immigration or other authorities.

    6. Additional Legalization if Needed

    Documents issued overseas, such as marriage certificates or university degrees may require additional embassy legalization or Ministry of Foreign Affairs (MOFA) attestation, following the true copy certification.

    Why Use Professional True Copy Attestation Services in Dubai? 

    While expats can approach lawyers directly, many prefer professional services that simplify the whole process for convenience. These professional services connect applicants with licensed lawyers. Many of these service providers also handle scheduling and ensure documents meet the legal requirements. This is particularly helpful when several documents from different countries need to be attested for a single visa application.

    For expats, true copy attestation Dubai is not just a formality but a vital requirement in the visa process. It confirms the authenticity of essential documents and reassures authorities of their validity. By understanding the difference between notarization and certified true copy attestation, preparing documents properly and using professional services when needed, expats can ensure their visa applications proceed smoothly and without unnecessary delays.

  • Gujarati blockbuster Jhamkudi haunts Hindi screens on ShemarooMe

    Gujarati blockbuster Jhamkudi haunts Hindi screens on ShemarooMe

    MUMBAI: Witching hour just struck again, this time in Hindi. After smashing box office records in Gujarati cinema, supernatural horror-comedy Jhamkudi is now ready to spook and tickle audiences across India with its Hindi world digital premiere on ShemarooMe from 18 September 2025.

    The film, which stars National award-winner Manasi Parekh and viral comic sensation Viraj Ghelani, has already carved a cult following. Set in the cursed village of Raniwada, it weaves together folklore, frights and funny bones, with a vengeful witch unleashing chaos during Navratri. But unlike your average haunted tale, Jhamkudi balances scares with laugh-out-loud moments, and even a rap-style title track sung by Parekh herself.

    Shot inside the 500-year-old Gondal Palace, where whispers of real ghost stories floated through the crew, the film oozes atmosphere and authenticity. directed by Umang Vyas, it boasts a stellar ensemble including Ojas Rawal, Sanjay Goradia, Jayesh More and Bhavini Jani.

    Reflecting on the film’s Hindi debut, Parekh said, “We wanted to explore horror-comedy in Gujarati cinema, and the audience response has been overwhelming. Bringing Jhamkudi to a wider audience in Hindi feels like the natural next step: it’s fun, spooky and full of madness.”

    Ghelani, who dubbed his own Hindi lines, added, “This film marked my debut and will always be close to my heart. Reliving the character in Hindi was such a joy, and I hope viewers everywhere connect with the humour and thrills.”

    With its mix of scares, satire and superstition, Jhamkudi is now spreading Gujarati cinema’s magic beyond borders. For ShemarooMe, it’s another step in making regional blockbusters mainstream, giving India’s diverse stories the stage, and the scares, they deserve.

  • NDTV to snap up GoodTimes channel in Rs 18 crore slump sale

    NDTV to snap up GoodTimes channel in Rs 18 crore slump sale

    NEW DELHI: New Delhi Television has approved the purchase of the GoodTimes channel from Lifestyle & Media Broadcasting in a slump sale valued at up to Rs 18 crore, a move that deepens its push into lifestyle broadcasting. The transaction will be funded through a mix of cash and television advertising inventory and is structured on a cash-free, debt-free basis. NDTV made this known through a regulatory filing on the Bombay stock exchange last weekend.

    GoodTimes, a fixture for fashion, food, travel and entertainment programming, will shift to NDTV as a going concern. Because Lifestyle & Media Broadcasting is a joint venture of NDTV, the deal qualifies as a related-party transaction, though the broadcaster emphasised that it is being executed on an arm’s-length basis and backed by an independent valuation from a registered valuer. NDTV added that its promoters and group companies hold no direct stake in the seller beyond any indirect shareholding.

    Completion is subject to routine corporate and regulatory clearances, including approval from the ministry of information and broadcasting for the transfer of the channel licence. NDTV expects the process to close within roughly three months.

    Executives say the acquisition aligns with NDTV’s long-term growth strategy, broadening its content portfolio and operational reach. The company believes folding GoodTimes into its network will strengthen its brand presence, diversify revenue streams and enhance value for shareholders as competition in India’s broadcasting market heats up.

  • ChuChu TV appoints Cookbook Media to drive North America expansion

    ChuChu TV appoints Cookbook Media to drive North America expansion

    CHENNAI:  Chennai’s own ChuChu TV, the preschool YouTube sensation with a global following, has appointed New York-based Cookbook Media as its exclusive content and consumer-products representative for North America. The deal marks the Indian brand’s most aggressive international push yet, aimed at transforming its digital stardom into a broad entertainment and retail franchise.

    Under the mandate, Cookbook will broker distribution of ChuChu TV’s existing catalogue and forthcoming releases to broadcasters, streamers and AVOD platforms across the United States and Canada. The agency will also steer licensing deals spanning publishing, toys, apparel, live entertainment, gaming and digital products. Experiential activations and retail partnerships are on the slate, with Cookbook showcasing the brand at major markets including Mipcom in October.

    “From humble beginnings, ChuChu TV has grown into one of the most loved and watched preschool brands worldwide,” said founder Vinoth Chandar. “We see tremendous opportunity to connect with children and families in North America through new formats, consumer products and experiences, and we are excited to work with Claudia and Rob to bring these dreams to life.”

    Cookbook co-founder Claudia Scott-Hansen called ChuChu TV “a global success story that has captured the hearts of children and families everywhere”. Her partner Rob Bencal added: “We are in the golden age of fandom. Consumers have so many ways to show their love for favourite brands and characters. This is the perfect moment to expand ChuChu’s reach and make it a true lifestyle brand for preschoolers.”

    Launched in 2013, ChuChu TV began with animated nursery rhymes and simple songs. It now commands more than 180 million subscribers and over 100 billion views across multiple YouTube channels, with its flagship feed regularly ranking among the platform’s top ten worldwide. Its blend of bright animation and catchy tunes has won a loyal audience of children and parents from India to the Americas.

    By tapping Cookbook’s franchise-management expertise, ChuChu TV aims to convert that digital dominance into a 360-degree presence on screens, shelves and stages—turning a once-humble YouTube channel into a North American preschool powerhouse.

  • India opens Waves Bazaar pavilion at Busan film market

    India opens Waves Bazaar pavilion at Busan film market

    BUSAN:  India unveiled the Waves Bazaar – Bharat Pavilion at the Asian Contents & Film Market, held alongside the Busan International Film Festival, to pitch its fast-growing media and entertainment sector to global buyers and partners.

    Set up by the ministry of information and broadcasting with the Indian embassy in Seoul, the pavilion will run until 23 September, promoting co-productions and partnerships across film, television, gaming and emerging creative technologies.

    The launch drew industry figures including Kang Sungkyu of the Busan Film Commission, Agnieszka Moody of the British Film Institute and Ferdinando Gueli of the Italian Trade Agency. Indian filmmakers Arfi Lamba, Pradip Kurbah and Tannishtha Chatterjee joined officials Prithul Kumar, joint secretary at the ministry, and Nishi Kant Singh, chargé d’affaires at the embassy.

    Speakers highlighted India’s rising weight in the global content economy and the pavilion’s role as a bridge for collaboration. The space hosts screenings, B2B meetings and showcases in animation, VFX, gaming and immersive storytelling, underscoring New Delhi’s ambition to position India as a global content hub.