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  • ITC Sunrise honours Bengal’s dhakis with Dhaki Utsav

    ITC Sunrise honours Bengal’s dhakis with Dhaki Utsav

    MUMBAI: Drumrolls don’t just herald celebrations this Pujo, they’ve become the celebration itself. In a landmark cultural tribute, ITC Sunrise put Bengal’s beloved dhakis centre stage with a spectacular ‘Dhaki Utsav’ at Kolkata’s iconic Kumartuli Ghat on Mahalaya.

    Led by percussion virtuoso Tanmoy Bose and Padma Shri awardee Gokul Dhaki, the never-before-seen spectacle brought dozens of traditional drummers together in unison, unveiling a specially composed Durga Puja anthem for Sunrise.

    The riverfront reverberated with the thunderous rhythm of the dhak, weaving music into devotion against the sacred backdrop of Kumartuli, where idol-making and rituals mark the spiritual awakening of goddess Durga. The beats weren’t just performance; they were a collective heartbeat of Bengal’s biggest festival.

    “Durga Puja is not just a celebration, it is an emotion stitched together with rhythm,” said ITC Spices, business head, Piyush Mishra. “With Dhaki Utsav, we wanted to shine the spotlight on the artists who define the soundscape of Pujo.”

    For the dhakis themselves, the recognition was deeply moving. “Pujo is life for us,” said Gokul Dhaki. “To see our art celebrated on such a scale is an honour beyond words.” Bose echoed the sentiment, calling the performance “a privilege and a moment to cherish forever.”

    With this initiative, Sunrise has gone beyond spices to spice up tradition, not only creating a festive anthem but etching a new cultural legacy that honours the keepers of Bengal’s most iconic rhythm.

    From empowering women priests to celebrating self-defence through its Durgatinashini campaign, Sunrise has consistently blended tradition with progress. This year’s Dhaki Utsav reinforces its role as a brand deeply rooted in Bengal’s heritage, ensuring the drummers who fuel Pujo’s spirit are finally recognised as its soul.

  • Mondelez moves veteran to crack Asia’s snack market

    Mondelez moves veteran to crack Asia’s snack market

    INGAPORE: Mondelez International has handed the keys to its south-east Asian kingdom to Abhiroop Chuckarbutty, a battle-hardened consumer goods veteran who spent more than two decades navigating the treacherous waters of emerging markets from Mumbai’s bustling bazaars to Dubai’s gleaming malls.

    The 22-year industry stalwart, who orchestrated the messy separation of a $500m tea business from Unilever’s sprawling empire in 2024, will now steer the American snacking giant’s charge across a region where Oreos compete with local delicacies and Cadbury chocolate battles tropical heat.

    Chuckarbutty’s appointment as president comes after a year running Mondelez’s African operations from Johannesburg, where he cut his teeth on the company’s complex multi-market dynamics. Before that corporate musical chairs routine, he spent two turbulent years as president of ekaterra’s Africa, Middle East and Turkey tea business, shepherding the venture through its acrimonious divorce from Unilever in 2022.

    The executive’s résumé reads like a corporate fire-fighting courseware. At Unilever, where he spent 16 years climbing the ranks, Chuckarbutty wrestled with everything from sluggish west Asian markets to the herculean task of digitising India’s advertising landscape. He juggled profit-and-loss responsibility for a bewildering array of brands—from Lifebuoy soap bars to Kissan ketchup—across markets as diverse as Bangladesh and the United Arab Emirates.

    His new perch in Singapore puts him at the epicentre of Asia’s snacking revolution, where rising incomes and urbanisation are fuelling an insatiable appetite for packaged treats. The region’s young, mobile-savvy consumers present both opportunity and headache for western brands trying to crack local tastes whilst fending off nimble domestic rivals.

    Chuckarbutty’s knack for “business turnarounds and accelerating scale businesses”—as his corporate biography modestly puts it—will be tested against south-east Asia’s fragmented markets, where regulatory tangles and supply-chain snarls can derail even the slickest marketing campaigns.

    The appointment signals Mondelez’s intent to double down on a region that represents one of the fastest-growing snacking markets globally, even as trade tensions and economic uncertainty cloud the broader Asian outlook

  • Madison Media’s Vikram Sakhuja takes over as chairman of MRUC

    Madison Media’s Vikram Sakhuja takes over as chairman of MRUC

    MUMBAI: Madison World, partner group ceo, Madison Media & OOH, Vikram Sakhuja has been elected chairman of the MRUC (Media Research Users Council of India). The MRUCI board approved his appointment at its annual general meeting, with Sakhuja succeeding Shailesh Gupta of Jagran Media. He had been vice-chairman of the body since 2024.

    Joining him on the new leadership slate, Dhruba Mukherjee, director at ABP Network, has been elected vice-chairman, while Shashi Sinha, executive chairman of IPG Mediabrands, will head the IRS technical committee, a role Sakhuja previously held.

    An alumnus of IIT Delhi and IIM Calcutta, Sakhuja brings nearly four decades of experience across marketing, media and advertising. He has held leadership roles at P&G (Procter & Gamble), Coca-cola, Star TV, Mindshare, Groupm and Maxus Worldwide, before taking over at Madison in 2015. 

  • Vietnam’s Duc Phuc hits the high note, wins Intervision 2025 in Moscow

    Vietnam’s Duc Phuc hits the high note, wins Intervision 2025 in Moscow

    MUMBAI: Talk about a chart-topping comeback, after three decades in silence, the ‘Intervision song contest’ returned with a bang in Moscow, crowning Vietnamese pop star Duc Phuc as its 2025 champion.

    Held on 20 September at the packed Live Arena, the revived contest brought together 23 nations from BRICS, CIS, South America and West Asia. Phuc’s powerhouse performance of Phu Dong Thien Vuong wowed the 11,000-strong crowd, earning him 422 points, a clear 49 points ahead of the runner-up, along with a crystal trophy and a hefty 30 million Russian ruble prize.

    India struck the right chord on debut. Kashmiri singer-producer Rauhan Malik delivered a stirring performance of his track Ishq, finishing a respectable 12th and earning plaudits for his soulful vocals. Beyond the stage, India’s presence was equally prominent: acclaimed Bollywood composer dr. Jaan Nissar Lone made history as the first Indian jury member, while actress-model Stefy Patel, draped in a traditional pink Kanjivaram saree, co-hosted the global spectacle with flair.

    The organisational spotlight also fell on India, with Mumbai-based ARMS record label private limited / AR music studios serving as co-organiser, Newsx as media partner, and Roshan space brandcom handling outdoor promotions.

    Backed by an international committee chaired by Russia’s deputy pm Dmitry Chernyshenko, the rebooted ‘Intervision’ carried the stamp of Russian president Vladimir Putin’s cultural vision. More than just a competition, it became a showcase of global unity and artistic exchange.

    For India, this debut signals more than just a song, it marks a growing role on the international performing arts stage, with Malik summing it up best, “Intervision 2025 was an unforgettable experience. The love and warmth made it feel like music truly knows no borders.”

  • Bengaluru gears up for Comic Con 2025

    Bengaluru gears up for Comic Con 2025

    MUMBAI: Comic Con India is returning to Bengaluru on 20 and 21 December at KTPO, Whitefield, promising a weekend of cosplay, comics, gaming and immersive fan experiences.

    The 13th edition of Bengaluru Comic Con is set to unite cosplayers, gamers, artists and live performers, offering aspiring creators a platform to showcase their work and connect with fans and industry professionals. Highlights include the National Cosplay Championship, exclusive merchandise, interactive fan zones, gaming arenas and sessions with leading comic book creators, anime artists and directors.

    Nodwin Gaming co-founder and md, Akshat Rathee, said, “Bengaluru Comic Con has its own flavour. Only here can you find a coder debugging all week and then showing up on the weekend dressed as Darth Vader. The city’s fandom is restless and inventive. Every edition here feels electric, proof that pop culture runs deep in India’s tech capital.”

    Comic Con India, ceo, Shefali Johnson, added, “Fans here don’t just come to watch, they come to build, share and celebrate together. Bengaluru turns Comic Con into something bigger than the event itself, blending creativity, gaming and cosplay with the city’s culture of innovation.”

    Last year’s edition drew over 50,000 attendees, with more than 5,000 cosplayers. International guests included American comic creators Ron Marz and Jamal Igle, while Indian studios such as Tadam Gyadu, Raj Comics, Indusverse, Sufi Comics and Amar Chitra Katha showcased their work. The event also featured stand-up performances, a 40,000 sq. ft. gaming zone with tournaments and VR experiences, alongside themed attractions like the Superman Zone and Minecraft Movie booths.

    Tickets for Bengaluru Comic Con 2025-26 are now live exclusively on the District app.

  • Rakesh Jha steps in as Eyeota’s unit sales head for North

    Rakesh Jha steps in as Eyeota’s unit sales head for North

    NEW DELHI: Eyeota has tapped Rakesh Jha to lead sales across northern India, a hire aimed at bulking up the Dun & Bradstreet subsidiary’s reach in the country’s fastest-growing advertising corridor.

    Jha spent more than seven years at Times Internet, climbing from senior officer to senior manager of ad sales. He managed headline clients including CoinDCX, Atomberg Technologies, The Sleep Company and Optimum Nutrition, and cut deals with agencies such as Dentsu, Mindshare, Havas Media and Edelman. His remit covered everything from native and programmatic media buys to content-marketing projects on platforms such as Spotlight and Colombia Ads.

    Before Times Internet, Jha worked on publisher alliances at LocoVida, helping more than 120 publishers across 11 languages drive audience engagement and programmatic revenues. Known for a forensic eye on CPM, CPC and CPL models, he has a record of negotiating high-yield contracts, running multichannel campaigns and squeezing extra performance from digital budgets.

    At Eyeota, Jha will marshal revenue growth and data partnerships across Delhi and neighbouring states, marrying his pitch-perfect sales craft with Eyeota’s audience-enrichment and targeting tools. The company sees India’s northern belt—home to the country’s biggest advertisers—as a critical frontier for its global expansion

  • Zee TV’s ‘Ganga Mai Ki Betiyan’ celebrates strength of single motherhood

    Zee TV’s ‘Ganga Mai Ki Betiyan’ celebrates strength of single motherhood

    MUMBAI: Holding her daughters’ hands, she’s walking into prime time with courage, grit and grace. Zee TV is set to launch its new drama, Ganga Mai Ki Betiyan, a heartwarming tale of a single mother who rebuilds her life from scratch and raises her daughters to stand tall against society’s taunts.

    Adapted from Zee Kannada’s hit show Puttakana Makkalu, the Hindi remake shines a light on women’s resilience in the face of abandonment and stigma. Set in the culturally vibrant backdrop of Varanasi, the series is produced by Ravie Dubey and Sargun Mehta’s Dreamiyata Dramaa.

    The show follows Ganga Mai (played by Shubhangi Latkar), who raises her daughters Sneha (Amandeep Sidhu), Sahana (Srishti Jain) and Soni (Vaishnavi Prajapati) with dignity, self-respect and an unbreakable spirit. Each daughter brings a unique flavour to the story: Sneha, the fiery dreamer aiming to be a district collector; Sahana, the nurturer whose cooking and wisdom hold the family together; and Soni, the playful yet mature spark who keeps optimism alive at home.

    Adding another layer to the drama is Sheizaan Khan as Siddhant, a feared yet soft-hearted moneylender whose life changes when he crosses paths with Sneha.

    To mark the launch, Zee TV hosted an experiential set tour in Chandigarh, where media were treated to a soulful meal at the family’s on-screen dhaba, mirroring the warmth and simplicity of the characters.

    Zee TV,  chief channel officer, Mangesh Kulkarni said, “With shows like Saru, Tumm Se Tumm Tak, Chhoriyan Chali Gaon, and now Ganga Mai Ki Betiyan, we are bringing forth stories that are rooted in culture yet contemporary in their outlook.”

    Zee Entertainment, chief content officer, Raghavendra Hunsur added, “What moves us most is not just Ganga Mai’s struggle, but the everyday grace with which she turns hardship into hope.”

    For lead actor Shubhangi Latkar, the role has been transformative. “Ganga Mai is a symbol of every woman who chooses dignity over despair. Portraying her has been an emotionally enriching journey for me,” she added.

    With its message that daughters are never a burden but a source of pride, Ganga Mai Ki Betiyan promises to strike an emotional chord with families across India.

     

  • Nasher Miles & Flipkart add colour to ‘The Big Billion Days’ 25′

    Nasher Miles & Flipkart add colour to ‘The Big Billion Days’ 25′

    MUMBAI: Why pack dull when you can pack with personality? This festive season, Nasher Miles is unzipping a bold new chapter in travel style, teaming up with Flipkart for ‘The Big Billion Days 2025.’

    The luggage brand, celebrated for its splash of colour and playful spirit, has rolled out two cheeky films starring digital darlings Sakshi Shivdasani and Ayush Mehra. The duo brings their trademark wit and charm to everyday travel scenarios, from last-minute road trips to date-night dashes, where bland baggage just doesn’t fit the bill.

    With the sassy slogan “Why so boring, bro?”, Nasher Miles is calling time on lifeless luggage, nudging young, style-conscious travellers to match their bags to their vibe: colourful, durable, and unapologetically fun.

    “This campaign is about more than bags, it’s about boldness,” said Nasher Miles, co-founder & cmo, Shruti Kedia Daga. “Flipkart’s Big Billion Days gives us the perfect stage to inspire people to travel with style, spirit, and a dash of mischief.”

    Backed by creative agency Itch, the campaign closes with a punchy message: ‘Drop the boring.’ For co-founder Naman Agarwal, the idea is simple: “If fashion is an expression, why should luggage be left out? Bags should be as full of personality as the people who carry them.”

    Set to run across digital platforms, Flipkart’s app, and mass media, the films ensure that this year’s Big billion days won’t just be about snagging deals, it’ll be about carrying colour and character wherever the journey leads.

  • Digital video veteran jumps ship to Spanish adtech darling

    Digital video veteran jumps ship to Spanish adtech darling

    NEW DELHI: Shikha Singh, the executive who helped Dailymotion crack the notoriously difficult Indian market, has jumped ship to join Marfeel, a Spanish adtech firm, as sales director for Asia-Pacific. The move marks another coup for European technology companies seeking to expand their footprint across the region’s fragmented digital landscape.

    Singh’s departure from Dailymotion, where she spent over seven years building the French video platform’s Indian operations, signals the intense competition for experienced hands in the publisher technology space. At Marfeel, she will spearhead the Barcelona-based company’s push into markets where digital advertising spending continues to surge despite global economic headwinds.

    The appointment comes as Marfeel, which helps publishers optimise their websites for better user engagement and revenue, looks to capitalise on the growing demand for sophisticated content management tools across Asia. The company’s technology promises to boost page views and advertising income—a compelling proposition for cash-strapped media organisations grappling with declining print revenues.

    Singh’s track record suggests Marfeel has chosen wisely. During her tenure as country manager for India at Dailymotion, she delivered what she describes as “phenomenal growth” of 120 per cent over two years whilst serving as sales director for supply and enterprise sales. Her knack for “executing complex conversations with C-level people” and managing partnerships across the chaotic Indian media ecosystem made her a valuable asset for Vivendi-owned Dailymotion.

    Before her Dailymotion stint, Singh cut her teeth at some of India’s most prominent digital media companies. She managed partnerships at Times Internet, the digital arm of India’s largest newspaper group, and worked on business development for Dainik Bhaskar Group, one of the country’s biggest Hindi-language publishers. Earlier roles at adtech firms LocoVida and Kaumarc Media, plus a brief entrepreneurial venture with JobsandResults.com, rounded out her experience in the rough-and-tumble world of Indian digital media.

    The move reflects broader trends in the global adtech industry, where European companies are increasingly challenging American dominance in Asia-Pacific markets. Spanish firms, in particular, have been aggressive in their expansion, leveraging their experience in similarly fragmented European markets to tackle the complexities of Asian publishing.

    For Marfeel, Singh’s appointment represents a bet that the company can replicate its European success in markets where publishers are desperately seeking new revenue streams. Her deep understanding of the SaaS sales model and ability to navigate the relationship-heavy Indian business culture could prove crucial as the company attempts to win over sceptical Asian publishers.

    The timing appears fortuitous. Digital advertising spending across Asia-Pacific is expected to continue growing, driven by rising smartphone penetration and increasingly sophisticated programmatic advertising tools. Publishers who can demonstrate measurable improvements in user engagement and revenue generation are well-positioned to capture a larger share of advertisers’ budgets.

    Whether Singh can work the same magic for Marfeel that she did for Dailymotion remains to be seen. But her appointment signals that the battle for Asia-Pacific’s publisher technology market is heating up—and European companies are not content to let their American rivals have all the fun.

  • IBC 2025: Media moguls and tech titans converge as Amsterdam buzzes with AI ambition

    IBC 2025: Media moguls and tech titans converge as Amsterdam buzzes with AI ambition

    AMSTERDAM: Amsterdam’s RAI convention centre became the epicentre of media’s digital revolution last week as 43,858 industry professionals descended on IBC2025, the world’s largest broadcasting and entertainment technology show. From global media giants to plucky start-ups, 1,300 exhibitors and 600 speakers gathered to chart the future of an industry in the throes of transformation.

    The event’s success reflects an industry caught between disruption and opportunity. Visitors from 170 countries—from veteran broadcasters to streaming insurgents—came seeking answers to questions that keep chief executives awake at night: how to harness artificial intelligence without losing the human touch, and how to stay relevant as viewing habits fragment across countless platforms.

     IBC chief executive Michael Crimp declared the event had “delivered real business outcomes” with “overwhelmingly positive feedback.” 

    What struck him most, he said, was the prevailing “sense of optimism and purpose”—a notable sentiment in an industry more accustomed to existential dread.

    The debut of Future Tech in Hall 14 captured much of this optimism. Here, punters could witness live demonstrations of generative and agentic AI, immersive media experiences, and cloud-native workflows. France Télévisions showcased a 5G-enabled aircraft, whilst others explored private networks and sustainable innovation—all buzzwords that would have seemed like science fiction a decade ago.

    “We’re witnessing a pivotal moment of innovation,” said Tata Communications global business leader Brijesh Yadev. The hyperbole may be familiar, but the underlying sentiment rings true: the industry is scrambling to reinvent itself before others do it for them.

    This urgency was palpable in the quality of conversations on the show floor. Gone were the days of casual networking; exhibitors reported “more strategic” discussions focused on “future-looking solutions” and “next-phase investments.”

    The conference programme reflected these concerns, with packed sessions on AI, new business models, and sustainability. Icons like Thelma Schoonmaker, the Oscar-winning editor who worked with Martin Scorsese, provided creative inspiration alongside more prosaic technical papers on practical innovation.

    Perhaps most tellingly, the industry is finally acknowledging that technology alone won’t save it. IBC2025 emphasised people and talent, with initiatives focused on skills development and inclusion. 

    The show floor itself told the story of an industry in flux. Established giants like Amazon Web Services, Microsoft, Sony, and Samsung rubbed shoulders with newcomers such as Baron Weather, Momento, and Remotly. Each hall showcased advances in production, distribution, and streaming—the building blocks of tomorrow’s entertainment ecosystem.

    For all the talk of transformation, IBC2025 proved that some things endure. The event remains the world’s essential meeting place for media professionals. In an increasingly digital world, the value of face-to-face connection—and the deals that flow from it—appears undiminished.

    Whether this optimism translates into sustainable business models remains to be seen. But for four days in Amsterdam, at least, the industry felt confident about its ability to shape its own destiny rather than have it shaped by others.