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  • Kaha Diamonds sparkles with a sustainable twist in Bengaluru

    Kaha Diamonds sparkles with a sustainable twist in Bengaluru

    MUMBAI: Luxury just got a conscience. Kaha Diamonds, the homegrown new-age jewellery brand known for its exquisite lab-grown diamonds, has opened its flagship boutique in Bengaluru, redefining how modern India wears its sparkle.

    Designed as more than a store, the boutique is a celebration of individuality and sustainability, offering customers a chance to customise fine jewellery that tells their own story. Each piece showcases intricate craftsmanship, ethical sourcing, and sustainable elegance, hallmarks of Kaha’s mission to make fine jewellery both meaningful and accessible.

    Founded by Kashish Khivesara, Kaha Diamonds rests on a simple yet striking philosophy, true luxury should dazzle the heart and the planet. Every diamond is IGI-certified, E plus VVS graded, and hand-crafted with precision and clarity. The brand’s distinctive collections also feature rare coloured lab-grown diamonds in stunning pink, blue, and yellow hues, adding a modern vibrancy to timeless designs.

    “We’ve seen how people are drawn to diamond jewellery that tells a tale and stands for something,” said Kaha Diamonds founder Kashish Khivesara. “Our Bengaluru boutique reflects this belief, blending craftsmanship, individuality, and sustainability into every sparkle.”

    With plans to expand into other major Indian cities, Kaha Diamonds is setting a shining example of how modern luxury can be both beautiful and responsible, proving that brilliance doesn’t have to come at the Earth’s expense.

     

  • TRAI gives logo designers more time to make their mark

    TRAI gives logo designers more time to make their mark

    MUMBAI: Looks like creativity just got an extension. The Telecom Regulatory Authority of India (TRAI) has decided to give designers a little more breathing room for its logo design competition for India’s digital connectivity rating framework.

    Originally slated to close on 5 November 2025, the submission deadline has now been extended by 10 days, with entries accepted until 15 November 2025.

    The competition, announced on 16 October 2025, invites designers from across India to create the official logo for the new national rating framework that aims to measure and promote digital connectivity standards across the country.

    The extension follows multiple requests from participants seeking additional time to refine their designs, a sign that the competition has sparked keen interest among India’s creative community.

    So, for those still sketching, shaping, and shading their ideas, there’s a little extra time to draw inspiration, and perhaps draw the winning design that could become the face of India’s digital future.
     

  • Smart sharp and supercharged Moto g67 powers up

    Smart sharp and supercharged Moto g67 powers up

    MUMBAI: Looks like Motorola just turned up the charge. The tech brand has unleashed the moto g67 Power, a sub- Rs 15,000 smartphone that’s practically buzzing with energy, and style. With a whopping 7000mAh battery, a 50MP Sony Lytia 600 camera, and a sleek Pantone-curated vegan leather design, this one’s got both stamina and swagger.

    Launching at an effective price of Rs 14,999, the moto g67 Power is geared for those who live life unplugged. The phone’s silicon carbon battery promises up to 58 hours of runtime on a single charge, making low-battery anxiety a thing of the past.

    But it’s not just about endurance. The handset flexes a Snapdragon 7s gen 2 chip, 8GB RAM (expandable to 24GB), and 128GB storage, ensuring a lag-free experience whether you’re gaming, streaming, or toggling between 27 tabs at once. Connectivity-wise, it’s no slouch either, offering support for 11 5G bands, VoNR, and Wi-Fi 6.

    Camera buffs get plenty to click about. The moto g67 Power boasts the segment’s best 50MP Sony LYTIA 600 sensor, 8MP ultrawide lens, and a 32MP selfie camera, all capable of 4K recording. Add Motorola’s AI photo tricks like auto night vision and AI-powered portraits, and your social feed might just start looking like a mini film festival.

    Durability is another headline act. With corning gorilla glass 7i, MIL-STD-810H military-grade testing, and IP64 water resistance, this phone could probably survive a clumsy tumble or two, and still look good doing it.

    Entertainment-wise, the 6.7-inch FHD+ 120Hz display dazzles with 1050 nits brightness, while dolby atmos dual speakers bring the bass to your binge sessions.

    Available in cilantro green, parachute beige, and blue curacao, the moto g67 Power goes on sale from 12 November on Flipkart, Motorola.in, and at leading retail stores.

    As Motorola India managing director T.M. Narasimhan put it, “The moto g67 Power delivers the best camera and battery experience under Rs 15,000, a powerful blend of performance, innovation, and style.”

    With its marathon battery, polished design, and AI smarts, Motorola’s latest might just be the pocket powerhouse to beat this season.
     

  • Big moves, bigger money as UP Kabaddi heats up

    Big moves, bigger money as UP Kabaddi heats up

    MUMBAI: It wasn’t just tackles flying at the Uttar Pradesh Kabaddi League (UPKL) Season 2 player auction, wallets were too. Held in Noida, the high-voltage event saw 12 franchises flex their financial muscle, with bids totalling Rs 1.70 crore for a pool of 500 players.

    The newest entrant, Gazab Ghaziabad, made a “gazab” debut as the 12th team, joining heavyweights like Lucknow Lions, Kanpur Warriors, and Purvanchal Panthers. But the real drama unfolded at the bidding table. Vinay Tevathia topped the charts, bagging Rs 5.90 lakh from Aligarh Tigers, followed by Nitin Panwar at Rs 4.45 lakh for Ganga Kings of Mirzapur and Ashu Singh, snapped up by Noida Ninjas for Rs 4.35 lakh.

    The defending champions, Lucknow Lions, kept faith in their winning pride by retaining key players Arjun Deshwal, Vivek Chaudhary, Arpit Saroha, and Mohd Amaan.

    “UPKL has become a powerful platform for grassroots kabaddi talent and franchise value creation,” said SJ Uplift Kabaddi founder and director Sambhav Jain. “This season’s auction showcased strategic, disciplined bidding that has built balanced, competitive teams across the board.”

    The event also saw former IAS Awanish Kumar Awasthi, advisor to the Uttar Pradesh chief minister, unveil the league’s broadcast partner for the next three seasons. Kabaddi star Rahul Chaudhary, UPKL’s brand ambassador, and senior officials from the state federation were among those present.

    Season 2 kicks off on 25 December 2025 in Noida, featuring 71 matches under the tagline “Apna bharat, apna khel – khel raha hai mera pradesh.” Matches will be broadcast live on Zee Sports and ZEE5, ensuring the spirit of kabaddi reaches every corner of the country.

    From blockbuster signings to fresh rivalries, UPKL’s latest season promises plenty of action, proving once again that in Uttar Pradesh, kabaddi isn’t just a game, it’s a full-contact celebration.

     

  • Scara Live turns the spotlight on culture and connection in real time

    Scara Live turns the spotlight on culture and connection in real time

    MUMBAI: In a world where everything’s streamed, Scara Live wants you to feel it live. The new vertical from Scara Gaming is reimagining India’s entertainment landscape by bringing brands, creators, and audiences together in the real world where emotion meets experience.

    At the intersection of entertainment, sports, and culture, Scara Live isn’t just about events, it’s about cultural engineering. It crafts immersive, insight-led experiences that move beyond screens and algorithms to build real-world communities that pulse with creativity, connection, and conversation.

    Helmed by a powerhouse leadership team, Scara Live draws on a collective experience of over 60 years across gaming, tech, live events, and media. Manoj George, with 20-plus years in the gaming and cultural sectors, previously drove business and revenue at Nodwin Gaming, Cornerstone, and UTV Disney. Mazher Ramzanali, who has shaped brand narratives for Budweiser, MTV, OML, and Vice Media, brings his 15 years of expertise in sponsorship and culture programming. Santosh P, former marketing leader at Bookmyshow and OML, adds 16 years of live entertainment strategy, while Vikas Chand brings his operational prowess from marquee sports entities such as BCCI, IMG Reliance, and Delhi Capitals.

    Together, they aim to rewrite the live playbook turning brand engagement into shared memory. “Scara Live represents our belief that live experiences are where culture truly happens,” said Manoj George. “We’re combining the power of creativity with the discipline of data and delivery to help brands engage audiences in meaningful, lasting ways.”

    Mazher Ramzanali added, “The lines between digital and physical engagement are fading fast. Scara Live is built to help brands bridge that space, transforming entertainment, sport, and culture into living experiences that drive connection and community.”

    The company’s flagship properties, Pixel Pulse and Beyond the Game, anchor this philosophy. Pixel Pulse blends music, comedy, fashion, and gaming to create large-scale cultural moments, while Beyond the Game functions as a B2B thought-leadership and networking platform for sports, gaming, and innovation professionals.

    The first project under Scara Live’s belt, iPopstar, is already tuning in audiences. A weekly music reality series featuring King, Astha Gill, Aditya Rikhari, and Parmish Verma, it brings together 12 contestants battling it out over six weeks. The series streams on Amazon MX Player, with Spotify and Warner Music as music partners. Scara Live acts as the culture partner for the IP, owned by Rusk Media.

    As Santosh P put it, “India’s creator and live entertainment economy is on the rise. Scara Live is designed to meet the craving for authenticity and interaction, helping brands not just participate in culture but shape it.”

    With a bold vision and a multi-disciplinary team, Scara Live is poised to redefine how India experiences live entertainment not as an event, but as a living, breathing story. For those tired of watching from behind the screen, Scara Live promises to make life itself the stage.

  • Atul Projects builds its brand with new marketing head

    Atul Projects builds its brand with new marketing head

    MUMBAI: Looks like Atul Projects just got a solid foundation for its next big story. The Mumbai-based real estate developer has appointed Piyush Niljikar as its head of marketing, signalling a brand reboot built on creativity, strategy, and legacy.

    With over 15 years of experience across advertising and real estate, Piyush brings a blend of creative and commercial flair. He’s led campaigns at Creativeland Asia and WYP Worldwide, shaping brands such as Mercedes-Benz India, Godrej Cinthol, United Colors of Benetton, Zee5, Arrow and TAJ Group. In real estate, his standout achievement was driving a sell-out in just 18 months at CCI Projects, followed by an award-winning stint at Ashwin Sheth Group, where he led the buzzworthy Spot The Orange Dot campaign.

    “Piyush’s deep understanding of brand building and integrated marketing aligns perfectly with our vision of redefining luxury living through innovation and quality,” said Atul Projects managing director  Aakash Patel. “His leadership will be key in amplifying our brand presence and delivering impactful, customer-centric campaigns.”

    On his new role, Piyush said, “Atul Projects has a proud legacy built on trust and transparency. I’m thrilled to shape a brand narrative that resonates deeply with homebuyers while driving real business growth.”

    As Atul Projects expands its residential footprint across the MMR region, Piyush’s appointment marks the start of a new chapter, one where legacy meets modern marketing muscle, and every campaign is built to last.

     

  • Dentsu AMP turns up the volume on video creativity

    Dentsu AMP turns up the volume on video creativity

    MUMBAI: Move over film reels, it’s time for feel reels. Dentsu India has launched Dentsu AMP, a next-generation, video-first content engine that fuses AI innovation with human storytelling to help brands create videos faster, sharper, and smarter.

    Leading the charge are Dhruv Abrol and Tarika Gulabani, appointed as managing partners. The duo, who earlier co-led TVA, bring a mix of digital business acumen and entertainment flair from stints at Myntra, Tata Cliq, Sony, and StarPlus. They will report to Dentsu Creative & Media Brands CEO South Asia Amit Wadhwa.

    “Dentsu AMP is built for a world where stories must move as fast as audiences do,” said Wadhwa. “It unites craft, content, and technology to deliver creativity that performs.”

    With over ten in-house studios across India, Dentsu AMP covers everything from video production and motion graphics to sound and 3D design. Its AI backbone powers every stage of production, from ideation and editing to targeting, helping brands scale cinematic campaigns and snappy social content alike.

    Brands such as Aditya Birla Fashion, Flipkart, Myntra, and Groww are already onboard, banking on AMP’s ability to merge creativity, data, and speed.

    “We’re building a modern content engine,” said Abrol and Gulabani. “From high-impact films to daily social posts, AMP helps brands make more content, faster, without losing quality or consistency.”

    Sitting alongside Dentsu Lab and the Dentsu Podcast Network, AMP strengthens the agency’s innovation ecosystem. With expansion plans across major metros, Dentsu is clearly turning up the volume on creativity, where imagination scales, and every frame counts.

  • When AI Gets Real Mphasis adds meaning to machine intelligence

    When AI Gets Real Mphasis adds meaning to machine intelligence

    MUMBAI: Artificial Intelligence may be the buzzword of the decade but Mphasis wants to remind the world that without intelligence, it’s just artificial. With its new global campaign, AI Without Intelligence Is Artificial, the Bengaluru-headquartered technology firm is calling out the hype and bringing focus back to context-driven, human-centred innovation.

    The campaign, which marks the global launch of Mphasis NeoIP, redefines what it means to make AI “real” for business. NeoIP is a next-generation platform that combines enterprise knowledge, contextual data, and automation into a continuous, intelligent process helping companies evolve instead of endlessly reinventing themselves.

    The global AI industry may be booming McKinsey estimates that generative AI could add up to 4.4 trillion dollars in annual global productivity yet many companies are still struggling to translate that promise into profit. “In a market flooded with AI-centric solutions, Mphasis asks a critical question, what happens when intelligence is missing from AI?” said Mphasis global chief marketing officer and head of hyperscalers & strategic partnerships Veda Iyer. “True AI must evolve with business needs. AI without context is simply not enough.”

    At the heart of the new campaign is a challenge to stop viewing AI as a shiny new tool and start treating it as a thinking partner. NeoIP does just that, fusing Mphasis’ proprietary solutions with third-party technologies and client systems to create an AI ecosystem that is intelligent by design, secure by default, and scalable by nature. The approach reduces the constant reinvestment typical of traditional digital transformation efforts.

    Set to roll out across digital, social, and experiential platforms, the campaign targets decision-makers across banking, healthcare, insurance, and hi-tech industries. The tone is provocative yet purposeful showing how contextual intelligence, not just code, drives measurable transformation.

    Iyer explained that Mphasis’ approach is rooted in intelligent engineering, where AI doesn’t just automate, it adapts, optimises, and learns. “Our goal is to help businesses build AI systems that think ahead systems that are not static, but evolve continuously to drive long-term success,” she added.

    Through NeoIP, Mphasis is already working with leading financial institutions to modernise infrastructure, enhance security, and future-proof operations. The results echo the core philosophy behind the campaign that AI must be intelligent by design to create real, lasting impact.

    As the world races to embrace automation, Mphasis’ message lands with timely precision: intelligence is the soul of AI without it, all that’s left is an empty buzz.

  • Charged on spirits, ThunderPlus unveils ethanol power

    Charged on spirits, ThunderPlus unveils ethanol power

    MUMBAI: Looks like India’s electric future just got a shot of “liquid courage.” In a move that’s set to energise the country’s green mobility drive, ThunderPlus and Trinity Cleantech have launched the world’s first ethanol-powered, mobile 150 kW DC fast charger, the ME energy rapid charger 150, in Hyderabad.

    Forget heavy grid setups and endless approvals, this clean, portable powerhouse can be up and running in just 72 hours, and it runs entirely on ethanol, a bio-fuel made from plants. The result? Up to 80 per cent lower CO2 emissions and half the operational costs of diesel generators.

    “This innovation is all about collapsing timelines, cutting diesel dependence, and giving India a cleaner, instantly deployable charging solution,” said ThunderPlus director and CEO Rajeev YSR. “We proudly call it liquid electricity.”

    Unveiling the charger, Olectra Green Tech Ltd. managing director Mahesh Babu hailed it as a “game-changer” for India’s electric bus and fleet ecosystem. “It’s a breakthrough that slashes costs and wait times while boosting sustainability. Perfect for roadside assistance and depots as the grid catches up,” he said.

    Trinity Cleantech executive director Raj Kumar added that the product is made under a patented licence from Germany’s ME Energy GmbH and is ready for rollout across India. “It offers a scalable, economical path for companies serious about decarbonising their operations,” he noted.

    Inspired by Nitin Gadkari’s ethanol mission, the launch was attended by leaders from India’s clean mobility sector, including Chandramouli Vemula from SIDBI, who praised it as a perfect fit for the nation’s green-finance goals.

    The rapid charger 150 isn’t just for EVs stranded on highways. It’s also ideal for remote depots, logistics hubs, mining zones, and even construction sites where grid access is tricky. Beyond transport, it could replace diesel gensets in residential and commercial spaces, offering both power and charging in one eco-friendly package.

    With over 1,000 chargers across 60 cities, ThunderPlus has already become one of India’s fastest-growing EV charging companies, working with giants like Tata Motors, Olectra, and Mahindra. Trinity Cleantech, meanwhile, continues to push the boundaries of clean energy innovation.

    Together, the two firms are proving that India’s future runs not just on electricity, but on ethanol-fuelled ingenuity. It’s not just a new charger on the block; it’s the start of a cleaner, cleverer India on the move.

  • Made in Bharat goes global as HiTech Animation powers a mythic leap

    Made in Bharat goes global as HiTech Animation powers a mythic leap

    MUMBAI: Once upon a timeline not in Hastinapur, but in Kolkata, a creative revolution took root. What began as a modest dream inside a small studio in 2012 has today turned into one of India’s most compelling success stories in animation. HiTech Animation Studios, the homegrown powerhouse behind Kurukshetra, is showing the world that the next wave of visual storytelling is proudly Made in Bharat.

    From the land known for art, music and literature, HiTech emerged with a clear vision to create world-class animation from India, for the world. Over the past decade, the studio has worked with some of the biggest names in entertainment, including Sony Yay, Nickelodeon, Byju’s, Cartoon Network, and Pogo. Each project honed its craft, blending technical precision with creative flair, and proved that Indian animators could hold their own against global giants.

    The studio’s crowning glory arrived this year with Kurukshetra, a two-part animated epic that reimagines the Mahabharata through the eyes of 18 warriors. Released on Netflix on 10 October and 24 October 2025, and produced in collaboration with Tipping Point, the digital arm of JioStar, the series took three years and over 250 artists and technicians to create.

    Rendered in cutting-edge 3D animation, motion capture, and photorealistic visual design, the 18-episode series is available in 34 global languages and streaming in 190 countries. For Indian storytelling, Kurukshetra is more than a milestone, it’s a declaration of creative intent, proving that homegrown myth and modern technology can together craft a cinematic spectacle with universal appeal.

    “Our focus has been on building an integrated ecosystem, where talent development, technology, and production excellence work in sync to deliver content that creates impact beyond borders,” said HiTech Animation managing director and founder Subrata Roy. “We’ve always approached animation as both a creative pursuit and a scalable industry.”

    HiTech’s rise mirrors a larger cultural moment India’s transformation from a content service hub into a storytelling powerhouse. By combining state-of-the-art infrastructure with its own in-house training programmes, the studio not only creates premium content but also shapes the next generation of animators powering India’s creative economy.

    Roy believes that the foundation for this artistic growth lies deep within India’s culture itself. “Art and craft have always been integral to our education and identity. Combine that with our socio-cultural diversity, and we have the stories and the talent to captivate audiences across countries and cultures something the global success of Kurukshetra clearly shows,” he said.

    From a single floor in Kolkata to the world’s biggest streaming platform, HiTech Animation’s journey is a story of vision meeting velocity, of tradition reimagined through technology. As Kurukshetra takes Indian mythology to millions of screens worldwide, one truth stands tall when Bharat dreams in pixels, the world watches in awe.