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  • Ajay Devgn rebrands NY Cinemas as Devgn Cinex in metro push

    Ajay Devgn rebrands NY Cinemas as Devgn Cinex in metro push

    MUMBAI: Ajay Devgn is putting his name on cinema screens—literally. The actor launched Devgn Cinex on Maha Navami, rebranding the NY Cinemas chain at North Bombay’s Durga Puja celebrations alongside his wife, actor Kajol. The move signals an aggressive expansion play across Indian metros and the south, backed by Vishwa Samudra Holdings.

    Vishwa Samudra group managing director Shivdutt Das hailed the rebrand as more than cosmetic. The company promises to turn multiplexes into “spaces of innovation, comfort, and culture”, deploying premium formats and what it calls “immersive experiences”. Whether that means reclining seats, better sound systems or something more ambitious remains unclear—cinema chains have long promised whilst delivering incremental upgrades.

    NY Cinemas has operated quietly for years, but the Devgn tie-up suggests plans to compete with PVR Inox, which dominates India’s multiplex market with over 1,700 screens, and Cinépolis, which runs around 450.

    Devgn, one of Indian cinema’s bankable stars and a producer through his Devgn Films banner, brings celebrity firepower to a sector recovering from pandemic losses and grappling with streaming competition.

    The emphasis on south India is telling. Regional-language films have outperformed Hindi movies at the box office in recent years, with Tamil and Telugu blockbusters like Pushpa and RRR drawing massive crowds. Metros in Chennai, Bengaluru and Hyderabad have become battlegrounds for cinema chains chasing affluent audiences willing to pay premium ticket prices.

    Vishwa Samudra Holdings operates across real estate, hospitality and entertainment. Its bet on Devgn Cinex suggests it sees room for another national player, despite consolidation that saw PVR and Inox merge last year.
     
    Says a media observer: “There’s a shortage of cinema screens in India compared to its massive 1.5 billion or so population. The population is underserved, which has stunted the growth of Indian cinema. The more the screens, the better can be the box office collections for good productions.”

    But whether Indian audiences need yet another multiplex brand—celebrity-backed or not—to fill that gap is another question entirely.

  • Recruiter Nupur Mehta jumps to James Douglas as managing partner

    Recruiter Nupur Mehta jumps to James Douglas as managing partner

    MUMBAI: Nupur Mehta has landed at James Douglas as managing partner, capping a year of musical chairs in India’s executive search industry. She left PageExecutive in September after just eight months as partner, having previously spent nearly 11 years at Michael Page climbing from senior consultant to director.

    James Douglas positions itself as the successor to EMA Partners’ Indian operations, focused on recruitment and succession planning. Mehta will oversee the firm’s consulting work, helping companies identify talent and groom future leaders. She thanked K Sudarshan, Reet Bhambhani, Subburaj S, Sanjeev Das and Malini Bhupta in her LinkedIn announcement—presumably the team behind the new venture.

    At Michael Page, Mehta ran the healthcare, life sciences and technology practices, managing a team of over 15 sales consultants whilst handling profit-and-loss responsibilities. She served on the Page Group’s global shadow executive board, the India technology board, the Asia-Pacific healthcare board and the India diversity and inclusion council. Before that, she spent two years as associate director building out the same verticals.

    Mehta joined Page Group in 2014 fresh from business school, where she had specialised in human resources. A brief summer internship at Mercer, working on a retirement benefits survey, and a year as a software engineer at HCL Technologies rounded out her early career. Her move suggests James Douglas is betting on experienced recruiters to differentiate itself in a crowded market, where firms like Korn Ferry, Egon Zehnder and Russell Reynolds compete for high-margin executive mandates.

    Whether the new firm can carve out a niche remains to be seen. India’s executive search business has grown as companies scramble for senior talent, but the sector is notoriously relationship-driven. Mehta’s decade-plus Rolodex may prove the firm’s biggest asset.

  • Jane Goodall, primatologist who transformed our understanding of chimpanzees, dies at 91

    Jane Goodall, primatologist who transformed our understanding of chimpanzees, dies at 91

    LOSA ANGELES: Jane Goodall, the pioneering primatologist – who was the subject of two dozen documentaries and films and many more books  and  whose ground breaking observations of wild chimpanzees revolutionised both scientific understanding and public consciousness about humanity’s closest relatives, passed away  on 1 October 2025 in Los Angeles. She was 91.

    Goodall’s death, from natural causes during a speaking tour in America, ends a remarkable life that began in 1934 in Hampstead and led to the forests of Tanzania, where her patient, meticulous work upended long-held assumptions about what separates humans from other animals.

    Her discoveries were elegant and devastating to human exceptionalism. In 1960, watching a chimpanzee she had named David Greybeard fishing for termites with a modified grass stalk, she documented tool use in a species other than our own—a finding that prompted her mentor, Louis Leakey, to declare: “We must now redefine man, redefine tool, or accept chimpanzees as human.”

    More uncomfortable revelations followed. Goodall observed chimpanzees hunting and eating other primates, engaging in brutal inter-group warfare, and committing infanticide. “I had believed that the Gombe chimpanzees were, for the most part, rather nicer than human beings,” she reflected. “Then suddenly we found that chimpanzees could be brutal—that they, like us, had a darker side to their nature.”

    Her approach was as revolutionary as her findings. At a time when scientific objectivity demanded emotional distance and numerical designations for research subjects, Goodall named her chimpanzees and spoke openly of their personalities, emotions and relationships. The scientific establishment initially recoiled at such “anthropomorphism.” History vindicated her instincts.

    Born Valerie Jane Morris-Goodall, she arrived in Kenya in 1957 with no formal training but an abiding love of animals. Working as a secretary, she telephoned Leakey on a friend’s advice. He recognised her potential and, after she spent time at Olduvai Gorge, sent her to Gombe Stream National Park in 1960. Her mother accompanied her—a requirement imposed by nervous colonial authorities.

    Cambridge University later admitted her to pursue a doctorate despite her lack of undergraduate degree, making her the eighth person granted such an exception. She became the only human ever accepted into chimpanzee society, developing bonds that would last decades.

    In 1977, Goodall founded the Jane Goodall Institute, which grew into a global conservation force with 19 offices worldwide. Its youth programme, Roots & Shoots, now operates in over 100 countries. By 2004, she had largely abandoned field research to become a tireless advocate, travelling nearly 300 days a year to speak on behalf of chimpanzees and the environment.

    She was an outspoken vegetarian who became vegan in 2021, a critic of factory farming and animal testing, and a vocal proponent of recognising ecocide as an international crime. Her activism earned her a damehood in 2003, a United Nations Messenger of Peace appointment in 2002, the Templeton Prize in 2021, and the Presidential Medal of Freedom from Joe Biden in January 2025.

    Goodall was married twice—first to wildlife photographer Baron Hugo van Lawick, with whom she had a son, then to Derek Bryceson, a Tanzanian parliamentarian who died of cancer in 1980. She remained single thereafter, devoting herself to her work.

    Tributes poured in following her death. Prince Harry and Meghan called her “a visionary humanitarian, scientist, friend to the planet.” Leonardo DiCaprio described her as “a true hero for the planet.” United Nations secretary-general António Guterres  praised her “extraordinary legacy for humanity and our planet.”

    Goodall lived to see primatology transform from a male-dominated field into one with near gender parity—a change she helped inspire. Her insistence on treating animals as individuals with rich emotional lives influenced not just science but popular culture, ethics and law.

    She once said she saw no contradiction between science and spirituality, describing a “great spiritual power” she felt most keenly in nature. That sensibility—empirical yet reverent, rigorous yet compassionate—defined both her work and her life.

    Jane Goodall showed the world that to understand our closest relatives was to understand ourselves more clearly. In doing so, she changed what it means to be human.

  • Hulu goes global as Disney drops Star and overhauls its streaming app

    Hulu goes global as Disney drops Star and overhauls its streaming app

    BURBANK: Disney is ditching Star. From 8 October, Hulu—until now available only in America and Japan—will become the entertainment brand for adult content on Disney+ in international markets. The move sets the stage for a full merger of Disney’s streaming apps next year, as the media giant tries to simplify its cluttered digital offering.

    The rebrand comes with a sweeping redesign of Disney+. Subscribers will encounter a new “For You” landing page, powered by algorithms that promise to learn viewing habits over time. A navigation bar across the top splits content by service—Disney+, Hulu and ESPN—whilst a “Live” hub corrals news, sports and round-the-clock streams into one place. New badges will flag season finales, fresh series and recently added films.

    Behind the scenes, Disney has rebuilt its recommendation engine from scratch. The new system will surface personalised suggestions across the platform, with user profiles made more prominent to keep viewing habits separate. The homepage gets a visual refresh too: a video carousel replaces static images, brand rows showcase the latest releases with cinematic artwork, and the overall design aims for something sleeker and more modern.

    Mobile users will see widgets arrive on iOS devices, offering one-tap access to shows and films. Disney promises “mobile-first” features in the coming months, though it has kept details vague. The company describes these changes as merely the opening salvo, with more updates planned before the unified app launches next year.

    The timing is no accident. Disney has been haemorrhaging money on streaming—its direct-to-consumer division lost $512m in the most recent quarter—and needs to cut costs whilst growing subscribers. Consolidating brands and improving discovery could help keep viewers hooked, reducing the churn that has plagued the industry. Whether audiences embrace the changes or simply long for the days when finding something to watch wasn’t quite so algorithmic remains to be seen.

  • NBA takes a shot at AI with AWS as its official cloud partner

    NBA takes a shot at AI with AWS as its official cloud partner

    MUMBAI: From slam dunks to cloud chunks, basketball is getting a digital makeover. The National Basketball Association (NBA) has inked a multi-year deal with Amazon Web Services (AWS), making the tech giant its official cloud and cloud AI partner across the NBA, WNBA, NBA G League, Basketball Africa League and NBA 2K League.

    The partnership will tip off with the launch of NBA Inside the Game powered by AWS, a basketball intelligence platform designed to crunch billions of data points and spin them into real-time insights, snappy stats and interactive fan experiences. Think play-by-play breakdowns, AI-driven analysis, and content that takes fans closer to the action than ever before whether on the NBA App, NBA.com, or social channels.

    “Partnering with AWS provides us with an opportunity to elevate the live game experience through innovation and offer fans a deeper understanding of the game of basketball for years to come,” said NBA executive vice president and head of media operations and technology Ken DeGennaro. “AWS has a proven track record of delivering unique statistical insights and offering transformative experiences that will resonate with NBA fans around the world.”

    For AWS, it’s a chance to show off how its AI infrastructure and cloud firepower can change the game. “At AWS, we’re excited by the NBA’s vision to push the boundaries of what’s possible in sports. This partnership will showcase how cloud and AI can reimagine the game of basketball from generating new insights to creating experiences that bring fans closer to the game they love,” said AWS vice president of professional services & agentic AI, Francessca Vasquez.

    The deal not only strengthens AWS’s growing sports tech portfolio but also positions the NBA as a pioneer in using AI and cloud-driven storytelling to keep fans dunking into data and drama. With this courtship, the game won’t just be played on hardwood—it’ll be streamed, simulated, and supercharged in the cloud.

  • Uber flips the script with Gambhir and Ashwin in playful new campaign

    Uber flips the script with Gambhir and Ashwin in playful new campaign

    MUMBAI: When Gautam Gambhir smiles in an ad, you know the commute must be smooth. Uber India has rolled out a fresh campaign featuring cricket stalwarts Gautam Gambhir and Ravichandran Ashwin, casting them not in their usual serious avatars but in refreshingly playful moods as they zip around in Uber rides.

    The series of films, peppered with social-first content, shows how Uber Auto, Bike and Car rides can turn India’s daily grind of traffic snarls, heat and hassle into journeys that are reliable, affordable and surprisingly uplifting.

    “We wanted to bring a fresh, fun lens to Uber’s role in removing everyday travel struggles. With the unexpected duo of Gambhir and Ashwin, we’ve created a light-hearted take on how Uber makes rides not just reliable and affordable, but also mood uplifting. Our aim is to be the go-to brand for young Indian aspirers, one that connects function with feeling and nudges even non-users to try Uber for the first time,” said Uber head of marketing for India and South Asia Ameya Velankar.

    The campaign takes a culture-first approach, rolling out in multiple regional languages and markets, tapping into local humour, pop culture cues and everyday commuting insights. The wide rollout spans TV, digital, social platforms, and outdoor, ensuring Uber’s message is seen and felt across urban India.

    Uber today operates across two-, three- and four-wheelers, along with buses and mass transit options, giving millions of Indians flexibility to pick rides that suit their budget, need and time. From the quick bike dash to beat gridlock, to a trusty auto or a comfortable car trip, Uber has woven itself into India’s urban fabric.

    With creative duties handled by FCB India and media by Essence Mediacomm, the campaign underscores Uber’s positioning as more than just a ride, it’s a mood-changer. By making cricket’s most no-nonsense players break into grins, Uber hopes to convince even the most commute-weary Indian that travel can be a happy ride after all.

  • Brands take centre stage at Mipcom Cannes 2025

    Brands take centre stage at Mipcom Cannes 2025

    PARIS: Brand money is flooding into television. At Mipcom Cannes  this month, the world’s largest TV market is rolling out the red carpet for corporate storytellers with the first international edition of BrandStorytelling, a summit that has spent a decade building its reputation at Sundance.

    The two half-day event on 13 and 14 October brings together an unlikely crowd: global brands like Ancestry and Indeed, creative agencies including Dentsu and McCann, and heavyweight studios such as Banijay, Fremantle and BBC StoryWorks. Their mission is to turn corporate cash into compelling content—and to do deals that make it happen.

    Rick Parkhill, the producer and media entrepreneur who founded BrandStorytelling, reckons the sector has come of age. “Brands are increasingly behind some of the biggest stories on our screens globally,” he says. The event’s expansion from Park City to the French Riviera suggests he’s onto something.

    Among the speakers are Doug Scott, founder of Unxnown and an alumnus of Endeavour and Ogilvy, and Kim Miller Olko, global chief marketing officer at Toys”R”Us and president of its in-house studio. Representatives from over 20 organisations will take the stage, from the Branded Content Marketing Association to entertainment giants like UTA.

    Mipcom Cannes director Lucy Smith says the “overwhelming response” from the industry confirmed the appetite for a dedicated brand-content forum. The summit promises to unlock new funding streams and co-production opportunities at a time when traditional television budgets are under pressure and brands are hunting for more sophisticated ways to reach audiences.

    The event, sponsored by Fell + Co., Storybones Media and IPG Mediabrands Entertainment is part of Mipcom’s broader embrace of the creator economy. Last year’s market drew over 10,500 delegates from more than 100 countries—a captive audience for anyone peddling the promise of brand-funded programming.

  • TV Asahi to celebrate Doraemon’s French return with party at Mipcom 2025

    TV Asahi to celebrate Doraemon’s French return with party at Mipcom 2025

    PARIS: TV Asahi is throwing a Dorayaki Party at Mipcom on 14 October to celebrate the return of Doraemon, Japan’s time-travelling robotic cat, to French screens after a 10-year hiatus. Voice actors Emmanuel Curtil and Brigitte Lecordier will dish behind-the-scenes stories about reviving the beloved animation series at the Cannes event.

    The party marks the launch of 13 freshly dubbed episodes hitting French audiences from 3 October—the first French-language version since 2015. The new season drops first on YouTube France before rolling out across Anime Digital Network, Amazon Prime Video and Pluto TV.

    Paris-based distributor Soupir is orchestrating the multi-platform push, backed by a promotional blitz dubbed Bonjour Doraemon featuring voice cast videos, YouTube Shorts and exclusive previews.

    Curtil—the French voice of Jim Carrey and Disney’s Goofy—leads the cast as Doraemon. He’s joined by Lecordier, famous for voicing Son Goku in Dragon Ball, who plays Nobita Nobi and co-directs the dubbing alongside Louis Lecordier.

    “I hadn’t come across Doraemon before, but I had the pleasure of dubbing it alongside my long-time friend and collaborator, Brigitte Lecordier,” says Curtil. “I am very happy to bring this cheerful and intrepid little hero to life.”

    Lecordier calls the blue cat “a legendary figure throughout the world of animation” and says she feels “so lucky” to work on the series.

    Created by Fujiko F. Fujio, Doraemon debuted as manga in 1970 and hit Japanese television in 1979. The series has since spawned over 2,000 episodes and become a cultural juggernaut across Asia.

    TV Asahi head of animation sales and development Maiko Sumida says Japan and France share “a deep cultural affinity.”

    Soupir founder Charles Courcier, reckons the new dub will help Doraemon become “as beloved in France as it is around the world.”

  • Usain Bolt trades track for turf in Puma-backed Mumbai football spectacular

    Usain Bolt trades track for turf in Puma-backed Mumbai football spectacular

    MUMBAI: Usain Bolt swapped his sprinting spikes for football boots last night, tearing across a floodlit pitch at Mukesh Mills in a raucous 5v5 exhibition match that fused Indian football with  glamour. The world’s fastest man, whose passion for the beautiful game rivals his decorated athletics career, brought his trademark swagger to Mumbai in an event curated by Puma India to celebrate the country’s footballing culture.

    The Jamaican legend took turns playing for both sides, thrilling fans with bursts of pace that proved his love for football extends far beyond trackside banter. Players from Mumbai City FC and Bengaluru FC joined celebrities in an evening that blurred the lines between sport and spectacle.

    Kareena Kapoor Khan, Puma brand ambassador, conducted the toss—won by Bengaluru FC—before remaining pitch-side to cheer both teams through the match.

    “Football has been one of my first loves after track and field, and playing in Mumbai alongside athletes, celebrities and fans was electric,” said Bolt, a Puma brand ambassador. “The passion, the noise, the atmosphere—this is the kind of high that stays with you long after the final whistle.”

    The match showcased some of India’s finest footballing talent. Sunil Chhetri delivered sharp passes whilst Gurpreet Singh Sandhu produced heroic saves. Mumbai City FC stars and Puma ambassadors Suresh Wangjam, Akash Mishra and Phurba Lachenpa displayed their skill alongside celebrity  names including Dino Morea and Aparshakti Khurana, who brought star power to the pitch.

    “Usain Bolt’s visit to India is about celebrating the joy of sport and creating experiences that fans will remember forever,” said Puma India managing director Karthik Balagopalan,. “With this unique football match, Puma brought together icons from sport and entertainment on one stage, with our partner clubs Mumbai City FC and Bengaluru FC making it even more special. As a sports-first brand, Puma India has always pushed boundaries to create unforgettable moments for fans, and this match was our way of celebrating football fandom in the country.”

    The event underscored Puma India’s strategy of blending athletic performance with popular culture, creating memories as fast and unforgettable as the legend who headlined them.

  • Ram Charan takes aim at India’s Archery Premier League

    Ram Charan takes aim at India’s Archery Premier League

    NEW DELHI: Ram Charan, the pan-Indian film star whose performance in RRR helped secure an Oscar for the blockbuster, will be present at  the opening ceremony of the Archery Premier League (APL) on 3 October  at Yamuna Sports Complex in New Delhi. The appearance marks a bold bet by organisers that  glamour can fire up interest in a sport that has long languished in India’s crowded sporting landscape.

    The actor, celebrated for powerhouse performances in Rangasthaman, Magadheera and RRR, is lending his considerable star power to the nation’s first franchise-based archery tournament. It is a marriage of precision sport and mass entertainment that the league’s backers hope will transform archery from niche pursuit to mainstream spectacle.

    “I am proud to be part of the Archery Premier League, an extraordinary initiative that combines passion, precision and sportsmanship,” Charan said. “Archery is a sport that teaches focus and resilience, qualities we all aspire to. I believe my involvement with APL will encourage the youth to embrace this beautiful sport and support our athletes on this exciting journey.”

    An APL spokesperson struck a more ambitious tone: “We couldn’t be happier to have Ram Charan join us in shaping this important sporting calendar that will be foundational and remembered for years to come. Ram Charan brings more than fame—he brings narrative, influence and belief. With his support, APL is not just launching a league; we are launching a legacy.”

    The league, hosted by the Archery Association of India, aims to blend high-performance competition with fan engagement, bringing together India’s finest archers alongside international talent. Charan’s recent global recognition—RRR won the Oscar for best original song with Naatu Naatu—adds prestige to an initiative that organisers hope will elevate archery’s profile nationwide.