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  • The Golden Elixir of Smoke: Hillfort Whisky strikes gold with smoky new campaign

    The Golden Elixir of Smoke: Hillfort Whisky strikes gold with smoky new campaign

    MUMBAI: Raise a glass! Hillfort Whisky has found liquid gold in its latest campaign.

    When the premium spirit joined forces with creative agency Black Cab, the mission was simple yet ambitious: take Hillfort from being just another label on the shelf to a whisky with a story worth savouring.

    Enter “The Golden Elixir of Smoke”, a campaign that promised more than just a drama. It offered discovery, drama, and a dash of heritage. Drawing on imagery of gold, relics, rulers and celebration, the visuals painted Hillfort as a hidden treasure waiting to be unearthed.

    The campaign leaned heavily on visual storytelling, weaving together motifs of gold, relics, rulers and celebration. Seven themes, including “The Discovery,” “The Treasure,” “The Smoky Affair” and “The Celebration”, were used to frame Hillfort’s character as rare, layered and connoisseur-worthy.  

    The results? According to the brand, the campaign reached 1.3 million people, drove over 38,000 engagements and nearly 9,000 link clicks, while also boosting its follower base by 1,600.

    For whisky enthusiasts, it was a smoky revelation. For casual scrollers, it was proof that storytelling still packs a punch in digital marketing. And for Hillfort, it was a golden moment in building a brand legacy that looks set to pour out many more chapters.

    As Black Cab cheekily put it, this isn’t just whisky. Its history, heritage, and a happy ending served neat.
     

  • Wild tales roar as Warner Bros Discovery unveils Dooars and Americas

    Wild tales roar as Warner Bros Discovery unveils Dooars and Americas

    MUMBAI: Nature is getting the star treatment this August, with Warner Bros. Discovery rolling out two blue-chip wildlife spectacles across Discovery, Animal Planet, and Discovery+. First up is The Dooars World, which premiered on 15 August with Dia Mirza lending her voice to the Eastern Himalayan wilderness. Directed by debutant Shaon Pritam Baral, the series transports viewers to the biodiverse Dooars region, where red pandas, one-horned rhinos, and vibrant birdlife share fragile harmony with local communities. “The Dooars is a living, breathing world,” Baral noted, calling Mirza’s narration the soulful thread that binds the storytelling. Interestingly, the project was spotted at Waves Film Bazaar, an NFDC initiative.

    Hot on its heels came The Americas, which debuted on 18 August with Hollywood heavyweight Tom Hanks narrating an 11-part odyssey from the Arctic to Patagonia. Produced by BBC Studios’ Natural History Unit with Universal Television Alternative Studio, the series has already snagged Emmy nominations for Hanks’ narration and Hans Zimmer’s sweeping score. Expect breathtaking animal drama, from species thriving in icy extremes to the urgent climate challenges rewriting their futures.

    Warner Bros. Discovery head of factual entertainment, lifestyle & kids for South Asia Sai Abishek summed it up: “It’s this mix of fresh voices like Shaon and iconic ones like Tom Hanks that makes our storytelling spectacular and memorable.”

    Airing weekdays at 9:00 pm on Animal Planet with simulcasts on Discovery, and streaming on discovery+, these shows fuse cinematic grandeur with conservation urgency reminding viewers why the wild will always have the final word.

  • High on hope News18 Kerala anti drug campaign heads to Kottayam

    High on hope News18 Kerala anti drug campaign heads to Kottayam

    MUMBAI: Kerala’s battle cry against narcotics is getting louder and this time, it’s echoing through Kottayam. News18 Kerala’s anti-drug drive, AD 2025, is drawing packed crowds, celebrity cheer, and spirited debate as it rolls across the state, determined to keep Kerala high on hope, not on drugs. After firing up audiences in Cochin on 10 June and Kozhikode on 15 July, the campaign now heads to K.E. College, Mannanam, on 26 August, from 10:00 am. The roadshow culminates in a grand finale in Thiruvananthapuram next month, but not before it sparks yet another round of tough conversations and cultural performances.

    Each stop so far has been more than a lecture, it’s been a movement. From unpacking the root causes of drug use to spotlighting law enforcement, from discussing how addiction tears through families to stressing early intervention and education, the campaign has stitched together the voices of government, media, NGOs and citizens into a single powerful chorus: collective responsibility.

    The earlier editions saw top dignitaries, police officials, excise officers, celebrities, and cultural icons share the stage, stirring both thought and emotion. Audiences, especially the youth responded with enthusiasm, pledging to act against a menace that has seeped into communities.

    The Kottayam edition promises no less. On the panel: the district collector, police commissioner, excise officer, a social influencer, a psychologist, a student representative and more, ensuring every perspective from law to lived experience is on the table.

    With turnout and public engagement already exceeding expectations, AD 2025 is proving to be more than a campaign. It’s becoming Kerala’s collective pledge for a drug-free tomorrow.

  • Winzo levels up, takes India’s gaming power play to the US market

    Winzo levels up, takes India’s gaming power play to the US market

    MUMBAI: From Delhi to Dallas, Winzo has just hit its biggest checkpoint yet. India’s largest homegrown digital entertainment platform has officially launched in the United States, levelling up its ambition to export desi gaming tech, IP, and talent to global arenas. The move marks Winzo’s entry into the world’s largest gaming market by revenue, hot on the heels of its Brazilian foray in 2023. That places the company squarely at the crossroads of three of the planet’s top four mobile gaming markets India, Brazil and the US together worth an estimated 65–70 billion dollars with over 20 billion annual game downloads.

    With a 250 million-strong user base back home, Winzo’s ecosystem already spans 100 plus competitive games across esports and social formats in 15 languages, backed by more than 100 tech patents. Among them: its Real-Time Game Engine, GenAI-powered vernacular companion, live streaming stack, one-click integration tech and AI-driven cybersecurity solutions.

    The platform also brings financial muscle via its 50 million dollars Zo Fund, fuelling early-stage tech ventures and creating a pipeline of Indian innovation for global markets. Alongside gaming, Winzo is rolling out Zo TV, its new short-video format, aiming to be a one-stop hub for interactive entertainment.

    “This is a proud milestone for India’s digital entertainment ecosystem,” said co-founders Saumya Singh Rathore and Paavan Nanda, noting that the expansion represents “Tech Exports 2.0” where Indian developers can finally take culturally resonant games and esports to the most lucrative gaming market in the world.

    While Winzo continues to expand abroad, it is also doubling down on its Indian audience, even as it responsibly rolls back select offerings impacted by regulatory shifts. For the company, the US debut isn’t just a market entry, it’s a statement that India’s gaming story is no longer just local, but truly global.

  • Johor  to host ASEAN’s biggest digital content summit in 2025

    Johor to host ASEAN’s biggest digital content summit in 2025

    JOHOR BAHRU: Game, set… animation! Johor Bahru gears up to host the ASEAN Digital Content Summit (ADCS 2025) from 2–4 September.

    Organised by the Ministry of Digital through the Malaysia Digital Economy Corporation (MDEC), in collaboration with the Johor State Government, the summit is set to transform the Persada Johor International Convention Centre into the beating heart of ASEAN’s creative economy.

    Timed with Malaysia’s ASEAN Chairmanship 2025, ADCS will bring together more than 50 global thought leaders, over 100 exhibitors, and country pavilions from more than 10 nations, all under one roof. Policymakers, studios, start-ups, investors and creators will unite to script the next chapter in animation, gaming and immersive technology.
    The summit opens with the ASEAN Roundtable on 2 September, a high-level dialogue designed to spark regional collaboration in animation, games, and creative technology. Fans of Japanese anime will also find a treat: Koji Morimoto, co-founder of Studio 4°C and one of the creative minds behind Akira, will headline the speaker sessions.

    Meanwhile, the Kre8tif! Business Xchange will act as a matchmaking arena for creators, connecting them with broadcasters, distributors, and investors. The exhibition hall promises a visual feast, from new game solutions to immersive interactive content, showcasing the latest from Malaysia, Indonesia, Thailand, and beyond.

    In a nod to talent and research, ADCS 2025 will also feature 50 global technical papers and 60 plus university projects, giving students and young creators a launchpad to shine. The initiative is supported by KL ACM SIGGRAPH and DICE 3.0, ensuring academia meets industry in the most creative of ways.

    MDEC CEO Anuar Fariz Fadzil called the summit a “game-changer” adding, “ADCS 2025 marks Johor’s bold leap toward becoming the beating heart of ASEAN’s digital content revolution. By bringing together innovators, storytellers, and tech leaders, Johor is stepping into the spotlight as the epicentre of gaming, animation, and immersive content.”

    And it’s not all about business. The summit has a festival flavour, too. Public visitors can look forward to e-sports tournaments, outdoor movie screenings, exclusive giveaways, and family fun at B5 Johor Street Market. The celebrations culminate with the Malaysia Animation Film Festival on 4 September, followed by nationwide screenings at GSC cinemas from 16 October.

  • Bappa Ki Tayyari: ITC Aashirvaad sweetens Ganesh Chaturthi with QR aarti-booklets

    Bappa Ki Tayyari: ITC Aashirvaad sweetens Ganesh Chaturthi with QR aarti-booklets

    MUMBAI : Modaks meet mobiles. This Ganesh Chaturthi, prayers and sweets are just a scan away.

    ITC’s Aashirvaad Soul Creations has launched its #BappaKiTayyari campaign, bringing together soulful devotion and thoughtful convenience for devotees preparing to welcome Lord Ganesha.

    The initiative promises to eliminate last-minute festive stress by combining curated festive delights with digital aarti booklets. “No last-minute rush this Ganesh Chaturthi… sweets, aartis and blessings, all in one place, ready for Bappa’s welcome,” promises the brand.

    Families often scramble to find complete prayer verses across WhatsApp forwards or scattered YouTube videos. This year, every Aashirvaad Soul Creations delivery will include a special card with a QR code. A quick scan delivers a ready-to-use PDF Aarti Booklet in Hindi and English directly on WhatsApp, free of cost.

    Additionally, the brand has curated a mouth-watering festive menu: Kesar and Coconut Modak Barfi, Puran Poli with Katachi Aamti, Motichoor Laddu and Kaju Katli.

  • BGMS 4 drops with Rs 1.5 crore loot, fresh faces and fierce inclusivity

    BGMS 4 drops with Rs 1.5 crore loot, fresh faces and fierce inclusivity

    MUMBAI: Drop in, loot up, and get ready for the chaos. BGMS is back, and it’s bigger than ever. Nodwin Gaming has unleashed Season 4 of the Oneplus Android Battlegrounds Mobile India Masters Series, airing live on Star Sports Khel and JioHotstar daily from 5:00 PM to 8:00 PM until 14 September, with a staggering Rs 1.5 crore prize pool on the line.

    But it’s not just about the loot this time. The tournament has levelled up with the launch of the Battlegrounds Mobile India Challenger Series (BGCS), the official amateur feeder league into the BGMS. Featuring 24 squads including 2 campus champs from the Oneplus Campus Dominate qualifiers, 1 team from TVS Raider Wicked Battles, 17 invited rosters, and a historic 4 all-women line-ups the Challenger Series is bringing fresh blood and fearless energy to Indian esports. Matches stream live on Nodwin’s Youtube channel from 12:00 pm to 3:00 pm every day.

    “BGMS has become more than a tournament; it’s a cultural movement,” said Nodwin Gaming co-founder and MD Akshat Rathee. “Season 4 champions inclusivity at every level, from campus qualifiers to all-women teams on national television.”

    Title sponsor Oneplus is back for another round, powering gameplay with its flagship Oneplus 13 and Nord series. Android continues as co-title sponsor, while TVS Motor Company rides in as official mobility partner for a third year running with its TVS Raider Wicked Battles initiative.

    New faces join the fray too Duolingo English Test debuts as official learning partner, rolling out even a Gujarati-language feed, while Swiggy steps in as official food delivery partner, keeping players and crews fed through marathon matchdays. Red Bull fuels players for a second year, while Bisleri makes its debut as Hydration Partner.

    The BGCS runs till 7 September, setting the stage for BGMS Season 4’s finale stretch. With esports on primetime TV and national brands stacking up behind the action, BGMS isn’t just gaming anymore, it’s India’s newest sporting spectacle.

  • Something Special signs Courtney Boyett to script global sales success

    Something Special signs Courtney Boyett to script global sales success

    MUMBAI: When a company’s called Something Special, you expect its hires to be nothing short of headline-worthy. True to form, the Seoul-based format agency has brought on Courtney Boyett as senior manager of global sales, adding a bilingual edge and a globe-trotting flair to its international ambitions. Boyett steps into the role after a stint at Kiwi Vine, where she spearheaded business development in webtoon localisation and edited stories for global audiences. A fluent speaker of both English and Korean, she began her career as a translator and researcher, giving her a strong cultural bridge that fits neatly into the DNA of a format specialist.

    Armed with a business degree from Alabama’s Troy University and time at Inha University in Seoul, Boyett has lived across the U.S. and Korea while racking up stamps from extensive travels, an experience that may come in handy as she takes Something Special’s formats to markets worldwide.

    True to form president and executive producer Jin Woo Hwang couldn’t hide his enthusiasm: “Courtney will no doubt deliver great results with her sparkling personality and expertise. After my recent MENA trip, our sales arm is primed for expansion.”

    True to form co-founder EVP & head of content Insoon Kim, echoed the sentiment: “When I first met Courtney at Hong Kong Filmart, I was immediately impressed by her professionalism and bright character.”

    For Boyett, the feeling is mutual. “I’m excited to work with Insoon, Jin and the team at Something Special and look forward to sharing their innovative formats with the content world at several markets,” she said.

    With Asia’s format exports booming and Something Special sharpening its global push, Boyett’s appointment is both timely and telling: this is a format house with no intention of staying local.

  • AI on reel duty as Studio Blo crafts Emirates NBD ads with human touch

    AI on reel duty as Studio Blo crafts Emirates NBD ads with human touch

    MUMBAI: When the camera says “AI-ction,” you don’t expect it to tug at your heartstrings. Yet Studio Blo’s latest campaign for Emirates NBD proves that artificial intelligence can roll out films that feel anything but artificial. The next-gen content studio has unveiled three fully AI-generated ads for the MENAT banking giant, each scripted by Liwa.Content Driven and realised entirely within Studio Blo’s proprietary AI pipeline. But instead of flashy montages, the films weave cinematic narratives with human warmth.

    One of the campaign’s centrepieces is a business banking story about entrepreneurs finding strength in personalised support and remote convenience. The other two are hard-hitting anti-fraud PSAs that use a domino-effect metaphor reminding viewers that ignoring scams doesn’t stop them, it only leaves the next person vulnerable.

    Behind the tech sheen is an insistence on old-school craft. “Making a bad film was always easy. So is it with AI,” quipped Studio Blo co-founder and CEO Dipankar Mukherjee. “If you don’t invest in the human craft, the machine will end up making something mediocre.” He credited the production designers, cinematographers, and directors who elevated the campaign.

    Liwa.Content Driven director Sagar Rege added that the aim was not to dazzle but to move: “Most AI films today are montages. With these ads, we wanted to push the technology to tell a story.”

    Studio Blo itself is built on a marriage of filmmaking veterans alumni of DNeg and MPC and AI-first workflows. Its client list already boasts Warner Music, YRF Films, Dentsu, and Nykaa. With Emirates NBD, the studio signals a future where AI isn’t replacing creativity but collaborating with it helping brands tell smarter, faster, and infinitely ambitious stories.

  • “India will probably be  one of the largest franchise networks outside the US” -Dave & Buster’s Antonio Bautista

    “India will probably be one of the largest franchise networks outside the US” -Dave & Buster’s Antonio Bautista

    MUMBAI: Antonio Bautista has made a career out of taking American leisure and dining concepts to the world. From launching Hard Rock outlets in frontier markets to fine-tuning global operations at Fogo de Chão, the trilingual executive has opened more than 100 venues across six continents and overseen P&Ls north of $500m. Now, as chief international development officer at Dave & Buster’s, he is steering the arcade-and-dining chain’s most ambitious push yet, a 37-site global pipeline with flagship projects in India, Australia, Mexico and beyond.

    But Bautista is not merely a dealmaker. A strategist with a builder’s mindset, he has spent as much time creating franchise support systems and operational blueprints as signing expansion contracts. He thrives in fast-paced, cross-cultural environments, bringing clarity and structure to sprawling growth plans. Increasingly, he sees AI as a quiet force shaping the industry, a tool to simplify operations, boost productivity and give franchise partners the confidence to scale.

    In conversation with Indiantelevision.com’s Omkar Walunj, Bautista reflects on Dave & Buster’s launch of its latest arcade in Infinity Mall in Mumbai’s Andheri suburb, his partnership with the Malpani group, from where he sees the company’s growth urge coming, and the lessons of blending brand consistency with local flavour. Excerpts from the interview.

    On why India was chosen as the next big international market.

    I think the answer is what is there that is not attractive about India for any international investor? You are the fourth largest economy in the world with an incredibly rapid growing middle class where all the research indicates that disposable income allocated to entertainment continues to increase. So, from our perspective, it was not a matter of if but a matter of ‘when.’ And ‘when’ was defined by having found the perfect partner and we have found the perfect partner in the Malpani Group.

    On the US brand elements that were retained and what was adapted for Indian tastes.

    Thank you. Well, I mean the four pillars are always there. Eat, drink, play, watch. What we’ve done with the eat, for instance, around 33 per cent of our menu is local. We’ve also adjusted our cocktails to the local consumer. The games have been designed to attract young adults and families alike. We have introduced bowling that is almost not seen in India. Nitro light bowling. And our viewing takes into account that the audience likes other sports. For instance, one of the most successful viewing days was the cricket match between your Mumbai team and your Bangalore team. We televised it in our store in Bangalore and we were absolutely packed. So, there it is, we would probably be not be showing cricket at that level in the United States, but here of course we do. So, we’ve customised the brand to what we think resonates with the local consumer, but we’ve maintained its integrity and the authenticity.

    On the role that India will play in the brand’s global growth strategy over the next five years.

    I think India will probably be one of the largest franchise networks outside the US. That would be the logical conclusion given the size of the country and the ambition of our partners in terms of accelerated growth and pipeline ahead of us. And are there any plans to integrate Indian origin games or esports events or Indian cinema into the experience that we offer? In terms of the watch experience? Absolutely! In terms of the music? Absolutely. Yes, that would be part of the plans for sure.

    On the marketing channels digital, experiential, influencer-driven that are resonating most in India.

    So far, yes. I think precisely Malpani Group and specifically Shreya Malpaniand her marketing team have an uncanny understanding of the social media channels. And I think when we look at the activity we have through Instagram, through LinkedIn, the way they handle SEO, I think digital is very strong and the response in terms of all the KPIs around social media are very good so far and we are just starting.

    On the expansion plans and which cities could see Dave & Buster’s next.

    What I have seen is a continuous progression. The country has gotten more modernised, the infrastructures have improved, the younger generations are more and more curious.

    You have to think from our perspective, India has always been an incredibly good example of entrepreneurialism. I think most people in the industry, whether it is hospitality, whether it is technology, have demonstrated day in day out that this is a country where business flourishes.It’s a country where people are interested in growth. It’s been phenomenal for me to be part of the Indian business community for the past 20 years.

    As I said in my speech, I have learned a lot and I owe a lot of my background in business to my colleagues in India.