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  • Ficci conference ends

    Ficci conference ends

    The Ficci’s International Conference on The Business of Entertainment ended today with a concluding speech by Tapan Sikdar, the Minister of Communications.

    Earlier in the day, discussions were held on the content aspect of the entertainment industry. The session was headed by the noted film maker Shyam Benegal. The next session covered the film production and marketing, and the international status and presence of Indian films abroad. The internationally acclaimed director and the maker of the Oscar winning film “Elizabeth” spoke about issues involved about Indian films in the international market. Before this Harish Thawani, chief of Nimbus Communications projected his views about the television and film sector. He displayed his views about importance of synergy between the television and the film industry. The session enlightened the audience about the need of marketing of Indian films and globalising the industry.

    The post lunch session was about the music industry in India. It covered issues from piracy, internet, IPR, radio and the general scenario of music industry in India. The concluding session was about convergence and the regulatory framework to enable it in India. The session was headed by the Nasscom chief Dewang Mehta and the panel of speakers included Sony Entertainment Television chief Kunal Dasgupta, MTV India chief Alex Kuruvilla, MD Modi Entertainment Network MD Ajay Nijawhan and UTV head Ronnie Screwvala. The session demanded a clear and comprehensive regulatory policy for the success of convergence in India which is a entertainment software heaven.

    The effort by the Ficci was quite admirable as it enlightened quite a few and brought the whole entertainment industry together.

  • ADAE to create radio division named Adlabs Radio Pvt Ltd

    ADAE to create radio division named Adlabs Radio Pvt Ltd

    MUMBAI: Anil Dhirubhai Ambani Enterprises (ADAE) has finally created a radio division for its FM radio foray and has sought government clearance for the same.

    The radio division of Adlabs Films, which bagged FM radio licences in several cities of India and is one of the bigger players in the arena, will be called Adlabs Radio Pvt Ltd.

    However, a brand name under which Adlabs Radio will run the FM radio services has not been decided yet.

    According to sources in the information and broadcasting ministry, the proposal is “under routine examination”.

    Adlabs Radio Pvt Ltd is a special purpose vehicle (SPV) created by ADAE for its radio business, while the corporate entity and the official licencee continues to be Adlabs Films Ltd.

    The SPV has been created for a focussed approach on the radio business as Adlabs Films concentrates more on the business of running multiplexes and post-production film facilities.

    Under the licencing agreement, licences are not transferable after being formally awarded to a company.

    In the recently-concluded bidding process for FM licences, the government has allowed foreign investment up to 20 per cent in radio ventures, but such deals had to be concluded before the bids were opened in the first week of February.

    Moreover, no change in shareholding pattern is allowed, under the guidelines, for the first five years of the 10-year licence period.

    The Anil Ambani controlled Adlabs Films has won 57 frequencies across the country, but had to surrender 12 stations to adhere to another norm, which mandates no single company can own more than 15 per cent of the total number of frequencies put up for sale throughout the country.

    Adlabs Films’ scrip opened on Wednesday at Rs 403 on the Bombay Stock Exchange (BSE) and touched a high of Rs 409 and a low of Rs 395 during the trading day.

  • CNBC TV18’s ‘Industry Vector series spells the relevance of technology in media business

    CNBC TV18’s ‘Industry Vector series spells the relevance of technology in media business

    MUMBAI: Technology is making all the difference to the way the people the world over access news. CNBC-TV18 will showcase the Industry Vector series 2006 today at 10:30 PM The channel hosted the Industry Vector series, where ‘The Relevance of Technology in the Media Business’ had been the focal point.

    The repeat of the show will air on 26 March at 2:30 PM Reliance Entertainment Pvt Ltd chairman Amit Khanna, CERG Founder and economist Omkar Goswami along with CNBC’s Senthil Chengalvarayan debated on the issue, while exploring the current media scenario in India.

    As technology is making all the difference, the source is no longer just one single window. The average Indian not only has the world at his fingertips, he also has it within a few seconds.

    The convergence of two key trends – the growing demand for rich media and the exploding availability of affordable bandwidth, have combined to propel the media industry to growth levels unheard of even a few years ago. The new digital transmission system, is just one example of how technology is radically altering the way the media industry thinks and operates, informs an official release.

    Have Indian media organizations truly been able to capitalize on these new technologies, to give them the competitive edge? Have they been able to utilize technology to explore new options and orient them to the changing nature of competition? In fact, how exactly does one keep pace with the rapidly changing technology, and still at the same time maintain the organisation’s profitability? What impact will the changing nature of the media market have on the major and minor players?

    The Industry Vector series is an eight episode series on CNBC-TV18, which started from the second week of March 2006 running right up to April 2006. The eight hot sectors this series will focus on are: Infrastructure, Manufacturing, Media, Pharma, Logistics, Banking & Financial Services Industry, Education and ITES.

  • Go for the young, but be alive to the downside

    Go for the young, but be alive to the downside

    MUMBAI: “Made in India – Made for a Young India”. A celebration of youth and the paradise of riches lying there for the pickings by those who could succesfully tap into this demographic.

    This could be termed as the gist of what constituted one of Friday’s high powered sessions at Frames 2006 in Mumbai that was chaired by Zee Telefilms CEO Pradeep Guha.

    According to Ashutosh Srivastava, CEO, GroupM, South Asia, “With half the population under 24 years of age, combined with increasing levels of disposable income and rapid penetration of new technology, attitudes and behaviour are undergoing a radical change – and this will have far reaching impact of the kind of entertainment, and also the way it is consumed by this young India.”

    “This is the most media savvy and exposed generation. It is also a lot more very self expressive ‘me’ generation, seeking its own identity, and has an opinion of everything. And, driven by the widespread penetration of mobiles and the internet, it is also the most socially networked generation,” Srivastava said.

    The downside of all this was thrown in (almost inadvertantly one thought) by KSA Technopark managing director Arvind Singhal who said for this generation, there was an intense aspirational sentiment at play as well as strong ambitions to “make it”. And to achieve this success, if the law was twisted towards this end so be it. The end justifies the means. Singhal used the character (small time con artists) of the lead protagonists in a recent hit film Bunty and Bali as an example. That Singhal didn’t seem to see this as a dangerous trend seemed a tad worrisome though.

    Even more bizarre was Singhal’s contention that in aspirational terms, India’s youth did not see themselves as being Asian but looked westward (specifially the US and the UK one would assume). This stands out in even starker relief stacked up against the common world view that points to Asia as being where the action is, India and China in particular and the rest of Asia in general. Where he fished this piece of data from might be worth a separate study.

    After the rather depressing dose of Singhal’s “world view” on India’s youth, it was refreshing to here from Rakeysh Mehra, director of the recent blockbuster hit Rang De Basanti, who introduced a cautionary note into the discussion. That there should also be awareness that in the midst of the hype and hoopla around the celebration of a young India, efforts to build a strong (ethical) foundation for a not so young india of the future was also needed was the point he tried to bring forth.

    Said Mehra, “It is important to harness the emotions of the young in the right direction and in a poetic way.” He added, “For the young India, it is essential to create a new idiom rather than copying one (from the West).”

    That new idiom was what Star India executive VP marketing and communication Ajay Vidyasagar focussed his presentation around. Vidyasagar believes that the creators of content, in order to connect with the young Indian, have to speak the language of the youth.

    The core message from all the panelists: It’s a whole new generation out there, with new mindsets, habits and working styles. As Srivastava pointed out, “This has huge implications for the industry. We will be forced to rethink current business models. Today, the consumers pay very little and and get exposed to all kinds of messages and content. In the future, they will pay and trade personal information to access the messages and the content they want, through different multimedia devices, at a time and place of their choice.”

    So what of the “40+ fossils”? What’s to become of them? This question was raised by some in the audience though the response from the panel was half-hearted to say the least. But then, this was a session that had all to do with the promise of youth. For the “fossils”, maybe another forum would be in order.

  • Print media -survival of the fittest

    Print media -survival of the fittest

    MUMBAI: Though media baron Ruport Murdoch believes that digital is the future, Malayala Manorama executive editor Jacob Mathew believes that newspapers will put up a strong show and co-exist in the digital age.

    India Today Group CEO and editor-in-chief Aroon Purie also graced the occasion to speak on the Future of Print Media in a morning session at the Ficci Frames today.
    Mathew begins by narrating an experience he encountered recently with his editor friend. “I had always considered him a sober man but this time he had a wild look in his eyes, when I asked why? He said he was chasing skirts. As he had freshly entered his fifties, I thought it was a case of male-menopause. He brushes aside my instant diagnosis and explained that he was editing fashion pages and he was constantly working and thinking about skirts, frills and pleats.

    “He entered journalism with the idea of making a difference to society, but, there he was condemned to writing about frilly, silly nothings. I disrupted his ranting and pointed out that he was actually facing crisis of content. There are serious stories and entertainment stories to be told, but they go reported in a fizzle form of fashion.
    “It is all a matter of choice. Instead of digging for in-depth stories, editors like him are content with presenting ravishing visuals, of mass cloying words. This goes true not just for soft stories; fashion or glamour but also of hard stories; politics, economics, business, sports and human relationship,” he says.

    Citing that even stories of pathos and cruelty are put under the glittering glares of glamour. Content remains the greatest challenge in the newspaper industry today.

    Circulation being key, he says that it has saturated in many developed countries and advertising growth rate there is negligible. In contrast, India presents attractive windows of opportunities because of increasing literacy and purchasing power.

    “Indian newspaper industry has a turnover of Rs 12,000 crore in 2005. It is expected to touch Rs 13,500 crore. Indian’s figure is just five per cent of Asia pacific region, even the Koreans are double our size. Paradoxically our size is our strength. We have a tremendous potential to grow as we are small right now.”

    On the potential that newspapers have, he says, “India reaches only 35 per cent of our adult population even though adult literacy is about 65 per cent. To build this gap between readership and literacy, and due to the competition the publications kept its prices low and depended entirely on advertisers to subsidise the reader.

    “This model probably was viable in India because it simultaneously developed the vibrant advertisement industry. The industry aggregate for the years 2002 to 2004 indicates that 60 per cent of our revenues come from advertising sales. While the circulation revenue accounts for 38 per cent, other incomes account for about 2 per cent. This percentage varies between the English and the vernacular publications.

    “Circulation revenue covers about 70 per cent of our variable costs. The first 25 per cent of the advertising revenue goes towards covering the variable cost and the balance 75 per cent is available for fixed cost and profits. Obviously advertising drives the print media.

    “When the ad revenue grows at a healthy pace, publishers invest in increasing their circulations. With bigger circulations, they are able to command higher ad rates. This business model demands that the momentum be provided by growing ad revenues. Though some say that with lower cover prices, one chases artificial numbers of circulation to justify high ad rates.

    Asking if this model is sustainable and fair, he continues, “This is being debated as some believe that there is ample scope for further cover price increase. The expanding economy has brought into the market a host of new advertisers and this has made it possible for us to increase the ad rates as well.”

    Looking ahead, Mathew says, “The prospects to 2006 look fairly good. With the economy of the country continuing to grow at 7.5 per cent, we may reasonably expect at least 15 to 20 per cent growth in ad revenues. This will drive the circulation at an eight per cent growth in the turnover and then can be expected to grow by 12 to 14 per cent.

    “The main challenges come from Internet. Websites like Shaadi.dot come, Naukri.dot com have made major inroads for jobs and matrimonial. Real estates and second hand vehicles are two other classified ad category waited to be snapped by us webpreneurs. Baazi.dot com, now taken away by eBay has already proved its potential of internet shopping. Sensing this pattern, several newspaper publishers have forayed into the electronic media. Some have succeeded and some have bit the dust.

    “Eventually, major newspaper groups will emerge as multiple media enterprises combining the strengths of electronic and print media.”

    Mathew sums up, “We know the strengths of our medium, yet our challenge is to aggressively convey to our local markets nationally and internationally and in particular to opinion makers whose decision impacts our collective future.”

    Quoting US comedian Jerry Seinfeld’s accidental observation on newspaper as being bang on the dot, “It is amazing that the amount of news that happens everyday always just exactly fits in the newspaper.”

    Concurring with Jacob, the India Today Group CEO and editor-in-chief Purie had some interesting anecdotes as well as high points of the space and the future trends.

    Purie recalls an incident that took place thirty years ago at a printing conference in Venice, the questions asked were pertaining to the future of print and will print vanish. There were printers who raised their concerns on whether the business would last or not last, as computers had started creating its presence.

    Narrating the incident, Purie adds, “One of the speakers Robert Maxell, the owner of The Mirror Group in his opening statement said, “I know print will survive because you can’t take the computer into the toilet.” But now, of course, one can take the computer to the toilet.

    He says, “But still print survived, it actually prospered and thrived. The eternal question keeps coming up every few decades when new technologies comes, will print survive?”

    He points out an instance where Bill Gates offered his opinion on the Indian print media recently. Bill Gates, who is considered the biggest enemy of print and quoting him as saying, “I m sure, it will be more than fifty years, that somebody is still printing a newspaper and taking it to someone, somewhere.”

    He continues that Gates is fifty and in all probability, newspapers will out last him. He adds that surprisingly Gates in the interview stated, “Newspaper readership is still growing in India.” Purie remarked, “This is something when a man like him has obviously noticed and has not declared the demise of newspaper or print media.”

    Throwing some light on various figures, he says, “Last fifteen years, the ad revenue share in print of the total ad pie has shrunk from 70 per cent to a humbling 46 per cent due to the advent of cable and television. Internet and radio has compounded its misery. People thought that print has completely lost out. Any kind of change of this kind would have destroyed any other industry in my opinion.”

    “The readership grew by 28 per cent with newspapers leading the pack; Hindi newspapers grew by 68 per cent, Telegu newspaper 63 per cent, English newspapers grew by 36 per cent. Quietly, but clearly the new growth has been in the Indian language print media.”

    Citing a recent study conducted by an industry journal, he says that it estimated that the highest growing print media companies included Jagran Prakashan that grew at 26 per cent; Bennett, Coleman & Co at 17 per cent; Bhaskar publishing group at 16 and my own company Living Media at 12 per cent.

    Referring to growth in advertisement with respect to last year, he highlights that the ad business grew by 15 per cent to about Rs 12000 crores setting a new trend; the print share has increased 48 per cent from being 46 per cent while the television share remained at 42 per cent. Although television has grown but one can see that there is a slight change in the trend.

    “The print media has in fact staged a comeback to define all forecasts and international trends. The ad revenue growth can be attributed to the significant increase in ad spend by educational institutes, retail, real estates, consumer durables, automobiles. The revenue growth in television has been powered by FMCG sector,” says Purie.

    Speaking about growing consumerism, he says, this trends will throw up new opportunities for special interest publications. The mass circulated dailies and magazines will also benefit by adding special interest both genre wise and geographically.

    He cities the example of the India Today Group wherein, “We grew the topline circulation by 30 per cent from the previous year by using innovative marketing strategies including news focus offerings. The innovations included usage of digital media such as SMS and Internet besides, strong subscription campaigns.

    “At present, India Today has an add -on free magazine every week, from city magazines to lifestyle to education. All this has come on the back of the cover price increase from Rs 15 to Rs 20, a whopping increase of 33 per cent. And in just one year India Today English and Hindi editions over too The Times of India and Nav Bharat Times’ national readership by over 5 million.”

    Speaking on the future trends, he says, the print media will see an area of super fragmentation. It will virtually expand in every genre. While players will work towards super niche positioning, consumers will have to pay more for their newspaper and magazines. The trend may also see that the publishers will have to reduce their dependence on advertisement revenue to drive their successful models.

    But, with caution he also says, “While, it may not be the accurate predictions for India. It validates opinion that fragmentation may not affect mature medium like print to the extent it affects relatively newer medium like television.”

    Pointing another trend -the access to capital, he says, “The print media will be powered by many media companies tapping the financial markets, by ways of IPOs, inflow of capital by private equity and by going public enabling expansion and reducing any barriers that in the past were big constrains for any news entrants. The trend has already started and will become bigger for the businesses.

    At present, the government has permitted 26 per cent foreign direct investment in news and current affairs publications, which has led to Financial Times picking up stake in Business Standard, BBC and Times of India in a joint venture company WWM.

    But, Purie believes regulations are still too restricted and should be opened up and even the policy for facsimile editions and foreign publications coming here is really very confusing and unnecessary.

    Picking up on another trend is digital opportunities. He says, “The 300 pound gorilla, which I think publishers don’t know what to do with it. Internet does not have to be a competitor like radio and television. It can be partner to the print media. It can only supplement the distribution of content and leverage the print brand.

    Narrating yet another recent incident at Dow Jones where The New York Times publishers Sulzberger was asked, “aren’t you worried about the decline in readership and ad revenue being threatened by the Internet”.

    Sulzberger explains, “In the newspaper business there are basic costs– paper, distribution and people. If Internet comes, I will get ride of the first two as I do away with the problem of paper and distribution. I still have the brand, the content and the ability to sell the advertsiment. I’m not worried.”

    No wonder every newspaper may have an online presence, the challenges for the publishers is to monetise this and to appreciate unique qualities of the Internet interactivity and immediacy.

    He agree with the point made by the global media barron Rupert Murdoch who opines that today newspaper is just a paper, tommorrow it can be a destination.

  • Warner Bros. TV Group ups Karen Miller as SVP

    Warner Bros. TV Group ups Karen Miller as SVP

    MUMBAI: Warner Bros. Television Group has promoted Karen Miller to the position of senior vice president for its Worldwide Television Creative Services. It was announced today by the company’s executive vice president Lisa Gregorian. Miller will be reporting to Gregorian.

    In her new position, Miller will manage the day-to-day operations of the Creative Services department, overseeing the conceptualization and design of all print, digital and on-air advertising and promotional materials for the Studio’s worldwide television marketing, sales and publicity initiatives, states an official release.

    She will work closely with the Studio’s internal marketing executives, providing creative counsel on the promotional campaigns for programming produced by Warner Bros. Television, Telepictures Productions and Warner Bros. Animation.

    Also, Miller and her department will guide the creative efforts of the Studio’s television distribution entities–Warner Bros. International Television Distribution, Warner Bros. Domestic Television Distribution and Warner Bros. Domestic Cable Distribution–enhancing their marketing efforts for television series and the pay, cable and broadcast windows of theatrical titles.

    Said Gregorian, “Karen has proven herself to be an invaluable executive who is able to combine her creative vision with business acumen. She is the perfect person to direct the efforts of the creative services department as it continues to meet the challenge of focusing consumer attention in an ever-competitive global television marketplace.”

    A 10-year veteran of the Studio, Miller most recently served as Warner Bros. Television Creative Services vice president, having been promoted to that position in 2005. Previously, she had been an art director in the Warner Bros. Television Creative Services department for five years. She joined the Studio in 1996 as a graphic designer for Warner Bros. International Television Distribution. Prior to joining the Studio, Miller spent more than a decade with Conde Nast Publishing as associate art director for Architectural Digest magazine.

    In her distinguished career, Miller has been honoured with 18 PROMAX-BDA Awards, most recently receiving the 2005 BDA Design Award in the Magazine category for her efforts on behalf of The O.C. Insider.

  • Players in mobile entertainment value chain need to work together to grow business

    Players in mobile entertainment value chain need to work together to grow business

    MUMBAI: One of the sessions on the last day of Frames dealt with Mobile Entertainment. The session was moderated by Hungama.com CEO Neeraj Roy. The speakers were Mauj CEO Arun Gupta, Indiagames CEO Vishal Gondal, Qualcomm’s Vishal Gupta, Nokia Asia Pacific director rich media, music and games Jawahar Kanjilal, Tata Teleservices VP content and applications Pankaj Sethi and Mobile Entertainment Forum Asia chairman Stefan Rust.

    Rust says that for the mobile business to fulfill its potential the various stakeholders – the network infrastructure providers, the content aggregators, gaming publishers – must work together. Engineering resources must work with studios to figure out the best devices to reach consumers.

    Kanjilal said that while Nokia is known as a provider of mobile phones, to enable communication, it has developed a phone that can store 3000 songs and has a three mega pixel camera. In India, the company will introduce Visual Radio in the coming months . This allows a user to listen to radio stations. In this way there is a convergence of electronics and communication.

    Sethi points out that Tata Indicom caters to both the premium segment and the lower end of consumers. “On the high end side, we have introduced audio and video streaming capabilities. We are looking by the end of the year to have a full length music delivery service.

    Digital video delivery on the mobile will come to pass. Our low end customers have voice and SMS capabilities. So, we have introduced a voice station. Here, we take content from films, the stock exchange and reconfigure it in such a way that it sounds like a radio station. Gaming is a huge area. Even Tata Indicom’s prepaid customers download games like hell.”

    Gondal stressed on the role that gaming will play on the mobile platform. “People from the Indian entertainment industry underestimate the potential of gaming. Every month a million games are downloaded in the country. Contrary to perception in some quarters, price is not the determining factor. In fact, users perceive a high priced game better. That is why our new Harry Potter game at Rs15 a play did so well. Gaming is being more in the smaller towns compared to the major metros. It is played during office time, college time and dinner time. The fact that it is played during dinner means that it is taking away time from television, movie viewing and internet surfing.

    “The problem is that Bollywood movies are not conducive to making games from their films. We need to work out a creative way for this. India has an opportunity to provide services for international firms looking for ideas and execution of them. Our low cost and talent gives us an edge.”

    Arun Gupta pointed out that the mobile is slowly becoming the third screen. It is a Rs 6 billion business. It is expected to grow to around Rs 45 billion in 2010. However, there are challenges. One of them lies in the fact that outside the CDMA network the number of handsets that provide ruich media content is limited. On the GSM side, the data network is weak. So it takes time to download a game. Another important area that needs improvement is customer care and customer education. In the UK, a study said that 60 per cent of mobile users want to access mobile content but do not know how to go about it. In India, the problem can be multiplied many times over.

    Therefore mobile service providers and content publishers need to come out with ad campaigns to spread awareness. “I don’t know if a game has ever been pushed. In South Korea, due to clever marketing some game developers are celebrities.”

    Rust says that there are issues to be sorted in the arena of digital rights management (DRM). “I do not think of DRM as an anti-piracy measure. I think of it as enabling consumers to purchase music digitally. I don’t see why a person who has bought a piece of music digitally cannot play it on his iPod, computer and other devices. If it can be done with a hard copy then, why not with a digital one? Music companies needed to go beyond selling an album of 20 songs. They need to see how they can sell single songs and maximize each song’s revenue potential.”

    Gondal said that Indian mobile firms are more intent on pushing the consumer. “We must focus on pulling the consumer in through killer content. That is what Apple did with its iPod and iTunes. It got killer content and did innovative marketing. The iPod is seen as cool to have. If this pull factor is not created then there is no incentive for the consumer to go in for handset that enables rich media features. When the photo scam came about there was a sudden demand for Bluetooth.

    Pull will help the customer to go beyond just using the mobile as a voice tool”

    As far as mobile TV is concerned, Kanjilal pointed out that DVB-H trials being done abroad by Nokia show that television on the mobile is often consumed at home. This helps channels to be seen. In the future, one might have a situation where there are five television screens at home. He noted that standardisation on the DVB-H system has helped. It is an open system. Therefore it is cost effective as a distribution medium.

  • BBC to show World Cup, Wimbledon in high definition

    BBC to show World Cup, Wimbledon in high definition

    MUMBAI: UK pubcaster The BBC has announced that it will broadcast its 2006 World Cup coverage and major Wimbledon matches in high definition (HD) as part of its pioneering trial.

    The BBC HD trial will kick off with the BBC’s share of World Cup matches up to and including the 9 July 2006 final. World Cup 2006 will be the first major sporting event to be broadcast in HD in the UK. The BBC’s summer of HD sport will continue with Wimbledon matches from Centre Court and Court One.

    The BBC explains that HD is a new kind of television which delivers more detailed pictures and sharper shots of fast-moving action than conventional ‘standard definition’. The HD format will be an extra stream alongside conventional analogue and digital broadcasts.

    It will only be accessible to viewers who have all of the following: HD Ready televisions, HD set top boxes and HD services from satellite or cable providers. News about the World Cup and Wimbledon in HD follows finalisation of the technical and partnership arrangements for the trial.

    The BBC’s HD trial will last for about 12 months. It will enable the BBC to test technical delivery of HD and to understand how the audience values a BBC HD service. Any ongoing BBC HD service will be subject to approval by the BBC Trust.

    BBC director of sport Roger Mosey said, “High definition works particularly well for sport. It gives fantastic picture quality, from the blades of grass that are being played on right to the back of the stands, and although only limited numbers of people will be able to see this trial we hope it will be a glimpse of the future.”

    BBC HD TV head Seetha Kumar said, “We believe that in the long term the BBC can help provide the benefits of HD to everyone, free to air, in the same way that we backed colour, stereo, widescreen and online in the past. With this trial, the BBC is taking the first crucial steps to support the development of HD broadcasting in the UK.”

    BBC HD will start broadcasting on 15 May with a test stream previewing forthcoming programmes. The first live HD programme will be the opening World Cup match Germany Vs Costa Rica on 9 June.

    BBC commentary and studio coverage in HD will wrap up the HD feed from German host broadcasters HBS (Host Broadcaster Services). Standard definition digital and analogue BBC One coverage will also draw on high definition images, both for the World Cup and for Wimbledon where the BBC is the host broadcaster.

    The BBC HD trial will run for about a year. It will feature BBC shows such as natural history series Planet Earth and Galapagos, drama documentary Hannibal and some BBC Proms concerts including the First and Last Nights, in HD quality.

    The amount of new programming each day will vary, averaging between one and two hours. Some programmes will be simulcast with BBC One or, in a few instances, BBC Two.

    Others will be time-shifted or offer another chance to view past highlights such as dramas Bleak House and Hotel Babylon in high definition for the first time.

    The BBC will provide its HD trial stream on all technically capable platforms, including satellite and cable, once available, from commercial providers. It is not currently possible to provide HD transmissions on Freeview because of limited space on the airwaves. The BBC will run a simultaneous technical trial of HD on digital terrestrial television (Freeview). That trial will be confined to few hundred trial households in London, which will be chosen shortly.

    Freeview could accommodate some high definition broadcasting after switchover between 2008 and 2012. Ofcom’s Digital Dividend Review later this year is deciding how that spectrum should be used.

  • Sportel Asia attracts 658 participants

    Sportel Asia attracts 658 participants

    MUMBAI: 658 participants, representing 324 companies from 43 countries worldwide, attended the recently concluded sports television market Sportel Asia 2006.

    The event took placeat the Pudong Shangri-La Hotel in Shanghai, China.

    Following on the heels of last year’s inaugural Sportel Asia in Hong Kong, the Shanghai market featured a 60 per cent increase in the number of stands and an increase of almost 25 per cent in terms of participants.

    Sportel executive VP David Tomatis says, “Shanghai and in particular the Pudong Shangri-La Hotel proved to be a wonderful venue for our clients. The decision to move to Mainland China encouraged many Chinese companies to join our ranks for the first time, affording new business opportunities for our clients.”

    “We also wish to extend our special thanks to Shanghai Media Group president LI Ruigang, and his staff for their invaluable partnership and Rai trade president Roberto DI Russo and his team, for sponsoring our opening cocktail.”

    Sportel Asia 2006 brought together executives representing broadcasters, cable and satellite services, new mobile technologies, professional leagues, programme distributors, sports marketing agents, event organisers, satellite services, producers, hardware/software and facilities providers, sponsorship and investment groups, sports federations, new media and international press from around the world.

    Sportel’s next event is Sportel Monaco 2006, which will take place from 16 to 19 October 2006 at the Grimaldi Forum in Monaco. Last year, Sportel Monaco 2005 included a total of 1,884 participants, representing 868 companies from 65 countries worldwide.

  • US network Lifetime to undertake women’s research project

    US network Lifetime to undertake women’s research project

    MUMBAI: US broadcaster Lifetime Networks has announced that it will conduct the Lifetime Women’s Pulse Polls.

    It says that it will be the largest women’s multi-platform research project ever undertaken by a television network, weaving in a multi-pronged package providing wide-ranging applications and implications for viewers, advertisers, affiliates and other business partners.

    Throughout the year, the Lifetime Women’s Pulse Polls will explore a wide range of areas examining women’s lives, from consumer behaviour and spending habits, their desire for and usage of new technologies, their positions on key public policy issues, and on the lighter side, their impressions of the latest pop culture icons.

    The first project will be Generation Why? which compares three generations — Generation Y (age 18-29), Generation X (age 30-44) and Baby Boomers (age 45-59) — on attitudes regarding sex, men, marriage and career, culminating in an on-air special with MSNBC journalist Willow Bay.

    Lifetime Entertainment Services president, CEO Betty Cohen, said, “Lifetime has always been the expert on information about women and for women. To further serve advertisers, distributors, consumers, our own programming and, above all, America’s women, the Lifetime Women’s Pulse Polls will use an array of research methodologies to explore and give voice to the unique and diverse perspectives of women today, and project where they’ll be in five or ten years.”

    Conducted by well-known pollsters and authors Kellyanne Conway and Celinda Lake, the initial poll, “Generation Why? unearthed some provocative findings on the three generations.

    — Never a better time to be a woman, but … : While all three generations agreed it’s never been a better time to be a woman, the majority believe women still face discrimination and men have more advantages in society. Though Gen Y, Gen X and Baby Boomers, all agree that the remedy to these problems is not a female boss — the majority prefer a male boss.

    — “First comes love, then comes marriage, then comes … “: Gen Y women advocate marriage and children at a younger age than previous generations.

    — Myths about technology: Women will buy more high-tech gadgets than men this year, but no matter their age, women still think men are much more tech savvy. Technology is the native tongue for Gens Y & X and an acquired taste for Baby Boomers. Gen X is more likely to prefer email, while boomers and Gen Y prefer face-to-face, and Gen Y is more likely to blog than the other two groups.

    — Opting out: Contrary to popular misconceptions about highly-educated, highly-capable women declaring they’d give it all up to raise their children or pursue a passion, Gen Y women were least likely to say they’d leave their careers behind if they didn’t need a paycheck.

    Central to Generation Why? and on the heels of the survey, will be a six-month, ‘listening tour’ of women leaders and young women on college and graduate school campuses, in the workforce and in their communities, conducted by Bay with Lifetime, comparing their views with their mothers, grandmothers — and even young men — on a wide range of contentious contemporary issues.