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  • Sun TV IPO oversubscribed 8.16 times

    Sun TV IPO oversubscribed 8.16 times

    MUMBAI: The initial public offering (IPO) of Sun TV has received a strong response from investors with the issue being oversubscribed 8.16 times. The IPO, comprising 6889000 shares, kicked off on 3 April and closes on 7 April.

    According to data available as on 5 April, QIB’s (Qualified Institutional Buyers) have oversubscribed 13.57 times, indicating a big appetite for the issue.

    Showing less enthusiasm were the non institutional and retail individual investors. Only 1.38 per cent quota of non institutional investors have subscribed to the issue while 6.98 per cent was from retail investors.

    The issue has, so far, received 56233096 bids. Total bids received at the cut-off price stood at 130264. Sun has fixed a price band of Rs 730 to Rs 875 for the IPO.

  • Endemol UK & Cirque du Soleil Images sign 3 year collaboration deal

    Endemol UK & Cirque du Soleil Images sign 3 year collaboration deal

    CANNES: Producer of entertainment formats for the worldwide market Endemol via its U.K. arm Initial has signed a three-year deal with Cirque du Soleil Images to collaborate on the development and production of yearly Cirque du Soleil television specials.

    Specifically created for television, the one-hour specials will feature the best performances from Cirque du Soleil, as well as musicians and artists from around the world.

    Initial’s director of special projects Andy Ward said, “Cirque du Soleil are the most exciting, visual and popular artists in the world and we’re thrilled to have the opportunity to work with them to translate their spirit to television. Broadcasters are already very excited.”

    In addition to creating shows, Cirque du Soleil has for many years created original and innovative content for television, video and DVD and film through its multimedia division Cirque du Soleil Images. In every project, Cirque du Soleil Images aims to capture all the spirit of Cirque du Soleil shows.

    Cirque du Soleil will handle all creative content aspects of the stage show and Initial will be responsible for all aspects of the television production.

  • Zee wins ‘neutral venue’ media rights for $ 219.15 million

    Zee wins ‘neutral venue’ media rights for $ 219.15 million

    NEW DELHI: The numbers are going beyond believable as far as India cricket is concerned. Subhash Chandra’s Zee Telefilms has secured the rights for the latest money-mopping plan the Board of Control for Cricket in India (BCCI) has pulled out of its cupboard — for matches played by India at neutral venues (non-ICC member countries) over the next five years.

    And the winning bid: a whopping $219.15 million (average of $ 8.77 million per match) for 25 matches spread over the next five years.
    The 25 matches will involve mainly Pakistan as the opposition, but will also include top cricket countries like Australia, England and West Indies. With this, the minimum bid guarantee of the BCCI has crossed the $1 billion mark all told.

    Zee Telefilms also becomes the rights holder for radio and broadband in non ICC member countries where matches may be played. It would also negotiate with pubcaster Doordarshan independently for a terrestrial feed.

    “This cricket property puts us on a strong wicket and would help us in our growth,” Zee Sports business head Himanshu Mody told Indiantelevision.com, adding that “the loss of India cricket rights have been more than made up”.

    The other bidders in the fray for the overseas rights were ESPN Star Sports (disqualified for bidding below the floor price), Nimbus and Sahara One Media & Entertainment.

    The media rights for this latest piece of the India cricket pie will be inaugurated with the two-match Indo-Pakistan limited over series that will be held in Abu Dhabi later this month. The presenting sponsor is Indian real estate major DLF and the ground rights for this series was secured by PDM International for $ 3.61 million.

    Pointing out that Rs 900 million are expected to be generated from these two matches, BCCI vice-president Lalit Modi said 50 per cent of the proceeds will go to Pakistan for earthquake relief fund, while the rest will be donated to the Indian Prime Minister’s relief Fund.

    Pakistan Cricket Board’s director cricket operations Salim Altaf, who was present during the opening of the financial bids as an independent observer, also exchanged documents with BCCI secretary Niranjan Shah, signifying an understanding between the two countries for playing matches under a bi-lateral agreement.

    The 25 matches are to be played in places like Abu Dhabi, Dubai, Sharjah, Holland, Lords, Oval and Birmingham in England, Toronto, New York, Tristate Area, Houston, Chicago, Palo Alto, Singapore, Hong Kong and Kuala Lumpur.

    According to BCCI’s Modi, negotiations are on with the respective countries for venues. All the matches will also be recognized by the International Cricket Council and form part of India’s playing calendar.

    HOW THE DIFFERENT BIDS STACKED UP

    While Zee is likely to end up paying a total of at least $ 219.15 million over a period of five years on an average price of $ 8.77 million per match, the break-up of payment year-wise varies.

    According to documents circulated by the BCCI today at a press conference here, Zee bid $ 5.04 million for the first year, $ 6.03 million for the second year, $ 6.66 million for the third year, $ 8.10 million for the fourth year and $ 18 million for the last year.

    Similarly, the other bidders too had bid separately for every year. ESS had bid $ 2.86 million for each of the five years.

    Nimbus bid $ 5 million for the first year, $ 6 million for the second year, $ 7 million for the third year, $ 8 million for the fourth year and $ 14 million for the fifth year with an average of $ 8 million per match.

    Sahara’s bids were $ 5.32 million, $ 5.41 million, $ 6.40 million, $ 7.21 million and $ 10.90 million for each of the five years where on an average per match was costing $ 7.048 million.

    On being asked how does it feel to be on the losing side, Nimbus’ chairman Harish Thawani shot back, “Seeing the winner’s bids, I feel we got the rights to India cricket cheap. I wish Zee all the best.”

    Nimbus had bagged the four-year rights of Indian cricket for a whopping $ 612 million, beating the likes of Zee Telefilms ($ 513 million and ESS.

    DRAMA BEFORE THE ANNOUNCEMENT

    Can anything related to cricket and BCCI be bereft of drama? Probably not.

    Before the media was apprised of the transparent way in which the BCCI conducts its affairs, especially those relating to bidding, journalists were kept waiting at a five-star hotel here as a closed-door meeting of cricket officials and representatives of bidding companies took place.

    Reportedly, there were two adjournments when frantic calls were made by some of those present in the meeting to their bosses.

    It seems there was some confusion regarding the way prices of every one year of the five-year contract period were to be quoted and calculated.

    When that got sorted out, discussions took place on the formal protests lodged by Zee Telefilms and Nimbus relating to the submission of financial bids by Sahara yesterday in Mumbai.

    While Modi reiterated that there were “no irregularities” in the Sahara bid, Zee Sports’ Mody smiled away questions on yesterday’s protests. “We don¡’t have any issue now,” he said, while sharing the dais with BCCI officials.

    While making a grand exit from the press conference, BCCI’s Modi said, ‘These rights will ensure coverage of matches played by India in non-ICC member countries as well. Professionalizing this aspect of Indian cricket management will make the sport, especially the Indian game, accessible to Indian communities across the globe, including the non ICC member countries.”

  • MobiTV integrates broadcast, cellular networks for seamless mobile TV service

    MobiTV integrates broadcast, cellular networks for seamless mobile TV service

    MUMBAI: Mobile video service provider MobiTV Inc, said it has successfully integrated today’s cellular networks with new forthcoming DVB-H technologies to deliver live and on-demand television via both unicast and broadcast networks in one seamless unified service solution.

    MobiTV chairman and CEO Phillip Alvelda said, “One of the most important lessons we have learned from operating this live TV network for mobile phones over the past few years, is that the future of mobile television requires a multinetwork offering that hides all of the multinetwork complexity from the consumer. This astounding new technology allows us to extend the MobiTV solution that has been so successful over the last few years to encompass any of the new broadcast TV delivery standards and address capacity, interactivity and quality requirements all at the same time.”

    Cellular and broadcast networks address different usage scenarios. While broadcast and multicast technologies address concentrated demand for the most popular content, cellular networks provide a dedicated connection which enables carriers to offer personalized content and integrated mobile-commerce. Combining network infrastructures allows operators to take advantage of the strengths of each to deliver consistently high-quality media content to consumers, said MobiTV executives, according to an official release.

    “As usage grows and the number of customers using mobile television grows, networks will require careful capacity management through co-existing solutions such as unicast, in-band multicast and DVB-H solutions. If broadcast technologies are needed in the future, we believe the ideal solution for operators and subscribers is a system that seamlessly leverages and combines the strengths of the available networks solutions,” said MobiTV COO and co-founder Paul Scanlan.

    MobiTV also will deliver features including seamless navigation and content discovery; unified billing, provisioning and authentication; live and on-demand media ingestion; electronic programming guide; premium channel purchase; mobile commerce; in-stream advertising; integrated music content; integrated clip assets; VoD and PVR functionality; location-based services; blackout management; and DMA content restrictions.

    MobiTV has also announced that over one million users now subscribe to its mobile television services worldwide. Since launching in November 2003, MobiTV has signed-on more than 50 international content partnerships and deployed its television services on more than 20 mobile networks worldwide.

    Earlier this year at the 3GSM World Congress, MobiTV announced support for several other network delivery standards including DMB, MBMS, BCMCS, TDtv, WiMax, and WiFi.

  • IPTV India 2006 to be held in New Delhi on 7 April

    IPTV India 2006 to be held in New Delhi on 7 April

    MUMBAI: New Delhi will host a conference IPTV India 2006 on 7 April. It will witness key global industry players with a sharp focus on Indian market to examine the range of technology issues, alternatives and challenges facing the industry today as well as successful business strategies & solutions for the future.

    The inaugural session will discuss IPTV in India: Opportunities & Challenges. Session I will focus on Why IPTV: Market & Business Drivers and session II will talk of IPTV: Examining & Implementing Best Practices in India. And, Session III will discuss Operational Challenges Facing The Service Providers In Transforming To An IPTV Business.

    Some key speakers at the conference include Trai fromer member Dr Devendra PS Seth, Airtel CTO Mobility Jagbir Singh, Sun Microsystems Telecom director Kapil Sood, BSNL planning & new services director RL Dube, DoT, ministry of communications & IT Sr. deputy director general, Telecommunication Engineering Centre R N Padukone.

    UTStarcom Inc. MD South Asia Vijay Yadav, Siemens Public Communication Networks (Pvt.) Ltd. MD Michael Kuehner, Alcatel South Asia Ltd. Vice President & Head Sales – India, Fixed Communicatins Group, Anuj Kapur are few other speakers participating in the conference.

    In an ever changing scenario service providers are fast realising the importance of shifting from a voice-centric model to an IP centric model in which video and other content rich interactive services play a key role.

    Service providers and leading global players are aggressively eyeing the booming Indian market for delivering the triple play of voice, video and data services in an integrated wireless context.

    At the seminar, various issues will be analysed including DRM, security, billing and the acceptable business model for all the parties involved in Indian context, from access networks to services control and delivery to QoS and customer experience to content and multimedia applications.

    Insights to Indian content owners and aggregators to understand their requirements for putting premium video on the Indian service provider’s broadband network and examining the developed India specific success factors for the IPTV value chain will be given.

    The seminar will also analyse different India specific IPTV service delivery models, concerns and requirements of the Indian content industry for working with the Indian service providers.

  • Star Gold to premiere “Jai Santoshi Maa” this May

    Star Gold to premiere “Jai Santoshi Maa” this May

    Mumbai, 6th April-2006…Pray, there is immeasurable power in it! The last week of May brings divine blessings in the form of the blockbuster-hit film “Jai Santoshi Maa” when it premieres on Star Gold. A Vijay Sharma film starring- Anita Guha, Ashish Kumar, Kanan Kaushal, Music composed by C. Arjun, lyrics by Pradeep, cinematography by Sudhendu Roy, story by R. Priyadarshini, produced by Bhagyalakshmi Chitra Mandir; Jai Santoshi Maa broke all records at the box office. IN terms of return on investment, Jai Santoshi Maa remains the biggest hit ever at the Indian box office. And it is currently in the news for two reasons: the first ever satellite premiere of the movie (on Star Gold), and the fact that it is being remade.

    There have been innumerable films, which have proved that films can have a big impact on society. But none of them can even come close to the monumental 1975 hit, ‘Jai Santoshi Maa’. The film almost brought to the limelight a new Goddess, leaving everlasting impression on the Indian masses.

    The music by C. Arjun was highly popular, especially the song, “Main to aarti utaaru re, Santoshi Mata ki”. The number became the nation’s new anthem and even today, it’s heard at all religious functions and ceremonies.

    The film depicts hardships, tough times and sufferings can be overcome by being tolerant, patient, enduring pain and lastly – worshipping Goddess – “Santoshi Maa”.

    And it can now be viewed by millions of Santoshi Maa bhakts, as well as everyone else, as it will be premiered on Star Gold this May.

    Jap, Tap, Vrat- the three simple ways to attain Nirvana:

    These are the simple rules of life in which Satyavati believed and followed religiously. Satyavati (Kanan Kaushal) –was a devoted wife and firm believer of “Santoshi Maa”. Her dedication was put to test; in many ways…But it was her immense faith in “Santoshi Maa” which helped her sail through high tide every time.

    “Santoshi Maa” puts her true devotees to test:

    “Santoshi Maa” has a unique way of bestowing blessings upon the deserving devotees: not until she has put them through an acid test.

    Some facts about the film-“Jai Santoshi Maa”

    Did you know????

    *Until this film’s release, Goddess Santoshi was not a very well known idol of worship. But this movie’s spectacular success made her a household name all over India. Housewives across the country began observing Fridays as the day of worship of Santoshi Maa.

    *The film had such a phenomenal effect on people’s minds that in most theatres where the film was being screened, audiences would remove their footwear outside the cinema halls, as a mark of respect to the Goddess

    *Such was the impact on the mind of people that the moviegoers would bring aartis to cinema halls and actually perform the pooja; threw coins at the screen during certain scenes and songs! It was during this phase the whole country saw an upsurge in a unanimous feeling of religiousness

    A treat for all “Santoshi Maa” devotees only on the small screen for the first time. Do not miss the exclusive premiere of “Jai Santoshi Maa” in the last week of May -2006, only on Star Gold.

  • Zee Sports to telecast Russia-France Davis Cup quarterfinal live

    Zee Sports to telecast Russia-France Davis Cup quarterfinal live

    MUMBAI: Russia takes on France in the BNP Paribas World Group 2006 Quarterfinal. Zee Sports will bring all the action from Palais des Sports, Pau, France live and exclusive from 7 to 9 April.

    France will be led by captain Guy Forget to face Russia in the Davis Cup quarter-finals. Marat Safin will lead Russia.

    Schedule:

    April 7, 2006 4:30 pm onwards Singles

    April 8, 2006 9:30 pm onwards Doubles

    April 9, 2006 4:30 pm onwards Singles

  • Monte-Carlo TV Festival, Eurodata announce Audience Award nominees

    Monte-Carlo TV Festival, Eurodata announce Audience Award nominees

    CANNES: The Monte-Carlo TV Festival and Eurodata TV Worldwide announced at MipTV the nominees for the inaugural International TV Audience Awards. These Awards reward the highest-rated shows in the drama, comedy and telenovela/soap opera categories.

    The Awards will be presented based on the sum of TV ratings across five continents. The nominees are pre-selected among the ten best imported fiction programs in 51 countries, i.e., 2.5 billion potential viewers.

    Nominees for drama are Lost, CSI and Without a Trace; the comedy nominees are Desperate Housewives, Joey and Mr. Bean; and the telenovela/soap nominees are The Bold and the Beautiful from the U.S., Rubi from Mexico and Pasión de Gavilanes from Colombia.

    The winners will be presented at the 46th Monte Carlo Television Festival Awards on 1 July in Monaco.

  • Channel 6 to air Alliance Atlantis titles

    Channel 6 to air Alliance Atlantis titles

    CANNES: Irish entertainment network Channel 6 has reached a deal to take rights for Alliance Atlantis titles like CBS dramas CSI and CSI: Miami, as well as the Canadian comedy Trailer Park Boys, the teen drama Instant Star and several TV movies.

    Channel 6 will air the first two shows in the CSI franchise from season one.

    Channel 6 founder and director of programs Michael Murphy said, “CSI and CSI: Miami are global sensations and drama fans around the world are addicted to them both. In addition, we feel that Trailer Park Boys is a real hidden gem and that Channel 6 viewers will quickly become fans of this award-winning, quirky comedy.”

  • FremantleMedia strikes deals with German broadcasters

    FremantleMedia strikes deals with German broadcasters

    CANNES: The distribution arm of global production company FremantleMedia, Fremantle International Distribution (FID), unveiled at MipTV a diverse range of programme sales to German broadcasters. It was announced by FID managing director David Ellender.

    Ellender said:”We are very pleased to announce this latest raft of sales in Germany. The diversity of our programming translates into broad appeal for the different networks and Veronika Gracher has worked closely with the German broadcasters to ensure that FID can meet their needs. These latest deals are testament to the enduring strength of our factual and drama catalogues.”

    The sales, brokered be FID VP Sales German Speaking Europe & Eastern Europe Veronika Gracher, include the acquisition of Munich: The Real Assassins (1 x 1 hour) by Discovery Europe (German-speaking Europe).

    This documentary looks back at the events of September 1972, when, at the Munich Olympics before the eyes of millions of television viewers, 11 Israeli athletes were murdered by Black September, a radical group within the PLO. It features testimonies never heard before from Mossad agents who carried out Israel’s bloody revenge to reveal the true story behind the most incredible government-sponsored mission in the history of the War on Terror.

    In a further agreement, History of Football: The Beautiful Game (13 x 1 hour) will be broadcast on Germany’s History Channel to coincide with World Cup fever. Narrated by Terrance Stamp, this series tells the definitive story of the game that generates more excitement, passion and wealth across the world than any other sport.

    Other German deals will see crime drama Homicide (55 x 1 hour) will air on AXN, while Sex In The Bush: Australian Animal Attraction (2 x 1 hour) will be seen on Arte (Germany / France). This series combines stunning footage with amazing and sometimes shocking stories from passionate wildlife experts on the subject of courtship and reproduction among the animal kingdom in Australia – where the truth really is stranger than fiction.