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  • TiVo and DirecTV extend relationship for three years

    TiVo and DirecTV extend relationship for three years

    MUMBAI: The creator and a leader in television services for digital video recorders (DVR) TiVo Inc., and digital television service provider DirecTV, Inc. announced a three-year extension to the TiVo-DirecTV commercial agreement.

    Existing DirecTV TiVo subscribers will be able to continue to receive the TiVo service, with TiVo providing ongoing maintenance and support. In addition, TiVo and DirecTV agreed not to assert patent rights against the other. The agreement also extends the advertising relationship between the two companies. DirecTV will continue to service existing DirecTV receivers with TiVo service. While specific financial terms of the agreement were not disclosed, the recurring monthly economics of the agreement are similar to the economics for DirecTV receivers with TiVo service activated since 2003.

    “We are pleased to have reached an agreement with DirecTV that will allow us to continue to provide our service to the more than 2 million DirecTV TiVo households. As the pioneer in the DVR market, we have created a service that is highly valued by consumers because of our technology, the wide range of our unique features and the unparalleled ease of our user experience. This agreement reflects TiVo’s popularity among DirecTV subscribers and importantly respects the value of our intellectual property as well,” said TiVo CEO Tom Rogers.

    “By extending our agreement with TiVo, we are ensuring quality support for DirecTV customers who already own a DirecTV TiVo unit. We are pleased to cooperate with TiVo in a way that will best serve DirecTV and our DirecTV TiVo customers,” said DirecTV chief technology officer Romulo Pontual.

  • MipTV reports a marginal rise in attendance

    MipTV reports a marginal rise in attendance

    MUMBAI: The recently concluded television event in Cannes, France MipTV featuring Milia had an attendance of 12,249 participants, compared to 12,163 in 2005.

    Company participation rose to 4,201 from 4,138 last year, while the number of acquisition executives in Cannes was 3,565, a five per cent increase on the 2005 level of 3,393.

    Reed Midem’s television division director Paul Johnson says, “MipTV featuring MILIA 2006 saw a significant rise in the number of companies and executives coming from the digital sector, particularly IPTV, mobile and interactive television specialists. Our figures show that we welcomed some 1,800 companies from the Internet and mobile sectors.

    “Our conference programme and a series of new initiatives such as Content 360 and the International Interactive Emmy Awards, reflect the changes taking place in the industry. MipTV featuring MILIA is not just a television market, it’s a content market.”

    The event had 45 sessions and over 170 speakers. For the first time ever, the conference programme welcomed seven keynote speakers, including AOL chairman and CEO Jonathan Miller, reality television producer Mark Burnett, BBC new media head Ashley Highfield, FremantleMedia’s Gary Carter, Takeshi Natsuno of NTT DoCoMo and Erik Huggers of Microsoft.

    Miller at the event announced that AOL had brought programming originally produced for its Internet video channels and was selling the shows to traditional broadcasters.

    A highlight of MipTV was the inaugural International Interactive Emmy Awards, organised by the International Academy of Television Arts and Sciences and Reed Midem. This is the first time that an Emmy Awards ceremony has taken place outside the US. A gala dinner, hosted by Desperate Housewives star Roger Bart.

    Among the other new initiatives launched in 2006, Content 360 set out to commission innovative content and interactive applications for mobile and broadband. Organised in partnership with the BBC, the Korean Broadcasting Commission and the National Film Board of Canada, Content 360 rewarded six company projects and provided €80,000 of development funding to be divided between the winners.

    For the first time in MipTV’s history, the annual Lifetime Achievement Award was attributed not to an industry individual but to a whole company, in the form of Japanese production powerhouse TOEI. TOEI Company chairman Tan Takaiwa and TOEI Animation chairman Tsutomu Tomari accepted the tribute on behalf of the entire TOEI group.

    Now in its ninth year, the two-day Mipdoc documentary and factual programme screenings, which precede MipTV, saw a 14 per cent rise in participation with 438 companies from 57 countries attending. Production and sales companies sent 1,192 programmes to the digital screening library, of which 769 were appearing at a market for the first time.

  • CNN to air new monthly show ‘Revealed’

    CNN to air new monthly show ‘Revealed’

    MUMBAI: News channel CNN has expanded its programme line up with a new half hour monthly show Revealed This presents an intimate portrayal of those most admired in the worlds of business, the arts, science and sport commencing this April.

    Each month the show follows a different high profile individual’s every step in the run-up to a crucial event in their professional lives, travelling with them and gaining exclusive behind-the-scenes access. The first episode features British fashion designer, Vivienne Westwood.

    The public personas of high profile personalities are often familiar due to press coverage and TV appearances and although these people are well known, they can also be elusive. The show provides an insight into their lifestyles, passions and inspirations; workspace and motivations.

    Westwood allows the show to spend time with her during the run-up to Paris Fashion Week meeting the people who have shaped her life and venturing into the future, looking at where her work is taking her. The show airs on 15 April at 5 pm, 16 April at 1 pm, 7 pm and on 17 April at 7 pm

    Westwood says, “On the one hand, I’m called avant garde, and on the other hand I know that ideas come from tradition, they come from the technique of tradition, and they come from looking at wonderful things that people did in the past. My opinions are formed from brilliant thinkers. ”

    CNN International senior VP Rena Golden said, “We are delighted to maintain CNN’s tradition of quality programming and expand our feature program line up with Revealed, a show that continues to demonstrate our access to high profile names. Revealed moves away from its traditional presenter-led format and is filmed as a ‘fly on the wall’ documentary, a new style for CNN.”

  • Cox to partner with MTV US on HD channel

    Cox to partner with MTV US on HD channel

    MUMBAI: MTV in the US and Cox Communications have announced a co-branded retail partnership that will promote MHD: Music High-Definition Channel.

    This is MTV’s high-definition music channel. The retail partnership will include in-store and online promotions tied to consumer retail locations around the US. The partnership will also push Cox HD Service, where Cox services are sold

    The retail partnership is designed to not only generate awareness about MHD and Cox HD service, but to also provide a convenient location where customers can learn about the technology, service and programming available.

    VHI GM Tom Calderone says, “Working with Cox Communications, the first provider to launch MHD, allows us to bring television viewers a high-definition experience from the best known music brands in the business. Our retail partnership furthers our commitment to offer Cox customers’ in-depth information about high-definition television in a retail setting where they can get answers and take advantage of promotional opportunities.”

    Cox senior VP marketing Joe Rooney says, “Live concerts and music are among the top reasons customers want high-definition service. MHD content especially appeals to a newer, younger HD consumer who is driven by music and gaming. Our retail partnership is a great way to truly demonstrate the high-definition experience to this audience by offering a ‘front row seat’ to some of the most exciting live music events on television. It also gives us a platform to communicate to these consumers why Cox is the best choice for HD service.”

    Cox will offer the channel to over 80 per cent of its subscribers next year. MHD features a high-definition music programming, including MTV Unplugged: Alicia Keys, VH1 Storytellers: Green Day, CMT Crossroads: John Fogerty and Keith Urban as well as original concert series such as Music with Altitude featuring the Goo Goo Dolls.

  • AVM Productions and Spirit Nipuna form JV

    AVM Productions and Spirit Nipuna form JV

    BANGALORE: AVM Productions and Spirit Media (subsidiary of Suresh Productions and Rama Naidu Studios) have announced a Joint Venture (JV) to create an advanced state-of-the-art film processing, Digital Intermediate (DI) and Visual Effects facility in Chennai.

    The new JV will kick off with 50 world-class visual effects professionals and technicians, and will double its numbers by the end of the year 2006. The team would operate out of AVM Studios, which has state-of-the-art infrastructure and will also install top-of-the-line equipment for Visual Effects, DI and Film Processing, informs an official release.

    This JV would also bring in first-of-its-kind the “Kodak-kit chemistry negative processing technology” imported from New Zealand. For the first time in the country, film makers would benefit from the high quality Kodak film and negative processing experience.

    “We are delighted to form a JV with the Spirit-Nipuna team, which will bring immense value to the film making industry. Our joint experience with 50,000 man years in film making will surely boost the technical composition to Digital standards.. This partnership will definitely set new standards film making,” says AVM Productions managing partner MS Guhan.

    “The combined of AVM and Spirit Nipuna corporate expertise will provide film makers and entertainment companies with a well balanced studio facility equipped with a rare mix of the latest imaging technologies, artists, visual effects (VFX) supervisors, and technicians to provide story-driven visual enhancement.” says Suresh Productions MD Suresh Babu.

    “The Spirit-Nipuna success in Hyderabad and now the partnership with AVM Productions will bring in significant opportunities in the domestic and global visual effects segment. The joint team would work on forthcoming films being produced by AVM as well as other producers in Chennai.” says Spirit Media MD Rana Daggubati.

    “We’re proud to be associated with AVM Productions, and are very excited to work on challenging projects. This partnership brings in significant opportunities with the major boom in the global digital effects industry,” says Nipuna COO Deepak Mangla.

    Spirit-Nipuna has successfully completed their first Tamil project AVM’s ‘Tirupati’ an Ajith starrer, which has been released today. Spirit-Nipuna bagged this project against stiff competition from existing post production facilities in India, the release adds.

  • Indians notch up MipTV success

    Indians notch up MipTV success

    MUMBAI: MipTV, the world’s biggest content marketplace, which ended last week in Cannes, proved to be a very successful one for India’s content creators, distributors and aggregators.

    Some 43 production, broadcasting and mobile phone companies jetted their way down to Cannes to keep a tab on content trends in Europe and globally, buy and sell films, series and formats, find co-production partners and schmooze with the world’s most important players in the TV, animation, film and mobile content sweepstakes.
    The change this time around was that TV producers have invested in buying formats as against just broadcasters doing so. “The power has been weighing heavily in the hands of TV channel programming executives who have been behaving in a high handed manner with TV producers ordering them around as if they were serfs and they – the programmers – the fount of all that is creative,” one of the producers was candid enough to say. “Now with us buying formats, we will also be able to have our say. The times have to change. More power has to come to TV producers’ hands.”
    And mobile players from India aggressively scoured the landscape looking to do deals for video. Among these: Reliance Infocomm, Hungama Mobile, and Cellnext Solutions.

    Almost everyone who attended the market from India went back with a smile on their faces. Krishna Durbha Head of Business and Marketing – Reliance Infocomm Ltd., Applications Solutions Group (India), a panelist at a session on Asian markets, received a standing ovation and was spoken of as one of the more eloquent and candid speakers during the conference programme. Says Durbha: “It’s been a major eye opener for us. We are in the content space for the mobile and I got at least half a dozen leads which will lead to positive results.”

    Sahara Motion Pictures, which took a stand for the first time, was so delighted with the response that it has evinced interest in exhibiting in MipCom as well. “MipTV proved a great platform for us for creating business opportunities,” says Sandeep Bhargava, Chief. Operating Officer, Sahara One Motion Pictures. “We get to meet the who’s who of content in the world in one place and get results.”

    Sony Entertainment Television India, which took a stand, too had a rewarding market. Led by Kaushal Modi on the sales and syndication side, and by programming head Anupama Mandloi on acquisition, the content owner had a very busy market.

    WEG India, Eros and Suman – three other companies that have been attending and exhibiting at MipTV and MipCom for several years now – too had a good market. “Both MipCom and MipTV to be honest are great ways for us to meet, greet and service all our clients at one place,” says Vimal Gupta of the UK based distributor Suman Film.

    Zee TV, which was represented by Deblina Chakrabarty, Parul Chatruvedi and digital head Abhijit Saxena, too, made its mark. While Chakrabarty was sizing up opportunites for content acquisition – though she had a fall from the stairs in the Palais des Festivals and was even taken to hospital – Chatturvedi was exploring how India’s largest network could up its syndication revenues. Saxena – like a lone ranger – moved around in the shadows meeting all and sundry trying to further milk the potential of the 60,000 hours or so of the Zee TV content library, which is currently being digitized by IBM. Watch out for action in this space from Saxena as Zee TV chairman Subhash Chandra is himself driving the digital initiative with Saxena as his lieutenant.

    Star India, which used to have a separate stand until a year and a half ago when it was brought under the umbrella of Hong Kong based centralized syndication arm Fortune Star, too had a sizeable presence. Viren Popley, Ravi Menon and Manju Nair were at the forefront of the Star TV charge. Syndication experts however point out that it would be better if Star India’s Hindi content were not subsumed by the larger interests of Fortune Star’s huge Chinese library. A separate stand with a separate identity for Star India would help it further exploit its syndication potential.

    Other broadcasters who made their way to the market included NDTV (represented by KVL Narayan Rao and I.P. “Baj” Bajpai) and Aaj Tak (CEO G Krishnan).

    The buzz this year from the Indian delegation was centered around the production companies. Optimystix, Contiloe, Miditech, Maverick, Clapstem, AIM Television, UTV, ESP Films were amongst those who made waves. ESP is on the verge of signing a huge deal with a European producer for co-producing a new documentary.

    Sorely missed at MipTV were the two other big players Balaji Telefilms and BAG Films, who, are missing out on several opportunities in the global content marketplace. “Agreed they are more than busy in the domestic marketplace,” says a Cannes veteran. “But not being present internationally means that not many people in the world know you at a time when boundaries between nations are dissolving and cultures are beginning to merge. That is a huge opportunity loss.”

    The animation presence at MipTV came in the shape of Maya, Crest, Toonz Animation, Graphiti Multimedia which continued with their efforts to make themselves better understood by the world at large. And in the process snap up some co-production, original IP deals.

    Indian presence at MipTV:

    Aim Television Pvt. Ltd.
    Broadcast Worldwide Limited
    Cellnext Solutions Limited
    Clapstem Productions
    Color Chips India Limited
    Contiloe Films Pvt Ltd.
    Dawsen Infotech Private Limited
    Dessin Works
    Digikore Studios Limited
    Digimate Productions
    DQ Entertainment Ltd
    Escotoonz Entertainment Pvt Ltd (Subsidiary Of Escosoft Tech)
    ESP Films
    Fortune Star
    Fusion Films Inc. (Part Of Giriraj Group)
    Graphiti Multimedia Pvt Ltd
    HTMT
    I Stylus
    Maverick Productions Pvt. Ltd.
    Maya Entertainment Ltd.
    Miditech Pvt. Ltd.
    New Delhi Television Limited
    Optimystix Entertainment India Pvt. Ltd.
    Oxigen Infovision Pvt. Ltd
    Percept Picture Company Pvt Ltd
    React Media Pvt Ltd
    Sahara One Media And Entertainment Limited
    Sony Entertainment Television India (P) Ltd
    Super Cassettes Industries Limited Aka-T-Series
    Toonz Animation India Pvt. Ltd
    TV Today Network Ltd
    UTV / Hungama TV
    Video Movie International
    Weg India Pictures Pvt Ltd
    Zee Telefilms Limited

  • CAS: MSO Alliance hits back at broadcasters

    CAS: MSO Alliance hits back at broadcasters

    NEW DELHI: The MSO Alliance, an apex body of multi-system operators, has hit back with a point-by-point rebuttal of issues raised by Indian Broadcasting Foundation on plans to rollout CAS.

    The MSO Alliance, in a letter to the government, has said the argument of broadcasters that there should be no price control in a CAS-enabled regime is “not acceptable” to it.

    Also, keeping commercial terms between broadcasters and MSOs and MSOs and cable ops outside the purview of standardized agreements “defeats” the whole purpose of the attempt at transparency, the Alliance has pointed out.

    “In various CAS meetings, the government has indicated that it would be its endeavour in consumers’ interest to keep the cable bill of the consumers after the implementation of CAS at the same level as was there prior to the implementation. Therefore, the suggestion that there should be no price control in the CAS market is clearly unacceptable,” the Alliance’s letter, sent two days back, to information and broadcasting ministry states.

    Stressing on the need for broadcasters to come out with MRP (maximum retail price of individual TV channels) to consumers, the Alliance has argued, “The concept of wholesale price to the operator, as is prevalent in non-CAS areas, is not going to work effectively in CAS areas and as such the broadcasters need to announce the individual (a la carte) MRP of their channels.”

    The IBF in its submission to the government had said that providing MRPs of every channel to consumer is not advisable.

    On the issue of banning carriage fee, the MSO Alliance has pointed out that such fees were not restricted to only carriage, but placement of channels for favourable access by viewers, which would mean earning more advertising revenue on the basis of viewership figures.

    “Accordingly, if a broadcaster wishes to have specific placement and carriage of its channel in order to maximize its advertisement revenue, it has to pay the suitable carriage fee / placement fee as well to the MSOs purely as a normal business arrangement for using their infrastructure and for enjoying preferred placement,” states the MSO Alliance’s letter.

    In a veiled threat to the broadcasting community, the MSO Alliance has further stated that should the government consider regulation of carriage fee, the pay channels should also be “prohibited from carrying advertisements and free to air (FTA) broadcasters should be asked to pay the placement fee as per frequency band desired by them in order to maximize their advertisement income.”

    Full Text of MSO Alliance letter to govt.

    This is with reference to the letter dated 5th April 2006 submitted by Indian Broadcasting Federation (IBF) to the Ministry of Information and Broadcasting recommending the steps required to be taken regarding the smooth implementation of CAS for notified areas. The point wise response of the MSO Alliance to the various issues raised by IBF is being given hereinafter:-

    Curbing Piracy: In this context, it is submitted that we agree with the viewpoint of IBF that effective measures are required to be taken to curb the piracy. It is pertinent to point out that in non-CAS areas, the piracy control measures are completely non-existent, whereas in CAS areas, since the system is in digital addressable mode, the service providers have installed stare of art addressable systems from world renowned CAS system providers.

    This will enable our members to carry out finger printing procedure at frequent intervals to detect and curb the instances of piracy. If the piracy is detected and conveyed to the service providers, authorization to the concerned STB can be cancelled by switching off the viewing card (VC) through SMS system. Accordingly in an addressable environment, piracy can be controlled in more effective manner than in non-CAS environment.

    However, we would like to point out that as provided in The Telecommunication (Broadcasting and Cable Services) Interconnect Regulations, 2004 also the content by a broadcaster cannot be denied to a distributor of channels solely on the apprehension of piracy. The content provider must clearly establish that there are reasonable basis for denial of TV channels on the ground of piracy.

    Quality of Service: (i) Section 9 of the Cable Network Regulation Act, clearly provides for use of standard equipment in cable television network. The said section reads as under: –

    “No cable operator shall, on and from the date of the expiry of a period of three years from the date of the establishment and publication of the Indian Standard by the Bureau of Indian Standards in accordance with the provisions of the Bureau of Indian Standards Act, 1986 (63 of 1986), use any equipment in his cable television network unless such equipment conforms to the said Indian Standard.

    (Provided that the equipment required for the purposes of section 4A shall be installed by cable operator in his cable television network within six months from the date, specified in the notification issued under sub-section (1) of that section, in accordance with the provisions of the said Act for said purposes.)

    (ii) TRAI has already indicated that it will come out with its regulation / notification on quality of service in accordance with its recommendation dated 1st October 2004. We would request the Ministry to direct TRAI to issue draft QOS regulations immediately so that QOS is in place on the zero date.

    Adjudication mechanism: A well-defined adjudication mechanism already exists under TRAI Act, 1997 with the establishment of TDSAT. The TDSAT is empowered under section 14 of the TRAI Act to adjudicate the disputes between a licensor and licensee, between two or more service providers and between a service provider and a group of consumers.

    With the broadcasting services forming a part of telecommunication services w.e.f. 9th January 2004, TDSAT is adjudicating the various disputes amongst the stakeholders. Even then the Govt. can establish if it so desires any other cable specific regulatory and adjudicatory mechanism to the satisfaction of all stakeholders for smoother implementation of CAS.

    However, in order to avoid overlapping jurisdiction, the area of operation of new adjudicatory mechanism should be clearly demarcated and defined. Any such new authority should be ideally technology neutral and must in all circumstances regulate broadcasters and content providers too. A good example is the Pakistan Electronic Media Regulatory Authority (PEMRA).

    Standard agreement: While the broadcasters have agreed for drafting of standard agreements amongst the various stakeholders, the suggestion of excluding commercial terms from the purview of these standard agreements defeats the very purpose of this exercise.

    One of the essential prerequisites for smooth implementation of CAS is that the commercial terms amongst the broadcasters & MSOs and MSOs & LCOs specially the distribution margin / revenue share across the value chain must be clearly defined by the regulator.

    Another important issue is that of banning Minimum Guarantee in CAS as well as declaration of ala-carte MRP of channels to ensure effective choice to consumers. If these issues are kept out of purview of standard agreements then disputes are likely to emerge and may well jeopardize the entire implementation schedule of CAS. Accordingly, in the interest of implementation of CAS, as per pre-defined schedule and also to ensure the distribution of due revenue across the value chain in an equitable manner, it is imperative that commercial terms must form an integral part of the standard form of contracts. We however agree with IBF request that role and responsibility of all service providers be clearly defined in the relevant regulations.

    Comfort Level: The suggestions of broadcasters in this regard are clearly unacceptable. Matters sub judice in TDSAT/High Courts and Supreme Court will naturally run their course. If the viewpoint of the broadcasters is to be accepted, then there CAS can never be implemented, as there would always be some ongoing disputes and litigations in the industry.

    Further we are not clear as to what ‘comfort’ level the broadcasters are referring to as a pre-condition to deal with MSOs/LCOs.

    Map of the Area: We agree with the suggestions of the broadcasters and all MSOs are willing to comply. We only reiterate our viewpoint that overlapping areas should be identified and included in the CAS notification.

    Availability of STBs: As already indicated to the Ministry in various meetings also MSOs already have sufficient number of STBs to take care of the requirements in the notified areas. Moreover, regular procurements shall be effected through imports from and indigenous assembly/manufacture as and when required to meet the demands of the consumers in the notified areas. As far as coordination between MSOs /LCOs are concerned the Alliance sees no real problem once margins are in place and consumers are made aware of the pay channel rates.

    Pricing: (i) In various CAS meetings the Govt. has indicated that it would be its endeavour in consumers’ interest to keep the cable bill of the consumers after the implementation of CAS at the same level as was there prior to the implementation. Therefore, the suggestion that there should be no price control in the CAS market is clearly unacceptable.

    The broadcasters must come out with their MRP to consumers and must also clearly indicate the distribution margin across the value chain. The concept of wholesale price to the operator as is prevalent in non-CAS areas is not going to work effectively in CAS areas and as such the broadcasters need to announce the individual (a la carte) MRP of their channels.

    We have also indicated in various meetings that an amount of Rs. 72 (excluding local taxes) fixed for basic service tier needs revision on account of escalation in various inputs costs as well as to account for inflation. Therefore, even for delivery of 32 channels for which the said amount of Rs. 72 was fixed in 2003, needs suitable revision.

    The broadcasters have asked the Govt. to prohibit the cable operators from demanding the carriage fee. In this regard it is submitted that the MSOs/ cable operators have laid down huge infrastructure and have invested crores of rupees in establishing state-of-the-art digital headends. Moreover, the carriage fee paid by the broadcasters is not only towards the carriage of their channels through the said infrastructure established by MSOs but also towards placement of their channels at a particular frequency band so as to maximize the viewership of that channel which in turn would mean the earning of more advertisement revenue.

    Accordingly, if a broadcaster wishes to have specific placement and carriage of its channel in order to maximize its advertisement revenue, it has to pay the suitable carriage fee / placement fee as well to the MSOs purely as a normal business arrangement for using their infrastructure and for enjoying preferred placement.

    It is also pertinent to mention that DD DTH has already asked various private broadcasters to pay annual carriage fee of Rs. 1.00 crore (Rs. 10 million) per channel.

    Should the Govt. consider the regulation of carriage fee, the pay channel broadcasters should also be prohibited from carrying advertisements and FTA broadcasters should be asked to pay the placement fee as per frequency band desired by them in order to maximize their advertisement income.

    Regarding the level playing field between CAS and other platforms like DTH, IPTV, Broadband, etc, it is submitted that all these platforms are addressable and only cable at present is unaddressable. Accordingly, in order to create a level playing field the addressability should be introduced in cable distribution also as early as possible.

    Regarding the price regulation in addressable cable distribution it is submitted that as discussed in various meetings also, DTH, IPTV & Broadband address new segment of customers who voluntarily opt for these distribution platforms and as such the price regulation may not be necessary.

    However, in cable distribution the existing set of analogue cable subscribers are being mandatorily required to opt for digital delivery through STB in case they wish to avail pay channels. Accordingly, in the initial years it is imperative to have price control to ensure minimum hardships to the consumers during transitory regime.

    Regarding the particulars of CAS subscribers, since transparent subscriber management system will be in place, it would be possible to give requisite details to the broadcasters in respect of subscribers availing pay channels.

  • Sinha moves to Percept Picture Co Motion Pics; Sand to head PPC TV

    Sinha moves to Percept Picture Co Motion Pics; Sand to head PPC TV

    MUMBAI: Percept Picture Company (PPC) business head – television Akhauri Sinha has moved to the company’s Motion Pictures division and will be jointly heading it as business head with current PPC Motion Pictures business head Chitra S.

    Confirming the same to Indiantelevision.com, Sinha said, “I will now be heading the feature films’ division of PPC with Chitra. It was a great experience working in the television area but now I am quite excited about the new journey.”

    The change in portfolio came about last week.
    According to reliable industry sources, Salil Sand will be stepping into Sinha’s shoes as the business head of PPC’s television division. Sand is currently involved with Jassi Jaissi Koi Nahi as its creative head.

    When queried on the reason for having two business heads for one division, Sinha said, “We have many projects lined up in 2006 – 2007 and hence it made sense to divide the responsibilities.”

    In the pipeline from PPC Motion Pictures this year are Jai Santoshi Maa and Madhur Bhandarkar’s Corporate. “It is a bit too early to talk about the other projects,” he added.

    Prior to joining PPC, Sinha was general manager television at UTV and also has been associated with UTV’s animation division.

  • Zee Sports to telecast ONGC Cup NFL matches live

    Zee Sports to telecast ONGC Cup NFL matches live

    MUMBAI: Zee Sports will telecast five matches of the ONGC Cup National Football League, starting April 16, 2006 live and exclusive from Cooperage Stadium. The matches will involve Mumbai clubs Mahindra United and Air India.

    The schedule runs from 19 April to 23 April. The telecast will begin at 4:30 pm.

    To popularize the matches in Mumbai, Zee Sports is undertaking several multimedia marketing and promotional campaign across the city. The campaign will include several below the line activities including school contact programs, road shows, pub screenings, special BEST buses, railway platform activities etc will be undertaken in several parts of the cities.

    The Zeebras finally return to their hometown Mumbai to enthrall the local fans. In line with international concepts of cheerleaders backing major sporting spectacles and each sport club having their distinctive brand of cheerleaders, Zee Sports had introduced the Zeebras as their mascots of promoting Indian football.

    Former England International player Russell Osman and Zee Sports Debayan Sen will be the co-commentator and commentator respectively. Russell Osman is an ex-England International footballer, capped on eleven occasions. Also Zee Sports’ popular anchor Mayanti Langer along with noted football expert Novy Kapadia would be doing the preview, half time and review shows on every game from the studios in Delhi, states an official release.

    For the National Football League, Zee Sports has ONGC, National Insurance Company, Indian, Airtel, Tata Tiscon, Khadim’s, Coco- Cola, DS Group, and West Bengal IT Department among others as broadcast and on ground sponsors of for the coverage of the ONGC Cup 10th National Football League, the release adds.

  • UK’s Eastern Eye associates with Zee to host Asian Business Awards

    UK’s Eastern Eye associates with Zee to host Asian Business Awards

    MUMBAI: The UK-based Asian newspaper and main voice of the country’s Asian community, Eastern Eye and Zee Network have joined hands to host the 10th Eastern Eye Asian Business Awards. The awards, which honour the successes of British Asian entrepreneurs, will be taking place on Wednesday 19 April at The Grosvenor House Hotel, London.

    Organised by Ethnic Media Group, the UK’s leading publisher of weekly newspapers, magazines, websites and digital newspapers for Britain’s African, Caribbean, Black British and Asian communities, the event celebrates its 10th successful annual ceremony. Now recognised internationally, the event has evolved from an annual business awards ceremony to establishing itself as an affluent institution.

    Six awards will be announced covering, Young Achiever of the Year, Newcomer of the Year, Entrepreneur of the Year, ACAS Award, Community Award and the most coveted award, Business of the Year. Each year the ceremony is presented by leading public figures and this momentous year is no exception with main anchor for Sky News, Lisa Aziz and Channel Four news journalist, Krishnan Guru-Murthry, informs an official release.

    Eastern Eye, which targets readers from the Indian, Pakistani, Sri Lankan and Bangladeshi communities, carries UK and foreign news, politics and sport, as well as a large section on the UK Asian music scene with Bollywood interviews and cheeky exclusives on the rich and famous, the release adds.

    Gurmeet Khangura, chairman of Ethnic Media Group, which publishes Eastern Eye, comments: “We are delighted to partner with Zee Network to celebrate 10 years of honouring the Asian men and women in the UK business market. These individuals have not only established themselves as important contributors to the nation’s economy, but their innovation and hard work have further inspired younger entrepreneurs striving to achieve the same levels of success for themselves.”

    Subroto Bhattacharya, head of Business – UK & Europe for Zee Network adds, “Zee Network is proud to be associated with such a prestigious event as the Eastern Eye Asian Business Awards 2006 and we are honoured to be able to support the success of the Asian community in the UK.”