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  • Al Jazeera International gears for Kuala Lumpur broadcast centre

    Al Jazeera International gears for Kuala Lumpur broadcast centre

    MUMBAI: Doha based — Al Jazeera International, the yet-to launch 24-hour English-language news and current affairs channel has roped in Divya Gopalan and Hamish MacDonald have joined the channel’s team of on-screen talent.

    Divya and Hamish will be the channel’s weekend news anchors for Al Jazeera International’s Kuala Lumpur broadcast centre, one of four regional broadcast centres strategically placed around the world in Doha, Kuala Lumpur, London and Washington DC. They join the weekday news anchors Veronica Pedrosa and Teymoor Nabili, formerly of CNN International and CNBC Asia respectively.

    Gopalan brings the channel over 10 year’s experience in international journalism including roles with BBC News, CNN and American networks NBC and CNBC. MacDonald meanwhile joins Al Jazeera International from the UK’s Channel 4 News where he built a career as a news producer and reporter covering a range of international stories.

    Al Jazeera International MD Nigel Parsons said, “I am pleased to confirm our weekend presenters who bring a dynamic approach to news reporting in keeping with the channel’s aim of bringing a fresh perspective on world news while maintaining the highest journalistic standards.”

    Already on the board, are name likes of Sir David Frost, Veronica Pedrosa and Riz Khan.

    At the BBC Gopalan worked on daily news and current affairs programmes such as Hard Talk. Her portfolio included major news stories such as the Iraq war, the Asian Tsunami, the Bali and London bombings. She also covered the 1997 Hong Kong handover for NBC and at the 2004 Cannes Film Festival interviewed Palm D’or winner for best actress Maggie Cheung and best director nominee Wong Kar Wai. Gopalan was the first ethnic Indian newsreader on Hong Kong television.

    Starting her on-air career as a sports reporter, Gopalan interviewed some of the biggest names in the sporting world like tennis stars Steffi Graf, the Williams sisters, Anna Kournikova, F1 star Jensen Button, and International soccer players including Gianfranco Zola and Andy Cole.

    Gopalan has a truly global background, she is of Indian origin and was born in Hong Kong. She was also brought up in the Philippines, educated in North America and spent five years living and working in London and is fluent in four languages.

    MacDonald has covered major stories at Channel 4 including the Asian Tsunami and the London bombings. He reported live for Channel 4 and ITV news and reported as an eyewitness for Australian Networks 9, 7 and ABC.

    He began his TV career with WIN television in Canberra as a politics reporter and presenter. From there he moved to the UK and freelanced for a short period, before joining the Channel 4 news team as a producer.

    MacDonald trained in journalism at Charles University in Australia and began his career as a Talk Radio presenter and newsreader on Radio 2BS Gold. He is the first Australian news anchor to join the Al Jazeera International news line-up of on-screen talent.

  • ESS kicks off a month of finals in May

    ESS kicks off a month of finals in May

    MUMBAI: ESPN Star Sports (ESS) has declared the month of May as the “Month of Finals”. The action series begins with soccer when Liverpool meets West Ham on 13 May in the FA Cup final. The telecast will kick off at 9 55 pm (Singapore time) and 7 25 am (IST).

    The FA Cup final follows the Champions League final, between Barcelona and Arsenal on 18 May. The final telecast is scheduled for 2 am and 11 30 pm (IST).

    UEFA Cup action heats up on 10 May at Eindhoven, Netherlands, as Middlesbrough and Sevilla meet for their first European final, with both finals of UEFA’s cup competitions featuring England vs Spain. ESS will telecast the finals on 11 May at 2 30 am and 12 am (IST).

    Another season of the Barclays English Premier League comes to an exciting conclusion in May. ESS will telecast the action starting 7 May from 9 55 pm and 7 25 pm (IST).

    It is the business end of the NBA with the coveted ring awaiting the Champions. Post-season sees 16 teams, eight each from the Eastern and Western Conferences fighting out for the right to play in the NBA Finals. ESPN will telecast this on 25 May, 27 May, 29 May and 31 May at 8 am (Singapore Time) and 5 30 pm (IST).

  • PWC releases nominations for Idea IIFA Awards 2006

    PWC releases nominations for Idea IIFA Awards 2006

    MUMBAI: PriceWaterhouseCoopers has released the nominations for the Idea IIFA Awards 2006 as per the results of voting by the film industry. The nominations were derived from the IIFA Voting Weekend held in the first week of April.

    During the course of the week, the best talent from Indian cinema including producers, actors, film directors, music directors, scriptwriters and singers cast their votes for the Popular and Technical awards. The nominations for the Popular Awards are now open for public voting, using the globally accessible www.msn.com/iifa and www.indya.com platforms. The voting process is monitored and audited by PriceWaterhouseCoopers, who are also the audit firm for the Oscars, informs an official release.

    The nominees for the best picture are Black, Bunty aur Babli, Iqbal, No Entry, Page 3 and Parineeta. In the best director category, Madhur Bhandarkar, Nagesh Kukunoor, Pradeep Sarkar, Prakash Jha and Sanjay Leela Bhansali have made it to the final list.

    In the best actor category, the nominees are Amitabh Bachchan, Saif Ali Khan and Shah Rukh Khan. In the actress category, the final nominee list includes Konkana Sen Sharma, Preity Zinta, Rani Mukherjee and Vidya Balan.

    This year’s IIFA Awards ceremony will be held on 17 June in Dubai.

  • Buena Vista Games to create and publish video game property Spectrobes

    Buena Vista Games to create and publish video game property Spectrobes

    MUMBAI: Buena Vista Games, Inc. (BVG), the interactive entertainment arm of The Walt Disney Company has announced that it is creating and publishing the company’s first video game based on an original property, Spectrobes.

    Set to release exclusively for the Nintendo DS, Spectrobes is an anime-inspired action/role playing game that is being developed by Jupiter Corporation in Kyoto. The announcement was made this morning from BVG’s local offices in Tokyo.

    Spectrobes is an anime-inspired action/role playing game created by Japanese developer Jupiter and published by Buena Vista Games.

    “We’ve experienced tremendous success developing new intellectual properties such as Kingdome Hearts in Japan, and the innovation and style of Spectrobes are a perfect fit for the expertise of renowned developer Jupiter Corporation,” said Buena Vista Games senior VP and GM Graham Hopper.

    “Spectrobes is a new and unique property with endless potential for a dynamic entertainment company such as The Walt Disney Company. There is tremendous interest in this franchise from other divisions such as media networks, online and consumer products.”

    “Based on BVG’s original concept and utilizing the creative style of Japanese anime, manga and traditional Japanese art, Spectrobes is an innovative game developed by the outstanding team at Jupiter,” said BVG Japan producer Kentaro Hisai. “The game’s intense real-time battle and unique excavation features should enthrall gamers throughout the world.”

    Spectrobes introduces two junior Interplanetary Patrol officers named Rallen and Jeena who learn of strange, prehistoric creatures called Spectrobes that possess special powers. These fossilized Spectrobes hold the key to defeating a vicious and merciless force, known only as the Krawl that threatens to destroy the galaxy. The two heroes embark on a mission to save their galaxy – to do so they must excavate, awaken, train and collect all the Spectrobes they can and battle to defeat the Krawl, informs an official release.

    Spectrobes is infused with the edgy, highly stylized look and feel of Japanese anime and manga, and uniquely combines original characters, a compelling story and breakthrough gameplay. Spectrobes allows players to excavate, train and battle with nearly 500 unique creatures, utilizing every interactive feature of the Nintendo DS.

    Once the creature is excavated using the touch screen portion of the Nintendo DS, the Spectrobe is then awakened and can be utilized in real-time battles with enemies. Players must collect, train and help their Spectrobes evolve in order to progress and succeed in the game. With highly customizable elements and powers, each Spectrobe is unique to individual game players.

    The release date for Spectrobes will be announced later.

  • Dish not about to let DTH first mover headstart go Sky way

    At Zee‘s office in Noida Film City, on the outskirts of Delhi, which also houses the news, DTH and sports operations with a state-of-the-art playout facility, the atmosphere these days is electric. Meetings are being held all over the place with senior management discussing restructuring, business strategies and increments in hushed tones.

    DTH business head and a younger brother of Essel Group chairman Subhash Chandra, Jawahar Goel, despite the surface cool is unable to contain the excitement even as he rushes back for an appointment with Indiantelevision.com from a management meeting.

    “These are exciting times,” he says, settling down in his plush wood-paneled office. Even as he quickly checks his e-mails on the wi-max enabled laptop, he shoots back with confidence, “In spite of Star and Sony channels‘ absence on Dish TV, we are selling 3,000 connections per day these days. This augurs well for us, though the regulatory environment could have been better.”

    Concurring with Goel is another senior executive of Essel Group, which is the parent of Zee and sister concern ASC Enterprise that holds the licence for DTH service in India.

    “We do expect competition in the middle of (calendar year) 2006, but I feel there‘s space for all players in the immediate future as DTH stands to take away some market share from cable,” says Rajiv Garg, chief executive, finance and corporate strategy, Essel.

    It is this confidence that a business could be built up even against odds and with looming competition that pumps up the adrenalin of the crack team at Dish TV, the brand name under which the DTH service is marketed.

    According to Hong Kong-based media research firm Media Partners Asia (MPA), India is set to emerge as Asia‘s leading revenue generating pay-TV market by 2015 with multichannel video industry (cable, DTH and IPTV) turnover growing from $3.6 billion in 2005 to $7.2 billion by 2010 and $10.5 billion by 2015.

    However, projections on DTH vary and depend a lot on progress (or the lack of it) made on the regulatory front (Dish‘s Goel bookmarks this as an important aspect).

    For example, MPA feels the Indian DTH market is likely to grow to Rs 45 billion ($ 1 billion) by 2015 on a base of slightly over 11 million subscribers and 7.8 million customers by end 2010.

    Contrast this against what others say. According to Sanjeev Prasad, head of equity research at Kotak Securities, the DTH market could grow to only 4 million “pay” homes or $300 million by FYE March 2010, while KPMG projects 8.6 million subscribers by 2010.

    But what most agree on is that digital television, driven more by DTH in India, has the potential of changing the electronic media landscape. In such a scenario, Dish TV, the country‘s first private sector DTH platform, stands to have a beginner‘s advantage. That‘s what most people feel.

    THE DISH STORY SO FAR
    Dish TV was launched in October 2003 by Essel Group after the Subhash Chandra-promoted ASC Enterprise Ltd, the licence holder, got all necessary permissions.

    Since DTH allows users to access a variety of digital television channels directly from the satellite without a local cable service provider, the initial thrust of Dish was in rural areas and those places, like the hilly regions of Himachal Pradesh and interiors of the desert state Rajasthan, where cable TV was a rarity and the terrestrial transmission of pubcaster Doordarshan was fuzzy.

    Thus, providing a superior viewing experience to subscribers who had not viewed anything of the sort, Dish TV built up its subscriber base; albeit slowly. The focus now has broadened to encompass urban areas where the spending power is high.

    Over a period of time, the penetration of Dish TV has increased significantly in the country. It has close to 1 million subscribers presently and is adding approximately 100, 000 subscribers every single month, says Goel. “I am quite happy with the (monthly) rate of growth. Such a ramp has been witnessed only in few top DTH platforms in the world,” he points out.

    With existing features like decent quality boxes, which support features like electronic programme guide, parental lock system and multiple audio feed (at the moment FM radio) Dish TV boasts of a capacity of carrying up to 400 channels and also giving the gaming freaks an opportunity to play video games.

    However, at the moment, technical constraints and uncertainty on the regulation front has compelled Dish to keep the offering to modest levels at conservative prices. Goel admits that channel capacity cannot be expanded at the moment, partly because of lack of transponder space and partly because selecting niche content for a DTH platform from the global market is not easy.

    “If we want to turn into a premium service, we should also have premium content. But clarity on that can only come from the sector regulator (that frowns down upon exclusive content on a delivery platform presently),” he adds.

    THE CHALLENGE AHEAD
    But from this point onward the task of Dish TV becomes that much more difficult as Tata Sky, a 80:20 joint venture between the Tatas and Rupert Murdoch, gears up to unleash its DTH service in the second half of 2006, signaling stiff competition.

    Though Tata Sky, in true Tata style of functioning, is keeping things close to its chest, reports filtering out do indicate that the service would focus on niche content, quality of service and aggressive marketing — some of which might be innovative like supplying one master DTH connections to high-rise residential complexes that can be then split up as per the local need.

    Tata Sky also hasn‘t given up the proposal of heavily subsidizing the set-top box, which will help the service gain entry into households quickly.

    Competition certainly there would be, though Dish TV CEO Sunil Khanna puts up a brave front by saying, “Competition? What competition?

    On a more pragmatic note, he goes on to point out that a change is taking place in the C&S dynamics in India where slowly analog is giving way to digital mode of delivery and transmission that will be primarily driven by DTH and to a lesser extent by broadband and IPTV.

    “If DTH is to play such a big role (in the change), all players have to grow as it‘ll help create market awareness about such a service. Tata Sky or other players‘ entry would only help Dish TV‘s growth,” Khanna surmises.

    There‘s certain logic behind such utterances. The entry of another DTH player is also likely to coerce sector regulator Telecom Regulatory Authority of India (Trai) to revisit an earlier mandate on making available all content to all platforms.

    This mandate has been openly flouted by some broadcasters who have delayed making available their channels to Dish TV on the pretext that continued commercial negotiations
    are yet to be concluded. This also means that Dish TV‘s subscribers are unable to get all the content available on cable services at present.

    “Trai‘s initiatives have been challenged in the court, while the government has its own reasons to be non-committal on issues like CAS and must provide. It is my belief that for the broadcasting industry to grow exponentially over the next five years, more government and self -regulation is needed,” Goel says.

    Consumer acquisition and investment on programming and packaging is another aspect that Dish TV needs to address as it‘s going to play a vital role in the Indian scenario.

    “The next 12-18 months and beyond will see a land grab in the distribution area, initially kick started by DTH and the launch of Tata Sky. So clearly Dish TV will require more investment in the future, particularly as STB subsidies and programming acquisition costs scale up,” says MPA executive director Vivek Couto.

    And, Goel partly agrees that customer acquisition and box subsidisation would take a toll on any DTH player as unlike in the DTH‘s developing stages in countries like the US and the UK, exclusive content is unlikely to be THE driving force of such a service in India.

    A unique market in every sense, in India it has to be combination of quality of service, good packaging of available and niche content, clever pricing of this content and pushing it into customers‘ homes by absorbing part of the cost of the box or the total hardware needed for a DTH service.

    The proverbial beginner‘s advantage may play its role up to an extent in Dish TV‘s growth. Take, for example, the cost of the box itself. While the imported boxes from Korean vendors is costing Dish TV on an average $ 38 (the average price might come down as the demand increases), industry sources say a box is likely to cost Tata Sky between $ 60-$ 65.

    “There‘s always a price advantage to the first mover. We had acquired the customer in the beginning when we paid lower satellite space rates. Though we did not experience negative cost of acquisition, things have changed now. Even Insat is unable to provide enough space to all the DTH probables now,” Goel points out.

    A Dish TV set-up box is now available in the market at an entry price of Rs 2,990 for 75 channels for three months, which also includes the monthly subscription fee for the period. The scheme was started in April.

    After this the customer has the option of paying Rs 107 per month for around 75 channels. The prices go up to Rs 300 per month for more than 100 channels, including the radio services. The company had priced its services initially in such a way as to leave some room for manoeuvring later.

    It‘s tactics like these that have kept the competition on the edge, compelling it also to review its options. Says MPA‘s Couto, “Dish‘s pricing structure has made Tata Sky revise its own plans. I‘m sure Dish will scale it (the price war) up further and then Tata Sky may respond.”

    Aware that what the likes of MPA are saying that intelligent packaging of content has some merit, Dish TV has devised various tiers also like Dish Welcome (introductory offer), Dish Bioscope (specially categorized movie channels like Zee Action and Zee Classic) and Dish Goal (for fans of European football).

    So, Dish Plus package, for example, comes packed with a wide selection of national and international channels at Rs 125 per month and offers channels like Zee Studio, HBO, TCM, MCM, Reality TV. Dish Bioscope, featuring Zee Premier, Zee Action, Zee Classic and Pakistani film channel Filmazia, costs Rs. 55 per month. News is packaged in Dish News with Zee Business, Euro News, Euro Sports News, NDTV 24×7, CNBC TV18, Awaaz and CNN Headlines News. The cost: Rs 60 per month.

    Dish Pick is an a-la-carte package that allows subscribers to pick and choose extra regional channels. Two channels come for Rs 30 per month, five channels for Rs 50 per month and all regional channels come for Rs 100 per month. (All the prices listed here are exclusive of taxes.) Channels included in this package include Zee TV, Sahara One Zee Punjabi, ETV- Rajastan, ETV – UP, ETV – Bihar, Geo TV, Zee Telugu, Jaya TV, Jeevan TV, Akash Bangla, Zee Bangla, Zee Gujarati and Marathi, India TV and NDTV India.

    NEW DISH INITIAIVES
    Knowing fully well that it has to continue reinvent itself, not only prices of Dish TV service has been dropped, but the retail networks too are being strengthened, apart from pushing digital video recorders (DVR) as a value added service.

    Dish, which presently has about 6,000 dealers around the country, is beefing up its network with an additional 3,000 dealers of HCL, the computer hardware company that is also a distributor of Nokia handsets in India.

    As per a yet-to-be-announced pact with HCL 3,000-odd HCL dealers would be responsible for selling, installing and servicing Dish TV hardware at customer end.

    “We expect that such non-exclusive deals will help us reach out to more customers and service them better,” Goel says, hinting that in the near future other such pacts may be concluded.

    Apart from this, the company is also in the process of launching anew its DVR service with focus on Delhi and Pune. Selling at Rs 16,000, a DVR will allow a subscriber to download up to 200 movies, apart from other Dish programming, to be watched at leisure.

    “We want to focus on some select cities like Delhi with the DVR offering before making it nationally available. This is a new concept and we want to do some sampling with subscribers,” Dish CEO Khanna says.

    Towards the end of June, Dish will launch its gaming and middleware facility that will allow DTH subscribers to play not only with games, but also while watching traditional television.

    With the help of technology partner Open TV, Dish plans to introduce middleware tech wherein a viewer can access background information about a cricketer, for example, who‘s playing in a match telecast on TV at that moment. (pix-Courtesy DishTV)

    However, one of the most exciting things explored by Dish TV is the introduction of pay-per-view concept in India in the real sense where subscribers of pay television have the option of watching a programme for a particular period of time after making payment for the same.

    Hoping that the Discovery-Sony Entertainment joint venture One Alliance will come on board soon, Dish is exploring whether exclusive Discovery programming (like excavation of Titanic or a famed Egyptian tomb) can be made available to Dish subscribers on selective payment basis.

    “Pay per view is a concept that‘s yet to mature in India. For that content is most important. But we are examining whether we can try out this concept with Discovery once it joins the Dish platform,” Goel informs with excitement written all over his place.

    It‘s quite apparent that Dish TV is far from being complacent. And, the announcement that at a later stage the whole DTH operation, restructured as part of an over all Zee Telefilms rejig, might be listed on the stock exchange has given the company an impetus to ramp up its activities.

    While Khanna is effusive that in the coming months Dish TV will become “more aggressive” on all fronts, MPA‘s Couto feels the restructuring has come at the right moment. “…a spin off could well be the ideal way to induct strategic and/or private equity financing in DTH.” After all, investments have to be made if the Dish operations are to be ramped up.

    (Rs 45 = 1US$)

  • Microsoft beats Google to win Amazon.com account

    Microsoft beats Google to win Amazon.com account

    MUMBAI: Microsoft Corp. has snatched the Amazon.com account from Google. The internet retailer will now be using the Microsoft technology Windows Live to power its toolbar and the A9 online search engine.

    Confirming the development to Reuters, A9 CEO David Tennenhouse said Google search was removed from the site on 30 April, following the expiration of that contract. He added that Windows Live presented a very powerful web search option that had previously been featured on the A9 site.

    Microsoft launched Windows Live to win online advertising pie away from Google and Yahoo.

    Amazon’s search engine A9 breaks down searches into various categories such as web searches, book searches and blog searches.

  • Accenture, Avanade and Microsoft to build integrated broadcast system for MediaCorp

    Accenture, Avanade and Microsoft to build integrated broadcast system for MediaCorp

    MUMBAI: Accenture, Avanade and Microsoft Corp. have been selected to design and build an integrated broadcast system to support MediaCorp Pte Ltd., Singapore’s largest broadcaster and a leading media company in Asia.

    Accenture, which is leading the project, is teaming up with Avanade to design and deploy a scalable and open-standard-based solution featuring the Microsoft Connected Services Framework, a software solution that enables broadcast companies and film studios to create, deploy, integrate and manage services.

    The work at MediaCorp will streamline many of the company’s core business processes, including program planning, scheduling, airtime sales and finance processes, into one integrated system, which will support all of MediaCorp’s television businesses. The system will support nine channels and be used by more than 1,200 employees.

    The new system will include a unified grid for programs, ads and automated workflow. Once the system is in place, MediaCorp users within different groups and departments will be able to share information, work together more effectively and react more quickly to the changing needs of the business, giving the company a competitive advantage in how it does business.

    “As one of the region’s most established broadcasters, we need to be prepared to take advantage of new opportunities. By working with Accenture, Avanade and Microsoft and our internal IT teams, we are building a solution that will leverage our capabilities to support the current and future needs of our television businesses,” said MediaCorp deputy group CEO Group Services Henry Lim.;

    “We have been working with MediaCorp to develop a solution that effectively migrates its core business processes onto one unified platform. We evaluated multiple options to implement the system and development platforms. Based on that assessment we designed an application blueprint founded on Microsoft .NET. The platform will be highly scalable, giving MediaCorp the flexibility and control to integrate other, future processes such as digital asset management, editing services and new content delivery channels,” said Accenture partner in the media and entertainment practice Robert Chew.

    “We chose a service-oriented architecture to manage MediaCorp’s investment in technology. The media industry is transforming. Digitization is rapidly changing the business dynamics of yesterday’s television. A strong and scalable information system becomes a requirement for MediaCorp to embrace digital media and benefit from its growth in the future,” said MediaCorp chief information officer Jack Chiam.

    To deliver the integrated broadcast system, Accenture will team up with Avanade, combining its business and industry acumen with Avanade’s technical expertise in Microsoft technologies. Accenture and Avanade will build the system using Microsoft .NET and the Microsoft Connected Services Framework.

    “MediaCorp’s business lies in the successful management, distribution and consumption of content. As the world’s first terrestrial broadcaster to adopt the Connected Services Framework, MediaCorp is helping to demonstrate Microsoft’s knowledge of the key business drivers in the broadcast industry and, more important, how to translate that knowledge into solutions that enable broadcasters to work efficiently, increase revenues, and expand and retain audiences,” said Microsoft corporate vice president communications sector Maria Martinez.

  • Animax Asia to target youth with new image

    Animax Asia to target youth with new image

    MUMBAI: Animax Asia is all set to refresh its image in order to target youth aged 15 to 24, and mature viewers with a youthful attitude. The new look Animax will hit television screens on 1 June.

    The channel announced today that as part of the its new look, it will be streamlining its programme structure to target this market segment, as well as introducing a creative campaign, Imagine-Nation, to capture the imaginative minds of the youth market.

    “Like all entertainment genres, animation continues to evolve, and we have noticed that the animation from Japan is moving towards a more youth-driven demographic. Animax too must move ahead with current trends to provide viewers with the coolest entertainment,” said SPE Networks – Asia vice president Animax, programming and production Betty Tsui.

    In line with the channel’s commitment to bringing the latest, hottest animation from Japan to its target audiences, helming the refresh programme this summer are two blockbuster animations, God Save Our King and Trinity Blood. Viewers can also expect unique programme content covering a wide variety of themes and styles in the next few months, including the latest Inuyasha: Fire on the Mystic Island, Paradise Kiss, Honey & Clover, Black Cat and Girl from Hell amongst others.

    The new initiative Imagine-Nation will roll out together with the channel refreshment. The Imagine-Nation project is Animax’s showcase of successful or famous people from the region who are connected to the creative world of games, film, anime and design. This project also features those who dared to let their imagination lead them to success and fame.

    A host of talent, including local animation guru Nickson Fong and StickFas Toys founder Bany J from Singapore, and India’s first F1 driver Narain Karthikeyan will share their visions and inspirations with viewers in a series of candid interviews.

    Fong said, “I am excited to be able to share my passion with youth through the Imagine-Nation project. Hopefully, this will inspire some local talent to go into designing, animation or film-making as a career choice, and take the burgeoning animation industry in Singapore to new heights.”

    Tsui added, “Like imagination and creativity, Anime is more than an art form. Anime is inspiring, innovative, unique and always on the edge. It is a lifestyle. We hope that the new Animax will inspire our youths to live out their dreams.”

    She further said that with the refreshed look of the channel, viewers will now be able to enjoy more edgy anime programmes that are most suited to their lifestyles, and viewers can certainly look forward to greater ‘out-of-the-box’ activities and off-air offerings to experience the ultimate animation lifestyle Animax presents.

  • Hungama TV launches talent hunt for kids; ropes in John Abraham as brand ambassador

    Hungama TV launches talent hunt for kids; ropes in John Abraham as brand ambassador

    MUMBAI: After Sony and Zee, it’s now the turn of kids’ channel Hungama TV to go the reality way. The 18-months old channel, which has grown to become the number two kids’ channel in the country recently, has roped in Bollywood youth icon John Abraham as the brand ambassador for two years.

    Additionally, John will also be endorsing the ‘John Aur Kaun?’ talent hunt, which will give two kids (one boy and one girl) an opportunity to star opposite him in one of UTV’s forthcoming movie.

    The winners, apart from getting an opportunity to star opposite the hunk, will also get a cash prize of Rs 500,000 each and a three year contract with UTV to manage their career.

    The applications will open in the third week of May. The channel will shortlist 1000 candidates each in five cities – Mumbai, Delhi, Kolkata, Ahmedabad and Hyderabad – where auditions will be held in June and July.

    Kids’ between the age of 7 – 14 can apply and the selection criteria for the talent hunt will be based on acting and dancing skills. Finally, 40 kids (eight from each city) will be selected. These finalists will be brought to Mumbai, where they will go through a comprehensive training process during which the judges will be narrowing down the participants to four. The final two will be chosen via popular voting (SMS) and IVR (interactive voice response) exercise. Ernst & Young have been roped in as the auditors for the selection process.

    The entire hunt – from the city level auditions to the grand finale – will be televised as a reality show on Hungama TV and will be aired in October. The show will be in the form of 13 one hour episodes and will air three times a week on the channel.

    Hungama TV has roped in Oral B as the presenting sponsor for the ‘John Aur Kaun?’ talent hunt. Bournvita, Maggi and Sunfeast Dream Biscuits will be the co-presenting sponsors, whereas Dermi Cool, Waffy, Tata Salt and Add Gel Achiever are the associate sponsors for the event. Mitashi Edutainment is the prize sponsor.

    The channel has also partnered with Radio City (official radio partner), the Times Group (print and online partner), Planet M and Star News (national news channel partner). A nationwide 360 degree marketing and promotions campaign will hit the print, television, outdoor, radio and internet media in the third week of May.

    An elated Hungama TV COO Zarina Mehta said, “Indian kids have tremendous potential and Hungama TV wants to offer them a platform to showcase their talent. Kids today have the drive and inclination to learn and succeed and this is evident across all sections of the society. In keeping with this philosophy of constant innovation and distinctive content, Hungama TV is proud to bring to viewers ‘John Aur Kaun?’ – a first ever in the kids category.”

    “We are also really excited to have John Abraham on board as the brand ambassador for the channel. John’s sunny personality and easy going nature, couple with his drop-dead looks and undeniable talent, have made him a role model for kids across the country,” she added.

    The channel zeroed in on John as its brand ambassador after an extensive research with kids last year, wherein the dimpled-boy won over his other colleagues in popularity.

    Abraham said, “It feels great to be associated with Hungama TV. I am looking forward to spending time and interacting with kids. ‘John Aur Kaun?’ will give talented kids across the country an opportunity to shine and I am very glad to be involved in this effort.” a

  • Fox Reality inks deal with Zig Zag Productions for ‘My Bare Lady’

    Fox Reality inks deal with Zig Zag Productions for ‘My Bare Lady’

    MUMBAI: Fox Reality has entered into a deal with US/UK co-production with Zig Zag Productions. The new Fox Reality original, My Bare Lady is a series of three, one-hour shows slated to air on the US cable and satellite network in the latter half of 2006.
    The series will follow top US female porn stars who want to see if they can give leading British thespians a run for their money.

    Many adult film stars think they can act, but can they make it in the refined and stuffy world of an English acting school? My Bare Lady is a reality series in which viewers find out if four female US adult stars can make it as legitimate actors in a matter of weeks, informs an official release.
    After a casting call in Los Angeles, an established British theatre director will select his performers. He will bring them to London and put them through an intensive three week transformation. It shows what happens when you take a group of American porn stars and thrust them on stage in London’s famous theatre-land to perform a classic play.

    Fox Reality CEO & general manager David Lyle said, “We look forward to working with this great British production company and creating an ambitious docu-soap. And it is a wonderful concept to have a production that shoots on both sides of the Atlantic, highlighting a humorous and all-too-real culture clash.”

    “Zig Zag is very excited about this new and irreverent series for Fox Reality,” said Zig Zag managing director Danny Fenton. “We are really pleased to be making one of the first original commissions for the channel and appreciate their boldness and distinct new flavor. It typifies the freshness of Fox Reality to seize on an idea likeMy Bare Lady.”