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  • Weston launches DTH ready TV ‘SAT 20’

    Weston launches DTH ready TV ‘SAT 20’

    MUMBAI: Consumer electronics company Weston has launched SAT-20, a Direct to Home (DTH) ready colour television targeted at millions of Indian households having no cable or satellite connection.

    SAT 20 is a 51 cm TV having an inbuilt satellite receiver can help a consumer view free to air 37 TV Channels including 17 Doordarshan Channels and 17 Radio channels including two FM channels. SAT 20 is priced at Rs 7790. It carries two-year warranty and has 256 programme and also a child lock facility.

    The product is available across the length and Breadth of the country through Weston’s strong 1700 dealer network. It is targeted at remote hill areas, rural India, defense establishments, remote schools and other educational institutes, states an official release.

    “SAT 20 is a relief from cable bills .The advantage of this CTV is that even at the remotest of the corners in the country a customer will have the advantage of accessing his/her favorite channels available on the free to air channels. A initiative which will keep the masses in tune with the latest programming in this World,” says Weston MD Sunil Vachani.

    “Weston’s SAT 20 TV incorporates a DTH decoder with television hardware & developed a common software to enable the control of normal television and DTH function with the same remote and does not need a separate set top box,” adds Weston VP Marketing Sunil Sethi.

    “SAT 20 is yet another innovation from Weston that is aimed specifically towards millions of consumers in India who do not have access to cable and satellite networks, particularly in the non-metro and remote areas. Known for its technology innovation, Weston has developed this technology at its own R&D facility,” says Sethi.

  • Warner Bros. associates with BitTorrent to distribute movies, TV shows

    Warner Bros. associates with BitTorrent to distribute movies, TV shows

    MUMBAI: Warner Bros. will distribute its films and television shows over the internet using peer-to-peer technology developed by BitTorrent. The studio will also sell permanent copies of films and TV shows online that can be burned to a backup DVD, although the copy will only play on the computer used to download the film and not on standard DVD players.

    The company is planning to kick off the new initiative within six months and the service could be priced as low as $1. According to BitTorrent, movies will be sold for about the price of buying a DVD.

     

    “If we can convert 5, 10, 15 per cent of the peer-to-peer users that have been obtaining our product from illegitimate sources to becoming legitimate buyers of our product, that has the potential of a huge impact on our industry and our economics,” Warner Bros. Home Entertainment Group president Kevin Tsujihara has been quoted in media reports as saying.

    BitTorrent uses a technique called “file swarming” to distribute large files. Rather than download a single large file from one central computer, BitTorrent assembles files from separate bits of data downloaded from other computer users across the Internet.

  • Microsoft awarded US patent for Multimode Interactive Television Chat

    Microsoft awarded US patent for Multimode Interactive Television Chat

    MUMBAI: Microsoft has been awarded a US patent for a Multimode Interactive Television Chat system. The patent was filed in 1999 by Zenith and subsequently assigned to Microsoft.

    The idea is to combine the experience of TV watching with that of fan chartrooms and discussion areas, where viewers can interactively discus the development of a TV program without having to run all the way to their computer.

    According to the US Patent and Trademark Office document, “The system has a graphical user interface that can simultaneously display a combination of television and Internet content in various display modes. The display modes may have different proportions, positioning or other features of the Internet and television content. A viewer of the user interface device may change display modes, such as by selecting a link available in each of the display modes.”

    The television content being displayed may be a broadcast show and the Internet content may be chat from a chat room corresponding to the television show. Various display modes are provided for displaying the television show and corresponding chat, ranging from maximal television display and minimal chat display to minimal television display and maximal chat display.
    Changing television channels may initiate a corresponding change in the chat room being participated in and the content being displayed.

  • Sab pitches ‘Twinkle…’ in the tough 9 pm slot

    Sab pitches ‘Twinkle…’ in the tough 9 pm slot

    headlines/y2k6/may/may196.htmMUMBAI: Reinforcing its commitment to reach the Hindi heartland, the ‘lighthearted’ general entertainment channel Sab is now launching a new show – Twinkle Beauty Parlour – on 15 May in the 9 pm slot.

    The show will be aired from Monday to Thursday and will replace Maahi Ve – the channel’s first daily after its revamp – that was launched on 5 December last year.

    Sab senior vice president and business head Vikas Bhal said, “Sab has been providing its viewers a kaleidoscope of entertainment ranging from light-hearted comedies to romantic melodrama through its innovative programming. Continuing this trend we are launching Twinkle Beauty Parlour, a show dedicated to the middle class women of India, who constitute the biggest part of our population.”

    The show has been pitted in the 9 pm slot and will have to compete for eyeballs from Zee TV’s Kasamh Se (which has been doing well), Star Plus’ Miilee, Sony’s new show Aisa Des Hai Mera and Star One’s India Calling.

    But Sab programming head Priya Mishra is confident of her product and is not deterred by competition. “As opposed to other shows in its slot, Twinkle Beauty Parlour would be a refreshing breather for the audience as the treatment of the show is light while the drama is gripping and thought provoking,” she said.

    Phase 1 of the campaign for ‘Twinkle Beauty Parlour’
    Twinkle Beauty Parlour is produced by Shrishti Arya Behl’s Rose Audio Visuals. “The show has multiple protagonists. We have deliberately moved away from the central character norm. Dealing with various lives – four families and five key characters played by the five female protagonists, the show works at different levels,” said Behl.

    Phase 1 of the campaign for ‘Twinkle Beauty Parlour’
    The three phase campaign around the show, which was rolled out some time back is currently in its third phase. While the first phase informed people of the location of the beauty parlour, the second phase had women sporting mustache.. waiting for the parlour to open its doors. The third phase of the campaign will be rolled out next week with the tagline – ‘Sab par khul gaya hai,’ which will inform people that the show is now on-air on Sab.

    Sab is also readying another show for the primetime slot – Left Right Left produced by Tony and Deeya Singh, which is scheduled to launch in June. However, the channel has not yet decided whether it will be a 9.30 pm show or if Twinkle Beauty Parlour will be shifted to the 9.30 pm slot to give way to the new show at 9 pm. If Left Right Left is placed in the 9.30 pm slot, it will be competing with Saat Phere… Saloni Ka Safar on Zee TV, Kavyanjali on Star Plus and Thodi Khushi Thode Gham on Sony.

  • Viacom completes sale of Paramount Pictures’ DreamWorks film library

    Viacom completes sale of Paramount Pictures’ DreamWorks film library

    MUMBAI: Viacom Inc. announced that it has completed the sale of Paramount Pictures’ DreamWorks film library to Soros Strategic Partners LP and Dune Entertainment II LLC, an affiliate of Dune Capital Management LP.

    The companies announced they had entered into an agreement for the transaction on 17 March.

    Viacom’s Paramount Pictures announced in February this year that, it closed on its acquisition of DreamWorks SKG for $1.6 billion in cash and assumption of debt. Under the agreement, Steven Spielberg and David Geffen of DreamWorks will remain in their respective roles as producer/director and chairman.

  • 2 days for downlink deadline: TV channels slumber on

    2 days for downlink deadline: TV channels slumber on

    NEW DELHI: With the deadline to adhere to downlink norms just two days away, not only does confusion reign, but television channels are still making last ditch attempts to push back the D-day.

    A senior government official admitted that the number of applicants seeking landing rights in the country is still “very low” compared to doubts and queries being raised. “This is surprising considering the deadline is 10 May,” the official added.
    If this lackadaisical attitude is not enough, government officials say, TV channels are still seeking clarifications whether those uplinking from India also need to register under the downlink guidelines.

    For example, a senior executive of a news organization told Indiantelevision.com that he doesn’t think his company needs to apply under the downlink norms as it has completed all formalities and given the necessary information while seeking a green signal for uplinking from India.

    “We have sought a clarification from the I&B ministry. Though we think downlink norms are more for those channels uplinking from outside India, but if the government insists, we would have to do the needful,” the news executive explained.
    Ditto for some international news channels like the BBC, CNN, which want to be on the right side of the law, but are confused on some portions of the downlink guidelines that state news content and advertisements targeted specifically at Indians would not be allowed and for which special waiver has to be taken on a case-by-case basis.

    ”BBC World is aware of the timetable set out by the Indian government for completion of all formalities of registration under the new down linking guidelines issued on 11 November 2005. In compliance with the timetable, BBC World has prepared its application and will submit the same within the 10 May deadline set,” a BBC spokesperson said.

    The downlink guidelines, formulated in November 2005 states, “No person/entity shall downlink a channel, which has not been registered by the ministry of information and broadcasting under these guidelines.”

    The seeming confusion is being created by Clause 1.1 in the guidelines, which goes on to say, “The entity applying for permission for downlinking a channel, uplinked from abroad, must be a company registered in India under the Indian Companies Act, 1956, irrespective of its equity structure, foreign ownership or management control.”

    In a country like India where there’s negligible restrictions on beaming into the country or the capability to be accessed by cable networks, according to industry estimates, 350-400 TV channels of various hues can be downlinked. Of this, almost 50 per cent can be considered regular TV channels.

    Though the government is always wary of giving out such information, it is estimated 130-150 TV channels, including news, sports and general entertainment, uplink from India.

    However, of the 75-odd popular channels, which in some form or other are in demand in 61 million cable homes in India, 35-40 per cent uplink from outside India and most of them are yet to file their papers with the government.

    The Indian government issued an ultimatum last week that those channels not fulfilling all the downlink criteria by 10 May 2006 would be denied landing rights.

    The I&B ministry also posted on its website communications sent to the Indian Broadcasting Foundation, Star Group, Time Warner and a lawyer. The missive made it clear that the deadline of 10 May stays.

    The lobbying against the downlink norms as a whole and partly is understandable. The moment a television company sets up a permanent establishment (PE) in India, as per downlink norms, its tax liabilities in India would go up drastically. Rather, more the revenues collected in India, higher would be the tax component.

    Recently, Economic Times reiterated this fact in a report also. “After unveiling the downlinking policy for satellite television channels, the government is set to re-examine the tax treatment of revenues earned by foreign TV channels (FTCs). These companies earn advertising revenues from ad agencies, sponsors, and subscription revenues from cable operators.

    “The task force on emerging issues in non-resident taxation, constituted by the finance ministry, is understood to have made an attempt to bring greater clarity and certainty in the tax treatment of FTCs. This, in turn, may enable India to get a larger share of the pie. Going by the recommendations, FTCs will be liable to pay tax in India if they have a permanent establishment (PE) here. Alternatively, a dependent agent who has the authority to conclude contracts, also constitutes a PE,” the newspaper said.

    Before 2001, foreign TV channels used to pay taxes on a presumptive basis on their advertisement revenues earned in India, which ranged between 35-40 per cent.

  • Catch some more Shararat on Star Utsav

    Catch some more Shararat on Star Utsav

    Mumbai, May 8, 2006: Viewers just seem to love magic. Serials about miracles, magic wands, muggels and angels bewitch the TV audiences. Adding some more fun and a dash of magic this summer Star Utsav brings to you the magical serial Shararat – Thoda Jaadu Thodi Nazaakat from the 7th of May every Sunday at 8 pm.

    Starring the versatile Farida Jalal, the fun filled Shruti Seth and Mahesh Thakur, Shararat directed by Rajiv Mehra has won the hearts of all its viewers immaterial of their age. Being considered as one of the best children’s show on Star Plus, Shararat is now making its foray into Star Utsav.

    Set in modern times, it is about three women of the Malhotra household — Jeeya (Shruti Seth), her mother (Poonam Narula) and grandma (Farida Jalal) who are blessed with supernatural powers that would be handed down to each daughter in the generations to come.

    The story revolves around Jeeya who inherits these supernatural powers on her 18th birthday. The teenager not able to control her magical powers keeps putting the family in trouble. Such is the commotion that people are always curious about the goings-on in the house. One over-inquisitive neighbor (Shoma Anand) is sure there’s something untoward happening and keeps a constant — and hilarious — vigil.

    Says Ajay Vidyasagar, Executive Vice President Marketing & Communications “Utsav means festivity and with the launch of Shararat we intend to add more fun and entertainment to the children programming slot. It is our token of appreciation to our young viewers for their interest and enthusiasm and to let them know how much they matter to us”.

    It takes immense amount of time and sustainability for any tele serial to establish itself in the entertainment market and it was no different for Shararat. After getting good TRP’s on Star Plus Shararat is now all geared to entertain its audiences in the rural markets too.

    Catch Shararat on Star Utsav every Sunday at 8 pm.

  • Universal Studios creates mobile division

    Universal Studios creates mobile division

    MUMBAI: Universal Studios has announced that its consumer products group has created a dedicated division designed to capitalise on the rapidly growing world of mobile entertainment.

    The new division, Universal Mobile Entertainment, will be run from a day to day perspective by Universal veteran Jeremy Laws who has been promoted to senior vice president.

    Under the newly minted division, Laws will oversee all aspects of licensing and promotions in the wireless arena as well as actively pursue and manage licenses from creation to consumption. He will lead a team of sales executives based around the world including the major media markets like Los Angeles, London and Tokyo.

    Laws says, “My goal, and that of my team, will be to ensure that fans of Universal’s films and television programmes will have easy access to a broad range of compelling, high quality
    mobile content on their handsets.”

    Universal Studios adds that it has been aggressive in the mobile content licensing market since 2000 and currently has more than 60 deals worldwide with premiere partners such as I-play, Gameloft, Buongiorno-Vitaminic, Ojom, Indiagames, Player X, (M)Forma and Starwave Mobile.

    Universal expects to see continued, substantial revenue growth in this space during 2006 as it launches 30 games and a comprehensive range of graphics, video clips and voice ringers on all major carriers across the globe from Universal’s
    current and library film and television assets.

    Laws joined Universal Studios Consumer Products Group as executive director in 1999. He has since spearheaded all aspects of licensing in the areas of wireless, broadcast film clips, stills and advertising and has overseen all aspects of Universal’s licensed location-based entertainment attractions worldwide. Laws pioneered an end-to-end online solution for film clip licensing and tripled the revenue of that business.

  • Discovery Travel & Living premieres reality show ‘Hell’s Kitchen’ from 15 May

    Discovery Travel & Living premieres reality show ‘Hell’s Kitchen’ from 15 May

    MUMBAI: Taking the Theme Week series forward from 15-24 May, niche channel Discovery Travel & Living premieres India’s first cookery and chef’s life based reality programme Hell’s Kitchen. Host Gordon Ramsay’s name is synonymous with outstanding fine dining, apart from being known as the most the foulest-mouthed chef in Britain.

    With Hell’s Kitchen, Discovery Travel & Living brings an entertaining reality series like no other. Watch the Michelin starred chef who gives new meaning to the word rude and gives a whole new dictionary of new and original insults for all who appear on the show. The series will air from 15 – 19 May at 9 pm.

    Footballer turned chef Ramsay’s legendary temper precedes him and has made him a favourite with viewers abroad.

    For Ramsay, failure is not an option. In this series of Hell’s Kitchen, twelve aspiring chefs compete to impress Gordon Ramsay as he works to open a world-class restaurant and discover the next culinary star who will get to own his or her dream restaurant.

    Discovery Networks India vice president – Lifestyle Aditya Tripathi said, “Hell’s Kitchen is filled with a variety of emotions making the programme highly entertaining. Every participant has to display real nerve, mental toughness and great culinary skills to win the restaurant.”

    In Hell’s Kitchen, Ramsay is often compared to American Idol host Simon Cowell, but Ramsay actually makes Simon Cowell look very meek. Ramsay is rude and crude not only to his employees and participants but also to his customers.

    The participants have varying culinary experience but they all have a passion for food and the ambition to open their own restaurant in common. In the process of achieving perfection, Gordon unleashes on his subjects the utmost degree of battering and pressure.

    One has to be as determined and ready to risk their sanity before subjecting themselves to even attempt to cook with Ramsay breathing down their neck. Gordon Ramsay’s serves up helpings of terror, tears, tantrums and triumphs as cameras follow the competing chefs to reveal who will survive the heat of Hell’s Kitchen.

    Examples of Gordon’s wrath that makes the programme unique, captivating and entertaining, including rewards & appalling punishments:

    >Ramsay passed the two teams to his maitre d’ for a lesson in how to properly set a dining table. The teams then had to replicate a sample table containing over 90 items within a five minute time period. The winning team received an afternoon of spa treatments, while the losing team had to clean and polish all the glass and silverware and set all 100 tables in the restaurant.

    >Ramsay gave the contestants 15-minutes to create an original dish out of a tray of 15 different leftovers from the previous evening’s service.

    Ramsay became an OBE for services to the hospitality industry in Her Majesty’s New Year’s honours list for 2006. The remaining five episodes of Hell’s Kitchen will air every Monday, from 22 May till 19 June at 10 pm.

  • Black Sabbath song tops VH1’s list of best metal songs

    Black Sabbath song tops VH1’s list of best metal songs

    MUMBAI: US music and lifestyle channel VH1 has announced that Black Sabbath’s song Iron Man reigns as the number one song in the definitive metal count down 40 Greatest Metal Songs.

    The initiative 40 Greatest Metal Songs recently concluded airing on the channel. It showcased the 40 most notable metal songs of all time in four half hour episodes.

    What was also unique was the fact that heavy metal band Anthrax singer Scott Ian wrote and recorded the show’s original theme music, which is a first in VH1 history. Never before had an artist written and recorded the music for a VH1 show that they also appeared in.

    The second song on the list is Guns N Roses’ Welcome To The Jungle. AC/DC’s Back in Black and Metallica’s Master of Puppets also feature in this list.