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  • Apple introduces U2 iPod

    MUMBAI: Software major Apple has introduced the new iPod U2 Special Edition as part of a continued partnership between Apple, U2 and Universal Music Group (UMG).


    The new U2 iPod is based on the fifth generation 30GB iPod and holds up to 7,500 songs, 25,000 photos or over 75 hours of video and features a distinctive, all-black stainless steel enclosure, red Click Wheel and custom engraving of U2 band member signatures.


    Apple VP worldwide iPod product marketing Greg Joswiak says, “We are thrilled to continue working with one of the greatest bands in the world to bring U2 fans a special edition of the world‘s best digital music player. With its distinctive new design, including an all-black stainless steel enclosure, the new U2 iPod is sure to be a hit.”


    U2 iPod customers will also receive 30 minutes of exclusive U2 video downloadable from the iTunes Music Store. The new U2 iPod is available immediately for Rs.21,400.


    Featuring integration with the iTunes Music Store and the iTunes digital music jukebox, the new U2 iPod features Apple‘s patent pending Auto-Sync technology that automatically downloads digital music, podcasts, photos, audiobooks, home movies, music videos and popular television shows onto the iPod and keeps them up-to-date whenever the iPod is plugged into a Mac or Windows computer using USB 2.0. The new U2 iPod features up to 14 hours of battery life for music playback.


    The iPod requires a Mac with a USB 2.0 port and Mac OS X version 10.3.9 or later and iTunes 6; or a Windows PC with a USB 2.0 port and Windows 2000, XP Home or Professional (SP2) and iTunes 6. Battery life and number of charge cycles vary by use and settings. Music capacity is based on four minutes per song and 128-Kbps AAC encoding; video capacity is based on H.264 750-Kbps combined with 128-Kbps audio; and photo capacity is based on iPod-viewable photos transferred from iTunes.

  • HBO US takes podcast route to push new shows

    MUMBAI: US broadcaster HBO has announced that two shows Entourage and Deadwood are back again.


    Fans can go ‘on location‘ for footage, cast interviews and other original features via www.HBO.com/podcasts or Apple’s iTunes Music Store – all for free.


    Viewers will also be able to go behind-the-scenes of HBO’s new comedy series Lucky Louie. It stars Louis C.K. as head of a blue collar family. Then there is Dane Cook’s Tourgasm, a docu-style comedy series that follows the rising stand-up comic during his college tour last spring.


    These new editions join the other HBO podcasts already existing. These include video and audio clips for The Sopranos, Rome, Big Love, Real Time with Bill Maher as well as select HBO Films, documentaries, sports shows, and HBO Latino’s Habla y Habla and El Perro y El Gato.


    HBO VP, marketing and strategic partnerships Steve Pamon says, “The additional content for iPods give fans more exposure to their favorite HBO programs, characters and actors as well as introduces them to our newest shows.


    “We launched the site several months ago and have already seen incredible success, most recently hitting the 1 million download milestone for Real Time with Bill Maher.”


    Fans can visit the HBO.com site or the ‘HBO Room‘ on iTunes for the latest mix of free video and audio clips that will role over time:


    For Entourage HBO is offering recaps from seasons one and two. These revisit important moments and reconnects fans with major characters. There will also be an insiders scoop on the series. There will also be clips from the new season. There are similar features for Deadwood.

  • NDTV, Astro launches Astro c in Indonesia

    NDTV, Astro launches Astro c in Indonesia

    MUMBAI: NDTV and Astro jointly announced the launch of a 24 hour news, infotainment and lifestyle channel called Astro Awani in Djakarta, Indonesia. The language of the channel is primarily Bahasa Indonesia. Astro Awani is the first channel launched by NDTV outside of India.

    With this launch Astro Awani becomes the first news channel in Astro’s bouquet, and will be distributed throughout Indonesia on PT Direct Vision’s platform, that is currently licensing the ‘Astro’ trademark. Astro is expected to complete its 20 per cent investment in PT Direct Vision soon, states an official release.

    “Astro Awani has been launched to provide incisive, up-to-the-minute news, lifestyle, debate, current affairs and infotainment to discerning viewers in Indonesia. By partnering with NDTV, we’ve ensured that we bring nothing less than the best practices in news gathering and infotainment programming to our viewers,” says PT Direct Vision CEO Nelia Sutrisno.

    Commenting on the launch, Prannoy Roy of NDTV said, “This is a landmark for NDTV. For India’s media industry this is the first time that an Indian company has launched a news and infotainment channel outside India in partnership with an international media company. We regard this as one our most exciting new ventures and look forward to launching many more channels outside India in the future.”

    Astro Awani fills the need for an information-based channel in Indonesia. Aimed at urban educated viewers around Indonesia, the channel is in the local Indonesian language – Bahasa Indonesia. The content is made up of news bulletins, current affairs shows, lifestyle programming and documentaries, adds the release.

  • Broadcast bill ready; scheduled to be tabled in Monsoon Session of Parliament

    Broadcast bill ready; scheduled to be tabled in Monsoon Session of Parliament

    NEW DELHI / MUMBAI: After many years of meandering on the margins (since 1997), the information and broadcasting ministry is ready with a final draft of the Broadcast Bill 2006, which in all likelihood is going to turn out to be controversial and stringent at the same time.

    The recommendations that have been proposed in the bill, if they finally become law, are bound to have seismic repercussions in the industry. The draft bill, which calls for the setting up of a separate Broadcast Regulatory Authority of India (Brai), has covered four major areas in its ambit, which would call for major corporate restructuring by media companies, foreign and domestic, operating in India. These include content, cross media ownership, subscriptions and live sports feeds (which are already part of the downlink norms).

    Some of the key recommendations as per the draft bill:

    * The bill introduces restrictions on cross media holdings in all electronic ventures capping it a maximum 20 per cent. While print media companies have not been included in the ambit of the bill for the present, this could be later extended to them as well.

    On restrictions on accumulation of interest, the draft bill states, “The Central government shall have the authority to prescribe such eligibility conditions and condition with regard to accumulation of interest in the print and broadcast segments as may be considered necessary from time to time to prevent monopolies across different t segments of the media.”

    What this means is that a broadcaster like Star, for instance, can have a maximum 20 per cent stake in an FM radio venture or a multi system operator.

    The immediate fallout of such a bill becoming law would be that Star, which has a 26 per cent holding in the Rajan Raheja-promoted Hathway Cable & Datacom MSO, would have to bring down its stake by 6 per cent.

    It seems that the demerger that took place in Zee Telefilms could prove to be beneficial for the company. Down South, the Sun TV group would also have to restrict its interest in cable distribution companies like Sumangli.

    In this regard, the draft bill states, “No broadcasting network service provider and its associated companies shall have more than 20 per cent share of paid up equity or have any other financing or commercial arrangement that may give it management control over the financial, management or editorial policies of any other broadcasting network service provider…”

    * No broadcasting service provider (television company) can hold more than 20 per cent equity in another TV company. Additionally, no TV company can own more than 15 per cent of the total number of television channels beaming in the country.

    “No content broadcasting service provider shall have more than the prescribed share of the total number of channels in a city or state, subject to overall ceiling of 15 pr cent for the whole country,” the draft states.

    * A broadcast network service provider (presumably multi system operator / cable operator) cannot have more than 15 per cent of the national average in regards to subscriber numbers.

    What this means, at the moment as an explanatory annexure are not available, is that if 60 million is the C&S national subscriber average, an MSO like Zee group’s SitiCable or the Hinduja-owned INCablenet or Sumangli, for example, cannot exceed 9 million paid subscribers in a city or a state.

    “No broadcasting network service provider shall have more than the prescribed of the total number of consumer/subscribers in city or a state subject to the overall ceiling of 15 per cent for the whole country,” the draft bill states.

    * TV channels on a mandatory basis would have to have a certain prescribed percentage of content produced locally and also carry socially relevant programmes.

    “The share of content produced in India shall not be less than 15 per cent of the total content of a channel broadcast during every week,” the draft bill states.

    It also goes on to state that the share of public service/socially relevant programme content shall not be less than 10 per cent of the total programme content of a channel broadcast during every week.

    This would mean that channels like Cartoon Network, Animax, Discovery, Animal Planet and Discovery Travel and Living would have to have a prescribed percentage of content generated from India, which has been a long-standing demand of Indian animators.

    *Cable Ops / MSOs to operate only on licence from Brai.

    This could well be the catalyst that brings in some order into the cable industry. At present, the only requirement for anyone wanting to start cable services is that he/she should fill in the prescribed form at any post office and pay the nominal fee.

    * Existing laws and guidelines relating to broadcasting, TV and radio, would subsume under this over-arching regulatory framework.

    This would mean that laws and guidelines relating to FM radio, DTH, community radio, uplink and downlink of channels and use of SNG/DSNG infrastructure would cease to exist and assimilate with the broadcast law.

    The Broadcasting Services Regulation Bill 2006 is presently being circulated among members of the Union Cabinet. Depending on the Cabinet direction, the bill is scheduled to be tabled during the Monsoon Session of Parliament.

    TV and cable companies refused to comment on the draft proposals today, saying they are yet to see the government paper, which needs to be studied in detail.

  • Kerala’s first digital movie to release in 80 theatres

    Kerala’s first digital movie to release in 80 theatres

    MUMBAI: Malayalam cinema is making its full-fledged foray into the digital cinema space. The Kerala-based production house Emil and Eric Digital Private Limited (EEDPL) is gearing up to release its maiden production Moonnaamathoraal (The Third Man) through the satellite digital delivery system across the state.

    “Moonnaamathoraal is a digital movie shot using the High Definition technology (HD) technology. The movie will be delivered to the theatres through satellite and will be exhibited using the digital projector system. We have rented about 150 theatres in Kerala to set up the required digital infrastructure for a five year period, says Emil & Eric Productions promoter Martin Joseph.

    EEDPL is releasing Moonnaamathoraal in 80 of these 150 theatres on 30 June. The company has tied up with the Mumbai-based United Film Organizers (UFO) to set up the digital infrastructure for the project in the theatres. The system include the digital server, the Hughes Escorts Communications Limited (HECL) powered satellite delivery solutions through Vsat and the Panasonic 3 chip/single chip DLP projection system.

    UFO has invested in the range of Rs 130 million to Rs 150 million in Kerala for the project. The company has installed the digital systems on a refundable deposit of Rs 2,25,000 per theatre.

    As the company’s national revenue model goes, UFO charges the exhibitor Rs 250 per show for the first week, Rs 200 per show for the second week, Rs 150 per show for the third week and Rs 100 per show for the fourth week. The charges made on the distributor are, Rs 175 per show for the first week, Rs 100 per show for the second week, Rs 50 per show for the third week and Rs 45 per show for the fourth week.

    For Moonnamathoraal, EEDPL will be donning the triple roles of the producer, distributor and exhibitor. The Jayaram-starrer, directed by Chennai-based ad man V K Prakash, is made on a budget of about Rs 5 million. “We have spent Rs 5 million on this project, which, on the analogue system, would have required Rs 7.5 million to complete. For the total project, we have spent about Rs 9 million,” says Joseph, adding that EEDPL’s next digital venture Aanachandam will go the floor on 24 June.

    Aanachandam, again a Jayaram starrer, will be directed by veteran Jayaraj.

    Last year, UFO Moviez, the digital cinema network launched by Valuable Media Pvt Ltd, unveiled its digital project to set up 500 digital movie halls by 2006 March at an investment of Rs 800 million and then scale it up progressively to 2000 cinema halls across the country at a total investment of Rs 3 billion. However, the company fell short of its 2006 target due to the shortage of digital projects, according to UFO senior manager Mukesh Sherigar.

    “We couldn’t meet the target in these circumstances, but now we are well on track. We have installed the digital system in about 300 theatres across the country as of now,” he says.

  • Adlabs to foray into production of Hollywood movies

    Adlabs to foray into production of Hollywood movies

    MUMBAI: Anil Ambani-controlled Adlabs Films Ltd is entering into production of Hollywood movies through AshoK Amritraj’s Hyde Park Entertainment Group.

    “We will be making Hollywood movies only with Hyde Park Entertainment. The first co-financed movie will start production in the next 2-3 months. We are finalising the investment details. We are also working out other movie projects,” says Adlabs Films chairman and managing director Manmohan Shetty.

    The signing of the co-production, film financing deal with Hyde Park Entertainment Group comes after Adlabs Films has set up offices in UK and US. Though distribution of Bollywood movies will form the primary business activity, the overseas operations will also explore opportunities in film production and post-production activities.

    Adlabs plans to distribute 18-24 films overseas this year and has some of the biggest films lined up for release in the coming months, like Rakesh Roshan’s Krrish, Sajid Nadiadwala’s Jaanemann, Ravi Chopra’s Babul and Mani Ratnam’s Guru.

    Hyde Park Entertainment, a production, financing and international sales company privately held by American film producer Amritraj, is planning to establish a foothold in India and is in talks to form a joint venture with an Indian animation company.

  • Fame Multiplexes launches mobile ticketing in three cities

    Fame Multiplexes launches mobile ticketing in three cities

    MUMBAI: Fame Multiplexes has launched ‘M-ticket’ service in Mumbai, Pimpri (Pune) and Kolkata that allows booking of tickets from the mobile phone.

    People can now book movie tickets of any Fame Multiplexes by a voice-recognition service and pay through their credit card. This service has been powered by OnMobile and is available for Hutch, Airtel and Idea subscribers in the above mentioned cities.

    Shringar Cinemas Limited managing director Shravan Shroff said that going forward Fame would introducing more services to enhance the movie viewing experience.

  • Fluid Audio brings American Idol Underground to Fox’ Americanidol.com

    Fluid Audio brings American Idol Underground to Fox’ Americanidol.com

    MUMBAI: Fluid Audio Networks’ web site, American Idol Underground, will be used to create a “micro site” on Fox Interactive Media’s Americanidol.com. The new site provides visitors immediate access to American Idol Underground’s online branded music player, where they can listen to and judge the music of emerging artists and submit their own music for review.

    “The American Idol Underground micro site will expose American Idol fans to a whole new universe of undiscovered talent through access to American Idol Underground’s 50-plus online music players. Additionally, this is a great opportunity for American Idol Underground bands and solo acts to get in front of the nearly 10 million people who visit Americanidol.com each month,” said Fluid Audio Networks chief executive officer and founder Justin Beckett.

    “Americanidol.com is a community for ‘American Idol’ fans looking to enrich their experience through our interactive offerings. The addition of American Idol Underground adds to Americanidol.com another dynamic, interactive application for our fans to take part in,” said Fox Interactive Media vice president Jeff King.

    In addition to rating emerging artists and discovering new bands, the micro site, located at www.americanidol.com/underground, gives fans access to all of American Idol Underground’s best features and prizes, including:

    Listeners prizes for voting on favorite American Idol Underground artists

    Charts ranking artists and highlighting top-rated songs and artists

    Music uploads for artists which are guaranteed 200 spins on American Idol Underground’s online branded music player

    A chance to win cash, musical equipment and exposure for the top rated artists on American Idol Underground.
    The American Idol Underground Web site is powered by Fluid Audio’s proprietary self-publishing software and is licensed by FremantleMedia Licensing Worldwide, Americas.

  • TV18 to bring internet biz under Web 18

    TV18 to bring internet biz under Web 18

    MUMBAI: Television Eighteen is consolidating its internet businesses under a single holding company, Web 18.

    Web 18 will undertake activities of acquisitions of other internet businesses and websites, in exchange for cash stock or other valid consideration, including the website. TV18 will hold its EGM on 29 June to also allow Web 18 to raise funds from strategic and financial investors via private placement or public listing or in any other manner in one or more tranches. The TV18 Group, however, will retain control and at least 51 per cent of the voting rights of Web 18.

    Web 18 will reserve up to a maximum of 10 per cent of its shareholding to run a stock option plan for its employees and other key personnel.

    TV18 has been acquiring internet properties to create a bouquet. The company recently acquired a 50 per cent stake in the Indian arm of Jobstreet.com. Eariler in the year, it had invested in Yatra Online where other investors included Anil Ambani’s Reliance Capital and Norwest Venture Partners (NVP) – Promod Haque’s leading venture capital firm.

    The company also manages online platforms which include moneycontrol.com, commoditiescontrol.com, poweryourtrade.com and ibnlive.com. 

  • Sifymax to offer Fiffa World Cup updates in five languages

    Sifymax to offer Fiffa World Cup updates in five languages

    MUMBAI: Broadband portal Sifymax is providing World Cup updates in five different languages – Hindi, Kannada, Tamil, Telugu and Malayalam.

    This initiative is an attempt to enhance the reach and the accessibility to the Fifa World Cup available in “our national language and other south based languages”, according to an official release.

    Besides providing Fifa updates on sify home page www.sify.com, the language channels have also been linked to the city channels namely, www.sifymax.com, www.bangalorelive.in and www.samachar.com.

    Sify Limited VP Surya Mantha said: “Further to providing exclusive highlights and special video footages on FIFA World cup 2006, we are excited to go that extra mile to give more privilege to football lovers by providing them updates in 5 different languages. This includes our national language further enhancing the accessibility of the game nationwide.