Blog

  • Eutelsat’s Hot Bird 8 satellite set for August launch from Baikonur

    MUMBAI: The Hot Bird 8 broadcasting satellite built by EADS Astrium for Eutelsat Communications has arrived at the Baikonur Cosmodrome for launch on a Proton M Breeze M vehicle provided by ILS. The launch is scheduled in the early hours of 5 August.


    Weighing in on the launchpad at 4.9 tonnes and equipped with 64 Ku-band transponders, Hot Bird 8 will be the largest satellite yet orbited by Eutelsat, states an official release.


    Designed for television and radio broadcasting it will be positioned at 13 degrees East, Eutelsat‘s prime video neighbourhood, which delivers 950 television channels and 600 radio stations to 110 million cable and satellite homes in Europe, North Africa and the Middle East.


    The satellite‘s mission is to replace the 20 transponders on the Hot Bird 3 satellite, which will continue service at a new location. In conjunction with Hot Bird 7A, which was launched in February 2006, it will also contribute to raising in-orbit redundancy at Eutelsat‘s Hot Bird neighbourhood, the release adds.


    Eutelsat Communications is a leading satellite operator with capacity commercialised on 23 satellites providing coverage over the entire European continent, as well as the Middle East, Africa, India and significant parts of Asia and the Americas. The Group is one of the world‘s three leading satellite operators in terms of revenues. Its satellites are used for broadcasting nearly 1,800 TV and 900 radio stations to more than 120 million cable and satellite homes.

  • Participate & Win -‘Vatika Hair Oil STAR Parivaar Awards 2006’ ‘Sab Se Bada Fan Contest’

    Mumbai, Thurs, Feb 16, 2006 – The numero uno event on Indian television, since its inception, Vatika Hair Oil STAR Parivaar Awards, is back in 2006, in its 4th glorious year. The event, which dominates the Hindi general entertainment, remains till date televisions biggest and most watched event. The only show of its kind, Vatika Hair Oil STAR Parivaar Awards, brings to life the concept of a perfect and most loved parivaar on screen.

     

    The family now extends its hospitality to the viewers by introducing a new contest ‘Sab Se Bada Fan Contest’. Designed to add a new member to the family – favourite ‘Athithi’ or the guest to the STAR Parivaar; ‘Sab Se Bada Fan Contest’ gives its viewers a wonderful opportunity to win the title and get their share of the limelight with who’s who of the Indian television world in an evening full of glamour, fun, entertainment, glitterati, and much more!

     

    To participate in the contest all one has to do is watch STAR PLUS between Feb 20th-24th. There will be one question per day, which will be flashed only on Star Plus. The 1st question premieres on Feb 20th, 8 a.m. This question will be flashed till 7 a.m. on the next day.

     

    Viewers using MTNL/BSNL landline will have to choose one correct option from the four options and should then dial 1904 424 3333, followed by the option number to answer (01, 02, 03 or 04). If your answer is 01, then dial 1904 424 3333 01.

     

    Mobile Phone users should SMS ‘FAN’ to 7827 to participate in the contest. Rules of the contest are also available on www.indya.com

     

    So stay tuned to STAR PLUS and you could be the ‘Favourite Athithi’ of TV’s most loved Parivaar.

     

  • MPA unveils anti-piracy campaign with Pele at the helm

    MPA unveils anti-piracy campaign with Pele at the helm

    MUMBAI: In conjunction with the ongoing 2006 Soccer World Cup in Germany, the Motion Picture Association (MPA) has released an anti-piracy public service announcement featuring Brazilian football superstar Pele.

    The public service announcement running on television networks during the World Cup tournament is aimed at increasing public awareness about copyright law and encouraging the public to reject pirated movies found online or on DVDs.

    Pele is one of the most beloved and talented soccer players of all time. He embodies the notion of fair play and love of the game and continues to be an inspiration for young athletes around the globe. In the PSA, Pele appeals to football fans to “score a goal against piracy”, explaining that piracy hurts working people, specifically the thousands of people who work to create movies, states an official release.

    The education effort represented by the trailer campaign complements ongoing government anti-piracy enforcement efforts, and in significant seizures of CD-Rs, VCDs and DVDs, adds the release.

    “We are honoured to have a distinguished teammate in Pele in our fight against film copyright theft,” says MPA India head Chander Lall. “Pele has a reputation for fair play and in this public service announcement he carries that message to people – urging them to do the right thing by renting, buying or downloading movies legally.

    “Enforcing copyright laws not only protects movies, music, computer software and other intellectual property but also stimulates and encourages more creativity. If the people of India do not respect intellectual property and encourage piracy by purchasing pirated copies of movies or downloading through Internet, investment in the creative industries will be lost.

    “Furthermore, foreign investors and distributors might decline to market new products in India. This would affect not only India’s international reputation, but also its economic and social development,” adds Lall.

    Earlier this year, Pele worked with the MPA to produce the anti-piracy PSA. Pele’s own movie, Pele Forever, released in 2004, was pirated and sold illegally on the streets in Latin America.

  • Google names Richard Kimber as MD Sales & Operations, South East Asia

    BANGALORE: Google Inc. has appointed Richard Kimber as managing director, Sales and Operations, South East Asia. Based in Sydney, Australia, Kimber will manage Google‘s business operations and strategic partnerships across India, Singapore, Malaysia, Vietnam, Thailand, Philippines, Indonesia, Australia and New Zealand.


    “Richard brings exceptional leadership and management experience to drive Google‘s growth in the South East Asian market,” said Sukhinder Singh Cassidy, vice president, Asia Pacific & Latin America Operations, Google Inc. “We are committed to continuing our international investment, and proven leaders, like Richard, enable us to execute effectively in this developing region.”


    Kimber joins Google from the HSBC Group, having most recently served two years as Chief Executive of FirstDirect Bank in the UK, where he increased the company‘s profitability and drove customer acquisitions. From 2001-2004, Kimber served as global head of e-marketing for HSBC and president of HSBC‘s Internet payment subsidiary.


    In 2000, he was based in Hong Kong as head of e-business Asia-Pacific and also served as an advisor to the government on internet policy. Kimber originally joined the company in 1998 as managing director of HSBC InvestDirect in Australia, where he led the start-up business to profitability in less than 12 months.

  • CNN-IBN to air lifestyle show ‘Living It Up’

    CNN-IBN to air lifestyle show ‘Living It Up’

    MUMBAI: News Broadcaster CNN-IBN is expanding its feature programme line-up with a new weekly show exploring the art of healthy living. The half-hour weekly show Living It Up, anchored by Jotica Sehgal, will kick off on 8 July at 2:30 pm and 5:30 pm. 

    Living It Up will have a reality segment The Weight Loss Challenge wherein four dieticians will team up with four overweight people and over seven weeks they will be challenged to loose as much weight. The team, which looses the most weight, will be the winning team. To add some excitement, participants and viewers will be given voting powers, according to an official release.

    CNN-IBN managing editor Rajdeep Sardesai says, “The hectic lifestyle that has become a part of our daily routine today is definitely a sign of progress but it takes a toll on our body, mind and soul. Through this programme we are aiming to share little nuggets of information to counter difficult times, manage problems, balance lives and endeavor to get the best out of life. At CNN-IBN, quality programming is a promise that we would like to deliver on a constant basis and Living It Up is a step in that direction.”

    Each week, the programme will showcase health, fitness and beauty solutions and the show will also highlight how preventive measures, healthy lifestyle and healthy food. Targeting the discerning viewers, Living It Up will also present capsules on fitness, beauty, parenting, spirituality and alternate therapy.

  • ITV acquires ‘Six Degrees’ from BVITV

    ITV acquires ‘Six Degrees’ from BVITV

    MUMBAI: ITV has inked an exclusive UK deal with Buena Vista International Television (BVITV) for the licensing of Six Degrees, a new drama series from J.J. Abrams (creator of Lost) to air on its flagship channels ITV1 and 2. This makes Six Degrees the first US series to be aired in primetime on ITV1 in nine years.

    Six Degrees follows New Yorkers from all walks of life, whose lives unexpectedly become intertwined. The show will air in the US on the ABC Television Network this autumn in a primetime slot, following Grey’s Anatomy. Six Degrees is a story that underlines just how small the world really is, and how someone, just five metres away might be shaping our future right now.

    The show stars Jay Hernandez (Friday Night Lights), Erika Christensen (Flightplan), Bridget Moynahan (Sex and the City), Dorian Missick (Lucky Number Slevin), Hope Davis (About Schmidt) and Campbell Scott (The Secret Lives of Dentists). Its executive producers are J.J. Abrams and Bryan Burk (Lost, Alias), Stu Zicherman and Raven Metzner (Elektra), and it is produced by Touchstone Television.

    ITV director of acquisitions Jay Kandola said, “My aim was to get brand defining shows for the ITV Network. I am delighted that Six Degrees will be a contemporary exciting new addition to the ITV1 and ITV2 offering.”

    BVITV EMEA executive vice president and managing director Tom Toumazis added, “As US series continue to return to primetime around the world, we are delighted to be working with ITV to launch Six Degrees in primetime on ITV1. We are sure that the series’ production pedigree and strong cast will appeal strongly to a UK audience.”

    The agreement was closed by ITV’s Kandola and BVITV executive director sales, UK and Ireland Catherine Powell.

  • ION Media Networks & Sony Pictures Television ink TV programming deal

    ION Media Networks & Sony Pictures Television ink TV programming deal

    MUMBAI: US-based ION Media Networks, Inc. and Sony Pictures Television have announced a programming agreement that provides ION with the rights to broadcast dozens of classic television series and a large selection of award-winning feature films from the Sony library on the i television network, reaching over 90 million homes.

    “This agreement reflects our strategy of strengthening our i network’s programming schedule with popular series and theatrical hits with proven audience appeal,” says ION Media Networks CEO Brandon Burgess. “We look forward to working with Sony on developing a compelling entertainment line-up that continues to appeal to our current audience, while attracting new viewers to the network.”

    “The i network and its stations will benefit from a wide variety of titles from our extensive library of television series and feature films, which have proven to deliver audiences,” adds Sony Pictures Television president distribution John Weiser. “We are pleased to be in partnership with ION, helping them grow and making them a destination for great programming.”

    Under the terms of the agreement, ION will have access to many of SPT’s most popular TV series from the last three decades, including Charlie’s Angels, Starsky & Hutch, The Partridge Family, The Monkees and Silver Spoons, among others.

    In addition, titles from Sony’s extensive library of theatrical films will be available to ION, including A River Runs Through It, Oliver!, Bram Stoker’s Dracula, Short Circuit and many more.

    “We are pleased to have access to Sony’s diverse collection of movies and classic TV shows,” says ION SVP of programming and strategic planning Stacey Nagel Galper. “We will begin scheduling the Sony movies on the i network this month, with plans to launch the television series in August.”

  • Zee Tele’s stock soars on ratings upswing, future prospects

    Subhash Chandra touts his plans to disassemble Zee Telefilms Ltd (ZTL) into four separate entities as a necessary move to unlock value. As he stands on the eve of the digital age, he feels he can size up each line of his media business spreading across cable TV, direct-to-home (DTH), content and broadcasting with independent focus and management care.

    What this means is that the core ZTL, after the trimming, would have all the network channels except in the news and regional genres which raked in Rs 2.01 for the 2005-06 fiscal. Operating revenues of Rs 1.54 billion from cable TV would also be transferred out, further eroding the company‘s consolidated turnover.

    Even after cropping the topline, there is a mandate for robust growth. Riding on the wave of Zee Cinema and a resurgent Zee TV, the company expects to clock a 10 per cent rise from last year‘s turnover of Rs 10.51 billion.

    Says Essel Group CEO of corporate strategy and finance Rajiv Garg, “We expect an advertising revenue growth of 12-15 per cent this fiscal. While international business will sustain its 10-12 per cent growth (adding of channels and gain from Middle East operations), domestic subscription will stay steady.”

    Zee‘s road to recovery came last year as the flagship Hindi general entertainment channel bounced back big time on the ratings scale with simple storyline soaps like Saat Phere and Kasamh Se. Zee TV smelt the first scent of success since its continuous slide for over six years, with Sa Re Ga Ma Pe Challenge, a singing talent show.

    “It is not that we came out with any magic potion in programming. We just stuck to the basic rules. What made the difference this time is that we jelled as a team and came out with a winning mindset. The external environment also played a role as Sony lost audiences and Star Plus was still lighted up by the three long-running flagship soaps,” says Zee Network senior vice president Ashish Kaul, explaining the turnaround story.

    Zee‘s resurrection was born out of a long sequence of internal discussions and, in a reshuffle, Chandra‘s elder son Punit Goenka was made business head of Zee TV. In an interview with Indiantelevision.com, Goenka had then said that his induction would bring stability to the channel. “You can expect one change. We want a planned execution of what we do. We won‘t resort to any knee-jerk reactions… Here, internal palpitations happen whenever crucial projects come up. There have been instances when we started a project and left it midway… It is more like using someone who can handle pressure and bring in stability. I consider myself as one of the Zee professionals, not as a family hand. But, being a family man, I think I can bring in stability.”

    The duo of ZTL CEO Pradeep Guha and Goenka clicked and the strategy to build an entire programming wall with focus on a time band approach was chalked out. Programmes were jazzed up and a marketing buzz was created around them. The investments on Zee TV‘s content and marketing rose almost 20 per cent to Rs 2.2 billion in FY06. “There is usually a lag of 4-6 months between improvement in TRPs and ad revenue growth. So with an improvement in ratings, we are predicting a recovery in ad revenues going ahead this year with a return in pricing power,” says an analyst.

    Meanwhile, Zee Cinema, ZTL‘s second major revenue earner, continued as the numero uno in its space and posted an almost 20 per cent rise in turnover to end FY06 with Rs 1.45 billion in earnings. The channel banked on Amitabh Bachchan‘s films and a mix of new and old movies to fend off competition from Max and a revamped Star Gold.

    The change was reflected in the financial health of the company. Facing rough weather, Zee had reported a CAGR (compounded annual growth rate) of 7 per cent in revenues for the period FY02-05. This was contributed by a 28 per cent CAGR in subscription revenues and an annual decline of 8 per cent in ad revenues. The picture changed last fiscal and Zee posted a 13 per cent ad revenue growth, fueled by the ratings ramp up.

    International revenues, which account for one-fourth of Zee‘s earnings, will continue its good run, though operations from UK and US have matured. The Middle East and South Eastern region would ride on a growth wave and Zee is also planning to launch a dubbed movie channel in Russia.

    The worry, though, is the losses from new businesses which remain large at Rs 1.65 billion. But Zee Telugu, which suffered a loss of Rs 460 million last fiscal, now forms a part of Zee News Ltd. Operational expenses will continue to rise as several businesses will be in investment mode.

    The positioning of Zee Smile, a humour-based light entertainment channel, will be up for change. “We are considering whether we should turn it into a flanking second general entertainment channel or design it as a full fledged comedy channel. We have not taken any decision yet,” says Kaul. Zee is also planning to beef up content on its English channels, particularly Zee Cafe which would get a facelift.

    Some analysts have projected a high growth for the whole of Zee. “We model ad revenues to grow to Rs 8.24 billion in FY07, compared to Rs 6.44 billion in FY06 as the non ICC cricket matches pick up. We model subscription revenues to grow to Rs 13.1 billion in FY11 from Rs 7 billion in FY06. The bulk of our expected growth comes from domestic pay TV revenues which we model to grow to Rs 6.45 billion against Rs 2.95 billion in FY06,” writes an analyst in a research report.

    Several analysts, however, play these figures down, saying a lot will depend on how Zee shapes up its content businesses against intense competitive pressure.

    But what will the demerged ZTL look like? “The topline would be lower than what one would see today but bottomline would be healthier,” Chandra said in a recent interview to a business news channel.

    Zee‘s stock price has almost doubled in the last one year and is currently trading at Rs 260. The sum-of-the-parts value is what is driving the scrip up. It will further balloon when the demerger implementation is closer to date,” an analyst at a brokering firm says.

    So what are the potential downsides? There is of course Zee Sports, by virtue of its being a start-up proposition at the present. We do feel though that the new sports channel kid in the Zee family feel has the potential to contribute to ZTL‘s topline growth.

    Zee Sports

    Zee Sports is ready to play the high-cost game of sports broadcasting. After losing the four-year India cricket telecast rights to Harish Thawani-promoted Nimbus Communications, Chandra bowled just about everybody with his googly: a whopping $219.15 million bid to grab cricket rights for 25 one-dayers played by India in offshore non-ICC venues over five years.

    Even Thawani‘s humungous $612 million bid for BCCI (Board of Control for Cricket in India) cricket in India pales in comparison. With 115 days of Test cricket and 54-56 ODIs for four years, Thawani‘s payout for each match works out to around $3.57 million against Chandra‘s $8.77 million.

    Analysts are not enthused by such a high-cost bid. “We do not expect Zee to be able to recover its costs unless there is substantial rub-off effect on its distribution business. The positive aspect is that costs are back-ended, which will mitigate cash flow and balance sheet risks partially and allow Zee sufficient time to scale up its distribution business. The pace of adoption of addressability in India remains the key to Zee‘s future earnings and valuations,” an analyst at an institutional equity firm writes in a research report.

    For the first two ODIs in Abu Dhabi between India and arch rival Pakistan, Zee Sports suffered a loss. On a paying price of $10 million (Rs 450 million), sources say gross revenues from India stood at Rs 240 million (Rs 130 million on Doordarshan and Rs 110 million on Zee Sports channel). If you cut out a 15 per cent commission as media agency fee and a 25 per cent revenue share to DD (Rs 27.6 million), Zee‘s trimmed earnings would be Rs 176.4 million.

    Zee Sports business head Himanshu Mody does not agree that the offshore properties are a big hole in the company‘s pocket. The commercial exploitation from overseas markets fetched as much as was generated from ad revenues in India, he says. “Incremental subscription revenues from Zee TV‘s global channels, ad sales and earnings from content syndication were healthy. Besides, it increased the reach and visibility of Zee Sports in India.”

    Chandra is optimistic about his big bet on cricket. “We got only four days to sell the two ODIs and incurred a small loss of Rs 20-30 million. We have a staggered payment schedule which increases towards the end of the five-year period. We believe we will make money on this because of broadband and pay-per-view opportunities which are emerging. This will establish Zee Sports as a channel and boost our international subscription and domestic growth,” he told analysts.

    Chandra also believes he is paying only for the ODIs which are high-value properties. Besides, these are all India matches and will involve strong teams including Pakistan, Australia and England.

    Still, there is no getting away from the fact that Zee‘s cricket gamble needs to be backed up with good properties. Chandra will get just five matches on an average every year (the final calendar of matches hasn‘t yet been finalized), which is a spread too thin for any sports channel to command distribution clout and revenues. “A sports channel needs at least a long drawn cricket series to ramp up its subscription revenues,” says the distribution head of a leading network.”

    Having paid dearly for these spike properties, Chandra will have to build up a breadth of live mass-watched programming which will have a longer enduring value. If he is not able to manage a stream of supply that is more widespread, the property that he has acquired will lack bite and value. The youngest channel in the Zee bouquet will have to be fed with more days of live cricket or bankable international football.

    Even if Chandra loosens his purse strings, where is the cricket or football of value available to fill up the plate?

    Some options will open up for Zee like the Octagen-CSI cricket telecast rights (with ESPN Star Sports now) and the Pakistan and Sri Lanka domestic cricket (with Ten Sports), but the content will not be available before 2008. Even the ICC World Cup will be up for grabs after SET India‘s rights expire in with the 2007 World Cup in the West Indies.

    So, what does Zee do till 2008? The challenge is to develop Zee Sports as a platform for second-tier sports like football and wait till it can snap up bigger properties. Having acquired 10-year rights to AIFF (All India Football Federation) football, the task is to build this as a long term property.

    Zee Sports will focus on cricket, football and tennis, says Mody. “We hope to reap profits from football where our cost will be up by 5-7 per cent year-on-year while revenues can leapfrog. We have also got Mumbai and Delhi marathons as long term properties.”

    Working on collaboration with other sports channels is also a route Mody is going to push for. “Competition has to be more collaborative as acquisition prices of sporting events shoot up. The French Open is an example of how this can be achieved with Ten Sports allowing us to telecast the event as they had cricket on their channel,” he says.

    Zee Sports is at an incubation stage and will require long term investments for the development of the channel. For the fiscal ended March 2006, Zee Sports posted a loss of Rs 600 million. “Obviously, in the initial period there will be losses. We are not going to stop at the 25 ODIs. We will bid for the World Cup and the other boards as well. Sports as a business would grow for us,” Chandra told analysts.

    The decision to bring Zee Sports under the ZTL umbrella was something Chandra had not originally planned for. “We had created it as a separate entity because we were thinking of bringing a strategic partner in the business. But some developments took place and we decided it should become a division of ZTL,” he replied to analysts.

    The losses of Zee Sports, in fact, had a beneficial impact on ZTL‘s bottomline in FY06 as it acted as a tax shield. “It had a positive impact. Our tax liability has been reduced by at least Rs 180-200 million,” Chandra admitted.

    But by kicking in losses for a longer period, will Zee Sports be a drag on the profitability of ZTL? Making calculations based on the existing properties, Mody believes Zee Sports‘ losses would reduce this fiscal and the entity would be profitable by FY08. “We realise sports broadcasting is a long term play. As it was the only genre where Zee was not present in, we launched it with the idea of now or never. But we are in a special position by being part of a larger bouquet for both distribution and ad sales revenue exploitation. Since we also have a large global presence, we can also leverage it better,” he says.

    Zee Sports will spruce up ZTL‘s topline which has under its umbrella channels like Zee TV, Zee Cinema, Zee Café, Zee Studio and Zee Sports. Among all the horses within ZTL, it is Zee Sports which, as a startup, can provide faster growth for the company if properly incubated.

    Perhaps, it is with this logic that Chandra is putting big money behind the sports channel. Perhaps, it is also the ego of a media baron who wants to prove that he can win in sports broadcasting (after being deprived of ICC World Cup and BCCI cricket despite bidding higher on both the occasions) as well. Or is it a mix of both?

    Whatever it is, Chandra will have his task cut out for him to make money from a bid that, at the surface, seems ridiculously so high that it made Sony stay out and ESPN Star Sports come out with an offer lower than the floor price of $5 million per match.

    But it is exactly this quality which separates Chandra from the other Indian media entrepreneurs. Where others see risk, he sees an opportunity to make money.

  • Visiware makes interactive TV game from ‘Fast and The Furious’ film

    MUMBAI: Further to the license agreement between Visiware and Universal Studios Consumer Products Group to bring Universal Pictures properties to interactive TV gaming, Visiware has driven its latest game, The Fast and the Furious to the starting line.


    Inspired by the action film The Fast and the Furious: Tokyo Drift, this sporting arcade game challenges players to experience the atmosphere of the underground Tokyo drift. For the uninitiated, this is a form of racing that replaces simple drag racing with a rubber-burning, automotive art form that consists of an exhilarating balance of speeding and gliding through a course of hairpin turns and switchbacks racing world. Viewers can do this all on their television screens.


    The game features three different modes in which the goal is to become the new Drift King. In Drift King mode, players race head-to-head against one to three opponents. In Pursuit mode, players must prevent their opponents from catching their car, while in Time Attack mode, players strive to set the fastest lap time. Authentic sound effects and images from the film are featured in the game.


    Visiware chairman Laurant Weill says, “We are happy to be partners with a group that has really made efforts to understand the interactive TV gaming market. It is a pleasure to work with Universal‘s creative and professional team, especially on such an exciting project as The Fast and the Furious. We believe this is the best racing game available to date on interactive TV.”


    Universal Studios Consumer Products Group VP interactive Bill Kispert says, “The new film is an adrenaline ride, and Visiware embraced the challenge of creating an innovative racing game for iTV.


    “Whether racing against the clock, or fender to fender with an opponent, it‘s fantastic that players can become armchair racers — and experience The Fast and the Furious brand — all with a click of their TV remote controls.”


    NBC Universal director of interactive TV, Jon Dakss says, “Visiware continues to push the boundaries of gameplay on the iTV platform. This game has wonderful balance and will appeal to racing fans and casual gamers alike.”


    The Fast and the Furious is the third game released by Visiware in collaboration with Universal. The first two games developed under the partnership were based on the blockbuster King Kong — included a quiz game and an arcade game

  • Visiware makes interactive TV game from ‘Fast and The Furious’ film

    Visiware makes interactive TV game from ‘Fast and The Furious’ film

    MUMBAI: Further to the license agreement between Visiware and Universal Studios Consumer Products Group to bring Universal Pictures properties to interactive TV gaming, Visiware has driven its latest game, The Fast and the Furious to the starting line.

    Inspired by the action film The Fast and the Furious: Tokyo Drift, this sporting arcade game challenges players to experience the atmosphere of the underground Tokyo drift. For the uninitiated, this is a form of racing that replaces simple drag racing with a rubber-burning, automotive art form that consists of an exhilarating balance of speeding and gliding through a course of hairpin turns and switchbacks racing world. Viewers can do this all on their television screens.

    The game features three different modes in which the goal is to become the new Drift King. In Drift King mode, players race head-to-head against one to three opponents. In Pursuit mode, players must prevent their opponents from catching their car, while in Time Attack mode, players strive to set the fastest lap time. Authentic sound effects and images from the film are featured in the game.

    Visiware chairman Laurant Weill says, “We are happy to be partners with a group that has really made efforts to understand the interactive TV gaming market. It is a pleasure to work with Universal’s creative and professional team, especially on such an exciting project as The Fast and the Furious. We believe this is the best racing game available to date on interactive TV.”

    Universal Studios Consumer Products Group VP interactive Bill Kispert says, “The new film is an adrenaline ride, and Visiware embraced the challenge of creating an innovative racing game for iTV.

    “Whether racing against the clock, or fender to fender with an opponent, it’s fantastic that players can become armchair racers — and experience The Fast and the Furious brand — all with a click of their TV remote controls.”

    NBC Universal director of interactive TV, Jon Dakss says, “Visiware continues to push the boundaries of gameplay on the iTV platform. This game has wonderful balance and will appeal to racing fans and casual gamers alike.”

    The Fast and the Furious is the third game released by Visiware in collaboration with Universal. The first two games developed under the partnership were based on the blockbuster King Kong — included a quiz game and an arcade game.