GECs
Zindagi forays into original non-fiction programming with ‘Shukriya’
MUMBAI: Hindi general entertainment channel (GEC) from the Zee Entertainment Enterprises Limited (Zeel) stable, Zindagi has forayed into a new territory. The channel, which was launched in 2014 with shows from Pakistan, is now gearing up to launch its first original non-fiction show. Titled Shukriya, this reality show has been produced by Frames Production.
This, according to the channel, is just the beginning, as it plans to launch a number of original shows in this quarter. Refusing to spell out the genre of the original shows in the pipeline, Zindagi and FTA cluster business head Priyanka Datta said, “The fact that we air finite shows gives us the opportunity to create more content and churn out more original programming.”
The new show Shukriya, which premieres on Sunday, 9 August at 8 pm, is a 13 episode series, which is designed to urge people to pause life, reflect and acknowledge the good things life has given.
“Given the format of the channel, it was clear that when we got onto creating original programming, it had to be something which built an emotional connect with the audience,” opined Zeel chief business officer Sunil Buch.
With original content in its programming mix now, the channel will however continue to air shows from Pakistan. “Pakistan has a legacy of great content and we have a huge library of shows from the country. Considering the cultural overlap, it was but natural for us to get shows from Pakistan when we launched with the theme of ‘Jodey Dilon Ko.’ We want to give our viewer varied content experience and so we decided to launch original content, this doesn’t mean we will discontinue those shows,” said Buch.
Shukriya, according to Datta, as a concept marries well with the brand philosophy of ‘Jodey Dilon Ko.’
Anchored by Gunjan Utreja, this reality programme will give people a platform to exhibit their real emotions and in turn give those they want to thank a memory that will last a lifetime. The show will travel to several cities including Delhi, Mumbai and parts of North India. “All 13 episodes of the first season have been canned. We will come up with multiple seasons of Shukriya,” informed Datta.
Promotional strategy for Shukriya
The channel’s new concept has been backed by some unique promotional strategies. “Every communication highlights not just the real emotions, but also embodies the spirit of Shukriya,” said Datta.
According to her, the real hero is the concept of the show. “We have ensured that this stands out in all the promotional activities, be it in print, radio, outdoor or digital. The aim is to create an element of surprise that will inspire people to do the same,” she added.
Creative communication has been given a new age approach that drives interactivity. The identity of the campaign was centered around #Shukriya. Three short promos have been created and seeded across platforms like Facebook, Youtube and all digital platforms of Zindagi.
“The first two videos have already created a social surround driving close to 7.9 lakh views and counting,” she informed.
The channel has also associated itself with e-commerce player Snapdeal for a dedicated Shukriya Store on its website and app. “This initiative is in association with friendship day, where Zindagi and Snapdeal give netizens discounted offers to buy special Shukriya gifts for loved ones,” said Datta.
Additionally, Zindagi in association with Big FM created unique Shukriya experience for their listeners where RJs were heard saying Shukriya to local unsung heroes across its 24 stations.
“We have taken this ahead on Zindagi by creating a special section called ‘Keh Do Shukriya’ wherein Gunjan and RJ Siddharth will narrate some real life stories that have reached to us through Big FM,” she said.
With ordinary people being a part of the show, the channel will also visit close to 50 housing colonies in Delhi to celebrate Shukriya day with residents.
Multiplex viewers have also been targeted across more than 400 screens for three weeks with blockbusters like Bajrangi Bhaijaan, Drishyam and Mission Impossible 5.
“This is alongside high impact print and TV campaigns including leveraging the platforms of our sister concern ZMCL to drive tune-ins in our key markets,” concluded Datta.
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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