GECs
Zee’s ‘Tashan-E-Ishq’ set to take on competition at 8 pm
MUMBAI: Come 10 August and the popular Balaji Telefilms’ Jodha Akbar, which ran for a period of two years on Zee TV will make way for the new show Tashan-E-Ishq.
Armed with a modern concept of love, the show has a fresh look with three main leads.
The new show will be telecast from Monday to Friday at 8 pm and will be competing with other shows like Tu Mera Hero on Star Plus, Sankatmochan Mahabali Hanuman on Sony, Ek Nayi Ummed: Roshni on Life OK and Bhagyalakshmi on &TV.
Zee TV business head Pradeep Hejmadi said, “Before finalizing the concept, we went through a lot of research and carried out consumer surveys. It was only after a round of pilot testing that we finalised the story and the characters.”
With a Punjabi backdrop, it took over a year to finalize the show’s look and feel. The story revolves around two Punjabi industrialist families and their rivalries but with a twist of love by the youngsters of both the families.
While both Jodha Akbar and Tashan-E-Ishq have a backdrop of love, Hejmadi stressed on the fact that both stories were different. “Tashan-E-Ishq is not meant to compete with Jodha Akbar. It was a love story and while Tashan-E-Ishq is also a love story, the message is very different,” he said.
Speaking on how the channel plans to get viewer traction on its show, Hejmadi said, “Every channel has its own strategy to groom its show or evaluate shows for slots before launching. For us, it’s critical to understand the texture of the audience through the day and based on that we envisage on how we want to migrate the audience on our channel.”
With broadcasters upping their digital game, most of their programming content is now also available on their respective over-the-top (OTT) platforms. And Zee TV is not an exception. The channel has put out all of its content on its OTT platform Ditto TV. What’s more, Zee is using Ditto TV for consumer research and to understand what they like. Hejmadi said, “Digitization is happening since a long time in India and we are just using the digital platform to understand the market. However, in terms of creating content, it’s too early to do that for the digital platform.”
Speaking on advertisers’ response to the new show, Hejmadi said, “Advertisers have liked it. However, we have largely focussed on consumers with our shows. The advertiser only gauges on the show’s content.”
Marketing plays a vital role for its show to be successful and while Tashan-E-Ishq has a tinge of Punjabi flavour, it has been marketed pan India. With a target group of 25 – 50 years, Zee is going conservative by marketing the series primarily on the television medium. “We are concentrating more on to television rather than outdoor or digital marketing because our target audience is on television. Secondly, we will also look at a burst on the print media.”
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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