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Zee Cinema, Music in revamp mode

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MUMBAI: Zee Cinema is in a for a complete programming shake up with the recent acquisition of 16 new movies to its library. So is Zee Music, the languishing music channel in the Zee bouquet.

 

ETC promoter Yogesh Radhakrishnan, barely three months into his job as head of the two Zee channels, seems determined to pull both out of their perceived lethargy and into active viewer attention.
 
 

Zee Cinema, despite being the frontrunner in its genre, is the first to get the revamp treatment. Gone will be the weekly Bollywood round ups and the endless countdown shows. The main attraction of the revamped channel is Ek Ka Teen Premiere – new Hindi movies that will make their satellite premiere on Friday 1 pm, with repeat telecasts on Saturday at 5 pm and Sunday at 9 pm.

 

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Radhakrishnan says the innovative strategy will work as the TG for each telecast is different. The idea behind acquiring movies that have barely shaken the box office after their theatre release during 2002 is unique too – these are films that suffered at the cash registers due to problems with delivery, marketing or poor publicity, he says. The second attraction is Bollywood Tonight,, a daily news bulletin on the Hindi film industry, anchored by Samar Khan.

 

Films like Durga, Yeh Mohabbat Hai (Cinevistaas’ maiden film venture), Dil Ne Phir Yaad Kiya and Ansh are bound to do well with audiences who have not had the opportunity of viewing them in the theatres, he says. Slotting of the movies will remain Radhakrishnan’s key to the success of Zee Cinema, a channel which he says, is the most underrated in the Zee bouquet.

 

The channel will also go in for major brand building exercises like Bollywood events from the next fiscal. Zee Cinema, the oldest Hindi movie channel in the country, has thus far not aired events as a premium programming strategy. Zee Cinema, however, will continue to borrow sister Zee TV’s blockbuster acquisitions (Gadar – Ek Prem Katha)is the New Year’s Eve prime time attraction) even as it will continue to dip into its own 1,500 odd strong movie library and 30-odd strong ETC movie library.

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Says Radhakrishnan, ” The idea of repeating a show thrice a week is to attract different audience segments. Research shows that people tune in even at 10 am. Cinema is able to deliver ratings throughout the day as everyone watches this form of entertainment. For advertisers, the attraction lies in tripling unduplicated reach. Our concentration will rest on films that the SEC B & C have not seen either due to delivery problems or poor marketing efforts. “

 

Regarding the advertising and marketing strategy, Radhakrishnan maintains that his focus rests on having Zee Cinema on the prime band of every cable operator. “Beyond creating a basic level of awareness about new programme initatives, I do not see the need to splurge millions on outdoor advertising, radio and print.”

 

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Zee Music, which is next on Radhakrishnan’s agenda, will appear in its new avatar in January, complete with new shows, ID and a focused TG in mind. For the time being, though, Radhakrishnan is keeping his plans tightly under wraps.
 

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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