Awards
Zee Cine Awards goes fans front and centre as Zee’s Sehgal says paying premium is par for the course
MUMBAI: The 23 edition of the Zee Cine Awards, in partnership with Maruti Suzuki and centred around the ‘FANtertainment’ theme, isn’t just a red carpet affair—it’s a full-blown fan-fest. From a trophy designed especially for fans to celebrity shoutouts that blur the line between reel and real, the event is shaping up to be a celebration of Hindi cinema’s biggest force: its audience. Scheduled for 17 May at the NSCI Dome in Mumbai, the show promises a turbocharged blend of cinema, stardom and crowd-loving spectacle.
Zee’s chief growth officer for advertisement revenue Ashish Sehgal, pulled back the curtain on the machinery behind the madness—and the philosophy fuelling this marquee celebration. From crowning fans as the real kings of Hindi cinema to boasting about a reach that spans 200 countries, Sehgal delivered his message with a flair as colourful as a Hindi dance number. It was part corporate spiel, part showbiz sass — and wholly entertaining.
Sehgal explained how the company handpicks talent for its marquee Zee Cine Awards. The formula is simple: star power meets current relevance. He emphasised that the headliners, from Kartik Aaryan to Jacqueline Fernandez, were chosen for their popularity and what they contributed to cinema in the past year. Aaryan, he noted, is “the most popular star right now”, having attained “superstar status” off a recent mega-hit, while actress Vaani Kapoor brings the “oomph and the glamour” every awards night needs.
And in case anyone thought Fernandez’s inclusion — following a quiet spell in the press — was a PR play, Sehgal shrugged it off. “
We look at talent… we don’t look at their personal lives,” he said, making it clear that only industry impact matters when assembling the show’s roster. Up-and-coming crowd-pullers like Rashmika Mandanna are on the cards too, because giving rising stars the stage is part of the plan. “This stage helps them to popularise,” he added, noting the event keeps even big celebrities humble by reminding them it’s all for the fans.
Sehgal then switched gears to the awards’ marketing and audience engagement blitz. The mantra this year is unapologetically “fan first”. Zee is pulling out all the stops on promotional content – even transforming its usually staid press conference into a viral spectacle that has already netted “2.5 million views across all platforms.” And that was just the announcement.
The network plans to set up fan interaction booths across the country, literally putting the public in the spotlight. As Sehgal put it, “we are keeping fans ahead of everybody” in this edition. In fact, one new promotional video features A-list actors looking straight at the camera and humbly telling viewers, “boss, you are our Mahibab and you are the one who decides what we are today.” In other words, the fans aren’t just along for the ride – they’re driving the plot.
He is equally bullish about sponsor involvement, painting brands as co-stars rather than mere advertisers. Far from just slapping logos on screen, sponsors get woven into the show’s fabric in clever ways. The awards offer “huge tangible benefits beyond advertising,” Sehgal said, from credibility by association to custom in-show integrations that align with a brand’s ethos.
Associating with a glamorous event watched by millions gives companies instant top-of-mind recall and a chance to engage consumers through entertainment. Unlike a film where directors balk at blatant product placements, this live extravaganza has no script constraints. That means a carmaker can sponsor a viewer-voted category or a tech brand can commission a themed act – the kind of opportunity, he suggested, that simply can’t be scripted elsewhere in Indian entertainment.
Sehgal even bristled at the notion that advertisers are overpaying for all this glitz. When asked if sponsors are charged a hefty premium for visibility during the high-profile event, he quipped that questioning the price is as absurd as questioning cricket’s biggest tournament.
“Because the stature of the show itself is such that obviously people will have to pay premium,” he argued, implying Zee Cine Awards is in a league where premium pricing is expected. With production costs running sky-high, he insisted the rates are only natural. “I don’t think… the kind of price they pay is a premium,” Sehgal said bluntly. “I think it is the realistic value” for the massive mileage brands get from the event’s reach. In other words, sponsors aren’t being gouged – they’re getting what they pay for, and then some.
In true corporate fashion, Sehgal measures success not just in rupees and paise. “We don’t do anything if there is no ROI. But ROI is never only about money,” he noted. He revealed that while the budget for this spectacle is enormous (unsurprisingly, it’s one of Zee’s costliest productions), the returns are equally huge – albeit not all immediate or monetary.
The twenty third edition of Zee Cine Awards is now the network’s biggest intellectual property, a status that “has a huge valuation impact on our total valuation of the company,” according to Sehgal. Put simply, beyond the ad slots and sponsorship fees, the show’s real payoff is in burnishing Zee’s brand equity. It’s the “most recognised marquee marketing event” for Zee – essentially the public face of the network – and that halo effect is priceless.
Sehgal was not shy about what sets Zee’s awards apart from rivals like Filmfare or IIFA either. He reminded us that Zee Cine Awards was the first in the industry “to pioneer the Viewer’s Choice Award,” giving the public a say in the winners long before others caught on. Now that competitors have imitated this democratisation of awards, Zee is upping the ante with its fan-centric twist.
“We have anyway created that uniqueness”, he said, comparing other ceremonies to simply “playing awards” while “we are about fans and we are also keeping their choices in mind.” Another bragging right is pure reach.
Thanks to Zee’s sprawling broadcast empire, this show will be simulcast on 19 channels – including Zee TV, Zee Cinema and streaming platform Zee5 – blanketing an unrivalled 200 countries. No other award show, he boasted, can match that footprint. It’s a distribution coup that turns a one-night Hindi cinema party into a global viewing event.
And as for what new surprises or innovations audiences can expect in future editions? On that, Sehgal played coy. “Well, that you will see on screen,” he chuckled, declining to spoil any plans.
In classic showman style, he’s keeping those cards close to his chest. For now, one thing is certain: Zee is pulling out all the stops for this year’s awards show – and the fans, as they say, are truly running the show.
Awards
Big Bang Awards 2026 set for 9 February, bringing creatives to Bengaluru
BENGALURU: Bengaluru is set to turn up the creative volume as the 41st edition of the Big Bang Awards takes centre stage on 9 February 2026 at The Ritz-Carlton. Organised by the Advertising Club Bangalore, the awards remain one of India’s most respected celebrations of excellence across advertising, media, design, digital and marketing.
This year, the Big Bang Awards arrive with a fresh rhythm. For the first time, the event expands into a full-day industry experience. The afternoon will open with thoughtfully curated workshops, a Founders Circle fireside conversation and The Bang on Music, before rolling into the much-anticipated evening awards ceremony. The idea is simple and ambitious at once to spark learning, encourage honest conversations and bring the creative community closer together.
Now in its 41st year, the Big Bang Awards continue to reflect the changing face of creativity in India. With more than 130 categories, the awards honour standout work across print, broadcast, digital, mobile, experiential and emerging platforms, capturing the breadth and ambition of today’s communications landscape.
Laeeq Ali, President of the Advertising Club Bangalore, said the awards go beyond trophies and titles. They celebrate ideas that influence culture, drive business and help define where the industry is headed next.
Backing the 2026 edition is a strong line-up of partners from across the media and digital ecosystem. Gold Partners include Snapchat, Sony Network Pvt. Ltd., Truecaller and Times Group. Silver Partners are Mob Avenue, Deccan Herald and Team Pumpkin. Community and Media Partners such as afaqs, Adgully, MediaNews4U and Indian television dot com further strengthen the platform’s reach and relevance.
Together, they reinforce the Big Bang Awards’ standing as a meeting point for ideas, ambition and creative leadership. Even for those who do not live and breathe advertising, the message is clear. When creativity comes together at scale, it tends to make a rather big bang.
Awards
Indian star Diljit Dosanjh misses out on Emmy as Spain’s Oriol Pla claims best actor prize
NEW YORK: Diljit Dosanjh’s Emmy dream ended in heartbreak on Monday night as Spain’s Oriol Pla walked away with the best performance by an actor trophy at the 53rd International Emmy Awards in New York City. The Punjabi superstar, nominated for his turn as folk legend Amar Singh Chamkila in Imtiaz Ali’s Netflix biopic, couldn’t crack a competitive field that included Britain’s David Mitchell for Ludwig and Colombia’s Diego Vasquez for One Hundred Years of Solitude.
The International Academy of Television Arts & Sciences handed out 16 Emmy statuettes to winners from nine countries, with Britain’s television industry dominating the night. Rivals, the 1980s-set drama about corporate warfare in television, took the drama series prize, whilst Anna Maxwell Martin won best performance by an actress for Until I Kill You. British productions also swept comedy (Ludwig), current affairs (Dispatches: Kill Zone: Inside Gaza), documentary (Hell Jumper), and the TV movie/mini-series category—Lost Boys & Fairies, which beat Dosanjh’s Chamkila biopic.
Pla’s win came for his raw portrayal of a man battling addictions to drugs, alcohol and sex in Yo, Adicto, a Spanish drama about a voluntary stint in a Barcelona detox centre. His performance edged out Dosanjh’s widely praised embodiment of Chamkila, the Punjabi folk singer whose meteoric rise ended in assassination.
The ceremony, hosted by Live with Kelly and Mark presenters Kelly Ripa and Mark Consuelos, saw wins spread across Australia (Bluey for kids’ animation), Turkey (Deha for telenovela), Japan (Ryuichi Sakamoto: Last Days for arts programming), and Qatar (Gaza, Search for Life for news). Denmark’s Shaolin Heroes claimed non-scripted entertainment, whilst Canada’s La Médiatrice took short-form series.
Special awards went to Dana Walden, co-chairman of Disney Entertainment, who received the Founders Emmy for championing hits including 24, Glee and Grey’s Anatomy, and João Roberto Marinho, chairman and president of Grupo Globo, who was handed the Directorate Award.
Bruce Paisner, president and chief executive of the International Academy, called television “a powerful force for connection across cultures and borders” as he surveyed winners spanning continents from Turkey to Australia. Dosanjh, dressed in a glittering jacket and black turban, made his mark on the red carpet even without the trophy—a bittersweet consolation for Indian viewers who’d hoped to see him make Emmy history.
Awards
Raj Kamble takes the chair as ANDYs’ first Indian Asia head
MUMBAI: When it comes to big ideas, Raj Kamble now has the best seat in the house. The founder & CCO of Famous Innovations has been named the Asia Chair for the 2026 ANDYs Regionals, a first for India in the award show’s history.
Joining Kamble on the global roster of Regional Chairs are Yaa Boateng (Africa), Youri Guerassimov (Europe), Josefina Casellas (LATAM), Emma Robbins (Pacific) and Federico Fanti (SWANA), forming a jury line-up that spans every creative corner of the globe.
Far from a run-of-the-mill awards programme, the ANDYs Regionals flip the script: entry is free, with fees kicking in only if the work is shortlisted for the global show. And the track record is enviable 90 per cent of ANDYs-winning ideas later go on to win at Cannes Lions, D&AD, The One Show, Clios and other heavyweight festivals.
“I’m thrilled to be chairing the Asia Jury at this year’s ANDY Awards Regionals. The ANDYs have always stood for fearless creativity and bold ideas. With 90 per cent of this jury having served as Jury Presidents at shows like Cannes Lions, D&AD and The One Show, we have the chance to not only recognise but also advocate for groundbreaking work from Asia. Let’s push creative boundaries together and make waves on the global stage,” said Famous Innovations founder & CCO Raj Kamble.
By design, the ANDYs are more than a gong show, they’re an advocacy platform for creativity, ensuring winning work doesn’t just get applauded regionally but also gains momentum globally. With Kamble at the helm for Asia, expect some bold ideas from the region to earn their rightful place on advertising’s world stage.
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