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Women filmmakers’ northeast works to be highlighted at India fest in NY

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NEW DELHI: Three films from northeast India and a special focus on films made by women filmmakers will be the highlights of the second edition of the India Kaleidoscope Film Festival (IKFF) to be held in New York next month. The festival is being presented by the Museum of the Moving Image (MOMI) and The India Centre Foundation (ICF) from 9 to 12 November 2017.

Drishyam Films’ Kadvi Hawa directed by Nila Madhab Panda will open the festival and it will close with Director Prakash Kunte’s Cycle. Actor-turned-produced Priyanka Chopra’s Pahuna and Anurag Kashyap’s Mukkabaaz will also feature at the festival.

The films to be screened will explore the most relevant and pressing topics facing the subcontinent, are being made by today’s most progressive filmmakers working in regional languages. This year, India Kaleidoscope will span seven different regional Indian languages and include new programming initiatives that bring independent regional Indian cinema to an even wider audience.

The India Centre Foundation Founding Director Priya Giri Desai said “It is an honour to offer these cinematic works to the film-going community and to give exposure to new sights, sounds and languages from across the Indian subcontinent.”

Museum of the Moving Image Chief Curator David Schwartz said, “India Kaleidoscope, in just its second year, is already making a great impact as a showcase for the incredible diversity of Indian cinema, with its focus on artistic and independent films from the many regions of this sprawling, culturally rich country.”

“Indian cinema today is independent and regional language cinema, and these films represent the best and most exciting work from the country. We are thrilled to present this eclectic and wholly original selection of films and filmmakers to the New York and US audience,” said Sudeep Sharma, Festival Programmer.

India Kaleidoscope Film Festival 2017 will screen eight feature films, seven of which will be US or North American premieres. Most of the films will feature directors in person, and a major chunk of the programming lineup feature films directed by women filmmakers.

In an effort to expand IKFF to wider audiences, this year’s closing night screening will be held at the SAG-AFTRA Foundation Theatre in Manhattan. All films will be screened with English subtitles.

The IKFF 2017 programming committee includes Priya Giri Desai (The India Center Foundation), Ashok Sinha (The India Center Foundation), Priyadarshini Shanker (NYU Cinema Studies), Anupama Kapse (Loyola Marymount), Tristine Skyler (Writer and Producer), Ritesh Mehta (Film Independent) and Sudeep Sharma (Film Programmer); with additional programming support from Uma da Cunha and Christina Marouda (Museum of the Moving Image, IFFLA).

The films are: Kadvi Hawa in Hindi stars Sanjay Mishra, Ranvir Shorey, and Tillotama Shome;  Mukkabaaz in Hindi has Vineet Kumar Singh, Zoya Hussain, and Jimmy Shergill; Sonar Baran Pakhi by director Bobby Sarma Baruah in Rajbangshi stars Pranami Borah, Arati Barua, and Pranjal Saikia; Prakasan by Director Bash Mohammed stars Dinesh Prabhakar, and Laya Krishna; Pahuna by director Paakhi Tyrewala in Sikkimese stars Ishika Gurung, Anmoul Limboo, and Manju KC Nanu; and Cycle by director: Prakash Kunte in Marathi stars Hrishikesh Joshi, Priyadarshan Jadhav, and Bhalachandra Kadam.

The documentaries are Up Down And Sideways (Kho ki pa lü) by directors Anushka Meenakshi and Iswar Srikumar in Chokri on rice cultivators, and Last Days. Last Shot by director Sumira Roy in Hindi/Bengali/Bhojpuri on how Life and death co-exist every day on the banks of the Ganges in Varanasi.

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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