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What Colors intends to do post Bigg Boss 7

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JAIPUR: The year 2013 is about to end and everybody is getting ready to plan their yearend parties. However, there’s someone that’s making a new beginning even before the New Year sets in. When the world would be partying and bidding adieu to 2013, the general entertainment channel Colors would be ushering in to a new beginning with two new shows – Beintehaa and Rangrasiya.

 

While the first is a show with a pan-Muslim milieu that tells the story of two similar and headstrong individuals Aaliya and Zain, who are in a volatile relationship, the latter is an explosive and edgy intense hate story between Paro and Rudra that would air on the channel at the prime-time slot – 9 pm and 9.30 pm respectively – from 30 December, 2013, every Monday to Friday. The one-hour slot being filled by these two shows will be vacated by the celebrity reality show Bigg Boss season 7.

 

Interestingly, the channel thinks it’s completely okay to make a new beginning on the second last day of the year as the regular TV viewers would still catch up on the shows rather than partying. “How many of us really go out to party on 31 Dec, I don’t think many. If we don’t talk about the youngsters in the metros, then I believe most of the people still stay at home and want to watch TV. And, the craze for the New Year specials on TV has also gone down in the last few years. And thus, the viewers want to watch the daily soaps and both these shows are just going to give them more variety,” says Colors fiction-head Prashant Bhatt on the sidelines of the grand launch of Rangrasiya in Jaipur on Thursday night.

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The channel that has been at the second position in the GEC’s ratings chart almost all-through the year in 2013, is looking forward to add diversity to its already strong fiction line-up. However, considering the past record, the shows that have replaced Bigg Boss in the previous years haven’t really done too well, case in point – the second seasons of Na Bole Tum Na Maine Kuch Kaha and Sanskaar…Darohar Apno Ka that were on air at the prime-time slot before the seventh season of Bigg Boss kicked off. While the former was wrapped up before the launch of the reality show, the latter has been moved to the 7 pm slot.

 

Quiz Bhatt about this, and he refuses to agree that Sanskaar… hasn’t done well. In fact, he says that the second season of Sanskaar… is doing better than the first. However, somewhere he consents that the shows replacing the reality show have not been able to get similar popularity that other fiction shows on the channel have got. “There’s no set formula for success, but we should never stop trying to come out with interesting stuff,” he says as he guarantees that the present attempt is going to be really rewarding.

 

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However, coming back to Rangrasiya – the serial has been produced by Nautanki Films – the same production house that has produced Madhubala…Ek Ishq, Ek Junoon for Colors and stars Sanaya Irani and Ashish Sharma.The story is loosely based on William Shakespeare’s Othello and a large part of the few initial episodes have been shot in different parts of Rajasthan – mostly Rann of Jaisalmer, dunes of Jodhpur and Bikaner. It thus made more sense to launch the show in the state.

 

According to the producers, Saurabh Tewari and Abhinav Shukla of Nautanki Films, the shooting in Rajasthan was done on a grand scale with almost 60 camels and 200 junior artists over 18-20 days. Six cameras were used during the shoot, out of which three were Epic-M Red Dragon cameras that are mostly used to shoot movies. The show has quite a few stunt scenes that are directed by Amar Shetty, who has done Om Shanti Om in the past and is currently working on Happy New Year.

 

Tewari says that Rangrasiya has been made on a similar scale as a Bollywood movie, something like Ishaqzaade.

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Giving more details about the production, Shukla says that so far close to Rs 4-5 crore has already been sunk into the show. “We have shot it in Jaisalmer and many nearby villages. A large sequence on cross-border terrorism has been shot in the deserts of Rann. We have also shot few scenes in the Mohangarh Fort where the movie Sarfarosh was shot earlier,” reveals Shukla, also adding that they had zeroed down on other options like Uttar Pradesh, Gujarat, and South India as well, but Rajasthan was chosen because it gelled really well with the plot.

 

“After the success of Madhubala…, we wanted to raise the bar for Rangrasiya in terms of the visual scale and narrative. From visual conceptualisation, to the scale and experimentation with the characters, everything is real,” he adds.

 

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However, the post-production work has been done in Mumbai and now since the show has mostly in-house scenes, a set has been erected in Andheri, Mumbai where the rest of the episodes are being shot. “We will keep coming back to the state as and when the script requires,” says Shukla.

 

The channel’s focus is currently on massively promoting the two shows across all platforms. While the promos went on air across-channels some time back on TV, now they are set to hit cinema theatres. The shows will be promoted with today’s release Dhoom 3.

 

Commenting on the marketing and promotional strategy for the two shows, Colors marketing head Rajesh Iyer says, “We have designed a very high intensive outreach campaign to engage audiences at multiple touch points across the country. Beintehaa and Rangrasiya will be promoted extensively across mediums including in-theatre integrations during Dhoom 3 in HSMs, OOH across 60 cities and towns, and a media mix comprising of over 40 channels and radio stations covering over 40 cities. As the launch leads into the New Year we will be launching special calendars with select publications to enable audiences to bring their favourite characters home. To ensure that both shows continue to be the topic of dinner-table conversations, we have developed an all-round social media strategy exploring various avenues.”

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The fact that the rival channels have some of their most popular shows at both the 9 pm and 9.30 pm slot is also not bothering Colors much. While Zee TV has one of its oldest and most loved shows, Pavitra Rishta at 9 pm and Qubool Hai at 9.30; Star Plus airs Diya Aur Baati Hum that has become one of the most popular serials of recent times at 9 pm and the family drama Yeh Rishtaa Kya Kehlata Hai at 9.30 pm.

 

Bhatt says that the new offerings would make a place for themselves in the audience’s heart.

 

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“At the end of the day, the audience is hungry for something new, something different and we are offering that. Most of the times viewers keep watching certain shows because they don’t have an interesting choice to switch to – they either have family dramas or social dramas. However, we are breaking that mould with our new offering and are hoping that like other shows that we already have, even these two would be loved and take us to the first position on the ratings chart in the coming year,” he says.

 

Ironically enough, the real-life partners of the lead actors of Rangrasiya – Archana Taide (Ashish’s wife) and Mohit Sehgal (Sanaya’s fiance) are both currently starring in Zee’s Qubool Hai. Now let’s hope that coincidence leads to another one: Colors’ new shows too become as successful as Qubool Hai.

GECs

Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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GECs

SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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GECs

Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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