Connect with us

Fiction

WBD bats away Paramount Skydance bid, backs Netflix merger

Published

on

New York: Warner Bros. Discovery has drawn a hard line. Its board has unanimously rejected Paramount Skydance’s hostile tender offer, branding it inferior, risky and value-destructive, and has doubled down on its proposed merger with Netflix.

The verdict is blunt. Paramount Skydance’s revised bid, tabled in December, fails the “superior proposal” test under WBD’s Netflix agreement and does not come close on value, certainty or shareholder protection. The board has urged investors not to tender their shares.

Samuel A. Di Piazza Jr, chair of the Warner Bros. Discovery board, said the Skydance proposal loads shareholders with risk while offering too little in return. The Netflix deal, by contrast, delivers clearer value with far greater certainty.

Under the Netflix agreement announced in December, WBD shareholders stand to receive $23.25 in cash plus Netflix stock worth a targeted $4.50, alongside exposure to Discovery Global, a separately listed entity housing WBD’s global factual, sports and news assets. The board sees long-term upside without the financial gymnastics.

The Skydance offer, the board warned, comes with a steep hidden bill. Walking away from Netflix would trigger a $2.8 billion termination fee, a $1.5 billion debt exchange penalty and roughly $350 million in added interest costs. That is a $4.7 billion hit, or $1.79 per share, before a single strategic benefit materialises.

Worse, the financing. Skydance, with a market value of about $14 billion, is proposing a transaction requiring nearly $95 billion in debt and equity funding. The structure resembles a leveraged buyout on an unprecedented scale, with more than $50 billion in new debt and leverage approaching 7x EBITDA. The board flagged this as the largest LBO ever attempted and one fraught with execution risk.

The concern is not theoretical. A long 12–18 month closing window, junk-rated debt, negative free cash flow and heavy reliance on linear television revenues leave the deal vulnerable to market shocks. Operating restrictions imposed on WBD during that period could crimp growth, stall strategic moves and hand Skydance an exit route if conditions sour.

Netflix, by comparison, brings heft and balance-sheet muscle. With a market capitalisation near $400 billion, an investment-grade credit profile and forecast free cash flow of more than $12 billion in 2026, it offers what Skydance cannot: certainty.

The board also spelt out the downside if Skydance were to walk away. WBD would be left constrained for months, unable to pursue its planned separation of Discovery Global and Warner Bros. or refinance a $15 billion bridge loan without Skydance’s consent. The proposed break fee, net of costs, would barely cover the damage.

After months of engagement, the board said Skydance had failed to address repeated concerns, despite clear guidance on how to improve its offer. The Netflix deal, directors argue, already does what shareholders want: maximises value and caps risk.

In a streaming industry addicted to scale and leverage, WBD is betting on certainty over bravado. The message to investors is simple: the future, for now, streams through Netflix.

Full text of the letter to WBD shareholders follows below

Dear Fellow Shareholders, 
As you know, at the end of last year, your Board of Directors concluded its process to maximize shareholder value by entering into our merger agreement with Netflix. Since then, Paramount Skydance (“PSKY”), a bidder in that process, has commenced a hostile tender offer to acquire WBD, which it recently amended on December 22, 2025.

As described further below, your Board unanimously determined that the PSKY amended offer remains inadequate, particularly given the insufficient value it would provide, the lack of certainty in PSKY’s ability to complete the offer and the risks and costs borne by WBD shareholders should PSKY fail to complete the offer. Accordingly, the Board unanimously recommends that shareholders not tender your shares into the PSKY offer. For a full discussion of the reasons for the Board’s recommendation, we urge you to read the full Schedule 14D-9 filing, including the amendment filed today.

PSKY Offer’s Insufficient Value

PSKY’s offer is inferior given significant costs, risks and uncertainties as compared to the Netflix merger. Under the Netflix merger agreement, WBD shareholders will receive significant value with $23.25 in cash and shares of Netflix common stock representing a target value of $4.50 based on a collar range in the Netflix stock price at the time of closing, which has future value creation potential.

Additionally, WBD shareholders will receive value through their ownership in Discovery Global, which will have considerable scale, a diverse global footprint, and leading sports and news assets, as well as the strategic and financial flexibility to pursue its own growth initiatives and value-creation opportunities.

The Board also considered the costs and loss of value for WBD shareholders associated with accepting the PSKY offer. WBD would be obligated to pay Netflix a $2.8 billion termination fee for abandoning our existing merger agreement; incur a $1.5 billion fee for failing to complete our debt exchange, which we could not execute under the PSKY offer without PSKY’s consent; and incur incremental interest expense of approximately $350 million. The total cost to WBD would be approximately $4.7 billion, or $1.79 per share. These costs would, in effect, lower the net amount of the regulatory termination fee that PSKY would pay to WBD from $5.8 billion to $1.1 billion in the event of a failed transaction with PSKY. In comparison, the Netflix transaction imposes none of these costs on WBD.

Lack of Certainty in PSKY’s Ability to Close the Transaction

The extraordinary amount of debt financing, as well as other terms of the PSKY offer, heighten the risk of failure to close, particularly when compared to the certainty of the Netflix merger. PSKY is a company with a $14 billion market capitalization attempting an acquisition requiring $94.65 billion of debt and equity financing, nearly seven times its total market capitalization. To effect the transaction, it intends to incur an extraordinary amount of incremental debt – more than $50 billion – through arrangements with multiple financing partners.

The transaction PSKY is proposing is in effect a leveraged buyout (“LBO”). In fact, it would be the largest LBO in history with $87 billion of total pro forma gross debt and an estimated gross leverage of approximately 7x 2026E EBITDA before synergies. The WBD Board considered that an LBO structure introduces risks given the acquiror’s reliance on the ability and willingness of its lenders to provide funds at close. Changes in the performance or financial condition of either the target or acquiror, as well as changes in the industry or financing landscapes, could jeopardize these financing arrangements. Many prior large LBOs illustrate that acquirors or their equity and/or debt financing sources can, and do, seek to assert failures of closing conditions in order to terminate a transaction or renegotiate transaction terms. This aggressive transaction structure poses materially more risk for WBD and its shareholders when compared to the conventional structure of the Netflix merger.

The risks inherent in the LBO structure are exacerbated by the amount of debt PSKY must incur, its current financial position and future prospects, as well as the lengthy period to close the transaction – which PSKY itself estimates to be 12-18 months following signing. PSKY already has a “junk” credit rating and it has negative free cash flows with a high degree of dependency on its legacy linear business. Certain fixed obligations that PSKY has incurred or may incur prior to closing, such as the multi-year programming and sports licensing deals, could further strain its financial condition.

Further, the operating restrictions between signing and closing imposed on WBD by the PSKY offer could damage our business, allowing PSKY to abandon the offer. The onerous covenants include, among others, restricting WBD’s ability to modify, renew or terminate affiliation agreements. These restrictions may hamper WBD’s ability to perform and could lead PSKY to assert that WBD has suffered a “material adverse effect,” enabling PSKY and its financing partners to terminate the transaction or renegotiate the terms of the transaction.

In contrast, Netflix is a company with a market capitalization of approximately $400 billion, an investment grade balance sheet, an A/A3 credit rating and estimated free cash flow of more than $12 billion for 2026. The merger agreement with Netflix also provides WBD with more flexibility to operate in a normal course until closing. Given these factors, the Board determined that the Netflix merger remains superior to PSKY’s amended offer.

Consequences for WBD Shareholders Should PSKY Fail to Close the Transaction

If PSKY fails to close its offer, WBD shareholders would incur significant costs and potentially considerable value destruction. In addition to potentially enabling PSKY to abandon or amend its offer, the operating restrictions that PSKY would impose on WBD between signing and closing could impair WBD’s financial condition and ability to maintain its competitive position in the markets in which it operates, and hinder its ability to retain key talent. This includes prohibiting WBD from pursuing the planned separation of Discovery Global and Warner Bros., which was designed to derisk our businesses by allowing each to focus on its own strategic plan. The PSKY offer would also prevent WBD from completing the contemplated debt exchange and refinancing our $15 billion bridge loan without PSKY’s consent, which would limit our financial flexibility. If the PSKY offer fails to close, WBD shareholders would be left with shares in a business that has been restricted from pursuing its key initiatives for up to 18 months.

Further, WBD shareholders would receive insufficient compensation for the damage to our businesses should the PSKY offer not close. The $1.1 billion net amount of the regulatory termination fee that PSKY would pay to WBD represents an unacceptably low 1.4% of the transaction equity value and would not come close to helping WBD address the likely damage to our businesses.

In contrast, should Netflix fail to complete the merger for regulatory reasons, WBD would receive a $5.8 billion termination fee and WBD shareholders would still benefit from the initiatives that the Board and management team are implementing to secure the value of our businesses and ensure their long-term success, including the planned separation of Discovery Global and Warner Bros.

The PSKY Offer Is Not Superior, or Even Comparable, to the Netflix Merger

PSKY has repeatedly failed to submit the best proposal for WBD shareholders despite clear direction from WBD on both the deficiencies and potential solutions. The WBD Board, management team and our advisors have extensively engaged with PSKY and its representatives and provided it with explicit instructions on how to improve each of its offers. Yet PSKY has continued to submit offers that still include many of the deficiencies we previously repeatedly identified to PSKY, none of which are present in the Netflix merger agreement, all while asserting that its offers do not represent its “best and final” proposal.

PSKY’s transaction team, including many of their employees, several law firms, investment and lending banks and consultants, had several months to engage extensively with WBD. They are well aware of the reasons behind the Board’s determination that the Netflix merger agreement is superior to its offer. If on December 4 PSKY did not recognize the weaknesses of its proposal when the Board concluded the process, it has now had several weeks to study the Netflix merger agreement and adjust its offer accordingly. Instead PSKY has, for whatever reason, chosen not to do so. 

Your Board negotiated a merger with Netflix that maximizes value while mitigating downside risks, and we unanimously believe the Netflix merger is in your best interest. We are focused on advancing the Netflix merger to deliver its compelling value to you.

Sincerely, 
The Warner Bros. Discovery Board of Directors

Fiction

Banijay-backed CreAsia Studios unveils crime thriller and space reality show

Published

on

BANGKOK: CreAsia Studios is stretching the boundaries of Asian entertainment—from the crime lab to outer space.

At the True Visions Now event in Bangkok, the Banijay Asia–EndemolShine India-backed studio unveiled two sharply contrasting yet equally ambitious projects, signalling its intent to push format innovation across scripted and unscripted television.

The first, My Chef In Crime, is an original crime thriller that fuses forensic science with food. Set against the backdrop of diverse Asian culinary cultures, the series explores how culinary science intersects with crime-solving, offering a fresh spin on the well-worn investigative genre. Backed by a strong cast, the show promises high suspense, originality and a distinctly regional flavour rarely seen in crime drama.

The second reveal went even bigger. Race to Space – Thailand is a reality series with a literal mission: to find and send the first Thai citizen into space. Designed as both entertainment and national milestone, the show will see Thai participants compete for the chance to become astronauts, turning space travel from distant aspiration into televised reality. The project is being developed in collaboration with the Space Exploration and Research Agency.

Both shows have been in development for some time, and the Bangkok event marked the first public unveiling of images and teasers, offering an early glimpse into their scale and ambition.

Deepak Dhar, founder and group ceo of Banijay Asia and EndemolShine India, described the moment as a milestone for CreAsia Studios, pointing to the breadth of storytelling, from grounded, science-led crime to aspirational, future-facing reality—as a reflection of where Asian content is headed.

From dissecting crimes through cuisine to launching dreams into orbit, CreAsia’s message is clear: safe bets are out, bold formats are in—and the ambition is only getting bigger.
 

Continue Reading

Fiction

Q3 FY26: Shemaroo’s digital rise is real, but losses keep mounting

Published

on

MUMBAI: Shemaroo Entertainment’s long-running pivot to digital is showing traction—but not nearly enough to stem the bleeding from its traditional media business.

The Mumbai-based media company reported consolidated revenue of Rs 1,607 million for the December quarter, down 2.25 per cent year-on-year, as a 13.8 per cent jump in digital media revenue failed to offset a 14.4 per cent slide in traditional segments. For the nine months ended December 2025, revenue slipped 7.75 per cent to Rs 4,436 million.

Losses, however, widened sharply. The company posted a consolidated net loss of Rs 554 million for the quarter, compared with a loss of Rs 364 million a year earlier. EBITDA plunged to a loss of Rs 674 million, pushing margins deeper into negative territory, with EBITDA margin deteriorating to minus 41.93 per cent.

For the nine-month period, net loss ballooned to Rs 1,465 million, while EBITDA losses swelled to Rs 1,776 million. Earnings per share for the period stood at minus Rs 53.60, underscoring the scale of the deterioration.

Costs told much of the story. Operational expenses climbed to Rs 1,501 crore in Q3, while employee benefit expenses rose to Rs 360 crore. Finance costs remained elevated at Rs 75 crore for the quarter and Rs 223 crore for the nine months, reflecting sustained balance-sheet stress. Loss before tax widened to Rs 756 crore in the December quarter.

Management attributed the weak performance to a bruising mix of industry headwinds: the return of major broadcasters to FreeDish, an overcrowded sports calendar and persistent softness in FMCG advertising, which hit traditional entertainment revenues hardest. While a recent GST rate cut is expected to stabilise advertising spends, margins are likely to remain under pressure in the near term.

Digital, however, continues to be the clear bright spot. Digital media contributed Rs 807 million in Q3 revenue, lifting its share of the business to 37 per cent, up from 20 per cent in the pre-2018 era. The company’s YouTube network clocked more than 9.5 billion views during the quarter, with Shemaroo FilmiGaane crossing 74 million subscribers and the flagship Shemaroo Entertainment channel topping 61 million.

On the content front, ShemarooMe released six new Gujarati titles across films, web series and plays, including world digital premieres such as Jai Mata Ji Let’s Rock, Auntypreneur, Shubhchintak and Vicki Ki Baraat, as it doubled down on regional and language-led storytelling.

Despite the red ink, the company maintained that much of the pain is accounting-driven. Inventory charge-offs linked to initiatives launched eight quarters ago, it said, have no bearing on content monetisation or free cash generation. The focus now is on shoring up the balance sheet, tightening operations and extracting long-term value from its digital assets.

Standalone numbers mirrored the pressure. Shemaroo Entertainment’s standalone net loss widened to Rs 557 crore in Q3, with nine-month losses touching Rs 1,489 crore, even as standalone revenue for the period reached Rs 4,166 crore.

Beyond the income statement, legal risks continued to loom. GST authorities have raised demands of over Rs 7,025 lakh, alongside penalties exceeding Rs 6,334 lakh, with additional penalties of Rs 133.61 crore each imposed on senior executives. While interim stays were granted by the Bombay high court, an appeal was disposed of in the department’s favour during the quarter. The company has since moved the Goods and Services Tax Appellate Tribunal and filed an updated writ petition, with hearings pending.

The unaudited results were reviewed by the audit committee and approved by the board at a meeting held on January 29, with statutory auditors Mukund M. Chitale & Co issuing a limited review and flagging no material misstatements.

Investors remain unconvinced. The stock closed December at Rs 108.70, well below its 52-week high of Rs 184, and has lagged the Sensex over the past year.

For Shemaroo, the verdict is stark: digital momentum is undeniable, but until legacy media, costs and legal overhangs are brought to heel, the recovery story remains unfinished.
 

Continue Reading

Fiction

Fox Entertainment inks deal with Dhar Mann Studios for slate of 40 scripted vertical-video shows

Published

on

CALIFORNIA: Fox Entertainment is making its boldest play yet in the vertical-video boom, striking a multiyear global partnership with Dhar Mann Studios to produce a slate of 40 original scripted microdramas.

The agreement, announced on Tuesday, marks one of the largest deals ever signed with a creator-led studio. It will see Dhar Mann Studios develop and produce narrative-driven vertical shows exclusively for Holywater’s MyDrama app, with Fox Entertainment Global handling worldwide distribution after the initial release window. The first titles are expected to premiere this spring.

“This is one of the biggest deals in creator history,” Dhar Mann said in a LinkedIn post announcing the partnership. “This is the first time Fox Entertainment has partnered at this scale with a creator-led studio in the vertical space, the first slate partnership between Holywater and a creator studio, and the first time Dhar Mann Studios is opening our universe to a global distribution partner of this magnitude.”

Fox, which took an equity stake in Holywater last year, is positioning vertical storytelling as a core growth engine rather than an experiment. “Dhar Mann’s inspiring, undeniable storytelling excellence and passionate audience have made him one of the most powerful and consequential voices in entertainment today,” said Rob Wade, chief executive of Fox Entertainment. “We’re primed to expand Dhar Mann Studios’ reach by super-serving his new and existing fans everywhere with this all-new, original vertical content.”

Founded in 2018, Dhar Mann Studios has built a multigenerational audience of more than 163 million followers across platforms, generating an estimated 20 billion views. The studio operates a 125,000-square-foot, three-stage production facility in Burbank, California, and has become a force in short-form scripted storytelling built around moral drama and emotional payoff.

Despite Fox’s global reach, Dhar Mann will retain full ownership and creative independence. “Full creative ownership and independence—so our stories stay true to the heart of why people watch,” he said, outlining the deal’s structure.

Reflecting on the journey, Dhar Mann struck a personal note. “When I started making videos from my small living room, I never imagined that one day we’d be collaborating with one of the most iconic entertainment companies in the world. I just wanted to tell stories that helped people feel seen.”

The partnership also marks Dhar Mann Studios’ first formal entry into vertical-first production at scale. To lead the push, the studio recently appointed Erin McFarlane as head of vertical content. McFarlane previously oversaw creative development at vertical-video platform SaltyTV.

Sean Atkins, chief executive of Dhar Mann Studios, said in a joint statement with McFarlane that Fox and Holywater stood out as partners willing to back ambition. “Rob and his team are embracing innovation and investing in it, affording us an unprecedented level of creative autonomy and the resources needed to build something that has never been done before at this scale,” Atkins said.

Holywater’s co-founders and co-chief executives, Bogdan Nesvit and Anatolii Kasianov, called the deal a strategic inflection point. “This represents the first step in our broader strategy to attract global creators and top-tier talent to vertical storytelling at scale,” they said.

Momentum is accelerating. Earlier this month, Ukraine-based Holywater raised $22 million in its largest funding round to date. Fox Entertainment Studios is already producing around 200 original microdramas and vertical series for the platform, alongside projects with other studios and creators.

For Dhar Mann, the message is clear—and pointed at the industry. “Vertical video isn’t just the future,” he said. “It’s the present.”

The phone is now the screen. And Fox is betting that the next global studio will be built one swipe at a time.

Continue Reading

Trending

Copyright © 2026 Indian Television Dot Com PVT LTD