Hindi
UTV to release six films in 2012
MUMBAI: UTV Motion Pictures has released the slate of movies that it is to release in 2012.
To start off, the company will release Ek Main Aur Ek Tu, its co-production with Dharma Productions on 10 February.
The film being directed by Shakun Batra and starring Kareena Kapoor and Imraan Khan, is a light hearted, tragicomedy about a guy in his mid twenties going through a breakdown in his personal as well as work life. Rahul Kapoor loses his job as an architect in Vegas and by a twist of fate he meets Riana Braganza, a quick-witted hairstylist who is everything he isn‘t. Will this friendship with her turn to love?
Following in May would be Luv Shuv Tey Chicken Khurana, a co-production of UTV Spotboy and Anurag Kashyap directed by Sameer Sharma. The film starring Kunal Kapoor and Huma Qureshi celebrates the lovable quirks of a Punjabi joint family with its inherent humour, drama, confusion, emotion, and the secret recipe for a famous chicken curry Chicken Khurana that forms the crux of the plot.
Releasing on 15 June will be Rowdy Rathore, a joint venture of UTV Motion Pictures and SLB Productions. The film, directed by Prabhudeva, starring Akshay Kumar and Sonakshi Sinha, is a remake of Vikramarkudu, the superhit Telugu film which was also remade in Tamil as Siruthai. The film will see Kumar returning to his original action avatar.
Following in July is Barfii, a UTV Motion Pictures product, directed by Anurag Basu. The film stars Ranbir Kapoor, Priyanka Chopra and Ileyana.
Then there is the Shirish Kunder-directed Joker 3D that releases on 30 August. The film, a co-production of UTV Motion Pictures, Three‘s Company and Hari Om Productions and Shirish Kunder, stars Akshay Kumar and Sonakshi Sinha. Akshay Kumar returns to his hometown, a place that‘s so remote and crazy that it‘s not even on the map. And then what follows puts this forgotten little town not just on the country‘s map, but makes it the focus of the entire globe! Aliens!
And the last film on the slate is the Madhur Bhandarkar-directed Heroine. The film, a UTV Motion Pictures and Bhandarkar Entertainment product and starring Kareena Kapoor and Arjun Rampal, is based on the life and times of a superstar heroine from the dream factory we call ‘Bollywood‘. The film is an entertaining, daring, emotional, shocking, glamorous, scandalous behind the scenes account of the reality behind the world of glitz and glamour that our film stars inhabit.
Hindi
Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
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