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TV with enhancement settings preferred by visually impaired people: OPO study

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MUMBAI: A scientist at Schepens Eye Research Institute (SERI) Dr.Eli Peli, found that increasing the contrast of details of certain sizes was of special importance in making television watching more enjoyable for the visually impaired.

The goal of the current OPO study was to determine if people with impaired vision benefited from an individually tuned contrast enhancement of their TV. People who may benefit from such a device include those suffering from macular degeneration, diabetic retinopathy and other causes of low vision.

The study, published in the current (November/December) issue of Ophthalmic and Physiological Optics (OPO), provides information that will aid in the development of an electronic device to help millions suffering eye diseases.

“Most of us take seeing the television for granted,” says Peli, “But for the visually impaired,it is very difficult.This is a source of great frustration and discouragement since so much news and entertainment comes from tuning into the ‘tube’.”

Peli and his colleagues used an image-processing device developed for them by *DigiVision, Inc. that allows them to manipulate, in real time, the contrast of different sized details in the video screen to their individual liking. “This is a very flexible device but also quite expensive and complex, and thus could not be brought to market easily,” says Peli.

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Using this device and similar approaches, Peli and his team learned that certain details in an image that are too small will not be visible to someone with central vision loss even with the highest contrast. They also learned, through patients’ responses, that the large details in an image were fully visible to visually impaired persons without modification.

Peli and his team found that patients did like the images that reflected their own individual settings for contrast and details better than the un-enhanced video. However, personal preferences were only slightly higher for those individual settings than for the arbitrarily enhanced images.These results mean that enhancement levels could be selected that will be acceptable to most people, simplifying the type of device needed.

Peli envisions a small box that could be attached to any television and would offer only a few enhancement settings, making it less expansive and less complicated to use.

As a low vision rehabilitation expert, Peli sees hundreds of patients suffering from vision impairments caused by diseases such as age-related macular degeneration (AMD), diabetic retinopathy and other diseases that impair the central vision. AMD destroys the tiny central part of the retina called the macula. This makes activities such as reading, driving, and watching television extremely difficult.

Peli, an electrical engineer and an optometrist by training, has devoted his career to creating and evaluating new technologies to help low-vision patients regain their ability to do these tasks.

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Belkin, an international technology company, has recently released a video enhancement cable product, RazorVision, which enhances video for normal sighted TV viewers.

*DigiVision, the company that developed the Belkin device and holds a patent pending on the technology, is interested in creating another version of the product for visually impaired viewers based on results from this and other image studies by Peli and his colleagues,

*DigiVision,Inc. was awarded a “Connect 2005 Most Innovative New Product Award” for their “Video Enhancement Cable.”

Though not part of the study results, Peli says that people with normal sight who have been exposed to these enhanced videos do not see them as interfering with their enjoyment of viewing.

“In fact, they usually don’t seem to be aware that the image has been enhanced,” he says. “This means that the visually impaired and their family and friends with normal sight could enjoy watching television together.

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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